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| surfacing as a feminist novel: Surfacing Margaret Atwood, 2012-03-27 From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented...and becoming whole. |
| surfacing as a feminist novel: Surfacing Desiree Lewis, Gabeba Baderoon, 2021-04-01 An anthology dedicated to contemporary Black South African feminist writing influential to today's scholars and radical thinkers Surfacing: On Being Black and Feminist in South Africa is the first collection dedicated to contemporary Black South African feminist perspectives. Leading feminist theorist, Desiree Lewis, and poet and feminist scholar, Gabeba Baderoon, have curated contributions by some of the finest writers and thought leaders into an essential resource. Radical polemic sits side by side with personal essays, and critical theory coexists with rich and stirring life histories. The collection demonstrates a dazzling range of feminist voices from established scholars and authors to emerging thinkers, activists and creative practitioners. The writers within these pages use creative expression, photography and poetry in eclectic, interdisciplinary ways to unearth and interrogate representations of blackness, sexuality, girlhood, history, divinity, and other themes. Surfacing asks: what do the African feminist traditions that exist outside the canon look and feel like? What complex cultural logics are at work outside the centers of power? How do spirituality and feminism influence each other? What are the histories and experiences of queer Africans? What imaginative forms can feminist activism take? Surfacing is indispensable to anyone interested in feminism from Africa, which its contributors show in vivid and challenging conversation with the rest of the world. It will appeal to a diverse audience of students, activists, critical thinkers, academics and artists. |
| surfacing as a feminist novel: 'Surfacing' the Politics of Desire Rajeshwari Suryamohan Vallury, 2008-01-01 Surfacing the Politics of Desire re-examines the myths of masculine desire in order to challenge this premise, placing literature at the centre of recent feminist debates over the ontology and politics of sexual difference. |
| surfacing as a feminist novel: Madness and Sexual Politics in the Feminist Novel Barbara Hill Rigney, 1980 |
| surfacing as a feminist novel: Critical Essays on Post-colonial Literature Bijay Kumar Das, 2007 The Present Book Is An Attempt To Analyse Some Of The Outstanding Post-Colonial Writers Like Arundhati Roy (Booker Prize Winner 1997), Vikram Chandra (Commonwealth Prize Winner 1997), Derek Walcott (Nobel Prize Winner), Margaret Atwood (Booker Prize Winner 2000), Jayanta Mahapatra, Dom Moraes, Nissim Ezekiel, Keki N. Daruwalla, Kamala Das, Shiv K. Kumar, Anita Desai, Shashi Deshpande, Ruskin Bond (All Sahitya Akademi Award Winners) In The Light Of Post-Colonial Theory. Apart From Analysing Individual Authors, An Attempt Has Also Been Made To Show The Trends In Post-Colonial Poetry, Indian English Fiction, Orissan Contribution To Post-Colonial Indian English Literature And Above All, Post-Colonial English Studies In India. |
| surfacing as a feminist novel: Madness and Sexual Politics in the Feminist Novel Barbara Hill Rigney, 1978 A greater part of the feminist movement has considered traditional psychology to be both a product and a defense of the status quo, a patriarchal society. Here, Barbara Hill Rigney explores emerging feminist psychology by applying it to literary works by women who have depicted the relationship between madness and the female condition. The result is a fascinating and illuminating exposition, certain to be welcomed by students and scholars in literature and women's studies, as well as those in sociology and psychology whose interests include feminism and problems of women and society. Among the works Rigney considers are Charlotte Brontë's Jane Eyre, Virginia Woolf's Mrs. Dalloway, Doris Lessing's The Four-Gated City, and Margaret Atwood's Surfacing, all of which depict insanity in relation to sexual politics. These authors portray a patriarchal social system which, in itself, manifests symptoms of collusive madness in the form of war or sexual oppression and is thereby seen as threatening to female psychological survival. Each of Rigney's author subjects sees her protagonist as tragically divided between male society's prescribed roles for women and a sense of an authentic self. Thus emerges a pattern, common to all works, in which the divided self is reflected by the inevitable juxtaposition of the protagonist to a doppelgänger, an insane self, an extension of the protagonist who herself can be regarded as sane only by degree. A return to true sanity is traced through the patterns found in the selected works. Rigney explores the literary metaphor of the return of Demeter or the Amazon mother to restore the alienated female protagonists. In order to begin the return from psychosis, Rigney concludes, they must find the mother within themselves in the form of a feminist consciousness of self-worth. |
| surfacing as a feminist novel: This Book Is an Action Jaime Harker, Cecilia Konchar Farr, 2015-12-30 The Women's Liberation Movement held a foundational belief in the written word's power to incite social change. In this new collection, Jaime Harker and Cecilia Konchar Farr curate essays that reveal how second-wave feminists embraced this potential with a vengeance. The authors in This Book Is an Action investigate the dynamic print culture that emerged as the feminist movement reawakened in the late 1960s. The works created by women shined a light on taboo topics and offered inspiring accounts of personal transformation. Yet, as the essayists reveal, the texts represented something far greater: a distinct and influential American literary renaissance. On the one hand, feminists took control of the process by building a network of publishers and distributors owned and operated by women. On the other, women writers threw off convention to venture into radical and experimental forms, poetry, and genre storytelling, and in so doing created works that raised the consciousness of a generation. Examining feminist print culture from its structures and systems to defining texts by Margaret Atwood and Alice Walker, This Book Is an Action suggests untapped possibilities for the critical and aesthetic analysis of the diverse range of literary production during feminism's second wave. |
| surfacing as a feminist novel: The Handmaid's Tale Margaret Atwood, 2011-09-06 An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning. |
| surfacing as a feminist novel: Margaret Atwood Fiona Tolan, 2007 This book examines the novels of Margaret Atwood in conjunction wit the development of second-wave feminism, and attempts to demonstrate the existence of a dynamic relationship between her fiction and feminist theory. --introd. |
| surfacing as a feminist novel: Bodily Harm Margaret Atwood, 2012-05-15 A clever and addictive thriller from the bestselling author of The Handmaid’s Tale and The Testaments Rennie Wilford is a young journalist running from her life. When she takes an assignment to a Caribbean island she tumbles into a world where no one is quite what they seem, least of all ‘Yankee’ Paul. Is Paul a drug smuggler? A CIA operative? Either way he’s trouble and his offer to Rennie of a no-hooks, no strings affair, will suddenly draw her into in a lethal web of corruption. 'As swift-moving as the best thriller, clipped and laconic, yet deeply and richly sensitive' Sunday Telegraph |
| surfacing as a feminist novel: The Edible Woman Margaret Atwood, 2012-06-28 By the author of The Handmaid's Tale, The Testaments and Alias Grace 'Clara', she said, 'do you think I'm normal?' 'I'd say you're almost abnormally normal, if you know what I mean.' Marian is determinedly ordinary, waiting to get married. She likes her work, her broody flatmate and her sober fiancé Peter. All goes well at first, but Marian has reckoned without an inner self that wants something more, that calmly sabotages her careful plans, her stable routine - and her digestion. Marriage à la mode, Marian discovers, is something she literally can't stomach . . . Margaret Atwood's first novel is both a scathingly funny satire of consumerism and a heady exploration of emotional cannibalism. 'Atwood has the magic of turning the particular and the parochial into the universal' The Times 'Written with a brilliant angry energy' Observer 'Margaret Atwood not only has a sense of humour, she has wit and style in abundance . . . a joy to read' Good Housekeeping 'A witty, elegant, generous and patient writer' Punch |
| surfacing as a feminist novel: The Bush Garden Northrop Frye, 1995-09-13 Originally published by Anansi in 1971, this attractive new edition of Frye's timeless essays on literature and painting features an introduction by Canadian literature scholar Linda Hutcheon. |
| surfacing as a feminist novel: Welcoming Lilith Theresa C. Dintino, 2014-08-09 Lilith is a Goddess and mythological figure who is misunderstood. She is reputed to be Adam’s first wife before Eve, and she represents the first powerful and liberated female in history. Then why was she banished? Through commentary and reflection on the multifaceted aspects of Lilith, Theresa C. Dintino guides the reader on an exciting inner journey to reclaim their own repressed parts. By examining how these Lilith energies may show up in their own lives, readers are encouraged to do the work to bring them back to life. Rituals included in the book offer the opportunity to explore these powerful but often feared aspects. Reclaiming the lost fragments—their power, their anger, their shadow, their sexuality, their creativity and deep inner truth—returns the psyche to a state of wholeness and integration. |
| surfacing as a feminist novel: Rebirth of the Goddess Carol P. Christ, 1998-10-15 First published in 1999. One of the most unexpected developments of the late twentieth century is the rebirth of the religion of the Goddess in western cultures. Though we were taught that the Gods and Goddesses died with the triumph of Christianity, the re-emergence of the Goddess is not as surprising as it might seem. This book explores the meaning of the Goddess, and the questions we ask as well as the ways we answer them. |
| surfacing as a feminist novel: Lady Oracle Margaret Atwood, 2012-03-27 From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. Joan Foster is the bored wife of a myopic ban-the-bomber. She takes off overnight as Canada's new superpoet, pens lurid gothics on the sly, attracts a blackmailing reporter, skids cheerfully in and out of menacing plots, hair-raising traps, and passionate trysts, and lands dead and well in Terremoto, Italy. In this remarkable, poetic, and magical novel, Margaret Atwood proves yet again why she is considered to be one of the most important and accomplished writers of our time. |
| surfacing as a feminist novel: Know Your Power Nancy Pelosi, Amy Hill Hearth, 2009-04-07 The national bestseller that has inspired women everywhere to focus on what matters most and follow their dreams wherever they may lead. “Never losing faith, we worked to redeem the promise of America, that all men and women are created equal. For our daughters and our granddaughters today we have broken the marble ceiling. For our daughters and our granddaughters now the sky is the limit.” —Nancy Pelosi, after being sworn in as Speaker of the House When Nancy Pelosi became the first woman Speaker of the House, she made history. Now she continues to inspire women everywhere in this thought-provoking collection of wise words—her own and those of the important people who played pivotal roles in her journey. |
| surfacing as a feminist novel: The Mother / Daughter Plot Marianne Hirsch, 1989-10-22 Mothers and daughters -- the female figures neglected by classic psychoanalysis and submerged in traditional narrative -- are at the center of this book. The novels of nineteenth- and twentieth-century women writers from the Western European and North American traditions reveal that the story of motherhood remains the unspeakable plot of Western culture. Focusing on the feminine and, more controversially, on the maternal, this book alters our perception of both the familial structures basic to traditional narrative -- the Oedipus story -- and the narrative structures basic to traditional representations of the family -- Freud's family romance. Confronting psychoanalytic theories of subject-formation with narrative theories, Marianne Hirsch traces the emergence and transformation of female family romance patterns from Jane Austen to Marguerite Duras. |
| surfacing as a feminist novel: Stories They Told Me Theresa Dintino, 2003-12 In an underground temple on the Island of Malta, Aureillia and Danelle witness a vision of the future that shocks and horrifies them, propelling them on to individual journeys of discovery. Danelle journeys to Africa. There, with the local shaman, he explores the heartbreaking questions of his soul. Aureillia returns to her home in Bronze Age Crete where the shock waves of a prophecy told long ago resonate in ways unexpected. Can they find a way to change the future that appears to loom inevitable? If you are interested in shamanism, the Goddess, gender reconciliation, or spiritual journeys of any kind, this is a book for you. Dintino weaves this multi-layered tale with such intensity and compassion, the characters emerge from the page and envelop you in the mesmerizing spell of their soulfulness. |
| surfacing as a feminist novel: Women Writing and Writing about Women Mary Jacobus, 1979 This innovative collection of contemporary essays in feminist literary criticism provides a spectrum of approaches and positions, united by their common focus on writing by and about women. Spanning the novel, poetry, drama, film and criticism, the contributors emphasise some of the problems of theory and practice posed by writing as a woman and by women s representation in literature. The subjects of individual essays range from the nineteenth and twentieth century novel to avant-garde film, and from Victorian women poets to Russian women poets of today. Drawing on disciplines as diverse as structuralism, psychoanalysis, semiotics, socio-linguistics and Marxist analyses of literature, the essays suggest the variety and vigour of contemporary feminist literary criticism, as well as representing some of the debates currently animating it. Topics of common concern range from the nature of a women s tradition in literature to the scope and method of feminist literary criticism itself. Successfully bridging the gap between literary criticism and literary production, the scope of this collection will be of considerable interest to those concerned with current developments in literary criticism as well as to those in the field of women s studies. |
| surfacing as a feminist novel: Studies in Literary Criticism Mohit K. Ray, 2001 The Twenty-Five Critical Studies In The Book Which Cover A Wide Spectrum Of Subjects, Authors, Titles And Concepts Across Time And Space, May Be Broadly Classified Into Four Categories : Essays On (I) Critical Theory, (Ii) On Individual Authors, (Iii) In Comparative Literature And (Iv) On Language In Addition To A Culture Study Focussed On The Present Day American Scenario.The Essays Which Encompass The Vast Areas Of Knowledge From Plato To Derrida, From Bharata And Anandavardhana To Bankim, Tagore And Contemporary Indian Literary Criticism As Well As British, French, German, American And Indian Authors Are Yet Remarkable For Profundity Of Thought, Originality Of Approach And Lucidity Of Expression.These Highly Perceptive Explorations Into The Western And The Indian Intellectual Traditions Offer A Rich Aesthetic Experience, And While Scholars Will Immensely Benefit From The Book, The General Readers Will Also Find It Highly Interesting And Enjoyable. |
| surfacing as a feminist novel: Feminisms Maggie Humm, 2014-06-11 This major textbook for women's studies provides an excellent and wide-ranging introduction to feminist ideas and perspectives on issues such as the family, sexuality, work, education, patriarchy, race, language, culture and representation. It brings together over seventy key excerpts. |
| surfacing as a feminist novel: A Feminist Discourse: Historical Perspectives to Cyborgian Feminism Dr. Navdeep Kaur, 2023-06-15 This book primarily deals with an odyssey of feminism from past to Cyborgian age, with reference to the works of Margaret Atwood. It depicts the transformation of a womanhood from stereotypical and passive woman exploited by a male-dominated society to a self-reliant woman. Donna Haraway's concept of the 'Cyborg' has served to explore the possibilities of the position of woman in contemporary society. Thus, in today's 'Cyborg' era, an attempt is made to find out about the ambition and attitude of woman. |
| surfacing as a feminist novel: This Is a Photograph of Me Margaret Atwood, Alan Cook, 2009-01-01 |
| surfacing as a feminist novel: Outrages Naomi Wolf, 2020-06-01 Outrages: Sex, Censorship, and the Criminalization of Love |
| surfacing as a feminist novel: Gaga Feminism J. Jack Halberstam, 2012-09-18 Using Lady Gaga as a symbol for a new kind of feminism, this “provocative and pleasurable romp through contemporary gender politics . . . is as fun as it is illuminating” (Ariel Levy, New Yorker) Why are so many women single, so many men resisting marriage, and so many gays and lesbians having babies? Gaga Feminism answers these questions while attempting to make sense of the tectonic cultural shifts that have transformed gender and sexual politics in the last few decades. This colorful landscape is populated by symbols and phenomena as varied as pregnant men, late-life lesbians, SpongeBob SquarePants, and queer families. So how do we understand the dissonance between these real experiences and the heteronormative narratives that dominate popular media? We can embrace the chaos! With equal parts edge and wit, J. Jack Halberstam reveals how these symbolic ruptures open a critical space to embrace new ways of conceptualizing sex, love, and marriage. Using Lady Gaga as a symbol for a new era, Halberstam deftly unpacks what the pop superstar symbolizes, to whom and why. The result is a provocative manifesto of creative mayhem—a roadmap to sex and gender for the twenty-first century—that holds Lady Gaga as an exemplar of a new kind of feminism that privileges gender and sexual fluidity. Part handbook, part guidebook, and part sex manual, Gaga Feminism is the first book to take seriously the collapse of heterosexuality and find signposts in the wreckage to a new and different way of doing sex and gender. |
| surfacing as a feminist novel: The Gosling Girl Jacqueline Roy, 2022-01-20 ‘[The Gosling Girl] interrogates the context of a child's crime and simplistic notions of evil by society and the media. It fosters understanding & empathy and draws us deep inside the protagonist's psychology’ Bernardine Evaristo Monster? Murderer? Child? Victim? Michelle Cameron’s name is associated with the most abhorrent of crimes. A child who lured a younger child away from her parents and to her death, she is known as the black girl who murdered a little white girl; evil incarnate according to the media. As the book opens, she has done her time, and has been released as a young woman with a new identity to start her life again. When another shocking death occurs, Michelle is the first in the frame. Brought into the police station to answer questions around a suspicious death, it is only a matter of time until the press find out who she is now and where she lives and set about destroying her all over again. Natalie Tyler is the officer brought in to investigate the murder. A black detective constable, she has been ostracised from her family and often feels she is in the wrong job. But when she meets Michelle, she feels a complicated need to protect her, whatever she might have done. The Gosling Girl is a moving, powerful account of systemic, institutional and internalised racism, and of how the marginalised fight back. It delves into the psychological after-effects of a crime committed in childhood, exploring intersections between race and class as Michelle's story is co-opted and controlled by those around her. Jacqueline writes with a cool restraint and The Gosling Girl is a raw and powerful novel that will stay with the reader long after they have turned the last page. Praise for The Gosling Girl: ‘This intriguing procedural is above all a portrait of two damaged women and a moving demonstration of how race and class have affected their lives' The Times and The Sunday Times Crime Club 'This is a beautifully written, insightful and thought-provoking novel. Michelle's story drew me in immediately, and while it's heartbreaking in places, it's uplifting in others. Jacqueline Roy writes with deep compassion and empathy...' Susan Elliot Wright, author of All You Ever Wanted 'A thoughtful, slow-burn exploration of how damaged children damage... At times, disturbing, poignant, and thought-provoking' Sarah Vaughan, author of Anatomy of a Scandal and Reputation |
| surfacing as a feminist novel: Surface Relations Vivian L. Huang, 2022-12-02 Vivian L. Huang retheorizes the stereotype of inscrutability as a queer aesthetic strategy within contemporary Asian American cultural life. |
| surfacing as a feminist novel: Finding Our Way Janet Biehl, 1991 Finding Our Way is a well-written, clear introduction to a range of ecofeminist thought. In four essays, Biehl explores ecofeminism's intellectual affinities with social ecology and other schools of thought; critiques the increasing role of Goddess mythology within today's movement; spiritedly defends reason and naturalism against what she sees as a counter-Enlightenment mentality within feminist and academic circles; and mines the Western democratic tradition for its relevant political insights for feminists today. |
| surfacing as a feminist novel: Toward a Black Feminist Criticism Barbara Smith, 1980 Is a discussion of lesbian writing-e.g., Tony Morrison.--P. Thorslev. |
| surfacing as a feminist novel: Mean Spirit Linda Hogan, 2024-09-03 FINALIST FOR THE PULITZER PRIZE * Named a Best Mystery and Thriller Book of all Time by Time A haunting epic following a Native American government official who investigates the murder of Grace Blanket: an Osage woman who was once the richest person in her territory until the greed of white men led to her death and a future of uncertainty for her family. When rivers of oil are discovered beneath the land belonging to the Osage tribe during the Oklahoma oil boom, Grace Blanket becomes the wealthiest person in the territory. Tragically, she is murdered at the hands of greedy men, leaving her daughter Nola orphaned. After the Graycloud family takes Nola in, they too begin dying mysteriously. Though they send letters to Washington DC begging for help, the family continues to slowly disappear until Native American government official Stace Red Hawk ventures west to investigate the terrors plaguing the Osage tribe. Stace is not only able to uncover the rampant fraud, intimidation, and murder that led to the deaths of Grace Blanket and the Greycloud family, but also finds something truly extraordinary—a realization of his deepest self and an abundance of love and appreciation for his native people and their brave past. |
| surfacing as a feminist novel: Margaret Atwood and the Female Bildungsroman Ellen McWilliams, 2009 In her study of Margaret Atwood, Ellen McWilliams explores how the Bildungsroman has been appropriated by women writers in the second half of the twentieth century. Early works by Atwood are placed in dialogue with more recent novels, thus furthering our |
| surfacing as a feminist novel: Feminisms with Chinese Characteristics Ping Zhu, Hui Faye Xiao, 2021-12-28 The year 1995, when the Fourth World Conference on Women was held in Beijing, marks a historical milestone in the development of the Chinese feminist movement. In the decades that followed, three distinct trends emerged: first, there was a rise in feminist NGOs in mainland China and a surfacing of LGBTQ movements; second, social and economic developments nurtured new female agency, creating a vibrant, women-oriented cultural milieu in China; third, in response to ethnocentric Western feminism, some Chinese feminist scholars and activists recuperated the legacies of socialist China’s state feminism and gender policies in a new millennium. These trends have brought Chinese women unprecedented choices, resources, opportunities, pitfalls, challenges, and even crises. In this timely volume, Zhu and Xiao offer an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural “feminisms” with “Chinese characteristics,” they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and, stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. The twelve chapters in this interdisciplinary collection address the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization. |
| surfacing as a feminist novel: Margaret Atwood Neeru & Anshul Chandra Tandon, Neeru Tandon, Anshul Chandra, 2009 Study on the novels of Margaret Atwood, b. 1939, Canadian litterateur. |
| surfacing as a feminist novel: Recollections of My Nonexistence Rebecca Solnit, 2020-03-10 Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change. |
| surfacing as a feminist novel: Forced Migration in the Feminist Imagination Anna Ball, 2021-09-21 Forced Migration in the Feminist Imagination explores how feminist acts of imaginative expression, community-building, scholarship, and activism create new possibilities for women experiencing forced migration in the twenty-first century. Drawing on literature, film, and art from a range of transnational contexts including Europe, the Middle East, Central America, Australia, and the Caribbean, this volume reveals the hitherto unrecognised networks of feminist alliance being formulated across borders, while reflecting carefully on the complex politics of cross-cultural feminist solidarity. The book presents a variety of cultural case-studies that each reveal a different context in which the transcultural feminist imagination can be seen to operate – from the ‘maternal feminism’ of literary journalism confronting the European ‘refugee crisis’ to Iran’s female film directors building creative collaborations with displaced Afghan women; and from artists employing sonic creativities in order to listen to women in U.K. and Australian detention, to LGBTQ+ poets and video artists articulating new forms of queer feminist community against the backdrop of the hostile environment. This is an essential read for scholars in Women’s and Gender Studies, Feminist and Postcolonial Literary and Cultural Studies, and Comparative Literary Studies, as well as for those operating in the fields of Gender and Development Studies and Forced Migration Studies. |
| surfacing as a feminist novel: Men Explain Things to Me Rebecca Solnit, 2014-04-14 The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon |
| surfacing as a feminist novel: Woman and Nature Maureen Devine, 1992 Brings together a number of issues in current feminist literary criticism and discusses them in the critical languages of ecofeminism and gynocriticism. |
| surfacing as a feminist novel: Margaret Atwood Marion Wynne-Davies, 2010 This book offers a comprehensive overview of Margaret Atwood's poetry, novels, shorter fiction, children's books, criticism and experimental multi-genre work. |
| surfacing as a feminist novel: Contemporary Women's Fiction. Feminist Narratives in Selected Twentieth Century Women's Novels Subashish Bhattacharjee, Dipak Barman, 2016-06 Women’s writing in the twentieth century has shown a dramatic shift in its preoccupations and intentions. Rather than occupying itself with the trivialities of the social and domestic spheres, the writing by women in the latter half of the twentieth century and approaching the twenty-first century inheres concerns such as political, historical, questions of gender equity and rights, interrogations of normative and patriarchal practices and other such issues that have not been adequately addressed in women’s writing thus far. The four essays in the present volume are certainly not exhaustive or adequate in this regard — that of addressing this lacuna in literary scholarship — but it may be viewed as a attempt to bridge the proverbial gap. As a precursor to further scholarly works in the area, already existing as well as forthcoming, the essays discuss the works of Toni Morrison, Margaret Atwood, Bapsi Sidhwa, Manju Kapur and Sunanda Sikdar. Although the essays purport to exploring select areas of the authors’ oeuvre, the distinctive fictional structures of the authors help us to explore wider theoretical and critical issues such as postmodernity, postcolonialism, feminism, globalism, nationalism and other related issues. |
| surfacing as a feminist novel: The Cambridge History of Twentieth-Century English Literature Laura Marcus, Peter Nicholls, 2004 Publisher Description |
Surfacing Summary - eNotes.com
Surfacing unfolds over a fortnight, guiding the reader through a deeply personal journey set amidst the rugged wilderness of the protagonist's childhood home. This narrative, segmented …
Surfacing Characters - eNotes.com
Analysis and discussion of characters in Margaret Atwood's Surfacing
Surfacing Critical Essays - eNotes.com
"Surfacing" intricately weaves themes of birth and abortion, with the narrator's constructed memories of her child taking on dual meanings in the aftermath of her abortion.
What is the significance of the title Surfacing in the context of ...
Jul 4, 2024 · Quick answer: The title Surfacing signifies the narrator's psychological realization of her identity. Throughout the book, she gains clarity on her own condition, the past, and the …
Surfacing Questions and Answers - eNotes.com
The title Surfacing signifies the narrator's psychological realization of her identity. Throughout the book, she gains clarity on her own condition, the past, and the suffering of women and nature...
Surfacing Analysis - eNotes.com
Jul 9, 1973 · If Surfacing involves a protagonist whose descent into an irrational underworld enables her to move beyond emotional stasis, Life Before Man (1979) introduces a trio of …
Surfacing Critical Overview - Essay - eNotes.com
Margaret Atwood's novel Surfacing stands as a seminal work that weaves together complex themes and multifaceted storytelling. This novel, a cornerstone of Atwood's illustrious literary …
Surfacing Themes - eNotes.com
Discussion of themes and motifs in Margaret Atwood's Surfacing. eNotes critical analyses help you gain a deeper understanding of Surfacing so you can excel on your essay or test.
Refusing to be a Victim: Margaret Atwood - eNotes.com
SOURCE: "Refusing to be a Victim: Margaret Atwood," in her Diving Deep and Surfacing: Women Writers on Spiritual Quest, Beacon Press, 1980, pp. 41-53. [In the following essay, Christ …
'After the Failure of Logic': Descent and Return in Surfacing
In the following excerpt, Rigney discusses the theme of discovering the self through descent and return in Atwood's Surfacing. It is inevitable for Margaret Atw
Surfacing Summary - eNotes.com
Surfacing unfolds over a fortnight, guiding the reader through a deeply personal journey set amidst the rugged wilderness of the protagonist's …
Surfacing Characters - eNotes.com
Analysis and discussion of characters in Margaret Atwood's Surfacing
Surfacing Critical Essays - eNotes.com
"Surfacing" intricately weaves themes of birth and abortion, with the narrator's constructed memories of her child taking on dual meanings in the …
What is the significance of the title Surfacing in the context …
Jul 4, 2024 · Quick answer: The title Surfacing signifies the narrator's psychological realization of her identity. Throughout the book, she gains …
Surfacing Questions and Answers - eNotes.com
The title Surfacing signifies the narrator's psychological realization of her identity. Throughout the book, she gains clarity on her own condition, …
