The Art Of Mesoamerica From Olmec To Aztec

  the art of mesoamerica from olmec to aztec: The Art of Mesoamerica Mary Ellen Miller, 2012
  the art of mesoamerica from olmec to aztec: The Art of Mesoamerica Mary Ellen Miller, 1986
  the art of mesoamerica from olmec to aztec: Mexico Michael D. Coe, Rex Koontz, 2008 Masterly....The complexities of Mexico's ancient cultures are perceptively presented and interpreted.--Library Journal
  the art of mesoamerica from olmec to aztec: Olmec Art of Ancient Mexico National Gallery of Art (U.S.), 1996 Fourteen Olmec specialists discuss not only the works of art but also the many recent finds, that provide insights into Mexico's most ancient culture, as well as its cultural history, cosmology, and daily life. Colour photos. Quarto.
  the art of mesoamerica from olmec to aztec: Golden Kingdoms Joanne Pillsbury, Timothy Potts, Kim N. Richter, 2017-09-26 This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
  the art of mesoamerica from olmec to aztec: Maya to Aztec: Ancient Mesoamerica Revealed Edwin Barnhart, Vejas G. Liulevicius, 2015-01-15 Turning Points in Modern History takes you on a far-reaching journey around the globe-- from China to the Americas to New Zealand{u2014}to shed light on how two dozen of the top discoveries, inventions, political upheavals, and ideas since 1400 have shaped the modern world. Taught by award-winning history professor Vejas Gabriel Liulevicius of the University of Tennessee, Knoxville, these 24 thought-provoking lectures tell the amazing story of how life as we know it developed{u2014}at times advancing in one brilliant instant and at other times, in painstaking degrees. Starting in the early 15th century and culminating in the age of social media, you'll encounter astounding threads that weave through the centuries, joining these turning points in ways that may come as a revelation. You'll also witness turning points with repercussions we can only speculate about because they are still very much in the process of turning -- from publisher's web site.
  the art of mesoamerica from olmec to aztec: The Art of Mesoamerica: From Olmec to Aztec (Sixth) (World of Art) Mary Ellen Miller, 2019-12-31 Mary Ellen Miller’s rich visual and scholarly survey of pre-Hispanic art and architecture, including the most recent archaeological finds. Expanded and revised in its sixth edition, The Art of Mesoamerica surveys the artistic achievements of the high pre-Hispanic civilizations of Central America—Olmec, Maya, Teotihuacan, Toltec, and Aztec—as well as those of their lesser-known contemporaries. Providing an in-depth examination of central works, this book guides readers through the most iconic palaces, pyramids, sculptures, and paintings. From the Olmec colossal head 5 recovered from San Lorenzo to the Aztec calendar stone found in Mexico City’s Zocalo in 1790, this book reveals the complexity and innovation behind the art and architecture produced in pre-Hispanic civilizations. This new edition incorporates fifty new lavish color images and extensive updates based on the latest research and dozens of recent discoveries, particularly in Maya art, where excavations at Teotihuacan, the largest city of Mesoamerica, and Tenochtitlan, the capital of the Aztecs, have yielded new sculptures.
  the art of mesoamerica from olmec to aztec: The Mesoamerican Ballgame Vernon L. Scarborough, David R. Wilcox, 1993-01-01 The Precolumbian ballgame, played on a masonry court, has long intrigued scholars because of the magnificence of its archaeological remains. From its lowland Maya origins it spread throughout the Aztec empire, where the game was so popular that sixteen thousand rubber balls were imported annually into Tenochtitlan. It endured for two thousand years, spreading as far as to what is now southern Arizona. This new collection of essays brings together research from field archaeology, mythology, and Maya hieroglyphic studies to illuminate this important yet puzzling aspect of Native American culture. The authors demonstrate that the game was more than a spectator sport; serving social, political, mythological, and cosmological functions, it celebrated both fertility and the afterlife, war and peace, and became an evolving institution functioning in part to resolve conflict within and between groups. The contributors provide complete coverage of the archaeological, sociopolitical, iconographic, and ideological aspects of the game, and offer new information on the distribution of ballcourts, new interpretations of mural art, and newly perceived relations of the game with material in the Popol Vuh. With its scholarly attention to a subject that will fascinate even general readers, The Mesoamerican Ballgame is a major contribution to the study of the mental life and outlook of New World peoples.
  the art of mesoamerica from olmec to aztec: Aztec Art Esther Pasztory, 1998 This is the first comprehensive book on Aztec art: eleven chapters illustrated with seventy-five superb color plates and hundreds of photographs, supplemented by maps and diagrams. Temple architecture, majestic stone sculpture carved without metal tools, featherwork and turquoise mosaic, painted books, and sculptures in terra cotta and rare stones - all are here. Pasztory has placed these major works of Pre-Columbian art in a historical context, relating them to the reigns of individual rulers, events in Aztec history, and the needs of different social groups from the elite to the farmer. She focuses on the little-known aspects of the aesthetics, poetry and humanity of the Aztecs.
  the art of mesoamerica from olmec to aztec: The Olmecs Richard A. Diehl, 2004 Provides a complete overview of Olmec culture, its accomplishments and impact on later Mexcian civilizations.
  the art of mesoamerica from olmec to aztec: Olmec Archaeology and Early Mesoamerica Christopher Pool, 2007-02-26 Between 1500 and 500 BC the Olmecs flourished in the tropical lowlands of Mexico's Gulf Coast, creating the most complex of Mesoamerica's early societies and its first monumental art. Emphasising the strategies of political leaders and the environmental and social diversity within the Olmec region, this up-to-date and comprehensive study describes the history of Olmec research, synthesises recent scholarship on the ecology, economy, socio-political organisation and ideology of Olmec society, and evaluates current debates over the influence of the Olmecs on their contemporaries and their contributions to later Mesoamerican civilisations.
  the art of mesoamerica from olmec to aztec: Mesoamerican Archaeology Julia A. Hendon, Lisa Overholtzer, Rosemary A. Joyce, 2021-02-22 A unique and wide-ranging introduction to the major prehispanic and colonial societies of Mexico and Central America, featuring new and revised material throughout Mesoamerican Archaeology: Theory and Practice, Second Edition, provides readers with a diverse and well-balanced view of the archaeology of the indigenous societies of Mexico and Central America, helping students better understand key concepts and engage with contemporary debates and issues within the field. The fully updated second edition incorporates contemporary research that reflects new approaches and trends in Mesoamerican archaeology. New and revised chapters from first-time and returning authors cover the archaeology of Mesoamerican cultural history, from the early Gulf Coast Olmec, to the Classic and Postclassic Maya, to the cultures of Oaxaca and Central Mexico before and after colonization. Presenting a wide range of approaches that illustrate political, socio-economic, and symbolic interpretations, this textbook: Encourages students to consider diverse ways of thinking about Mesoamerica: as a linguistic area, as a geographic region, and as a network of communities of practice Represents a wide spectrum of perspectives and approaches to Mesoamerican archaeology, including coverage of the Postclassic and Colonial periods Enables readers to think critically about how explanations of the past are produced, verified, and debated Includes accessible introductory material to ensure that students and non-specialists understand the chronological and geographic frameworks of the Mesoamerican tradition Discusses recent developments in the contemporary theory and practice of Mesoamerican archaeology Presents new and original research by a team of internationally recognized contributors Mesoamerican Archaeology: Theory and Practice, Second Edition, is ideal for use in undergraduate courses on the archaeology of Mexico and Central America, as well as for broader courses on the archaeology of the Americas.
  the art of mesoamerica from olmec to aztec: Olmec Kathleen Berrin, Virginia M. Fields, 2010 This catalogue was published by the Fine Arts Museums of San Francisco and the Los Angeles County Museum of Art on the occasion of the exhibition Olmec: Colossal Masterworks of Ancient Mexico--Colophon.
  the art of mesoamerica from olmec to aztec: The Aztec Pantheon and the Art of Empire John M. D. Pohl, Claire L. Lyons, 2010 This publication is issued in conjunction with the exhibition, The Aztec Pantheon and the Art of Empire, on view in the J. Paul Getty Museum at the Getty Villa in Malibu, from March 24 through July 5, 2010--T.p. verso.
  the art of mesoamerica from olmec to aztec: Prehistoric Mesoamerica Richard E. W. Adams, 2005 An up-to-date overview of Mesoamerican cultures from early prehistoric times through the fall of the Aztec Empire, Prehistoric Mesoamerica, Third Edition will be useful and appealing to readers interested in Mesoamerican art, society, politics, and intellectual achievement.
  the art of mesoamerica from olmec to aztec: Rediscovered Masterpieces of Mesoamerica Emile Deletaille, Jean-Louis Sonnery, 1985
  the art of mesoamerica from olmec to aztec: Collision of Worlds David M. Carballo, 2020 Mexico of five centuries ago was witness to one of the most momentous encounters between human societies, when a group of Spaniards led by Hernando Cort s joined forces with tens of thousands of Mesoamerican allies to topple the mighty Aztec empire. It served as a template for the forging of much of Latin America and began the globalized world we inhabit today. This violent encounter and the new colonial order it created, a New Spain, was millennia in the making, with independent cultural developments on both sides of the Atlantic and their fateful entanglement during the pivotal Aztec-Spanish war of 1519-1521. Collision of Worlds provides a deep history of this encounter with an archaeological lens-one that considers depth in the richly layered cultures of Mexico and Spain, like the depths that archaeologists reveal through excavation to chart early layers of human history. It offers a unique perspective on the encounter through its temporal depth and focus on the physical world of places and things, their similarities and differences in trans-Atlantic perspective, and their interweaving in an encounter characterized by conquest and colonialism, but also active agency and resilience on the part of Native peoples.
  the art of mesoamerica from olmec to aztec: The Oxford Handbook of Mesoamerican Archaeology Deborah L. Nichols, Christopher A. Pool, 2012-09-24 The Oxford Handbook of Mesoamerican Archaeology provides a current and comprehensive guide to the recent and on-going archaeology of Mesoamerica. Though the emphasis is on prehispanic societies, this Handbook also includes coverage of important new work by archaeologists on the Colonial and Republican periods. Unique among recent works, the text brings together in a single volume article-length regional syntheses and topical overviews written by active scholars in the field of Mesoamerican archaeology. The first section of the Handbook provides an overview of recent history and trends of Mesoamerica and articles on national archaeology programs and practice in Central America and Mexico written by archaeologists from these countries. These are followed by regional syntheses organized by time period, beginning with early hunter-gatherer societies and the first farmers of Mesoamerica and concluding with a discussion of the Spanish Conquest and frontiers and peripheries of Mesoamerica. Topical and comparative articles comprise the remainder of Handbook. They cover important dimensions of prehispanic societies--from ecology, economy, and environment to social and political relations--and discuss significant methodological contributions, such as geo-chemical source studies, as well as new theories and diverse theoretical perspectives. The Handbook concludes with a section on the archaeology of the Spanish conquest and the Colonial and Republican periods to connect the prehispanic, proto-historic, and historic periods. This volume will be a must-read for students and professional archaeologists, as well as other scholars including historians, art historians, geographers, and ethnographers with an interest in Mesoamerica.
  the art of mesoamerica from olmec to aztec: The Olmec Civilization Enthralling History, 2021-12-07
  the art of mesoamerica from olmec to aztec: Teotihuacan Esther Pasztory, 1997 This book is the first comprehensive study and reinterpretation of the unique arts of Teotihuacan, including architecture, sculpture, mural painting, and ceramics. Comparing the arts of Teotihuacan - not previously judged artistic - with those of other ancient civilizations, Ester Pasztory demonstrates how they created and reflected the community’s ideals. Most people associate the pyramids of central Mexico with the Aztecs, but these colossal constructions antedate the Aztecs by more than a thousand years. The people of Teotihuacan, who built the pyramids as part of a city of unprecedented size, remain a mystery.
  the art of mesoamerica from olmec to aztec: A Concise History of Mexico Brian R. Hamnett, 2006-05-04 This updated edition offers an accessible and richly illustrated study of Mexico's political, social, economic and cultural history.
  the art of mesoamerica from olmec to aztec: The Complete Illustrated History of the Aztec and Maya Charles Phillips, 2015-06 This wide-ranging reference book covers almost 3000 years, offering enthralling insights into the art and architecture, myths and legends, and everyday life of Mesoamerica. Stories of sun-gods and blood sacrifice, of pyramids and temples, and of the fabulous treasuries filled with gold have fascinated many generations. The World Heritage sites of historic Mexico City and Tenochtitlan, Teotihuacan, Chichen Itza, Tikal and Monte Alban are examined in detail. This unrivalled volume is not only a perfect introduction to the history of these lost civilizations, but also a stunning visual record of a unique period that has helped to shape our world.
  the art of mesoamerica from olmec to aztec: Olmec Art at Dumbarton Oaks Karl A. Taube, Dumbarton Oaks, 2004 Olmec Art at Dumbarton Oaks presents the Olmec portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It illustrates all thirty-nine Olmec art objects in color plates and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, amplified only slightly since his death, is a remarkably significant collection. In addition to their aesthetic quality and artistic significance, the objects hold much information regarding the social worlds and religious and symbolic views of the people who made and used them before the arrival of Europeans in the New World. This volume is the second in a series of catalogues that will treat objects in the Bliss Pre-Columbian Collection. The majority of the Olmec objects in the collection are made of jade, the most precious material for the peoples of ancient Mesoamerica from early times through the sixteenth century. Various items such as masks, statuettes, jewelry, and replicas of weapons and tools were used for ceremonial purposes and served as offerings. Karl Taube brings his expertise on the lifeways and beliefs of ancient Mesoamerican peoples to his study of the Olmec objects in teh Bliss collection. His understanding of jade covers a broad range of knowledge from chemical compositions to geological sources to craft technology to the symbolic power of the green stone. Throughout the book the author emphasizes the role of jade as a powerful symbol of water, fertility, and particularly, of the maize plant which was the fundamental source of life and sustenance for the Olmec. The shiny green of the stone was analogous to the green growth of maize. This fundamental concept was elaborated in specific religious beliefs, many of which were continued and elaborated by later Mesoamerican peoples, such as the Maya. Karl Taube employs his substantial knowledge of Pre-Columbian cultures to explore and explicate Olmec symbolism in this catalogue.
  the art of mesoamerica from olmec to aztec: Caribbean Art (Second) (World of Art) Veerle Poupeye, 2022-05-10 An updated and expanded edition of this classic, illustrated survey of Caribbean art, featuring the work of over 100 artists from the period of colonialism to the present day. The Caribbean is made up of more than twenty countries, each with its own identity. Yet fascinatingly, there are significant cultural commonalities despite geographic, ethnic, linguistic, and political diversity. A mixture of African, Amerindian, Asian, and European origins define the remarkable Caribbean culture, which, from the period of colonialism to the present, has also witnessed a massive diaspora. Caribbean Art examines the diverse and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or high culture, rural or urban based, politically radical or religious. This expanded edition with a new preface has been updated to reflect and address fundamental challenges to traditional art-historical practice and its foundational connections to histories of colonialism, Eurocentricity, and race. This is explored further in two new chapters focused on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Caribbean Art features the work of internationally recognized artists such as Jean-Michel Basquiat, Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than one hundred others, working across a variety of media including performance, photography, and film. This new edition makes an important contribution to the understanding of Caribbean and postcolonial art and its context, in ways that invite productive conversation and encourage further explorations on the subject.
  the art of mesoamerica from olmec to aztec: Reconsidering Olmec Visual Culture Carolyn E. Tate, 2012-01-18 Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems.
  the art of mesoamerica from olmec to aztec: Masks of the Spirit Peter T. Markman, Roberta H. Markman, 1989-01-01 Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.
  the art of mesoamerica from olmec to aztec: Ritual, Play and Belief, in Evolution and Early Human Societies Colin Renfrew, Iain Morley, Michael Boyd, 2017-12-21 The origins of religion and ritual in humans have been the focus of centuries of thought in archaeology, anthropology, theology, evolutionary psychology and more. Play and ritual have many aspects in common, and ritual is a key component of the early cult practices that underlie the religious systems of societies in all parts of the world. This book examines the formative cults and the roots of religious practice from the earliest times until the development of early religion in the Near East, in China, in Peru, in Mesoamerica and beyond. Here, leading prehistorians, biologists, and other specialists bring a fresh approach to the early practices that underlie the faiths and religions of the world. They demonstrate the profound role of play ritual and belief systems and offer powerful new insights into the emergence of early societies.
  the art of mesoamerica from olmec to aztec: Art of the Andes Rebecca Stone, 2012 Fills a void in the genre. . . . Excellent descriptions and interpretations. --Latin American Antiquity
  the art of mesoamerica from olmec to aztec: The Ancient Americas Richard F. Townsend, 1992 A lavishly illustrated catalog of a traveling exhibition marking the Columbus quincentennial explores the common threads in fourteen pre-Columbian cultures, from the Olmec, Maya and Aztec of Mexico and Guatemala through the Chavin culture (900-200 B.C.) of the Andes to the Moche, Chimu and the Inca empire, accompanied by essays from 26 scholars examining sacred geographies, myths and ancient beliefs as they are transmitted through visual arts and architecture.
  the art of mesoamerica from olmec to aztec: Olmec World Michael Coe, 1996-03-30 Between 1400 and 400 BC, in what is now Mexico and Central America, the Olmec people created a magnificent culture, one too often overshadowed by those of the Maya and the Aztec. This catalogue accompanies an exhibition of over 250 Olmec works of art - ceramic, jade and stone - on display at the Art Museum, Princeton University in December 1995, and travelling to the Museum of Fine Arts, Houston.
  the art of mesoamerica from olmec to aztec: Anthropomorphic Imagery in the Mesoamerican Highlands Brigitte Faugère, Christopher Beekman, 2020-02-15 In Anthropomorphic Imagery in the Mesoamerican Highlands, Latin American, North American, and European researchers explore the meanings and functions of two- and three-dimensional human representations in the Precolumbian communities of the Mexican highlands. Reading these anthropomorphic representations from an ontological perspective, the contributors demonstrate the rich potential of anthropomorphic imagery to elucidate personhood, conceptions of the body, and the relationship of human beings to other entities, nature, and the cosmos. Using case studies covering a broad span of highlands prehistory—Classic Teotihuacan divine iconography, ceramic figures in Late Formative West Mexico, Epiclassic Puebla-Tlaxcala costumed figurines, earth sculptures in Prehispanic Oaxaca, Early Postclassic Tula symbolic burials, Late Postclassic representations of Aztec Kings, and more—contributors examine both Mesoamerican representations of the body in changing social, political, and economic conditions and the multivalent emic meanings of these representations. They explore the technology of artifact production, the body’s place in social structures and rituals, the language of the body as expressed in postures and gestures, hybrid and transformative combinations of human and animal bodies, bodily representations of social categories, body modification, and the significance of portable and fixed representations. Anthropomorphic Imagery in the Mesoamerican Highlands provides a wide range of insights into Mesoamerican concepts of personhood and identity, the constitution of the human body, and human relationships with gods and ancestors. It will be of great value to students and scholars of the archaeology and art history of Mexico. Contributors: Claire Billard, Danièle Dehouve, Cynthia Kristan-Graham, Melissa Logan, Sylvie Peperstraete, Patricia Plunket, Mari Carmen Serra Puche, Juliette Testard, Andrew Turner, Gabriela Uruñuela, Marcus Winter
  the art of mesoamerica from olmec to aztec: Mesoamerican History Captivating History, 2020-01-03 Four captivating manuscripts in one book: Olmecs Zapotec Civilization Maya History Aztec History
  the art of mesoamerica from olmec to aztec: Handbook to Life in the Aztec World Manuel Aguilar-Moreno, 2006 Describes daily life in the Aztec world, including coverage of geography, foods, trades, arts, games, wars, political systems, class structure, religious practices, trading networks, writings, architecture and science.
  the art of mesoamerica from olmec to aztec: Mesoamerican Figurines Christina T. Halperin, Katherine A. Faust, Rhonda Taube, Aurore Giguet, 2009 This book examines figurines from the Olmec to the Aztec civilizations. This book also analyzes these objects by their stylistic attributes, archaeological content, function.
  the art of mesoamerica from olmec to aztec: North American Indian Art David W Penney, 2004-06-01 A splendidly illustrated introduction to the rich history of Native American art, distinguished by its broad coverage and nuanced discussion. This timely new book surveys the artistic traditions of indigenous North America, from those of ancient cultures such as Adena, Hopewell, Mississippian, and Anasazi to the work of modern artists like Earnest Spybuck, Fred Kabotie, Dick West, T. C. Cannon, and Gerald McMaster. The text is organized geographically and draws upon the testimonies of oral tradition, Native American history, and the latest research in North American archaeology. Recent art historical scholarship has helped restore, to a large degree, some understanding of the identities and cultural roles of Native American artists and the social contexts of the objects they created. Native American art is often discussed simply as a cultural production rather than the work of individual artists who made objects to fufill social and cultural purposes; this book focuses as much as possible on the artists themselves, their cultural identities, and the objects they made even when the names of the individual artists remain unrecoverable. But this is not a book of artists' biographies. It seeks to inform a general readership about the history of Native American art with a lively narrative full of historical incident and illustrated with provocative and superlative works of art. It explores the tension between artistic continuities spanning thousands of years and the startlingly fresh innovations that resulted from specific historical circumstances. The narrative weaves together so-called traditional arts, tourist arts, and Native American art of today by taking the point of view of their particular and local histories—the artists, their communities, and audiences. Among the many cultures included are: Arapaho, Athapascan, Cherokee, Cheyenne, Chumash, Hopi, Hupa/Karok, Inuit, Iroquois, Kwakiutl, Lakota, Miwok, Navajo, Ojibwa, Pomo, Tlingit, Tsimshian, Uypik, and Zuni.
  the art of mesoamerica from olmec to aztec: Fanning the Sacred Flame Matthew A. Boxt, Brian D. Dillon, 2012-03-15 Fanning the Sacred Flame: Mesoamerican Studies in Honor of H. B. Nicholson contains twenty-two original papers in tribute to H. B. Nick Nicholson, a pioneer of Mesoamerican research. His intellectual legacy is recognized by Mesoamerican archaeologists, art historians, ethnohistorians, and ethnographers--students, colleagues, and friends who derived inspiration and encouragement from him throughout their own careers. Each chapter, which presents original research inspired by Nicholson, pays tribute to the teacher, writer, lecturer, friend, and mentor who became a legend within his own lifetime. Covering all of Mesoamerica across all time periods, contributors include Patricia R. Anawalt, Alfredo López Austin, Anthony Aveni, Robert M. Carmack, David C. Grove, Richard D. Hansen, Leonardo López Luján, Kevin Terraciano, and more. Eloise Quiñones Keber provides a thorough biographical sketch, detailing Nicholson's academic and professional journey. Publication supported, in part, by The Patterson Foundation and several private donors.
  the art of mesoamerica from olmec to aztec: Early American Civilizations Catherine S. Whittington, 2014
  the art of mesoamerica from olmec to aztec: The Oxford Book of Latin American Poetry Cecilia Vicuña, Ernesto Livon-Grosman, 2009 The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
  the art of mesoamerica from olmec to aztec: Aztec City-States Mary G. Hodge, 1984-01-01 The building blocks of the Aztec state were smaller, local polities known as city-states. Author Mary G. Hodge selected five city-states in the Valley of Mexico (Amecameca, Cuauhtitlan, Xochimilco, Coyoacan, and Teotihuacan) for detailed study of their internal organization.
  the art of mesoamerica from olmec to aztec: Chocolate in Mesoamerica Cameron L. McNeil, 2006 Winner of the Society for Economic Botany's Mary W. Klinger Book Award A triumph of four-field anthropology. Botany, archaeology, linguistics, ethnography, and a small bit of physical anthropology are seamlessly united. . . . Without integration of the fields, few or none of the interesting conclusions in this work could have been reached.--American Anthropologist Contains a watershed of interesting and exciting information. . . . For those with a serious interest in food history and foodways, it is an invaluable source of up-to-date information on one of the most beloved and revered foodstuffs in the Americas.--Austin Chronicle A unique, extremely useful collection on chocolate use in Mesoamerica that sets a standard to follow in the expanding field of cultural food studies.--Choice McNeil has here assembled an impressive stable of scholars to examine all aspects of cacao development and use in Mesoamerica from its discovery to its use by the modern Maya.--American Archaeology In this collection of 21 papers, the authors discuss the linguistic, chemical, agricultural, medicinal, economic and social aspects of the cacao plant, often in exhaustive detail.--Cambridge Archaeological Journal I highly recommend the book for specialists as well as for the general public interested in knowing more about cacao; the reading is not complicated and is presented from an anthropological perspective.--Journal of Ethnopharmacology A volume in the series Maya Studies, edited by Diane and Arlen Chase.
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