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tectonic architecture: Introducing Architectural Tectonics Chad Schwartz, 2016-10-04 Introducing Architectural Tectonics is an exploration of the poetics of construction. Tectonic theory is an integrative philosophy examining the relationships formed between design, construction, and space while creating or experiencing a work of architecture. In this text, author Chad Schwartz presents an introductory investigation into tectonic theory, subdividing it into distinct concepts in order to make it accessible to beginning and advanced students alike. The book centers on the tectonic analysis of twenty contemporary works of architecture located in eleven countries including Germany, Italy, United States, Chile, Japan, Bangladesh, Spain, and Australia and designed by such notable architects as Tadao Ando, Herzog & de Meuron, Kengo Kuma, Olson Kundig, and Peter Zumthor. Although similarities do exist between the projects, their distinctly different characteristics – location and climate, context, size, program, construction methods – and range of interpretations of tectonic expression provide the most significant lessons of the book, helping you to understand tectonic theory. Written in clear, accessible language, these investigations examine the poetic creation of architecture, showing you lessons and concepts that you can integrate into your own work, whether studying in a university classroom or practicing in a professional office. |
tectonic architecture: Tectonics as a Process in Architecture Yonca Hurol, 2025-06-09 Detailed, research-based review of the intersection of building processes and tectonics, with case studies and theoretical reflections Tectonics as a Process in Architecture explores the dynamic nature of building processes and their impact on architectural tectonics. Detailed case studies and theoretical reflections are included to help readers see how recognizing tectonics as a process can be beneficial. The book is based on research that was conducted to document all changes during the building processes of a house through close engagement between the researcher and the building; the researcher was also the building’s owner, a neighbor to it, its architect, and a construction control. This close connection enabled the capture of numerous changes, some resulting in tectonic affects, while others reflected innovative approaches. These changes were introduced by various actors in the process including contractors, builders, and foremen. In Tectonics as a Process in Architecture, readers will find: Invaluable insights on why tectonics is not merely as an outcome but an inclusive, collaborative process that enhances architectural quality Two process maps, one for tectonic affects and one for innovative approaches Evolving changes during construction and their potential to foster innovation A theory on procedural and inclusive tectonics, primarily focused on details Due to its multifaceted nature, Tectonics as a Process in Architecture will appeal to academics, students, and professionals interested in the intersection of architectural, engineering, construction and tectonic principles. |
tectonic architecture: Atlas of Novel Tectonics Jesse Reiser, Nanako Umemoto, 2006-03-09 Architects Jesse Reiser and Nanako Umemoto have been generating some of the most provocative thinking in the field for nearly twenty years. With Atlas of Novel Tectonics, Reiser+Umemoto hone in on the many facets of architecture and illuminate their theories with great thought and simplicity. The Atlas is organized as an accumulation of short chapters that address the workings of matter and force, material science, the lessons of art and architectural history, and the influence of architecture on culture (and vice versa). Reiser+Umemoto see architectural design as a series of problem situations, and each chapter is an argument devoted to a specific condition or case. Influenced by a wide range of fields and phenomenaBrillat-Savarin's classic The Physiology of Taste is one of their primary modelsthe authors provide a cross-section of thinking and inspiration. The result is both an elucidation of the concepts that guide Reiser+Umemoto through their own design process and a series of meditations on topics that have formed their own sense as architects. Atlas of Novel Tectonics offers an entirely fresh perspective on subjects that are generally taken for granted, and does so with a welcome punch and energy. |
tectonic architecture: Studies in Tectonic Culture Kenneth Frampton, 2001-08-24 Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the focus on architecture as a constructional craft—constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as avant-garde. A copublication of the Graham Foundation for Advanced Studies and The MIT Press. |
tectonic architecture: Introducing Architectural Tectonics Chad Schwartz, 2016-10-04 Introducing Architectural Tectonics is an exploration of the poetics of construction. Tectonic theory is an integrative philosophy examining the relationships formed between design, construction, and space while creating or experiencing a work of architecture. In this text, author Chad Schwartz presents an introductory investigation into tectonic theory, subdividing it into distinct concepts in order to make it accessible to beginning and advanced students alike. The book centers on the tectonic analysis of twenty contemporary works of architecture located in eleven countries including Germany, Italy, United States, Chile, Japan, Bangladesh, Spain, and Australia and designed by such notable architects as Tadao Ando, Herzog & de Meuron, Kengo Kuma, Olson Kundig, and Peter Zumthor. Although similarities do exist between the projects, their distinctly different characteristics – location and climate, context, size, program, construction methods – and range of interpretations of tectonic expression provide the most significant lessons of the book, helping you to understand tectonic theory. Written in clear, accessible language, these investigations examine the poetic creation of architecture, showing you lessons and concepts that you can integrate into your own work, whether studying in a university classroom or practicing in a professional office. |
tectonic architecture: New Tectonics Chor-Kheng Lim, Yudong Liu, 2009 In 2007, a jury composed of Greg Lynn (Greg Lynn FORM), Marcos Novak, Jacob van Rijs (MVRDV), Birger Sevaldson (Ocean North), and other celebrated architects will confer the Far Eastern International Digital Design Award (or FEIDAD Award) for the seventh time. Once again this volume presents the prizewinning projects in detail and probes the innovative potential that digital media hold in store for designers. Documented with texts and color illustrations, the projects presented provide an outstanding overview of the international state of the art in digital design. Im Jahr 2007 wird die Jury, die aus Greg Lynn (Greg Lynn FORM), Marcos Novak, Jacob van Rijs (MVRDV), Birger Sevaldson (Ocean North) und anderen renommierten Architekten besteht, den Far Eastern International Digital Design Award (The Feidad Award) zum siebten Mal ausloben. Der Band stellt die pr mierten Projekte wieder ausf hrlich vor und lotet so das innovative Potential aus, das digitale Medien f r Gestaltende bereithalten. Die vorgestellten Projekte, die durch Texte und Farbabbildungen dokumentiert werden, bieten einen hervorragenden berblick ber den internationalen State of the Art im Bereich des digitalen Designs. |
tectonic architecture: Theorizing a New Agenda for Architecture: Kate Nesbitt, 1996-03 Theorizing a New Agenda for Architecture: An Anthology of ArchitecturalTheory collects in a single volume the most significant essays on architectural theory of the last thirty years. A dynamic period of reexamination of the discipline, the postmodern eraproduced widely divergent and radical viewpoints on issues of making, meaning, history, and the city. Among the paradigms presented arearchitectural postmodernism, phenomenology, semiotics, poststructuralism, deconstruction, and feminism. By gathering these influential articles from a vast array of books and journals into a comprehensive anthology, Kate Nesbitt has created a resource of great value. Indispensable to professors and students of architecture and architectural theory, Theorizing a New Agenda also serves practitioners and the general public, as Nesbitt provides an overview, a thematic structure, and a critical introduction to each essay. The list of authors in Theorizing a New Agenda reads like a Who's Who of contemporary architectural thought: Tadao Ando, Giulio Carlo Argan, Alan Colquhoun, Jacques Derrida, Peter Eisenman, Marco Frascari, Kenneth Frampton, Diane Ghirardo, Vittorio Gregotti, Karsten Harries, Rem Koolhaas, Christian Norberg-Schulz, Aldo Rossi, Colin Rowe, Thomas Schumacher, Ignasi de Sol-Morales Rubi, Bernard Tschumi, Robert Venturi and Denise Scott Brown, and Anthony Vidler. A bibliography and notes on all the contributors are also included. |
tectonic architecture: The Tectonics of Structural Systems Yonca Hurol, 2015-09-16 The Tectonics of Structural Systems provides an architectural approach to the theory of structural systems. The book combines: structural recommendations to follow during the architectural design of various structural systems and the tectonic treatment of structural recommendations in architecture. Written expressly for students, the book makes structures understandable and useful, providing: practical and useful knowledge about structures a design based approach to the subject of structures and a bridge in the gap between structures and the theory of design. Good architectural examples for each structural system are given in order to demonstrate that tectonics can be achieved by applying technical knowledge about structures. Over 300 illustrations visually unpack the topics being explained, making the book ideal for the visual learner. |
tectonic architecture: Towards an Ecology of Tectonics Claus Bech-Danielsen, 2014 Ecology is, in this case, defined in its widest sense, which includes the cycling of resources, systems of social organisation and the environmental context. Tectonics--a concept with a long tradition in architecture and architectural theory--is comparable to ecology. It relates to the design and assembly of structural elements, and implies a holistic approach to materials, to construction technology and to the design of structures. It is more than merely an instrumental strategy: it extends into the poetic, which elevates it to the status of a cultural practice. This book is part of a research project conducted by leading academics associated with the Royal Danish Academy of Fine Arts School of Architecture, the Aarhus School of Architecture and the Danish Building Research Institute. |
tectonic architecture: Virtual Architecture: A New Perspective Pasquale De Marco, 2025-03-09 **Virtual Architecture: A New Perspective** explores the convergence of digital and tectonic forces in contemporary architecture. This groundbreaking book examines how digital technology is transforming the way architects design, construct, and experience buildings, leading to the emergence of a new field known as digital tectonics. With the advent of powerful digital tools and fabrication techniques, architects are now able to create complex and innovative forms that were once impossible to imagine. Digital tectonics is characterized by the seamless integration of virtual and physical worlds, resulting in buildings that are both aesthetically pleasing and technologically advanced. This book delves into the key concepts and practices of digital tectonics, providing a comprehensive overview of this emerging field. It explores the use of digital tools in architectural design, construction, and fabrication, as well as the impact of digital technology on the aesthetics, sustainability, and social implications of architecture. **Virtual Architecture: A New Perspective** also features case studies of innovative digital tectonic projects from around the world, showcasing the potential of this new approach to architecture. These case studies highlight the work of leading architects and designers who are pushing the boundaries of digital tectonics and creating new and exciting forms of architecture. This book is essential reading for architects, designers, and anyone interested in the future of architecture. It provides a comprehensive overview of the field of digital tectonics and its potential to transform the way we design and build our environment. **Key Features:** * Explores the convergence of digital and tectonic forces in contemporary architecture * Examines the impact of digital technology on the design, construction, and experience of buildings * Features case studies of innovative digital tectonic projects from around the world * Provides a comprehensive overview of the field of digital tectonics * Essential reading for architects, designers, and anyone interested in the future of architecture If you like this book, write a review! |
tectonic architecture: Structures and Architecture Paulo J. Cruz, 2013-06-27 Although the disciplines of architecture and structural engineering have both experienced their own historical development, their interaction has resulted in many fascinating and delightful structures. To take this interaction to a higher level, there is a need to stimulate the inventive and creative design of architectural structures and to persua |
tectonic architecture: Structures and Architecture - Bridging the Gap and Crossing Borders Paulo J.S. Cruz, 2019-07-08 Structures and Architecture – Bridging the Gap and Crossing Borders contains the lectures and papers presented at the Fourth International Conference on Structures and Architecture (ICSA2019) that was held in Lisbon, Portugal, in July 2019. It also contains a multimedia device with the full texts of the lectures presented at the conference, including the 5 keynote lectures, and almost 150 selected contributions. The contributions on creative and scientific aspects in the conception and construction of structures, on advanced technologies and on complex architectural and structural applications represent a fine blend of scientific, technical and practical novelties in both fields. ICSA2019 covered all major aspects of structures and architecture, including: building envelopes/façades; comprehension of complex forms; computer and experimental methods; futuristic structures; concrete and masonry structures; educating architects and structural engineers; emerging technologies; glass structures; innovative architectural and structural design; lightweight and membrane structures; special structures; steel and composite structures; structural design challenges; tall buildings; the borderline between architecture and structural engineering; the history of the relationship between architects and structural engineers; the tectonic of architectural solutions; the use of new materials; timber structures, among others. This set of book and multimedia device is intended for a global readership of researchers and practitioners, including architects, structural and construction engineers, builders and building consultants, constructors, material suppliers and product manufacturers, and other professionals involved in the design and realization of architectural, structural and infrastructural projects. |
tectonic architecture: Architecture Constructed Mark Jarzombek, 2023-04-06 Architecture Constructed explores the central, open secret of architecture: the long-suppressed conflict between arche and teckton-between those who design, and those who build. This unresolved tension has a centuries-old history in the discipline, persisting through Classical and Renaissance times to the present day, and yet it has rarely been addressed through a historical and theoretical lens. In this book, acclaimed architectural theorist Mark Jarzombek examines this tension head-on, and uses it to rethink the nature of the history of architecture. He reveals architecture to be a troubled, interconnected realm, incomplete and unstable, where labor, craft, and occupation are the 'invisible' complements to the work of the architect. Erudite, entertaining, and full of surprising and thought-provoking juxtapositions and challenges, Architecture Constructed is packed with novel insights into the internal conflicts and paradoxes of architecture, and is rich with examples from modern and contemporary practice-including Mies, Koolhaas, Potrc, Hadid, Bawa, Diller + Scofidio-which demonstrate how contemporary architecture inhabits the very same tensions that have riven the discipline since the days of Alberti. This provocative book will stimulate conversations among students, researchers, and designers, as it pushes the boundaries on how we define the professional discipline of architecture and overturns entrenched assumptions about the nature of architectural history and theory. |
tectonic architecture: Structures and Architecture Paulo J. da Sousa Cruz, 2016-10-14 Although the disciplines of architecture and structural engineering have both experienced their own historical development, their interaction has resulted in many fascinating and delightful structures. To take this interaction to a higher level, there is a need to stimulate the inventive and creative design of architectural structures and to persuade architects and structural engineers to further collaborate in this process, exploiting together new concepts, applications and challenges. This set of book of abstracts and full paper searchable CD-ROM presents selected papers presented at the 3rd International Conference on Structures and Architecture Conference (ICSA2016), organized by the School of Architecture of the University of Minho, Guimarães, Portugal (July 2016), to promote the synergy in the collaboration between the disciplines of architecture and structural engineering. The set addresses all major aspects of structures and architecture, including building envelopes, comprehension of complex forms, computer and experimental methods, concrete and masonry structures, educating architects and structural engineers, emerging technologies, glass structures, innovative architectural and structural design, lightweight and membrane structures, special structures, steel and composite structures, the borderline between architecture and structural engineering, the history of the relationship between architects and structural engineers, the tectonics of architectural solutions, the use of new materials, timber structures and more. The contributions on creative and scientific aspects of the conception and construction of structures, on advanced technologies and on complex architectural and structural applications represent a fine blend of scientific, technical and practical novelties in both fields. This set is intended for both researchers and practitioners, including architects, structural and construction engineers, builders and building consultants, constructors, material suppliers and product manufacturers, and other experts and professionals involved in the design and realization of architectural, structural and infrastructural projects. |
tectonic architecture: Reader: Tectonics in Architecture Isak Worre Foged, Marie Frier Hvejsel, 2018-05-03 This reader on Tectonics in Architecture forms a hitherto non-existing common point of reference from which to expand and continue the discourse on tectonic theory as a vehicle for innovation in the built environment. The reader presents the notion of tectonics as a critical and methodological entrance to the broader field of architectural theory by gathering a selection of key readings on Tectonics in Architecture covering the span from mid-18th century German architectural theory through to state of the art recent research on the topic. The collection addresses students of architecture and engineering while simultaneously providing an overview as a foundation for further research on the topic. |
tectonic architecture: Tectonic Acts of Desire and Doubt Mark Rakatansky, 2012 For the first time a number of key essays by the New York-based architect and critic Mark Rakatansky is brought together in this instalment in the Architecture Words series published by the Architectural Association. |
tectonic architecture: Architecture and Silence Christos P. Kakalis, 2019-08-23 This book explores the role of silence in how we design, present and experi-ence architecture. Grounded in phenomenological theory, the book builds on historical, theoretical and practical approaches to examine silence as a methodological tool of architectural research and unravel the experiential qualities of the design process. Distinct from an entirely soundless experience, silence is proposed as a material condition organically incorporated into the built and natural landscape. Kakalis argues that, either human or atmospheric, silence is a condition of waiting for a sound to be born or a new spatio-temporal event to emerge. In silence, therefore, we are attentive and attuned to the atmos-phere of a place. The book unpacks a series of stories of silence in religious topographies, urban landscapes, film and theatre productions and architec-tural education with contributed chapters and interviews with Jeff Malpas and Alberto Pérez-Gómez. Aimed at postgraduate students, scholars and researchers in architectural theory, it shows how performative and atmospheric qualities of silence can build a new understanding of architectural experience. |
tectonic architecture: 3D-Printed Body Architecture Neil Leach, Behnaz Farahi, 2018-02-01 Some architects dream of 3D-printing houses. Some even fantasise about 3D-printing entire cities. But what is the real potential of 3D printing for architects? This issue focuses on another strand of 3D-printing practice emerging among architects operating at a much smaller scale that is potentially more significant. Several architects have been working with the fashion industry to produce some exquisitely designed 3D-printed wearables. Other architects have been 3D-printing food, jewellery and other items at the scale of the human body. But what is the significance of this work? And how do these 3D-printed body-scale items relate to the discipline of architecture? Are they merely a distraction from the real business of the architect? Or do they point towards a new form of proto-architecture – like furniture, espresso makers and pavilions before them – that tests out architectural ideas and explores tectonic properties at a smaller scale? Or does this work constitute an entirely new arena of design? In other words, is 3D printing at the human scale to be seen as a new genre of 'body architecture'? This issue contains some of the most exciting work in this field today, and seeks to chart and analyse its significance. Contributors include: Paola Antonelli/MoMA, Francis Bitonti, Niccolo Casas, Behnaz Farahi, Madeline Gannon, Eric Goldemberg/MONAD Studio, Kyle von Hasseln/3D Systems Culinary Lab, Rem D Koolhaas, Julia Kӧrner, Neil Leach, Steven Ma/Xuberance, Neri Oxman/MIT Media Lab, Ronald Rael and Virginia San Fratello, Gilles Retsin, Jessica Rosenkrantz/Nervous System, and Patrik Schumacher/Zaha Hadid Architects. |
tectonic architecture: Encyclopedia of Twentieth Century Architecture R. Stephen Sennott, 2004 For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages and more, visit the Encyclope dia of 20th Century Architecture website. Focusing on architecture from all regions of the world, this three-volume set profiles the twentieth century's vast chronicle of architectural achievements, both within and well beyond the theoretical confines of modernism. Unlike existing works, this encyclopedia examines the complexities of rapidly changing global conditions that have dispersed modern architectural types, movements, styles, and building practices across traditional geographic and cultural boundaries. |
tectonic architecture: Jørn Utzon and Transcultural Essentialism Adrian Carter, Marja Sarvimäki, 2021-11-04 This book introduces and defines the burgeoning concepts of transculturalism and essentialism and how they relate to one another, as articulated with reference to the work of Jørn Utzon. It introduces critical contemporary perspectives of the design thinking and career of this renowned Danish architect, internationally recognised for his competition-winning, iconic design for the Sydney Opera House – an outstanding exemplar of transcultural essentialism in architecture. Transcultural essentialism is analysed through the lens of critical regionalism and architectural phenomenology, with emphasis on the sense of place and tectonics in Utzon’s architectural works. It provides a new understanding of the Danish architect as an early proponent of a still emergent and increasingly relevant direction in architecture. Going beyond biographical studies, it presents a more comprehensive understanding of the broad range of transcultural influences that formed his thinking. The volume includes numerous previously unpublished photographs, drawings, and interviews with Utzon’s family members, former students, and colleagues, offering a significant contribution to the existing body of knowledge for any architecture scholar interested in Utzon’s work and design principles. The book also comprises a Foreword by eminent architecture theorist Juhani Pallasmaa in which he provides insights into the wider architectural and cultural context of Utzon’s worldview. |
tectonic architecture: The Mental Life of the Architectural Historian Gevork Hartoonian, 2014-08-11 Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this book attempt to re-read the historiography of early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the argument are the ways in which, firstly, architectural history differs from the traditions of art history, and, secondly, that the historical narrative works its autonomy through theoretical representation, the discursive flow of which is interrupted by the historian’s urge to support arguments with references to buildings, texts, drawings, and historical events. The historians discussed in this volume are those regularly addressed by most critics revisiting modern architectural history. Individual chapters are dedicated to N. Pevsner, H. R. Hitchcock, and S. Giedion, an economy of selection that is formative for a critical understanding of the canon established by these historians. Themes such as periodization, autonomy, and time are discussed, and the coda of the final chapter expands on the scope of “critical historiography” popularised by Kenneth Frampton and Manfredo Tafuri. |
tectonic architecture: Architecture and the Public World Kenneth Frampton, 2024-01-25 This book brings together Kenneth Frampton's essays from the 1960s to today which epitomize his reflections on the historical–theoretical entanglements of architecture with place, the public realm, cultural identity, urban landscape and environment, and the political question of the “predicament” of architecture in the new Millennium. The essays explore Frampton's contention that architecture's imperative is to assume a significant responsibility for the edification and stewardship of the Arendtian 'public world.' One of the most theoretically sophisticated and politically committed architectural thinkers, Frampton's work breaks emphatically with the limits and norms of much contemporary practice and restores a sense of richness and social consequence of architecture's 'unfinished project,' while offering abiding lessons not only for architecture but for social, cultural, and design criticism alike. |
tectonic architecture: TEMPORARY: Citizenship, Architecture and City Andrea Borsari, Annalisa Trentin, Pierpaolo Ascari, 2023-09-16 This book offers a comprehensive overview of forces shaping urban renewal and the sustainable and inclusive transformation of contemporary cities. It discusses temporariness and uncertainty of citizenship, participation, and inclusion, as well as the energy and digital transformation, merging different perspectives, such as the social, philosophical, economic, and architectural ones. Based on revised and extended contributions to the International Congress “TEMPORARY: Citizenship, Architecture and City, held virtually on November 20-21, 2022, from the University of Bologna, this book offers extensive information and a thought-provoking reading to researchers in architecture, anthropology, social and environmental policy, as well as to professionals and policy makers involved in planning the city of the future. |
tectonic architecture: Gan's Constructivism Kristin Romberg, 2019-01-08 This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement’s chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of “making revolution.” Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of “the work of art”—no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan’s Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political. |
tectonic architecture: Installations by Architects Sarah Bonnemaison, Ronit Eisenbach, 2009-08-12 Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of real architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment. |
tectonic architecture: Architectural Type and Character Samir Younés, Carroll William Westfall, 2022-01-31 Architectural Type and Character provides an alternative perspective to the current role given to history in architecture, reunifying architectural history and architectural design to reform architectural discourse and practice. Historians provide important material for appreciating buildings and guiding those who produce them. In current histories, a building is the product of a time, its form follows its function, irresistible influences produce it, and style, preferably novel, is its most important attribute. This book argues for an alternative. Through a two-part structure, the book first develops the theoretical foundations for this alternative history of architecture. The second part then provides drawings and interpretations of over one hundred sites from different times and places. Architectural Type and Character: A Practical Guide to a History of Architecture is an excellent desk reference and studio guide for students and architectures alike to understand, analyze, and create buildings. |
tectonic architecture: Theatre and Architecture Juliet Rufford, 2015-01-14 Theatre and architecture are seeming opposites: one a time-based art-form experienced in space, the other a spatial art experienced over time. The book unpicks these assumptions, demonstrating ways in which theatre and architecture are essential to each other and contextualizing their dynamic relationship historically and culturally. |
tectonic architecture: Cinematic Aided Design François Penz, 2017-08-14 Cinematic Aided Design: An Everyday Life Approach to Architecture provides architects, planners, designer practitioners, politicians and decision makers with a new awareness of the practice of everyday life through the medium of film. This novel approach will also appeal to film scholars and film practitioners with an interest in spatial and architectural issues, as well as researchers from cultural studies in the field of everyday life. The everyday life is one of the hardest things to uncover since by its very nature it remains overlooked and ignored. However, cinema has over the last 120 years represented, interpreted and portrayed hundreds of thousands of everyday life situations taking place in a wide range of dwellings, streets and cities. Film constitutes the most comprehensive lived in building data in existence. Cinema created a comprehensive encyclopedia of architectural spaces and building elements. It has exposed large fragments of our everyday life and everyday environment that this book is aiming to reveal and restitute. |
tectonic architecture: Formation and Applications of the Sedimentary Record in Arc Collision Zones Amy E. Draut, Peter D. Clift, David W. Scholl, 2008-01-01 Inspired by a GSA Penrose Conference held in 2005 (cosponsored by the International Association of Sedimentologists and the British Sedimentological Research Group), the 17 papers in this volume explore sedimentary environments in arc collision zones and their utility in recording the evolution of modern and ancient convergent margins. The first set of papers in the collection focuses on formation and evolution of the sedimentary record in arc settings and arc collision zones, concentrating on modern intra-oceanic examples. Papers include studies of flexural modeling and factors that affect development of siliciclastic and carbonate deposits around modern arcs. The second half of the volume presents new applications of arc sedimentary records. These relate primarily to constraining tectonic events in the evolution of arc systems, but also concern the links among tectonic uplift, collision, and geomorphic and climatic feedback mechanisms in arc collision zones.--Publisher's website. |
tectonic architecture: Constructing a Place of Critical Architecture in China Guanghui Ding, 2016-03-09 For the past 30 years, The Chinese journal Time + Architecture (Shidai Jianzhu) has focused on publishing innovative and exploratory work by emerging architects based in private design firms who were committed to new material, theoretical and pedagogical practices. In doing so, this book argues that the journal has engaged in the presentation and production of a particular form of critical architecture - described as an ’intermediate criticality’ - as a response to the particular constraints of the Chinese cultural and political context. The journal’s publications displayed a ’dual critique’ - a resistant attitude to the dominant modes of commercial building practice, characterised by rapid and large-scale urban expansion, and an alternative publishing practice focusing on emerging, independent architectural practitioners through the active integration of theoretical debates, architectural projects, and criticisms. This dual critique is illustrated through a careful review and analysis of the history and programme of the journal. By showing how the work of emerging architects, including Yung Ho Chang, Wang Shu, Liu Jiakun and Urbanus, are situated within the context of the journal’s special thematic editions on experimental architecture, exhibition, group design, new urban space and professional system, the book assesses the contribution the journal has made to the emergence of a critical architecture in China, in the context of how it was articulated, debated, presented and perhaps even ’produced’ within the pages of the publication itself. The protagonists of critical architecture have endeavoured to construct an alternative mode of form and space with strong aesthetic and socio-political implications to the predominant production of architecture under the current Chinese socialist market economy. To rebel against certain forms of domination and suppression by capital and power is by no means to completely reject them; rather, it is to use thos |
tectonic architecture: Architectural Research Addressing Societal Challenges Manuel Jorge Rodrigues Couceiro da Costa, Filipa Roseta, Joana Pestana Lages, Susana Couceiro da Costa, 2019-08-08 The escalating interdependecy of nations drives global geopolitics to shift ever more quickly. Societies seem unable to control any change that affects their cities, whether positively or negatively. Challenges are global, but solutions need to be implemented locally. How can architectural research contribute to the future of our changing society? How has it contributed in the past? The theme of the 10th EAAE/ARCC International Conference, “Architectural Research Addressing Societal Challenges”, was set to address these questions. This book, Architectural Research Addressing Societal Challenges, includes reviewed papers presented in June 2016, at the 10th EAAE/ARCC International Conference, which was held at the facilities of the Faculty of Architecture of the University of Lisbon. The papers have been further divided into the following five sub-themes: a Changing Society; In Transit – Global Migration; Renaturalization of the City; Emerging Fields of Architectural Practice; and Research on Architectural Education. The EAAE/ARCC International Conference, held under the aegis of the EAAE and of the ARCC, is a conference organized every other year, in collaboration with one of the member schools/ universities of those associations, alternatively in North America or in Europe. |
tectonic architecture: Architectural Research Addressing Societal Challenges Volume 2 Manuel Jorge Rodrigues Couceiro da Costa, Filipa Roseta, Susana Couceiro da Costa, Joana Pestana Lages, 2017-09-19 The EAAE/ARCC International Conference, held under the aegis of the EAAE (European Association for Architectural Education) and of the ARCC (Architectural Research Centers Consortium), is a conference organized every other year, in collaboration with one of the member schools / universities of those associations, alternatively in North America or in Europe. The EAAE/ARCC Conferences began at the North Carolina State University College of Design, Raleigh with a conference on Research in Design Education (1998); followed by conferences in Paris (2000), Montreal (2002), Dublin (2004), Philadelphia (2006), Copenhagen (2008), Washington (2010), Milan (2012) and Honolulu (2014). The conference discussions focus on research experiences in the field of architecture and architectural education, providing a critical forum for the dissemination and engagement of current ideas from around the world. |
tectonic architecture: Architecture's Historical Turn Jorge Otero-Pailos, 2013-11-30 Architecture’s Historical Turn traces the hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question. Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory. Otero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it. |
tectonic architecture: The Art-Architecture Complex Hal Foster, 2013-07-23 Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a “global style” of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. More than any art, today’s global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the “art-architecture complex” provides invaluable insight into broader social and economic trajectories in urgent need of analysis. |
tectonic architecture: Digital Architecture and Construction A. Ali, C. A. Brebbia, 2006 Digital Architecture is a particularly dynamic field that is developing through the work of architecture schools, architects, software developers, researchers, technology, users, and society alike. Featuring papers from the First International Conference on Digital Architecture, this book will be of interest to professional and academic architects involved in the creation of new architectural forms, as well as those colleagues working in the development of new computer codes of engineers, including those working in structural, environmental, aerodynamic fields and others actively supporting advances in digital architecture. Expert contributions encompass topic areas such as: Database Management Systems for Design and Construction; Design Methods, Processes and Creativity; Digital Design, Representation and Visualization; Form and Fabric; Computer Integrated Construction and Manufacturing; Human-Machine Interaction; Connecting the Physical and the Virtual Worlds; Knowledge Based Design and Generative Systems; Linking Training, Research and Practice; Web Design Analysis; the Digital Studio; Urban Simulation; Virtual Architecture and Virtual Reality; Collaborative Design; Social Aspects. |
tectonic architecture: Architecture and Ideology Mirjana Roter Blagojević, Marta Vukotic Lazar, Vladimir Mako, 2014-06-02 Architecture and Ideology consists of twenty-two essays arranged in four thematic units: Ideological Context of Architecture, City and Power, Morphology and Ideological Patterns, and Designers and Ideology. The subjects that are investigated and elaborated are connected with the influences of different 20th century political and social ideologies on urban development and the architecture of various European cities, from the east and the west. The authors are professors and scientific researchers from various European universities and institutions and theoreticians of architecture, architectural historians and aestheticians, and architecture practitioners. The majority are from Serbia and other countries from the former Yugoslav Republic, namely Croatia, Macedonia, and Bosnia and Herzegovina, though countries such as Hungary, Russia, Italy, Austria, Germany, Netherlands and the UK are also represented. The essays will be of interest to university professors and students, researchers in the history and theory of architecture and city, and professionals in art and architecture, as well as sociologists, historians, and philosophers. |
tectonic architecture: Creative Design in Industry and Architecture G. Berkin, O. Kucukerman, Halic University Faculty of Architecture, Turkey, 2015-09-10 Covering the topics of architecture and industrial design Creative Design in Industry and Architecture argues that the discourse on design criteria for both professions share many similarities. It is not intended to be prescriptive, but is rather the outcome of a detailed design analysis of the works of a number of industrial and architectural designers. The authors sought to compare the cultural outcomes of vernacular design in an attempt to show that the design process does not need to be difficult or complicated. This book seeks to present a critical assessment of design processes which achieve innovation in the fields of both architectural and industrial disciplines. The book is therefore about creativity, design strategies and innovative understanding. With decades of academic experience, the authors are keen on the idea that creativity can be taught. They wrote this book from an ongoing pedagogical need to show students that the creative palette has a wide range. Case studies and their related theory which support this view are included within the chapters. The book also unveils the design dilemma; how design can become complicated when surrounded with intricate problems although it is the sum of simple solutions. Common theories and practices are exposed within the two disciplines through observation, analysis, experiment and reflection to discuss and gain insight. Both creative and practical approaches are analysed by making a historical study followed by the fundamentals reflecting the current situation and practical applications of the architectural and industrial design principles outlined in an extensive collection of examples. To educators this book is instructive, to the students deductive, to designers inspiring. |
Back to Basics: What is the Meaning of “Tectonic” in ...
Tectonics is a language of architecture, and fluency in this design dialect translates into a methodology that sews together each of the architectural elements and systems we intend to …
Tectonics (architecture) - Wikipedia
In modern architectural theory, the tectonics is an artistic way to express the corporeality of a building through architectural forms that reflect the actual structure. [1]
Tectonics in architecture : from the physical to the meta ...
Tectonics is primarily concerned with the making of architecture in a modem world. Its value is seen as being a partial strategy for an architecture rooted in time and place, as well as an …
(PDF) Introducing Architectural Tectonics: Exploring the ...
Nov 14, 2016 · Introducing Architectural Tectonics is an exploration of the poetics of construction. Tectonic theory is an integrative philosophy examining the relationships formed between …
STEREOTOMIC VS. TECTONIC - Alberto Campo Baeza
Materializing the concepts of tectonic and stereotomic can be an effective way to make architecture. Make visible the light and the heavy, and then contrast them. We understand as …
Tectonic Affects in Contemporary Architecture
Tectonic Affects in Contemporary Architecture xv . architecture. In 2016, I published the intellectual material related to my undergraduate courses about structural systems as a book …
The Nature of Tectonic Architecture and Structural Design
‘Nordic architecture had a strong clear and specific architectural context based on three important factors, which were understood and accepted by the population of the region: climat- ic …
Back to Basics: What is the Meaning of “Tectonic” in ...
Tectonics is a language of architecture, and fluency in this design dialect translates into a methodology that …
Tectonics (architecture) - Wikipedia
In modern architectural theory, the tectonics is an artistic way to express the corporeality of a building …
Tectonics in architecture : from the physical to the met…
Tectonics is primarily concerned with the making of architecture in a modem world. Its value is seen as being a …
(PDF) Introducing Architectural Tectonics: Exploring the ...
Nov 14, 2016 · Introducing Architectural Tectonics is an exploration of the poetics of construction. Tectonic …
STEREOTOMIC VS. TECTONIC - Alberto Campo Baeza
Materializing the concepts of tectonic and stereotomic can be an effective way to make architecture. Make visible …