Advertisement
| sylvia plath lady lazarus: Sylvia Plath's Lady Lazarus - Cultural and Social Context Anne Runkel, 2009-05 Seminar paper from the year 2008 in the subject American Studies - Literature, grade: keine, University of Hamburg, course: American Poetry & Poetics, language: English, abstract: The name of Sylvia Plath is intrinsically tied to the literary movement of Confessional Poetry. Her poem Lady Lazarus is often regarded as the prime example of this genre, as it is an apparent forecast of Plath's suicide (Middlebrook 644) only one year later. But the idea of a 'confessional' poetry that directly refers to the poet's personal experience has lead Plath-Criticism astray for many years. Critics have discussed Plath's life and work as if they were exactly the same thing, and have drawn bizarre conclusions by assuming that Plath's writing can be used as a reliable source for diagnosing her mental condition.. It is obvious that this kind of immediate understanding of Confessional Poetry leads nowhere. As Tracy Brain puts it, in her essay about the dangers of reading Sylvia Plath's work as an unfiltered outpour of personal experience (Dangerous Concessions: Sylvia Plath): How can we ever hope to distinguish the extreme diction and address that is prompted by lived events from a vividly imagined drama that is the result of an expertly assumed style? The answer is: We cannot. Still, one should not altogether ignore the context of the Confessional movement when interpreting Sylvia Plath. But how can Confessional Poetry be dealt with, without getting caught in the traps and pitfalls of a biographic reading? This essay will first try to detect the underlying principles of the so-called 'Confessional Poetry' and position it within literary history. By revealing some of the influences and conventions of Confessional Poetry it aims to uncover the deceiving strategies of this type of poetry. The subsequent interpretation of Sylvia Plath's Lady Lazarus will then try to concentrate on the cultural and social context the poem was produce in and examine in which ways Pla |
| sylvia plath lady lazarus: Decoding Sylvia Plath's Lady Lazarus Julia Gordon-Bramer, 2017-10-23 Revised and expanded from the Fixed Stars Govern a Life: Decoding Sylvia Plath system (2014, Stephen F. Austin State University Press), Decoding Sylvia Plath's Lady Lazarus is an affordable, concise, comprehensive analysis of Plath's poem Lady Lazarus, written in a playful spirit that brings Plath out of the ashes of mere depressive autobiography and into the fascinating world of mysticism-in which Plath and her husband Ted Hughes had an intense interest. See what the academics have missed for over 50 years. Explore Plath's Lady Lazarus and how it perfectly aligns to reflect the mirrors of tarot and Qabalah, alchemy, mythology, history and the world, astrology and astronomy, and the arts and humanities. Gordon-Bramer surprises us with startling new insights and connections that, once seen, simply cannot be denied. She builds a strong case that we have yet to recognize Plath for her real genius and that Plath remains as relevant as ever. Back cover text: Lady Lazarus More than just a hot mess You get the sense already that Plath's Lady Lazarus is a fierce, angry, feminist poem. But do you know why? Can you explain it beyond your personal feeling or Plath's literal autobiography? Fans: Discover the parallel themes of the Statue of Liberty, the abolitionist, the feminist, and other exciting facts within Lady Lazarus that scholars have missed for over 50 years Poets & Writers: Judge for yourself how Lady Lazarus includes themes of Emma Lazarus' poem The New Colossus, Sojourner Truth's Ain't I a Woman?, and the Egyptian Book of the Dead's titles of Isis Students: Understand all themes and meanings beyond the superficial; learn why Plath used Jewish and Holocaust references in Lady Lazarus, and enlighten your classmates to Plath's higher goals Teachers: Save time with a complete class plan, discussion questions and more Decoding Sylvia Plath's Lady Lazarus is the second in a series of Decoding books presenting Plath in compelling, original context, interpreted by the Fixed Stars Govern a Life: Decoding Sylvia Plath system, by author Julia Gordon-Bramer. What readers are saying about the Decoding Sylvia Plath series: I am fascinated and intrigued by Julia Gordon-Bramer's wildly and dizzyingly original readings of Sylvia Plath's poems. Not only does she make me realize that I need to go back and read the poems again, she comes pretty close to convincing me that I have really never read them at all. -Troy Jollimore, National Book Critics Circle Award for Poetry, Guggenheim Fellowship for Creative Arts Recipient Julia Gordon-Bramer's Decoding Sylvia Plath series presents the iconic poet in full three-dimensional view. Or six-dimensional, if you prefer. This Sylvia Plath is far more than the depressive, suicidal drama queen and father-hater depicted in easier accounts of the poet's life. Plath emerges as the genius's genius. Ms. Bramer's tone adds enjoyment to her already rigorous and penetrating work. -Robert Nazarene, founding editor, The American Journal of Poetry This is a friendly, conversational approach so that students won't feel overwhelmed, and it talks about topics that other guides don't, allowing students to make original, insightful commentary on the work. The study guide is a worthwhile, useful investment for students. -Cathleen Allyn Conway, editor, Plath Profiles: An Interdisciplinary Journal for Plath Studies # pages |
| sylvia plath lady lazarus: The Lampshade Mark Jacobson, 2010-09-14 Few growing up in the aftermath of World War II will ever forget the horrifying reports that Nazi concentration camp doctors had removed the skin of prisoners to makes common, everyday lampshades. In The Lampshade, bestselling journalist Mark Jacobson tells the story of how he came into possession of one of these awful objects, and of his search to establish the origin, and larger meaning, of what can only be described as an icon of terror. Jacobson’s mind-bending historical, moral, and philosophical journey into the recent past and his own soul begins in Hurricane Katrina–ravaged New Orleans. It is only months after the storm, with America’s most romantic city still in tatters, when Skip Henderson, an old friend of Jacobson’s, purchases an item at a rummage sale: a very strange looking and oddly textured lampshade. When he asks what it’s made of, the seller, a man covered with jailhouse tattoos, replies, “That’s made from the skin of Jews.” The price: $35. A few days later, Henderson sends the lampshade to Jacobson, saying, “You’re the journalist, you find out what it is.” The lampshade couldn’t possibly be real, could it? But it is. DNA analysis proves it. This revelation sends Jacobson halfway around the world, to Yad Vashem in Jerusalem and to the Buchenwald concentration camp in Germany, where the lampshades were supposedly made on the order of the infamous “Bitch of Buchenwald,” Ilse Koch. From the time he grew up in Queens, New York, in the 1950s, Jacobson has heard stories about the human skin lampshade and knew it to be the ultimate symbol of Nazi cruelty. Now he has one of these things in his house with a DNA report to prove it, and almost everything he finds out about it is contradictory, mysterious, shot through with legend and specious information. Through interviews with forensic experts, famous Holocaust scholars (and deniers), Buchenwald survivors and liberators, and New Orleans thieves and cops, Jacobson gradually comes to see the lampshade as a ghostly illuminator of his own existential status as a Jew, and to understand exactly what that means in the context of human responsibility. One question looms as his search goes on: what to do with the lampshade—this unsettling thing that used to be someone? It is a difficult dilemma to be sure, but far from the last one, since once a lampshade of human skin enters your life, it is very, very hard to forget. |
| sylvia plath lady lazarus: Sylvia Plath Jon Rosenblatt, 2018-06-15 The author shows how Plath's remarkable lyric dramas define a private ritual process. The book deals with the emotional material from which Plath's poetry arises and the specific ritual transformations she dramatizes. It covers all phases of Plath's poetry, closely following the development of image and idea from the apprentice work through the last lyrics of Ariel. The critical method stays close to the language of the poems and defines Plath's struggle toward maturity. Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
| sylvia plath lady lazarus: Sylvia Plath's Selected Poems Sylvia Plath, Ted Hughes, 1985 Sylvia Plath is one of the defining voices in twentieth-century poetry. This classic selection of her work, made by her former husband Ted Hughes, provides the perfect introduction to this most influential of poets. The poems are taken from Sylvia Plath's four collections Ariel, The Colossus, Crossing the Water and Winter Trees, and include many of her most celebrated works, such as 'Daddy', 'Lady Lazarus' and 'Wuthering Heights'. |
| sylvia plath lady lazarus: Lady Lazarus Andrew Foster Altschul, 2008 In this sprawling debut novel, Calliope Bird Morath is the daughter of legendary punk-rock star Brandt Morath, whose horrific suicide devastates the world. |
| sylvia plath lady lazarus: Ariel Sylvia Plath, 2013 Ariel (1965) contains many of Sylvia Plath's best-known poems written in an extraordinary burst of creativity just before her death in 1963, including 'Lady Lazarus', 'Edge', 'Daddy' and 'Paralytic'. The first of four collections to be published by Faber & Faber, Ariel is the volume on which Sylvia Plath's reputation as one of the most original, daring and gifted poets of the twentieth century rests. This beautiful hardback reproduces the classic design of the first edition of a volume now recognised to be one of the most shocking and iconic collections of poetry of the twentieth century. 'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.' A. Alvarez in the Observer |
| sylvia plath lady lazarus: Ariel: The Restored Edition Sylvia Plath, 2005-10-25 Sylvia Plath's famous collection, as she intended it. When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript -- including handwritten notes -- and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem Ariel, which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more. |
| sylvia plath lady lazarus: Sylvia Plath’s „Lady Lazarus“. Cultural and social context Anne Runkel, 2009-05-18 Seminar paper from the year 2008 in the subject American Studies - Literature, grade: keine, University of Hamburg, course: American Poetry & Poetics, language: English, abstract: The name of Sylvia Plath is intrinsically tied to the literary movement of Confessional Poetry. Her poem “Lady Lazarus” is often regarded as the prime example of this genre, as it is “an apparent forecast of Plath’s suicide” (Middlebrook 644) only one year later. But the idea of a ‘confessional’ poetry that directly refers to the poet’s personal experience has lead Plath-Criticism astray for many years. Critics “have discussed Plath’s life and work as if they were exactly the same thing,” and have drawn bizarre conclusions by assuming “that Plath’s writing can be used as a reliable source for diagnosing her mental condition.”. It is obvious that this kind of immediate understanding of Confessional Poetry leads nowhere. As Tracy Brain puts it, in her essay about the dangers of reading Sylvia Plath’s work as an unfiltered outpour of personal experience (“Dangerous Concessions: Sylvia Plath”): How can we ever hope to distinguish the »extreme« »diction and address« that is prompted by lived events from a vividly imagined drama that is the result of an expertly assumed style? The answer is: We cannot. Still, one should not altogether ignore the context of the Confessional movement when interpreting Sylvia Plath. But how can Confessional Poetry be dealt with, without getting caught in the traps and pitfalls of a biographic reading? This essay will first try to detect the underlying principles of the so-called ‘Confessional Poetry’ and position it within literary history. By revealing some of the influences and conventions of Confessional Poetry it aims to uncover the deceiving strategies of this type of poetry. The subsequent interpretation of Sylvia Plath’s “Lady Lazarus” will then try to concentrate on the cultural and social context the poem was produce in and examine in which ways Plath used these different contexts as well as the deceiving strategies of Confessional Poetry in general, to create the unique character of the poem. |
| sylvia plath lady lazarus: Three-Martini Afternoons at the Ritz Gail Crowther, 2022-01-11 A dual biography of poets, friends, and rivals Sylvia Plath and Anne Sexton-- |
| sylvia plath lady lazarus: Letters of Sylvia Plath Volume II Sylvia Plath, 2018-09-04 Sylvia Plath (1932-1963) was one of the writers that defined the course of twentieth-century poetry. Her vivid, daring and complex poetry continues to captivate new generations of readers and writers. In the Letters, we discover the art of Plath's correspondence. Most has never before been published, and it is here presented unabridged, without revision, so that she speaks directly in her own words. Refreshingly candid and offering intimate details of her personal life, Plath is playful, too, entertaining a wide range of addressees, including family, friends and professional contacts, with inimitable wit and verve. The letters document Plath's extraordinary literary development: the genesis of many poems, short and long fiction, and journalism. Her endeavour to publish in a variety of genres had mixed receptions, but she was never dissuaded. Through acceptance of her work, and rejection, Plath strove to stay true to her creative vision. Well-read and curious, she simultaneously offers a fascinating commentary on contemporary culture. Leading Plath scholar Peter K. Steinberg and Karen V. Kukil, editor of The Journals of Sylvia Plath 1950-1962, provide comprehensive footnotes and an extensive index informed by their meticulous research. Alongside a selection of photographs and Plath's own drawings, they masterfully contextualise what the pages disclose. This selection of later correspondence witnesses Plath and Hughes becoming major, influential contemporary writers, as it happened. Experiences recorded include first books and other publications; teaching; committing to writing full-time; travels; making professional acquaintances; settling in England; building a family; and buying a house. Throughout, Plath's voice is completely, uniquely her own. |
| sylvia plath lady lazarus: Poetical Works of Elizabeth Barrett Browning Elizabeth Barrett Browning, 1886 |
| sylvia plath lady lazarus: Three Women Sylvia Plath, 1974 A radio play in verse, comprised of three intertwining monologues by women in a maternity ward. |
| sylvia plath lady lazarus: Johnny Panic and the Bible of Dreams Sylvia Plath, 2016-11-15 What I fear most, I think, is the death of the imagination. . . . If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; The poverty of life without dreams is too horrible to imagine. — Sylvia Plath, Cambridge Notes (From Notebooks, February 1956) Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imagination. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. Johnny Panic and the Bible of Dreams truly showcases the talent and genius of Sylvia Plath. |
| sylvia plath lady lazarus: American Isis Carl Rollyson, 2013-01-29 On the fiftieth anniversary of her death, a startling new vision of Plath—the first to draw from the recently-opened Ted Hughes archive The life and work of Sylvia Plath has taken on the proportions of myth. Educated at Smith, she had an epically conflict-filled relationship with her mother, Aurelia. She then married the poet Ted Hughes and plunged into the sturm and drang of married life in the full glare of the world of English and American letters. Her poems were fought over, rejected, accepted and, ultimately, embraced by readers everywhere. Dead at thirty, she committed suicide by putting her head in an oven while her children slept. Her poetry collection titled Ariel became a modern classic. Her novel The Bell Jar has a fixed place on student reading lists. American Isis will be the first Plath bio benefitting from the new Ted Hughes archive at the British Library which includes forty one letters between Plath and Hughes as well as a host of unpublished papers. The Sylvia Plath Carl Rollyson brings to us in American Isis is no shrinking Violet overshadowed by Ted Hughes, she is a modern day Isis, a powerful force that embraced high and low culture to establish herself in the literary firmament. |
| sylvia plath lady lazarus: Sylvia Plath Susan Bassnett, 2005-01-01 In this lively and accessible introduction to Sylvia Plath's writing, Bassnett offers a balanced view of one of the finest modern poets. Bassnett argues that there can never be any definitive version of the Plath story, but from close reading of the texts she left behind, readers can discover the excitement of her diverse work. The second edition includes three new chapters and ends with a reading of Ted Hughes' Birthday Letters. |
| sylvia plath lady lazarus: Voice and Vision Gayle Wurst, 1999 Cette thèse examine l'oeuvre controversée de Sylvia Plath en proposant une étude historique de sa réception et une nouvelle analyse diachronique de sa poétique. |
| sylvia plath lady lazarus: The Last Days of Sylvia Plath Carl Rollyson, 2020 A new, vivid account of the final months of the esteemed writer's life |
| sylvia plath lady lazarus: Sylvia Plath: Drawings Sylvia Plath, Frieda Hughes, 2013-11-05 A unique and invaluable collection of the young Sylvia Plath’s drawings from important and formative years in her life: 1955-1957 Sylvia Plath: Drawings is a portfolio of pen-and-ink illustrations created during the transformative period spent at Cambridge University, when Plath met and secretly married poet Ted Hughes, and traveled with him to Paris and Spain on their honeymoon, years before she wrote her seminal work, The Bell Jar. Throughout her life, Sylvia Plath cited art as her deepest source of inspiration. This collection sheds light on these key years in her life, capturing her exquisite observations of the world around her. It includes Plath’s drawings from England, France, Spain, and New England, featuring such subjects as Parisian rooftops, trees, and churches, as well as a portrait Ted Hughes. Sylvia Plath: Drawings includes letters and diary entries that add depth and context to the great poet’s work, as well as an illuminating introduction by her daughter, Frieda Hughes. |
| sylvia plath lady lazarus: Red Comet Heather Clark, 2020-10-27 PULITZER PRIZE FINALIST • The highly anticipated biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art. “One of the most beautiful biographies I've ever read. —Glennon Doyle, author of #1 New York Times Bestseller, Untamed With a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world: her early relationships and determination not to become a conventional woman and wife; her troubles with an unenlightened mental health industry; her Cambridge years and thunderclap meeting with Ted Hughes; and much more. Clark’s clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath’s suicide promote a deeper understanding of her final days. Along with illuminating readings of the poems themselves, Clark’s meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over. |
| sylvia plath lady lazarus: The Poetry of Sylvia Plath Claire Brennan, 2001 This collection of reviews of the writing of Sylvia Plath is arranged in sections on reviews of The Colossus and Ariel, unifying strategies and early feminist readings of the 1970s, cultural and historical readings, feminist and psychoanalytic strategies, and new directions. Brief excerpts by nume |
| sylvia plath lady lazarus: Decoding Sylvia Plath's Daddy Julia Gordon-Bramer, 2017-09 Not your average literary criticism, Decoding Sylvia Plath's Daddy talks you through complex information in a lively, conversational way. Revised and expanded from the Fixed Stars Govern a Life: Decoding Sylvia Plath system (2014, Stephen F. Austin State University Press), Decoding Sylvia Plath's Daddy is an affordable, concise, comprehensive analysis of Plath's poem Daddy, written in a playful spirit that brings Plath out of the ashes of mere depressive autobiography and into the fascinating world of mysticism-in which Plath and her husband Ted Hughes had an intense interest. See what the academics have missed for over 50 years. Explore Plath's Daddy and how it perfectly aligns to reflect the mirrors of tarot and Qabalah, alchemy, mythology, history and the world, astrology and astronomy, and the arts and humanities. Gordon-Bramer surprises us with startling new insights and connections that, once seen, simply cannot be denied. She builds a strong case that we have yet to recognize Plath for her real genius and that Plath remains as relevant as ever. Back cover text: Daddy Not your average everyday Electra complex... You do not do Sylvia Plath studies without her bedazzling poem Daddy. But do you get it? ...beyond the drama of anger and attraction from a daughter and wife? Fans: Discover the parallel themes of Sigmund Freud, King Brutus, the London Stone, and other exciting facts within Daddy that scholars have missed for over 50 years Poets & Writers: Judge for yourself how Daddy includes themes of Conrad's Heart of Darkness, Joyce's Finnegans Wake, and other literary works Students: Understand all themes and meanings beyond the superficial; learn why Plath used derogatory names and racism in Daddy, and enlighten your classmates to her higher goals Teachers: Save time with a complete class plan, discussion questions and more Decoding Sylvia Plath's Daddy is the first of a series of Decoding books presenting Plath in compelling, original context, interpreted by the Fixed Stars Govern a Life: Decoding Sylvia Plath system, by author Julia Gordon-Bramer. What readers are saying about Decoding Sylvia Plath's Daddy I am fascinated and intrigued by Julia Gordon-Bramer's wildly and dizzyingly original readings of Sylvia Plath's poems. Not only does she make me realize that I need to go back and read the poems again, she comes pretty close to convincing me that I have really never read them at all. -Troy Jollimore, National Book Critics Circle Award for Poetry, Guggenheim Fellowship for Creative Arts Recipient Julia Gordon-Bramer's Decoding Sylvia Plath's 'Daddy' presents the iconic poet in full three-dimensional view. Or six-dimensional, if you prefer. This Sylvia Plath is far more than the depressive, suicidal drama queen and father-hater depicted in easier accounts of the poet's life. Plath emerges as the genius's genius. Ms. Bramer's tone adds enjoyment to her already rigorous and penetrating work. -Robert Nazarene, founding editor, The American Journal of Poetry This is a friendly, conversational approach so that students won't feel overwhelmed, and it talks about topics that other guides don't, allowing students to make original, insightful commentary on the work. The study guide is a worthwhile, useful investment for students. -Cathleen Allyn Conway, editor, Plath Profiles: An Interdisciplinary Journal for Plath Studies 101 pages Author Julia Gordon-Bramer is a cross between Gregg Braden, who brings spirituality to science, and Jen Sincero, who brings spirituality to being a Badass. With personality, clarity, and wit, this author, poet, scholar, professor and professional tarot card reader has spent the last decade interpreting Sylvia Plath's |
| sylvia plath lady lazarus: Trances of the Blast Mary Ruefle, 2014-09-02 Now in paperback, the most recent collection from celebrated poet Mary Ruefle—moving, authoritative, generous. |
| sylvia plath lady lazarus: The Road Not Taken, Birches, and Other Poems Robert Frost, 2010 Originally published as: Mountain interval. New York: H. Holt and Co., 1916. |
| sylvia plath lady lazarus: Bitter Fame Anne Stevenson, 1998 Though Plath has become a modern legendary figure, this is the first fully informed account of her life as a poet. With new material of all sorts, Stevenson recounts the struggle between fantasy and reality that blessed the artist but placed a curse on the woman. Photos. |
| sylvia plath lady lazarus: The Written World Martin Puchner, 2017 The story of literature in sixteen acts, from Alexander the Great and the Iliad to ebooks and Harry Potter, this engaging book brings together remarkable people and surprising events to show how writing shaped cultures, religions, and the history of the world-- |
| sylvia plath lady lazarus: Crossing the Water Sylvia Plath, 2017-10-03 Crossing the Water and Winter Trees contain the poems written during the exceptionally creative period of the last years of Sylvia Plath's life. Published posthumously in 1971, they add a startling counterpoint to Ariel, the volume that made her reputation. Readers will recognise some of her most celebrated poems - 'Childless Woman', 'Mirror', 'Insomniac' - while discovering those still overlooked, including her radio play Three Women. These two extraordinary volumes find their place alongside The Colossus and Ariel in the oeuvre of a singular talent. 'Nearly all the poems here have the familiar Plath daring, the same feel of bits of frightened, vibrant, indignant consciousness translated instantly into words and images that blend close, experienced horror and icy, sardonic control.' Alan Brownjohn, New Statesman |
| sylvia plath lady lazarus: Winter Trees Sylvia Plath, 2016-11-15 Nearly all the poems here have the familiar Plath daring, the same feel of bits of frightened, vibrant, indignant consciousness translated instantly into words and images that blend close, experienced horror and icy, sardonic control. — New Statesman A book that anyone seriously interested in poetry now must have . . . Sylvia Plath’s immense gift is evident throughout.— Guardian The poems in Winter Trees, published posthumously in 1972, form part of the collection from which the Ariel poems were chosen. |
| sylvia plath lady lazarus: Fixed Stars Govern a Life: The major arcana and the first 22 poems of Plath's Ariel Julia Gordon-Bramer, 2014 Fixed stars govern a life: decoding Sylvia Plath aligns Plath's great poetry collection, Ariel, with the tarot and Qabalah--back cover. |
| sylvia plath lady lazarus: Last Looks, Last Books Helen Vendler, 2010-03-01 Modern American poets writing in the face of death In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry. |
| sylvia plath lady lazarus: The Colossus Sylvia Plath, 1972 The Colossus was Sylvia Plath's first published volume of poetry. 'She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously . . . There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss.' A. Alvarez in the Observer |
| sylvia plath lady lazarus: The Haunting of Sylvia Plath Jacqueline Rose, 1996 Since her suicide in 1963 at the age of 30, Sylvia Plath has become a strange icon. This book addresses why this is the case and what this tells us about the way culture picks out important writers. The author argues that without a concept of fantasy we can understand neither Plath's work nor what she has come to represent. She proposes that no writer demonstrates more forcefully than Plath the importance of inner psychic life for the wider sexual and political world. By the author of Sexuality in the Field of Vision . |
| sylvia plath lady lazarus: The Collected Poems Sylvia Plath, 2016-11-15 Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes. By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction |
| sylvia plath lady lazarus: Shopgirls Marissa Higgins, 2018-01-05 Marissa Higgins' Shopgirls celebrates the grotesque with unexpected delight. Higgins' precise syllables and subtle alliteration will make you hungry. Flesh, bone, and expectation, Shopgirls is unafraid of breaking and lingering in the resulting pain. You are about to witness the work of a highly skilled surgeon. -Danielle Evennou, author of Difficult Trick How does one negotiate self-preservation in the throes of desire? How do you defamiliarize the familiar that you may understand the self better? Early in Marissa Higgins' chapbook, Shopgirls, the speaker reveals, I've learned how to preserve/ what remains, and these poems acutely distill the exchange of power dynamics as enrapture defines its own terms. Don't you know/ what it is to work for love? we are asked-and haven't My attempts to please also been slow at times, haven't my fingers reached for something just out of reach, haven't I [wiggled]/ like a panicked thing, smaller/than a deer or God in my wantings? With concision-and precision-Higgins refuses to shy away from the body in desire, leaving the reader wanting also to be even closer to what is/ and was pleasure. -Flower Conroy, author of The Awful Suicidal Swans In Shopgirls, Marissa Higgins creates a world that explores human insecurity by juxtaposing fashion and science. The anatomy of her poems bulging beneath denim wound[s] in ways [Higgins] does not know how to heal. It is tight poetry that takes [you] from behind and forces bruise[s] to blossom. It is an emotionally charged volume that pushes our perceptions about capitalism and our bodies to new levels-a genuine vivisection. -Jessica Hylton, author of The Great Scissor Hunt |
| sylvia plath lady lazarus: The 100 Best Nonfiction Books of All Time Robert McCrum, 2018 Beginning in 1611 with the King James Bible and ending in 2014 with Elizabeth Kolbert's 'The Sixth Extinction', this extraordinary voyage through the written treasures of our culture examines universally-acclaimed classics such as Pepys' 'Diaries', Charles Darwin's 'The Origin of Species', Stephen Hawking's 'A Brief History of Time' and a whole host of additional works -- |
| sylvia plath lady lazarus: Feminist Literary Theory and Criticism Sandra M. Gilbert, Susan Gubar, 2007 With selections by more than 100 writers and scholars, the Reader is an ideal companion for literature surveys where critical and theoretical texts are featured, as well as a rich, flexible core text for advanced courses in feminist theory and criticism. The Reader can be packaged with the Norton Anthology of Literature by Women, Third Edition, at a substantial discount. |
| sylvia plath lady lazarus: Trauma & the Struggle to Open Up Robert T. Muller, 2018-06-19 Winner, 2019 Written Media Award, International Society for the Study of Trauma & Dissociation. Winner, 2015 William James Book Award, American Psychological Association How to navigate the therapeutic relationship with trauma survivors, to help bring recovery and growth. In therapy, we see how relationships are central to many traumatic experiences, but relationships are also critical to trauma recovery. Grounded firmly in attachment and trauma theory, this book shows how to use the psychotherapy relationship, to help clients find self-understanding and healing from trauma. Offering candid, personal guidance, using rich case examples, Dr. Robert T. Muller provides the steps needed to build and maintain a strong therapist-client relationship –one that helps bring recovery and growth. With a host of practical tips and protocols, this book gives therapists a roadmap to effective trauma treatment. |
| sylvia plath lady lazarus: Difficulties of a Bridegroom Ted Hughes, 1995 Nine short stories ranging over four decades of the Poet Laureate's occasional fiction writing. |
Sylvia (singer) - Wikipedia
Sylvia Jane Kirby (December 9, 1956 [1]), known mononymously as Sylvia, is an American country music and country pop singer and songwriter. [2] Her biggest hit (a crossover chart …
Sylvia Bio — Sylvia - Official Website
Sylvia’s successful singles led to her debut album, Drifter, which peaked at #10 on Billboard’s Country charts in 1981. Her follow-up, the Just Sylvia album, reached #2, and contained her …
Whatever Happened To 1980’s Country Superstar Sylvia?
Feb 20, 2023 · With over four million records sold, Sylvia has a well earned place in country music history. So, whatever happened to Sylvia? Well, the Kokomo, Indiana native is alive and well …
Sylvia Name, Meaning, Origin, History, And Popularity
May 7, 2024 · Sylvia is a Latin name that means ‘from the forest’ or ‘woodland.’. It derives from the Latin word “ silva,” which means ‘spirit of the wood,’ ‘forest’ or ‘wood.’. It is a feminine …
Sylvia - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Sylvia is a girl's name of Latin origin meaning "from the forest". Sylvia is the 361 ranked female name by popularity.
Sylvia Name Meaning, Origin, Popularity, Girl Names Like ...
The name Sylvia is of Latin origin, deriving from the word “silva” meaning “forest” or “woods”. In Roman mythology, Silvia was the mother of Romulus and Remus, the legendary founders of …
Meaning, origin and history of the name Sylvia
Dec 1, 2024 · Variant of Silvia. This has been the most common English spelling since the 19th century. Name Days?
Sylvia - Name Meaning, What does Sylvia mean? - Think Baby Names
Sylvia as a girls' name is pronounced SIL-vee-ah. It is of Latin origin, and the meaning of Sylvia is " woods, forest". The Latin form Silvia was more popular for centuries until recently. Rhea …
Sylvia (2003) - IMDb
When poet and novelist Sylvia Plath committed suicide in 1963, she became the archetype of the tortured artist - particularly for sensitive young people who came to romanticize her end and …
Sylvia - Name Meaning and Origin
The name Sylvia is of Latin origin and means "from the forest" or "of the woods." It is derived from the Latin word "silva," which means "forest." The name Sylvia is often associated with nature, …
Sylvia (singer) - Wikipedia
Sylvia Jane Kirby (December 9, 1956 [1]), known mononymously as Sylvia, is an American country music and country pop singer and songwriter. [2] Her biggest hit (a crossover chart topper), was …
Sylvia Bio — Sylvia - Official Website
Sylvia’s successful singles led to her debut album, Drifter, which peaked at #10 on Billboard’s Country charts in 1981. Her follow-up, the Just Sylvia album, reached #2, and contained her …
Whatever Happened To 1980’s Country Superstar Sylvia?
Feb 20, 2023 · With over four million records sold, Sylvia has a well earned place in country music history. So, whatever happened to Sylvia? Well, the Kokomo, Indiana native is alive and well at …
Sylvia Name, Meaning, Origin, History, And Popularity
May 7, 2024 · Sylvia is a Latin name that means ‘from the forest’ or ‘woodland.’. It derives from the Latin word “ silva,” which means ‘spirit of the wood,’ ‘forest’ or ‘wood.’. It is a feminine name that …
Sylvia - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Sylvia is a girl's name of Latin origin meaning "from the forest". Sylvia is the 361 ranked female name by popularity.
Sylvia Name Meaning, Origin, Popularity, Girl Names Like ...
The name Sylvia is of Latin origin, deriving from the word “silva” meaning “forest” or “woods”. In Roman mythology, Silvia was the mother of Romulus and Remus, the legendary founders of Rome.
Meaning, origin and history of the name Sylvia
Dec 1, 2024 · Variant of Silvia. This has been the most common English spelling since the 19th century. Name Days?
Sylvia - Name Meaning, What does Sylvia mean? - Think Baby Names
Sylvia as a girls' name is pronounced SIL-vee-ah. It is of Latin origin, and the meaning of Sylvia is " woods, forest". The Latin form Silvia was more popular for centuries until recently. Rhea Silvia …
Sylvia (2003) - IMDb
When poet and novelist Sylvia Plath committed suicide in 1963, she became the archetype of the tortured artist - particularly for sensitive young people who came to romanticize her end and her …
Sylvia - Name Meaning and Origin
The name Sylvia is of Latin origin and means "from the forest" or "of the woods." It is derived from the Latin word "silva," which means "forest." The name Sylvia is often associated with nature, …
