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| the birth of tragedy analysis: Nietzsche and “The Birth of Tragedy” Paul Raimond Daniels, 2014-09-19 Nietzsche's philosophy - at once revolutionary, erudite and deep - reaches into all spheres of the arts. Well into a second century of influence, the profundity of his ideas and the complexity of his writings still determine Nietzsche's power to engage his readers. His first book, The Birth of Tragedy, presents us with a lively inquiry into the existential meaning of Greek tragedy. We are confronted with the idea that the awful truth of our existence can be revealed through tragic art, whereby our relationship to the world transfigures from pessimistic despair into sublime elation and affirmation. It is a landmark text in his oeuvre and remains an important book both for newcomers to Nietzsche and those wishing to enrich their appreciation of his mature writings. Nietzsche and The Birth of Tragedy provides a clear account of the text and explores the philosophical, literary and historical influences bearing upon it. Each chapter examines part of the text, explaining the ideas presented and assessing relevant scholarly points of interpretation. The book will be an invaluable guide to readers in Philosophy, Literary Studies and Classics coming to The Birth of Tragedy for the first time. |
| the birth of tragedy analysis: The Complete Works of Friedrich Nietzsche Friedrich Wilhelm Nietzsche, 1909 |
| the birth of tragedy analysis: Nietzsche on Tragedy M. S. Silk, J. P. Stern, 1981 The first comprehensive study of Nietzsche's earliest (and extraordinary) book, The Birth of tragedy. |
| the birth of tragedy analysis: Anti-Education Friedrich Nietzsche, 2015-12-15 AN NYRB Classics Original In 1869, at the age of twenty-four, the precociously brilliant Friedrich Nietzsche was appointed to a professorship of classical philology at the University of Basel. He seemed marked for a successful and conventional academic career. Then the philosophy of Schopenhauer and the music of Wagner transformed his ambitions. The genius of such thinkers and makers—the kind of genius that had emerged in ancient Greece—this alone was the touchstone for true understanding. But how was education to serve genius, especially in a modern society marked more and more by an unholy alliance between academic specialization, mass-market journalism, and the militarized state? Something more than sturdy scholarship was called for. A new way of teaching and questioning, a new philosophy . . . What that new way might be was the question Nietzsche broached in five vivid, popular public lectures in Basel in 1872. Anti-Education presents a provocative and timely reckoning with what remains one of the central challenges of the modern world. |
| the birth of tragedy analysis: The Birth of Pleasure Carol Gilligan, 2003-08-12 The author of the classic In a Different Voice offers a brilliant, provocative book about love that has powerful implications for the way we live and love today. “Compelling ... A thrilling new paradigm.” —The Times Literary Supplement Carol Gilligan, whose In a Different Voice revolutionized the study of human psychology, now asks: Why is love so often associated with tragedy? Why are our experiences of pleasure so often shadowed by loss? And can we change these patterns? Gilligan observes children at play and adult couples in therapy and discovers that the roots of a more hopeful view of love are all around us. She finds evidence in new psychological research and traces a path leading from the myth of Psyche and Cupid through Shakespeare’s plays and Freud’s case histories, to Anne Frank’s diaries and contemporary novels. |
| the birth of tragedy analysis: Hiking with Nietzsche John Kaag, 2018-09-25 A stimulating book about combating despair and complacency with searching reflection. --Heller McAlpin, NPR.org Named a Best Book of 2018 by NPR. One of Lit Hub's 15 Books You Should Read in September and one of Outside's Best Books of Fall A revelatory Alpine journey in the spirit of the great Romantic thinker Friedrich Nietzsche Hiking with Nietzsche: Becoming Who You Are is a tale of two philosophical journeys—one made by John Kaag as an introspective young man of nineteen, the other seventeen years later, in radically different circumstances: he is now a husband and father, and his wife and small child are in tow. Kaag sets off for the Swiss peaks above Sils Maria where Nietzsche wrote his landmark work Thus Spoke Zarathustra. Both of Kaag’s journeys are made in search of the wisdom at the core of Nietzsche’s philosophy, yet they deliver him to radically different interpretations and, more crucially, revelations about the human condition. Just as Kaag’s acclaimed debut, American Philosophy: A Love Story, seamlessly wove together his philosophical discoveries with his search for meaning, Hiking with Nietzsche is a fascinating exploration not only of Nietzsche’s ideals but of how his experience of living relates to us as individuals in the twenty-first century. Bold, intimate, and rich with insight, Hiking with Nietzsche is about defeating complacency, balancing sanity and madness, and coming to grips with the unobtainable. As Kaag hikes, alone or with his family, but always with Nietzsche, he recognizes that even slipping can be instructive. It is in the process of climbing, and through the inevitable missteps, that one has the chance, in Nietzsche’s words, to “become who you are. |
| the birth of tragedy analysis: Nietzsche on Art and Life Daniel Came, 2014-04 Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims—to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy. |
| the birth of tragedy analysis: Constellation James McFarland, 2012-12-31 The first extended exploration of the relationship between the Weimar-era revolutionary cultural critic and the radical philosopher. In five chapters, Constellation presents the changing figure of Friedrich Nietzsche as Walter Benjamin encountered him: an inspiration to his student activism, an authority for his skeptical philology, a manifestation of his philosophical nihilism, a companion in his political exile, and ultimately a subversive collaborator in his efforts to think beyond the hopeless temporality—new and always the same—of the present moment in history. |
| the birth of tragedy analysis: Contesting Nietzsche Christa Davis Acampora, 2013-05-06 A brilliant exploration of a significant and understudied aspect of Nietzsche’s philosophy. In this groundbreaking work, Christa Davis Acampora offers a profound rethinking of Friedrich Nietzsche’s crucial notion of the agon. Analyzing an impressive array of primary and secondary sources and synthesizing decades of Nietzsche scholarship, she shows how the agon, or contest, organized core areas of Nietzsche’s philosophy, providing a new appreciation of the subtleties of his notorious views about power. By focusing so intensely on this particular guiding interest, she offers an exciting, original vantage from which to view this iconic thinker: Contesting Nietzsche. Though existence—viewed through the lens of Nietzsche’s agon—is fraught with struggle, Acampora illuminates what Nietzsche recognized as the agon’s generative benefits. It imbues the human experience with significance, meaning, and value. Analyzing Nietzsche’s elaborations of agonism—his remarks on types of contests, qualities of contestants, and the conditions in which either may thrive or deteriorate—she demonstrates how much the agon shaped his philosophical projects and critical assessments of others. The agon led him from one set of concerns to the next, from aesthetics to metaphysics to ethics to psychology, via Homer, Socrates, Saint Paul, and Wagner. In showing how one obsession catalyzed so many diverse interests, Contesting Nietzsche sheds fundamentally new light on some of this philosopher’s most difficult and paradoxical ideas. |
| the birth of tragedy analysis: Introductions to Nietzsche Robert B. Pippin, 2012-02-09 A comprehensive and unusual introduction to Nietzsche, providing a separate introductory essay for each of his major works. |
| the birth of tragedy analysis: The Birth of Theater from the Spirit of Philosophy David Kornhaber, 2016-05-31 Nietzsche's love affair with the theater was among the most profound and prolonged intellectual engagements of his life, but his transformational role in the history of the modern stage has yet to be explored. In this pathbreaking account, David Kornhaber vividly shows how Nietzsche reimagined the theatrical event as a site of philosophical invention that is at once ancestor, antagonist, and handmaiden to the discipline of philosophy itself. August Strindberg, George Bernard Shaw, and Eugene O'Neill— seminal figures in the modern drama's evolution and avowed Nietzscheans all—came away from their encounters with Nietzsche's writings with an impassioned belief in the philosophical potential of the live theatrical event, coupled with a reestimation of the dramatist's power to shape that event in collaboration with the actor. In these playwrights' reactions to and adaptations of Nietzsche's radical rethinking of the stage lay the beginnings of a new direction in modern theater and dramatic literature. |
| the birth of tragedy analysis: Nietzsche's Philosophy of Religion Julian Young, 2006-04-06 In his first book, The Birth of Tragedy, Nietzsche observes that Greek tragedy gathered people together as a community in the sight of their gods, and argues that modernity can be rescued from 'nihilism' only through the revival of such a festival. This is commonly thought to be a view which did not survive the termination of Nietzsche's early Wagnerianism, but Julian Young argues, on the basis of an examination of all of Nietzsche's published works, that his religious communitarianism in fact persists through all his writings. What follows, it is argued, is that the mature Nietzsche is neither an 'atheist', an 'individualist', nor an 'immoralist': he is a German philosopher belonging to a German tradition of conservative communitarianism - though to claim him as a proto-Nazi is radically mistaken. This important reassessment will be of interest to all Nietzsche scholars and to a wide range of readers in German philosophy. |
| the birth of tragedy analysis: What a Philosopher Is Laurence Lampert, 2018-01-26 The trajectory of Friedrich Nietzsche’s thought has long presented a difficulty for the study of his philosophy. How did the young Nietzsche—classicist and ardent advocate of Wagner’s cultural renewal—become the philosopher of Will to Power and the Eternal Return? With this book, Laurence Lampert answers that question. He does so through his trademark technique of close readings of key works in Nietzsche’s journey to philosophy: The Birth of Tragedy, Schopenhauer as Educator, Richard Wagner in Bayreuth, Human All Too Human, and “Sanctus Januarius,” the final book of the 1882 Gay Science. Relying partly on how Nietzsche himself characterized his books in his many autobiographical guides to the trajectory of his thought, Lampert sets each in the context of Nietzsche’s writings as a whole, and looks at how they individually treat the question of what a philosopher is. Indispensable to his conclusions are the workbooks in which Nietzsche first recorded his advances, especially the 1881 workbook which shows him gradually gaining insights into the two foundations of his mature thinking. The result is the most complete picture we’ve had yet of the philosopher’s development, one that gives us a Promethean Nietzsche, gaining knowledge even as he was expanding his thought to create new worlds. |
| the birth of tragedy analysis: Nietzsche, Life as Literature Alexander Nehamas, 1985 More than eighty years after his death, Nietzsche's writings and his career remain disquieting, disturbing, obscure. His most famous views-the will to power, the eternal recurrence, the Übermensch, the master morality-often seem incomprehensible or, worse, repugnant. Yet he remains a thinker of singular importance, a great opponent of Hegel and Kant, and the source of much that is powerful in figures as diverse as Wittgenstein, Derrida, Heidegger, and many recent American philosophers. Alexander Nehamas provides the best possible guide for the perplexed. He reveals the single thread running through Nietzsche's views: his thinking of the world on the model of a literary text, of people as if they were literary characters, and of knowledge and science as if they were literary interpretation. Beyond this, he advances the clarity of the concept of textuality, making explicit some of the forces that hold texts together and so hold us together. Nehamas finally allows us to see that Nietzsche is creating a literary character out of himself, that he is, in effect, playing the role of Plato to his own Socrates. Nehamas discusses a number of opposing views, both American and European, of Nietzsche's texts and general project, and reaches a climactic solving of the main problems of Nietzsche interpretation in a step-by-step argument. In the process he takes up a set of very interesting questions in contemporary philosophy, such as moral relativism and scientific realism. This is a book of considerable breadth and elegance that will appeal to all curious readers of philosophy and literature. |
| the birth of tragedy analysis: Reading the New Nietzsche David B. Allison, 2001 In this long-awaited volume, David B. Allison argues for a 'generous' approach to Nietzsche's writings, and then provides comprehensive analyses of Nietzsche's The Birth of Tragedy, The Gay Science, On the Genealogy of Morals, and Thus Spoke Zarathustra. Unique among other books on Nietzsche, Allison's text includes individual chapters devoted to Nietzsche's principal works. Historically-oriented and continentally-informed, Allison's readings draw on French and German thinkers, such as Heidegger, Battaille, Derrida, Birault, and Deleuze, while the author explicitly resists the use of jargon that frequently characterizes those approaches. Reading the New Nietzsche is an outstanding resource for those reading Nietzsche for the first time as well as for those who wish to know him better. |
| the birth of tragedy analysis: Sexual Personae Camille Paglia, 1990-09-10 From ancient Egypt through the nineteenth century, Sexual Personae explores the provocative connections between art and pagan ritual; between Emily Dickinson and the Marquis de Sade; between Lord Byron and Elvis Presley. It ultimately challenges the cultural assumptions of both conservatives and traditional liberals. 47 photographs. |
| the birth of tragedy analysis: Nietzsche: The Birth of Tragedy and Other Writings Friedrich Wilhelm Nietzsche, 1999-04-22 The Birth of Tragedy is one of the seminal philosophical works of the modern period. Nietzsche's discussion of the nature of culture, of the conditions under which it can flourish and of those under which it will decline, his analysis of the sources of discontent with the modern world, his criticism of rationalism and of traditional morality, his aesthetic theories and his conception of the 'Dionysiac' have had a profound influence on the philosophy, literature, music, and politics of the twentieth century. This edition presents a new translation by Ronald Speirs and an introduction by Raymond Geuss that sets the work in its historical and philosophical context. The volume also includes two essays on related topics that Nietzsche wrote during the same period, and that throw further light on the themes treated in the main text. |
| the birth of tragedy analysis: Reading Nietzsche through the Ancients Matthew Meyer, 2014-07-28 Nietzsche’s work was shaped by his engagement with ancient Greek philosophy. Matthew Meyer analyzes Nietzsche’s concepts of becoming and perspectivism and his alleged rejection of the principle of non-contradiction, and he traces these views back to the Heraclitean-Protagorean position that Plato and Aristotle critically analyze in the Theaetetus and Metaphysica IV, respectively. At the center of this Heraclitean-Protagorean position is a relational ontology in which everything exists and is what it is only in relation to something else. Meyer argues that this relational ontology is not only theoretically foundational for Nietzsche’s philosophical project, in that it is the common element in Nietzsche’s views on becoming, perspectivism, and the principle of non-contradiction, but also textually foundational, in that Nietzsche implicitly commits himself to such an ontology in raising the question of opposites at the beginning of both Human, All Too Human and Beyond Good and Evil. |
| the birth of tragedy analysis: Money and the Early Greek Mind Richard Seaford, 2004-03-11 How were the Greeks of the sixth century BC able to invent philosophy and tragedy? In this book Richard Seaford argues that a large part of the answer can be found in another momentous development, the invention and rapid spread of coinage, which produced the first ever thoroughly monetised society. By transforming social relations monetisation contributed to the ideas of the universe as an impersonal system, fundamental to Presocratic philosophy, and of the individual alienated from his own kin and from the gods, as found in tragedy. |
| the birth of tragedy analysis: Friedrich Nietzsche and the Politics of the Soul Leslie Paul Thiele, 1990-08-23 Leslie Thiele presents an original and accessible essay on the great thinker's attempt to lead a heroic life as a philosopher, artist, saint, educator, and solitary. He takes as his point of departure Nietzsche's conception of the soul as a multiplicity of conflicting drives and personae, and focuses on the task Nietzsche allotted himself to make a cosmos out of his chaotic inheritance. This struggle to become what you are by way of a spiritual politics is demonstrated to be Nietzsche's foremost concern, which fused his philosophy with his life. |
| the birth of tragedy analysis: Hegel and Greek Tragedy Martin Thibodeau, 2012-12-13 The present study is dedicated to the different interpretations of Greek tragedy proposed in the writing of G.W.F. Hegel. It explicates how and in what sense Hegel’s investigation in tragedy parallels the development of his philosophy from his early theological writings to his system of absolute idealism, and thereby defends the view that this investigation is linked to a concern with politics in the modern world. |
| the birth of tragedy analysis: Nietzsche's Philosophy of Art Julian Young, 1992 This is a clear and lucid account of Nietzsche's philosophy of art. |
| the birth of tragedy analysis: Nietzsche's Critiques R. Kevin Hill, 2003 Kevin Hill's highly original new interpretation of Nietzsche's philosophy is the first to examine in detail his debt to Kant, in particular the Critique of Pure Reason, Critique of Practical Reason, and Critique of Judgement. Nietzsche, Hill argues, knew Kant far better than is commonly thought, and can only be thoroughly understood in relation to Kant.; Nietzsche's Critiques maintains that beneath the surface of his texts there is a systematic commitment to a form of early Neo-Kantianism in metaphysics and epistemology, ethics, and aesthetics, grounded in his reading of the three Critiques, K. |
| the birth of tragedy analysis: Crossings John Sallis, 1991-04-09 Boldly contesting recent scholarship, Sallis argues that The Birth of Tragedy is a rethinking of art at the limit of metaphysics. His close reading focuses on the complexity of the Apollinian/Dionysian dyad and on the crossing of these basic art impulses in tragedy. Sallis effectively calls into question some commonly accepted and simplistic ideas about Nietzsche's early thinking and its debt to Schopenhauer, and proposes alternatives that are worth considering.—Richard Schacht, Times Literary Supplement |
| the birth of tragedy analysis: American Nietzsche Jennifer Ratner-Rosenhagen, 2012 If you were looking for a philosopher likely to appeal to Americans, Friedrich Nietzsche would be far from your first choice. After all, in his blazing career, Nietzsche took aim at nearly all the foundations of modern American life: Christian morality, the Enlightenment faith in reason, and the idea of human equality. Despite that, for more than a century Nietzsche has been a hugely popular—and surprisingly influential—figure in American thought and culture. In American Nietzsche, Jennifer Ratner-Rosenhagen delves deeply into Nietzsche's philosophy, and America’s reception of it, to tell the story of his curious appeal. Beginning her account with Ralph Waldo Emerson, whom the seventeen-year-old Nietzsche read fervently, she shows how Nietzsche’s ideas first burst on American shores at the turn of the twentieth century, and how they continued alternately to invigorate and to shock Americans for the century to come. She also delineates the broader intellectual and cultural contexts within which a wide array of commentators—academic and armchair philosophers, theologians and atheists, romantic poets and hard-nosed empiricists, and political ideologues and apostates from the Left and the Right—drew insight and inspiration from Nietzsche’s claims for the death of God, his challenge to universal truth, and his insistence on the interpretive nature of all human thought and beliefs. At the same time, she explores how his image as an iconoclastic immoralist was put to work in American popular culture, making Nietzsche an unlikely posthumous celebrity capable of inspiring both teenagers and scholars alike. A penetrating examination of a powerful but little-explored undercurrent of twentieth-century American thought and culture, American Nietzsche dramatically recasts our understanding of American intellectual life—and puts Nietzsche squarely at its heart. |
| the birth of tragedy analysis: The Trauma of Birth Otto Rank, 2015-11-04 The following arguments indicate a first attempt to apply the psychoanalytic way of thinking, as such, to the comprehension of the whole development of mankind, even of the actual fact of becoming human. It would be more correct not to use the word “apply,” for it is not a question of one of the usual works on the “Application of Psychoanalysis to the Mental Sciences”; rather it is a matter of making psychoanalytic thought productive for our entire conception of mankind and history. This finally represents the history of mind, that is, the history of the development of the human mind and of the things created by it. This particular viewpoint, still too new to be quite clearly grasped, is made accessible to us through Psychoanalysis by reason of the prodigious extension of our consciousness, which at the present time enables us to recognize part of the deepest Unconscious as such, and to understand its mode of operation. As scientific knowledge itself is no more than a conscious comprehension of previously latent facts, it is only logical that every particle of the extension of our consciousness, gained by analysis, should be converted into understanding. It is now shown at a quite definite point of psychoanalytic knowledge, which we shall soon characterize more definitely, that there is also a considerable part of organic or biological development which can be understood only from the psychical side; that is, from the side which, together with all the residue of development, includes also our own instrument of knowledge, which has suddenly become definitely more efficient through our progressive knowledge of the Unconscious. We have taken certain new individual psychoanalytic experiences solely as a starting-point for a more comprehensive view and for general knowledge; but we believe that in so doing we have opened up the way to something essentially different from the hitherto prevailing “application” of Psychoanalysis. Thus we also lay stress on the fact that we want to keep ourselves free from an overestimation of the psychoanalytic doctrine of the Unconscious as applied to therapy, without thereby departing from the psychoanalytic way of thinking. But at the same time we extend this line of thought in both directions. It is, then, no accident that Psychoanalysis, as soon as it began to develop from a therapeutic procedure into a doctrine of the Unconscious, almost simultaneously deviating from its original medical field, invaded and enriched wellnigh every mental science, and finally itself became one of the most important of mental movements of the present day. The psychic patient, from whose material and by whose help Psychoanalysis was discovered and developed, will always remain the native source for further investigation and extension of the doctrine. Yet this origin is of no more importance today than, for instance, the country from which Columbus set forth, and which furnished the bold explorer with practical means for his voyage. |
| the birth of tragedy analysis: Nietzsche and Jung , |
| the birth of tragedy analysis: Of Truth and Lies in a Nonmoral Sense Friedrich Nietzsche, |
| the birth of tragedy analysis: Tragedy And Philosophy N Georgopoulis, 1993-09-12 Is philosophy, as the love of wisdom, inherently tragic? Must philosophy abolish its traditional modes of thinking if it is to attain the wisdom of tragedy? Sharing a common origin, even direction, does philosophy move beyond tragedy, epitomizing it? Is the action of tragedy analogous to the activity of philosophy? Have Hegel and Nietzsche distorted the tragic? Can there be a philosophy of the tragic? It is with such questions that the essays of this volume become involved, coming up with original interpretations of tragedy, new approaches to traditional views, and novel conceptions of philosophy. Their diversity and novelty emerge out of a common problematic, a theme they all address: the relation between philosophy and tragedy. By exploring this relation, this volume adds to our comprehension of both.. |
| the birth of tragedy analysis: I Am Dynamite! Sue Prideaux, 2018-10-30 NEW YORK TIMES Editors’ Choice • THE TIMES BIOGRAPHY OF THE YEAR • WINNER OF THE HAWTHORNDEN PRIZE A groundbreaking new biography of philosophy’s greatest iconoclast Friedrich Nietzsche is one of the most enigmatic figures in philosophy, and his concepts—the Übermensch, the will to power, slave morality—have fundamentally reshaped our understanding of the human condition. But what do most people really know of Nietzsche—beyond the mustache, the scowl, and the lingering association with nihilism and fascism? Where do we place a thinker who was equally beloved by Albert Camus, Ayn Rand, Martin Buber, and Adolf Hitler? Nietzsche wrote that all philosophy is autobiographical, and in this vividly compelling, myth-shattering biography, Sue Prideaux brings readers into the world of this brilliant, eccentric, and deeply troubled man, illuminating the events and people that shaped his life and work. From his placid, devoutly Christian upbringing—overshadowed by the mysterious death of his father—through his teaching career, lonely philosophizing on high mountains, and heart-breaking descent into madness, Prideaux documents Nietzsche’s intellectual and emotional life with a novelist’s insight and sensitivity. She also produces unforgettable portraits of the people who were most important to him, including Richard and Cosima Wagner, Lou Salomé, the femme fatale who broke his heart; and his sister Elizabeth, a rabid German nationalist and anti-Semite who manipulated his texts and turned the Nietzsche archive into a destination for Nazi ideologues. I Am Dynamite! is the essential biography for anyone seeking to understand history's most misunderstood philosopher. |
| the birth of tragedy analysis: The Nietzsche Canon William H. Schaberg, 1995 Schaberg describes how and why Nietzsche's books were written, when and by whom they were published, and how many copies were printed and sold, in a story set against the background of publishing practice in nineteenth-century Germany. He also establishes a genealogy of Nietzsche's works and clarifies the relationships between those works, an understanding of which is essential to any informed opinion of his philosophy. |
| the birth of tragedy analysis: The Handmaid's Tale Margaret Atwood, 2011-09-06 An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning. |
| the birth of tragedy analysis: The Death of God and the Meaning of Life Julian Young, 2014-05-16 What is the meaning of life? In today's secular, post-religious scientific world, this question has become a serious preoccupation. But it also has a long history: many major philosophers have thought deeply about it, as Julian Young so vividly illustrates in this thought-provoking second edition of The Death of God and the Meaning of Life. Three new chapters explore Søren Kierkegaard’s attempts to preserve a Christian answer to the question of the meaning of life, Karl Marx's attempt to translate this answer into naturalistic and atheistic terms, and Sigmund Freud’s deep pessimism about the possibility of any version of such an answer. Part 1 presents an historical overview of philosophers from Plato to Marx who have believed in a meaning of life, either in some supposed ‘other’ world or in the future of this world. Part 2 assesses what happened when the traditional structures that give life meaning began to erode. With nothing to take their place, these structures gave way to the threat of nihilism, to the appearance that life is meaningless. Young looks at the responses to this threat in chapters on Nietzsche, Heidegger, Sartre, Camus, Foucault and Derrida. Fully revised and updated throughout, this highly engaging exploration of fundamental issues will captivate anyone who’s ever asked themselves where life’s meaning (if there is one) really lies. It also makes a perfect historical introduction to philosophy, particularly to the continental tradition. |
| the birth of tragedy analysis: The Left Hand of Darkness Ursula K. Le Guin, 1987-03-15 50TH ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction. |
| the birth of tragedy analysis: Tragedy and Philosophy Walter Kaufmann, 1992 A critical re-examination of the views of Plato, Aristotle, Hegel and Nietzsche on tragedy. Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives. |
| the birth of tragedy analysis: The Oxford Handbook of Nietzsche Ken Gemes, John Richardson, 2013-09-05 The diversity of Nietzsche's books, and the sheer range of his philosophical interests, have posed daunting challenges to his interpreters. This Oxford Handbook addresses this multiplicity by devoting each of its 32 essays to a focused topic, picked out by the book's systematic plan. The aim is to treat each topic at the best current level of philosophical scholarship on Nietzsche. The first group of papers treat selected biographical issues: his family relations, his relations to women, and his ill health and eventual insanity. In Part 2 the papers treat Nietzsche in historical context: his relations back to other philosophers—the Greeks, Kant, and Schopenhauer—and to the cultural movement of Romanticism, as well as his own later influence in an unlikely place, on analytic philosophy. The papers in Part 3 treat a variety of Nietzsche's works, from early to late and in styles ranging from the 'aphoristic' The Gay Science and Beyond Good and Evil through the poetic-mythic Thus Spoke Zarathustra to the florid autobiography Ecce Homo. This focus on individual works, their internal unity, and the way issues are handled within them, is an important complement to the final three groups of papers, which divide up Nietzsche's philosophical thought topically. The papers in Part 4 treat issues in Nietzsche's value theory, ranging from his metaethical views as to what values are, to his own values of freedom and the overman, to his insistence on 'order of rank', and his social-political views. The fifth group of papers treat Nietzsche's epistemology and metaphysics, including such well-known ideas as his perspectivism, his INSERT: Included in Starkmann 40% promotion, September-October 2014 being, and his thought of eternal recurrence. Finally, Part 6 treats another famous idea—the will to power—as well as two linked ideas that he uses will to power to explain, the drives, and life. This Handbook will be a key resource for all scholars and advanced students who work on Nietzsche. |
| the birth of tragedy analysis: The Birth of Rhetoric Robert Wardy, 2005-08-04 What is rhetoric? Is it the capacity to persuade? Or is it 'mere' rhetoric: the ability to get others to do what the speaker wants, regardless of what they want? Robert Wardy uses Gorgias at the centre of this book and the debate. |
| the birth of tragedy analysis: Conrad's Heart of Darkness John P. Anderson, 2005 This is a reader's guide to Conrad's novel Heart of Darkness as art, not as a page-turner but as art. As he has done with other works of Conrad, Anderson traces Conrad's art in a line-by-line analysis of most of this short novel. Anderson traces the unifying theme of the novel to Nietzsche's ideas in The Birth of Tragedy. Nietzsche interpreted ancient Greek tragedy as a reflection of Dionysian and Apollinian life experiencesof the Greek audience. Apollo was a Greek god of the higher orders of civilization and the civilized restraint and control that is necessary for getting along with others. Dionysus, on the other hand, was agod of nature and fertility and is associated with unrestrained, orgiastic worship. This author shows how Conrad used the contrast between the Apollinian and Dionysian to structure the form and content of the novel: how the contrast holds together the important artistic decisions made by Conrad; how Conrad midwived the rebirth of ancient Greek tragedy as the Congo tragedy-the rape of the Congo by Europeans in the late 19th century; and how this could have happened-how the psyches of the Europeans unraveled in the Congo jungle. In Conrad's rendition, the unrestrained competitive and hostile Dionysian life forces at the heart of nature not only power the teeming jungle but also lurk in the inherited instincts of mankind. The European search for ivory in the Congo brought these primitive instincts to the surface, out of their holes like serpents with venom of a mixture of desire and hate. The high ground of the novel is an irony-in the Congo clothes do not make the man. The European exploiters dressed in the very proper tropical whites are savage in behavior while naked man-eaters are restrained in behavior. As with Nietzsche before him, Conrad's approach anticipated central doctrines of Freud and Jung. Conrad's use of Nietzschean elements gives many modern readers a sense of dread or uneasiness, suggesting that the Nietzschean elements jostle important structures in our unconscious. |
| the birth of tragedy analysis: The Dionysian Vision of the World Friedrich Wilhelm Nietzsche, 2013 Before the world knew of the thinker who philosophizes with a hammer, there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe's greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming. This is the Dionysian vision of the world. |
| the birth of tragedy analysis: Why I Am So Clever Friedrich Nietzsche, 2024-10-10 NA |
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BIRTH definition: 1. the time when a baby or young animal comes out of its mother's body: 2. a child that is born…. Learn more.
Everything You Need to Know About Giving Birth - Verywell Health
Dec 29, 2023 · Giving birth is the process of pushing the baby out from your uterus. When you are ready to do that, you will go through labor, which consists of three stages. Signs like contractions …
Childbirth | Stages of Labor | Effacement - MedlinePlus
May 19, 2025 · Childbirth is the process of having a baby. Learn about the 3 stages of labor, and how you can prepare, tell if you are in labor, and manage the pain.
Birth - Simple English Wikipedia, the free encyclopedia
Birth (to be born) means when a baby animal comes out of its egg, or out of its mother after pregnancy. It is sometimes thought of as the beginning of life . It is also known as calving in …
Average age of moms giving birth in U.S. has climbed to ... - CBS …
4 days ago · The average age of moms giving birth in the U.S. continues to rise, hitting nearly 30 years old in 2023, according to a new report from the Centers for Disease Control and …
Woman giving birth: Live birth video | BabyCenter
Apr 25, 2025 · Since natural birth can be intense, having a strong support system (partner, doula, or loved one) and using pain-relief techniques like warm baths, breathing exercises, and …
Birth - Wikipedia
Birth is the act or process of bearing or bringing forth offspring, [1] also referred to in technical contexts as parturition. In mammals, the process is initiated by hormones which cause the …
Birth | Definition, Stages, Complications, & Facts | Britannica
May 30, 2025 · Birth, process of bringing forth a child from the uterus, or womb. The three stages of labor are dilatation, expulsion, and the placental stage. Learn more about these stages, the …
BIRTH Definition & Meaning - Merriam-Webster
The meaning of BIRTH is the emergence of a new individual from the body of its parent. How to use birth in a sentence.
Stages of labor and birth: Baby, it's time! - Mayo Clinic
Jul 23, 2024 · Stages of labor and birth: Baby, it's time! Labor is a natural process. Here's what to expect during the stages of labor and birth — along with some tips to make labor more …
BIRTH | English meaning - Cambridge Dictionary
BIRTH definition: 1. the time when a baby or young animal comes out of its mother's body: 2. a child that is born…. Learn more.
Everything You Need to Know About Giving Birth - Verywell …
Dec 29, 2023 · Giving birth is the process of pushing the baby out from your uterus. When you are ready to do that, you will go through labor, which consists of three stages. Signs like …
Childbirth | Stages of Labor | Effacement - MedlinePlus
May 19, 2025 · Childbirth is the process of having a baby. Learn about the 3 stages of labor, and how you can prepare, tell if you are in labor, and manage the pain.
Birth - Simple English Wikipedia, the free encyclopedia
Birth (to be born) means when a baby animal comes out of its egg, or out of its mother after pregnancy. It is sometimes thought of as the beginning of life . It is also known as calving in …
Average age of moms giving birth in U.S. has climbed to ... - CBS …
4 days ago · The average age of moms giving birth in the U.S. continues to rise, hitting nearly 30 years old in 2023, according to a new report from the Centers for Disease Control and …
