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the act of seeing refn: Nicolas Winding Refn Alan Jones, 2015 Nicholas Rfen is a Cannes Palm d'Or winning director with a mission: to preserve the legacy of low-budget filmmaking. This volume chronicles Rfen's unprecedented collection of rare American film posters, with detailed historical context provided for each. |
the act of seeing refn: Big Bosoms and Square Jaws Jimmy McDonough, 2005-06-28 What do you need to make money making movies? The answer, according to cult hero, creator of the sexploitation film, and the man the Wall Street Journal once dubbed the King Leer of Hollywood, Russ Meyer, is: “big bosoms and square jaws.” In the first candid and fiendishly researched account of the late cinematic instigator’s life, Jimmy McDonough shows us how Russ Meyer used that formula to turn his own crazed fantasies into movies that made him a millionaire and changed the face of American film forever. Bringing his anecdote—and action—packed biographical style to another renegade of popular culture, New York Times bestselling author of Shakey Jimmy McDonough offers a wild, warts-and-all portrait of Russ Meyer, the director, writer, producer, and commando moviemaking force behind such sexploitation classics as Faster, Pussycat! Kill! Kill!, Vixen, and Beyond the Valley of the Dolls. This former WWII combat photographer immortalized his personal sexual obsession (women with enormous breasts, of course) upon the silver screen, turning his favorite hobby into box-office gold when this one-man movie machine wrote, directed, and produced a no-budget wonder called The Immoral Mr. Teas in 1959. The modest little film pushed all preexisting limits of on-screen nudity, and with its success, the floodgates of what was permitted to be shown on film were thrust open, never to be closed again. Russ Meyer ignited a true revolution in filmmaking, breaking all sex, nudity, and violence taboos. In a career that spanned more than forty years, Meyer created a body of work that has influenced a legion of filmmakers, fashionistas, comic book artists, rock bands, and even the occasional feminist. Rich with wicked and sometimes shocking observations and recollections from Meyer’s friends (such as colleague Roger Ebert and fellow filmmaker John Waters), lovers and leading ladies (some of whom played both roles with equal vigor), a cadre of his grizzled combat buddies, moviemakers inspired by him, and critics and fans alike, Big Bosoms and Square Jaws tells the voluptuous story of Meyer’s very singular life and career: his troubled youth, his war years, his volatile marriages, his victories against censorship, and his clashes with the Hollywood establishment. In his new biography of a true maverick, Jimmy McDonough blows the lid off the story of Russ Meyer, from beginning to his recent tragic demise, creating in the process a vivid portrait of a past America. |
the act of seeing refn: Harry Styles: Every Piece of Me Louisa Jepson, 2013-07-08 An intimate biography of Harry Styles, breakout star and fan favorite of the hottest boy band on the planet—One Direction—featuring stunning, swoon-worthy photographs! Harry Styles is one-fifth of the worldwide boy band phenomenon that is One Direction. Made up of bandmates Liam Payne, Zayn Malik, Niall Horan, Louis Tomlinson, and Harry himself, 1D came to prominence in the 2010 television series of X Factor UK. Since then they’ve played to sold-out arenas as they toured the world, topped the charts across the globe, and broken numerous records. Initially auditioning as separate contestants, the band was put together by Simon Cowell who thought they would stand a much better chance as a group. Simon was proved right as the five boys went on to finish third in the competition—and onward to global superstardom. Born February 1st, 1994 in Holmes Chapel, Cheshire, Harry is often considered the favorite of 1D fans. Known for his trademark boyish looks and gorgeous curly hair, girls all over the world are falling head over heels in love with him and will do anything to get his attention. Lifting the lid on life as a member of the world’s biggest band, this is the inspirational and sensational story of a how a boy from Cheshire followed his dreams to become an international star and heartthrob to millions of devoted fans. |
the act of seeing refn: Poppet Mo Hayder, 2013-07-16 Everything goes according to procedure when a patient, Isaac, is released from a high-security mental health ward. But when the staff realize that he was connected to a series of unexplained episodes of tragic self-harm amongst the ward’s patients and that he was released in error, they call on Detective Jack Caffery to investigate and to track Isaac down before he can kill again. |
the act of seeing refn: Christopher's Diary: Echoes of Dollanganger V.C. Andrews, 2015-01-27 Kristin Masterwood and her boyfriend, Kane Hill, up the ante by going into her attic to re-enact scenes described in Christopher Dollanganger's diary--Provided by publisher. |
the act of seeing refn: Ugly Girls Lindsay Hunter, 2014-11-04 Traces the chaotic breakdown of a friendship that shapes and unravels the identities of two rebellious girls in the wake of a stalker's predations. |
the act of seeing refn: The Fade Out Vol. 2 Ed Brubaker, 2015-09-16 Act Two of the acclaimed Hollywood Noir from the best-selling team of Brubaker and Phillips. Collects THE FADE OUT #5-8. |
the act of seeing refn: He Died with His Eyes Open Derek Raymond, 2011-05-26 When a middle-aged alcoholic is found brutally battered to death on a roadside in West London, the case is assigned to a nameless detective sergeant, a tough-talking cynic and fearless loner from the Department of Unexplained Deaths at the Factory police station. Working from cassette tapes left behind in the dead man's property, our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn't expect is that digging for the truth will demand plenty of lying, and that the most terrible of villains will also prove to be the most attractive. In the first of six police procedurals that comprise the Factory series, Derek Raymond spins a riveting, and vividly human crime drama. Relentlessly pursuing justice for the dispossessed, his detective narrator treads where few others dare: in the darkest corners of London, a city of sin plagued by unemployment, racism and vice, and peopled by a cast of low-lifes, all utterly convincing and brought to life by Raymond's pitch-perfect dialogue. |
the act of seeing refn: Buster Keaton James Curtis, 2022-02-15 **One of Literary Hub’s Five “Most Critically Acclaimed” Biographies of 2022** From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended.—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master. |
the act of seeing refn: Last Night James Salter, 2007-12-18 Last Night is a spellbinding collection of stories about passion–by turns fiery and subdued, destructive and redemptive, alluring and devastating. These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’ s assured style and emotional insight make him one of our most essential writers. BONUS: This edition includes an excerpt from James Salter's All That Is. |
the act of seeing refn: Capitalism and Desire Todd McGowan, 2016-09-20 Despite creating vast inequalities and propping up reactionary world regimes, capitalism has many passionate defenders—but not because of what it withholds from some and gives to others. Capitalism dominates, Todd McGowan argues, because it mimics the structure of our desire while hiding the trauma that the system inflicts upon it. People from all backgrounds enjoy what capitalism provides, but at the same time are told more and better is yet to come. Capitalism traps us through an incomplete satisfaction that compels us after the new, the better, and the more. Capitalism's parasitic relationship to our desires gives it the illusion of corresponding to our natural impulses, which is how capitalism's defenders characterize it. By understanding this psychic strategy, McGowan hopes to divest us of our addiction to capitalist enrichment and help us rediscover enjoyment as we actually experienced it. By locating it in the present, McGowan frees us from our attachment to a better future and the belief that capitalism is an essential outgrowth of human nature. From this perspective, our economic, social, and political worlds open up to real political change. Eloquent and enlivened by examples from film, television, consumer culture, and everyday life, Capitalism and Desire brings a new, psychoanalytically grounded approach to political and social theory. |
the act of seeing refn: The Ghastly One Jimmy McDonough, 2001 From 1965 to 1972 Andy Milligan made 20 exploitation movies. For him exploitation was no joke; it was his reality. But The Ghastly One isn't just about a lunatic with a movie camera. It's an anecdotal history of exploitation films, the birth of off-Broadway theater, the Warhol crowd, and the malevolent place called Times Square. 91 photos. |
the act of seeing refn: Driven James Sallis, 2012 Praise for Drive... The perfect piece of noir fiction. -Marilyn Stasio, New York Times Book Review More thought, feeling and murderous energy than books twice its length -Chicago Tribune At the end of Drive, Driver has killed Bernie Rose, ending his campaign against those who double-crossed him. Now seven years later, Driver has left the old life, become Paul West, and founded a successful business back in Phoenix. Walking down the street one day, he and his fianc e are attacked by two men and, while Driver dispatches both, his fianc e is killed. Sinking back into anonymity, Driver retreats, but finds that his past stalks him and will not stop. He has to turn and face it. Because he drives. That's what he does. James Sallis has published 14 novels. The film of Drive won Best Director award at Cannes, and his six Lew Griffin books are in development for film. www.jamessallis.com Terse, brutal, poetic, perfectly wrought. -Publishers Weekly starred review of Driven DRIVEN is a lean and nasty piece of neo-noir. I took my seat on page one and didn't get back up again until it ended (far too quickly.) Always a pleasure to be in the hands of a master like James Sallis. -Dennis Lehane |
the act of seeing refn: Drive James Sallis, 2005 A stunt driver for movies, Driver finds more excitement as a wheelman during robberies, but when a heist goes sour, a contract is put on his head and his survival skills burn up the pavement. |
the act of seeing refn: Towards Zero Agatha Christie, 2010-02-10 Now Streaming Exclusively on BritBox! When a gathering at a clifftop estate leads to murder troubled detective James Leach and Superintendent Battle must unravel a web of secrets and jealousy—before another victim falls. What is the connection among a failed suicide attempt, a wrongful accusation of theft against a schoolgirl, and the romantic life of a famous tennis player? To the casual observer, apparently nothing. But when a house party gathers at Gull’s Point, the seaside home of an elderly widow, earlier events come to a dramatic head. As Superintendent Battle discovers, it is all part of a carefully laid plan—for murder. |
the act of seeing refn: The Ghastly One Jimmy McDonough, 2022-10-04 One of the most acclaimed film director biographies ever published. The Ghastly One: The 42nd Street Netherworld of Director Andy Milligan is back in print in paperback, following the run-away Sold Out success of its large format slipcased limited edition. Andy Milligan, perhaps the most compelling lone wolf in cinema history, gets his due in this definitive work. A dressmaker, actor and puppeteer, Milligan cranked out explosive titles like Bloodthirsty Butchers, The Body Beneath, and The Rats Are Coming! The Werewolves Are Here! on threadbare budgets. Biographer and journalist Jimmy McDonough's book serves as a history of not only the shadowy New York City sexploitation business, but also of the Caffe Cino - a tiny storefront café many consider to be the beginning of Off-Off Broadway theatre in America. Starring a cast of unforgettable, elusive characters, the gripping narrative turns grimly personal, and it's told with unflinching honesty. Hilarious at times, deeply unsettling, and ultimately heartbreaking, THE GHASTLY ONE will haunt you long after the last page is turned. |
the act of seeing refn: Fourteen Bill O'Connell, 2007-11 Chicago Tribune editor Bill O'Connell O'Connell explores one of the most heinous but least publicized crimes in Illinois history: the 1968 abduction, sexual assault, and murder of fourteen-year-old David Stukel by fourteen-year-old bullies Billy Rose Sprinkle and James Perruquet. O'Connell-David Stukel's Little League teammate-recalls the victim's idyllic childhood and takes readers into the minds of the murderers and inside the homes, hearts, and photo albums of the victim's family, whose grief is palpable a generation after the crime. His research includes parole interviews, inmate psychological reports and conversations with the families of the murderers and the family of the victim. Fourteen is a masterfully crafted, thoroughly insightful account of the years leading up to, and the four decades since, the unconscionable and unprovoked slaying of an innocent ninety-five-pound high school freshman. |
the act of seeing refn: Infinite Resignation Eugene Thacker, 2018-07-17 “Scholarly advice for dark times.” —The New Yorker “Provides a metric ton of misery and a lot of company.” —New York Times “Probably philosophy’s only beach read.” —Vice A ‘nihilist’s devotional,’ this collection aphorisms, fragments, and observations on philosophy and pessimism offer a raw look at the human condition Dark times lie around us and ahead of us, and what better way to survive the coming Apocolypse than by immersing yourself in some of the greatest thinkers on pessimism, brought together with his own thoughts on the subject by Eugene Thacker, author of the contemporary classic, In the Dust of This Planet. Comprised of aphorisms, fragments, and observations both philosophical and personal, Infinite Resignation traces the contours of pessimism, caught as it often is between a philosophical position and a bad attitude. Reflecting on the universe’s “looming abyss of indifference,” Thacker explores the pessimism of a range of philosophers, from the well-known (Nietzsche, Schopenhauer, Camus), to the lesser-known (E.M. Cioran, Lev Shestov, Miguel de Unamuno). Readers will find food for thought in Thacker’s handling of a range of themes in Christianity and Buddhism, as well as his engagement with literary figures (from Dostoevsky to Thomas Bernhard, Osamu Dazai, and Fernando Pessoa), whose pessimism about the world both inspires and depresses Thacker. By turns melancholic, misanthropic, and darkly funny, Infinite Resignation is a welcome antidote to the exuberant imbecility of our times. |
the act of seeing refn: The Fade Out Vol. 1 Ed Brubaker, 2015-02-25 BRUBAKER & PHILLIPS' newest hit series, THE FADE OUT is an epic noir set in the world of noir itself, the backlots and bars of Hollywood at the end of its Golden Era. A movie stuck in endless reshoots, a writer damaged from the war and lost in the bottle, a dead movie star and the lookalike hired to replace her. Nothing is what it seems in the place where only lies are true. THE FADE OUT is BRUBAKER & PHILLIPS' most ambitious project yet. |
the act of seeing refn: Arcadia Alex Paknadel, 2016-05-04 What’s to Love: Our long tradition of breaking new talent—like Rafael Albuquerque (The Savage Brothers, American Vampire), Emma Rios (Hexed, Pretty Deadly), and Declan Shalvey (28 Days Later, Moon Knight)—continues with the debut of Alex Paknadel and Eric Scott Pfeiffer, two new creators whose extensive world-building in the sci-fi thriller Arcadia evokes comparisons to epics like Game of Thrones, The Matrix, and Astro City. What It Is: When 99% of humankind is wiped out by a pandemic, four billion people are “saved” by being digitized at the brink of death and uploaded into Arcadia, a utopian simulation in the cloud. But when Arcadia begins to rapidly deplete the energy resources upon which the handful of survivors in the real world (aka “The Meat”) depends, how long will The Meat be able—and willing—to help? Collects the entire eight-issue series. |
the act of seeing refn: Tracey Emin Jonathan Jones, 2017-09-12 A new comprehensive monograph on the work of an enduring icon of contemporary art. Compiled in close collaboration with the artist and unprecedented in its scope, this definitive book collects ten years of Tracey Emin’s drawings, paintings, sculptures, appliqués and embroideries, neons, video stills, and installations. A multimedia artist whose intensely personal work blurs the boundaries between art and life, Emin remains one of the most highly publicized contemporary British artists and continues to stir as much controversy as she has acclaim. Moving chronologically through a prolific decade of work—from major public installations to recent reflective paintings and sculptures—this book shows a coherent vision that defies the idiosyncrasies of Emin’s evolution as an artist. The same mixture of anger, hope, curiosity, and vulnerability that informs her delicate drawings and handwritten neon works can be felt in the darker tones of recent monoprints and the weight of later bronze pieces. Written by Jonathan Jones, whose text places Emin’s work in a broad art-historical context and sees this recent decade of her artwork as an entry point to examining her full career, this is a beautiful monograph on one of the world’s most influential living artists. |
the act of seeing refn: A Certain Slant of Light Laura Whitcomb, 2005-09-21 In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess. |
the act of seeing refn: Norse Mythology Mary Litchfield, Sarah Powers Bradish, Abbie Farewell Brown, William Morris, Edward Ernest Kellett, 2018-01-16 The myths and legends of the Norsemen have entertained both old and young alike for hundreds of years. This fascinating collection contains stories retold from the Icelandic Eddas, the principal sources of knowledge of Norse mythology, and the Sagas of the ancient world of the Vikings. Following the deeds of the powerful Norse gods, such as Odin, Thor and Loki, and filled with a host of fantastic creatures and objects containing magical properties, the tales in Norse Mythology will conjure up a world of heroism and romance that will enthrall readers. |
the act of seeing refn: Alright Darling? Greg Bailey, 2018-10-16 Alright Darling? is a visual celebration of the uninhibited, unapologetic and unafraid wonderland of contemporary drag. Showcasing the world's fiercest drag queens, along with their wild fashion – and the wit, realness, backstage antics and outrageous shade of drag culture – the book includes fresh shots of the ringleaders of this world, including: Adore Delano, Alyssa Edwards, Courtney Act, Detox, Francois Sagat, Manila Luzon, Sharon Needles, Trixie Mattel, Willam Belli, Latrice Royale, Raja Gemini, Milk and many, many more... All images are taken by Greg Bailey, founder and editor of Alright Darling – the zine at the centre of the recent explosion of drag. |
the act of seeing refn: Tammy Wynette Jimmy McDonough, 2010-03-04 The first full-scale biography of the enduring first lady of country music The twentieth century had three great female singers who plumbed the darkest corners of their hearts and transformed private grief into public dramas. In opera, there was the unsurpassed Maria Callas. In jazz, the tormented Billie Holiday. And in country music, there was Tammy Wynette. Stand by Your Man, D-I-V-O-R-C-E, Take Me to Your World are but a few highlights of Tammy's staggering musical legacy, all sung with a voice that became the touchtone for women's vulnerability, disillusionment, strength, and endurance. In Tammy Wynette, bestselling biographer Jimmy McDonough tells the story of the small-town girl who grew up to be the woman behind the microphone, whose meteoric rise led to a decades-long career full of tragedy and triumph. Through a high-profile marriage and divorce, her dreadful battle with addiction and illness, and the struggle to compete in a rapidly evolving Nashville, Tammy turned a brave smile toward the world and churned out masterful hit songs though her life resembled the most heartbreaking among them. Tammy Wynette is an intimate portrait of a music icon, the Queen of Heartbreak, whose powerful voice simultaneously evoked universal pain and longing even as it belied her own. |
the act of seeing refn: The Atrocity Exhibition J. G. Ballard, 2009-10-15 First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of ‘Crash’ and ‘Super-Cannes’. |
the act of seeing refn: The Process Genre Salomé Aguilera Skvirsky, 2020-03-20 From IKEA assembly guides and “hands and pans” cooking videos on social media to Mister Rogers's classic factory tours, representations of the step-by-step fabrication of objects and food are ubiquitous in popular media. In The Process Genre Salomé Aguilera Skvirsky introduces and theorizes the process genre—a heretofore unacknowledged and untheorized transmedial genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product. Originating in the fifteenth century with machine drawings, and now including everything from cookbooks to instructional videos and art cinema, the process genre achieves its most powerful affective and ideological results in film. By visualizing technique and absorbing viewers into the actions of social actors and machines, industrial, educational, ethnographic, and other process films stake out diverse ideological positions on the meaning of labor and on a society's level of technological development. In systematically theorizing a genre familiar to anyone with access to a screen, Skvirsky opens up new possibilities for film theory. |
the act of seeing refn: The Death of Captain America Ed Brubaker, Steve Epting, 2008 After the Civil War ends, the Winter Soldier finally chooses a side--his own--but the Red Skull and his minions are up to something behind the scenes. |
the act of seeing refn: Story Maps Daniel P. Calvisi, 2011-05-16 Learn the secrets to writing a GREAT screenplay from a major movie studio Story Analyst who will show you how to BLOW AWAY THE READER! Master the structure and principles used by 95% of commercial movies. This is not a formula or just another structure paradigm -- it is the view from behind the desk of the people evaluating your screenplay, what they want to read and what they will buy. With all the competition in the Hollywood marketplace, your script can't just be good, it must be GREAT. |
the act of seeing refn: Billy Wilder on Assignment Billy Wilder, 2021-04-27 Before Billy Wilder (1906-2002) left Europe for the United States in 1934 and became a filmmaker, he worked as a newspaper reporter, first in Vienna and then in Weimar Berlin. This book, edited and introduced by Noah Isenberg and translated by Shelley Frisch, collects about 65 articles Wilder published in Austrian and German newspapers in the 1920s. The collection includes reported pieces on urban life, from a first-person account of Wilder's stint as a taxi dancer to an article about street sweepers; profiles of writers, movie stars and poker players; and dispatches from the international film scene, from reviews to interviews with such figures as Charlie Chaplin and Erich von Stroheim. Isenberg provides an introduction that gives biographical details and places the writings in context, emphasizing their historical moment and their connections to Wilder's later career-- |
the act of seeing refn: Nicolas Winding Refn and the Violence of Art Justin Vicari, 2014-04-09 Nicolas Winding Refn has emerged as a uniquely talented international filmmaker with an eye for visceral, iconic images. A 21st century mythmaker from his cult Pusher trilogy to the award-winning Drive and Only God Forgives, Refn infuses a sophisticated avant-garde sensibility with the grit of exploitation cinema. This book relates Refn's films to the ideas of Nietzsche, Canetti, Blanchot and others, and to aesthetic theory in general. It also asks why the West has become a largely artificial society, unable to generate new communal mythologies. Instructors considering this book for use in a course may request an examination copy here. |
the act of seeing refn: Nicolas Winding Refn and the Violence of Art Justin Vicari, 2014-04-04 Nicolas Winding Refn has emerged as a uniquely talented international filmmaker with an eye for visceral, iconic images. A 21st century mythmaker from his cult Pusher trilogy to the award-winning Drive and Only God Forgives, Refn infuses a sophisticated avant-garde sensibility with the grit of exploitation cinema. This book relates Refn's films to the ideas of Nietzsche, Canetti, Blanchot and others, and to aesthetic theory in general. It also asks why the West has become a largely artificial society, unable to generate new communal mythologies. Instructors considering this book for use in a course may request an examination copy here. |
the act of seeing refn: The Rough Guide to Horror Movies Alan Jones, 2005 Traces the origins and history of horror motion pictures, identifies and reviews fifty essential movies, includes a look at key actors, actresses, and directors, and discusses related Web sites, festivals, and magazines. |
the act of seeing refn: Landis: The Story of a Real Man on 42nd Street Preston Fassel, 2021-12-07 At the dawn of the 1980s, there was one serious name in horror and exploitation film criticism: Bill Landis. While other magazines were concerned with behind-the-scenes information, tributes, and SFX tutorials, Landis' Sleazoid Express was one part film journal and one part anthropological study, seriously critiquing the grindhouse movies that played the theaters of 42nd Street while also documenting the dying subculture that had grown up around them. Profiled in Film Comment and Rolling Stone for his pioneering work, Landis' over-the-top Mr. Sleazoid persona and double-life as an adult film star masked the pain behind the excess: a child genius whose intellect alienated him from his peers; a sexual abuse survivor who numbed his trauma with drugs; a consummate outcast who only felt at home among other outcasts. After settling into life as a husband, father, and author in the 90s, it seemed that Landis had turned a corner-but the ghosts of Times Square were never far behind him. Dead at the age of 49 on the eve of what should have been a successful comeback, his legacy has nominally been forgotten, most of his work lost, and his memory relegated to a footnote in journalism history. Now, award-winning author and journalist Preston Fassel (Our Lady of the Inferno; Fangoria magazine; The Daily Grindhouse) pieces together the full story of his life for the first time, from his turbulent childhood, to his meteoric rise in the New York vice scene, to his tragic demise on the streets of Chicago. Featuring exclusive interviews with Kurt Loder (MTV; Rolling Stone), Michael J. Weldon (Psychotronic Video), Art Ettinger (Ultra Violent Magazine), Carl Abrahamsson, Mike McPadden (Heavy Metal Movies; Teen Movie Hell), and others, plus excerpts from Landis' unpublished autobiographical novella Last Exit in Manattan and a reprint of Landis' seminal Fangoria interview with Andy Milligan, Landis at last pulls back the curtain on one of genre writing's most influential-yet unknown-figures. In that lost, damned, golden age called the 80s, there was a movie star named Bobby Spector and a writer named Mr. Sleazoid. Most importantly, there was a man named Bill Landis. This is his story. |
the act of seeing refn: Marianne Dreams Catherine Storr, 2014-06-03 'I could get in,' Marianne thought, 'if there was a person inside the house. There has got to be a person. I can't get in unless there is somebody there.' A powerful and haunting classic about a girl haunted by her own dreams. Ill and bored with having to stay in bed, Marianne picks up a pencil and starts doodling - a house, a garden, a boy at the window. That night she has an extraordinary dream. She is transported into her own picture, and as she explores further she soon realises she is not alone. The boy at the window is called Mark, and his every movement is guarded by the menacing stone watchers that surround the solitary house. Together, in their dreams, Marianne and Mark must save themselves . . . The perfect gift for children aged 8+, this well-loved classic will delight a new generation of readers of the Faber Children's Classics list. |
the act of seeing refn: Post-Horror David Church, 2022-11-30 Horror's longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror, ' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema. |
the act of seeing refn: Cunning Folk Adam Nevill, 2021-10-25 A compelling folk horror novel of deadly rivalry and the oldest magic from the four times winner of The August Derleth Award for Best Horror Novel and the author of 'The Ritual', 'The Reddening' and 'No One Gets Out Alive'. |
the act of seeing refn: Cannibal Holocaust and the Savage Cinema of Ruggero Deodato Harvey Fenton, Julian Grainger, Gian Luca Castoldi, 1999 Stunning large-format full colour book about the creator of notorious, widely banned horror masterpiece Cannibal Holocaust. Full filmography, interview, reviews. Packed with ultra-rare gore-drenched colour photos, posters and video covers. First book ever to deal comprehensively with Deodato. |
the act of seeing refn: The Space Merchants Frederik Pohl, Cyril M. Kornbluth, 1969 It is the 20th Century, an advertisement-drenched world in which the big ad agencies dominate governments and everything else. Now Schoken Associates, one of the big players, has a new challenge for star copywriter Mitch Courtenay. Volunteers are needed to colonise Venus. It's a hellhole, and nobody who knew anything about it would dream of signing up. But by the time Mitch has finished, they will be queuing to get on board the spaceships. |
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The ACT is a standardized test used by millions of high schoolers for college admission. All 4-year colleges and universities …
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The forum for all things ACT - Reddit
The ACT is a standardized test used by millions of high schoolers for college admission. All 4-year colleges and universities accept the ACT. As opposed to the SAT, the ACT has more …
Chronological Walkthrough Checklist for Act 2 (With Map)
Dec 12, 2023 · I was having some trouble with some quest timing in Act 2, and I've been trying to do every single sidequest so I made an organized checklist for Act 2 and I wanted to share. …
BG3 Honor Mode In-Depth Guide for Act I : r/BaldursGate3 - Reddit
(Gotta say, Bulette trick did wonders at Beholder, and it was so fun, hubby says he wants to “drive” it on next run). We still have the camp, the Hag, Spider Matriarch and Giths in act I and …
Path of Exile 2 - Reddit
Path of Exile 2 is a next generation Action RPG created by Grinding Gear Games. Set years after the original Path of Exile, you will return to the dark world of Wraeclast and seek to end the …
Act 3 - Mirror of Loss - Strategy for stat increases +1 +2
Act 3 - Spoilers So I spent a considerable amount of time save scumming the Mirror of Loss event at the end of the House of Grief in Act 3 to guarantee the +1 charisma and +2 to any stat on …
Auntie Ethel "best" outcome question : r/BaldursGate3 - Reddit
Act 1 - Spoilers >!Been doing the Auntie Ethel fight and there a few conditions to fill for the outcome. First is saving Mayrina, second is freeing the Mask of Regret, and third is getting the …
All the Ways to Recruit Minthara and the Consequences : r/BG3
In Act 1, steal the idol while the ceremony is still being completed. This will cause the Druids to turn hostile and attack the Tieflings (this allegedly can still happen if you steal from the blue …
Genshin Impact Official - Reddit
This is the official community for Genshin Impact (原神), the latest open-world action RPG from HoYoverse. The game features a massive, gorgeous map, an elaborate elemental combat …
Campaign Skip / Alternate Leveling Path Guide : r/LastEpoch
Mar 4, 2024 · Finish main story and side quests along the way. You should be short 1 idol reward quest, I prefer the Hartons idol quest in Sorethka in act 9 (opposite direction from where you …
Marvel Contest of Champions - Reddit
Act 5 - guides for Act 5. Act 6 - guides for Act 6 . Alliance - FAQ for joining an alliance. Alliance Quest - Boss duel targets, AQ maps, Interactive map. Alliance War - Roster management, AW …