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| summer flower tamiki hara: Hiroshima , 2018-06-05 I'll search you out, put my lips to your tender ear, and tell you. . . . I'll tell you the real story--I swear I will.--from Little One by Toge Sankichi Three Japanese authors of note--Hara Tamiki, Ota Yoko, and Toge Sankichi--survived the atomic bombing of Hiroshima only to shoulder an appalling burden: bearing witness to ultimate horror. Between 1945 and 1952, in prose and in poetry, they published the premier first-person accounts of the atomic holocaust. Forty-five years have passed since August 6, 1945, yet this volume contains the first complete English translation of Hara's Summer Flowers, the first English translation of Ota's City of Corpses, and a new translation of Toge's Poems of the Atomic Bomb. No reader will emerge unchanged from reading these works. Different from each other in their politics, their writing, and their styles of life and death, Hara, Ota, and Toge were alike in feeling compelled to set down in writing what they experienced. Within forty-eight hours of August 6, before fleeing the city for shelter in the hills west of Hiroshima, Hara jotted down this note: Miraculously unhurt; must be Heaven's will that I survive and report what happened. Ota recorded her own remarks to her half-sister as they walked down a street littered with corpses: I'm looking with two sets of eyesthe eyes of a human being and the eyes of a writer. And the memorable words of Toge quoted above come from a poem addressed to a child whose father was killed in the South Pacific and whose mother died on August 6th--who would tell of that day? The works of these three authors convey as much of the real story as can be put into words. |
| summer flower tamiki hara: The Nightmare Considered Nancy Anisfield, 1991 These essays assess the nature of nuclear war literature from a variety of perspectives. Scholars, activists, novelists, poets, and teachers challenge nuclear ideologies and traditional readings of apocalyptic texts. Included: Holocaust literature of the 1950s, Michael Dorris and Louise Erdrich, poetry and nuclear war, Riddley Walker, Fiskadoro, haiku and Hiroshima, Kopit's End of the World, O'Brien's The Nuclear Age, and Vonnegut's cataclysmic novels. |
| summer flower tamiki hara: Hiroshima Richard H. Minear, 1990-02-27 Summer flowers / by Hara Tamiki -- City of corpses / by Ōta Yōko -- Poems of the atomic bomb / by Tōge Sankichi. |
| summer flower tamiki hara: The Crazy Iris and Other Stories of the Atomic Aftermath Kenzaburō Ōe, 1985 Edited by one of Japan's leading and internationally acclaimed writers, this collection of short stories was compiled to mark the fortieth anniversary of the August 1945 atomic bombings of Hiroshima and Nagasaki. Here some of Japan's best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the crazy iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are The Crazy Iris by Masuji Ibuse, Summer Flower by Tamiki Hara, The Land of Heart's Desire by Tamiki Hara, Human Ashes by Katsuzo Oda, Fireflies by Yoka Ota, The Colorless Paintings by Ineko Sata, The Empty Can by Kyoko Hayashi, The House of Hands by Mitsuharu Inoue, and The Rite by Hiroko Takenishi. |
| summer flower tamiki hara: Pen International , 1986 |
| summer flower tamiki hara: Hiroshima and Here Robin Gerster, 2020-09-02 This study provides a cultural history of Australia and nuclear power. The author examines the country's role as a nuclear test site, the aspirations of the nation toward the postwar nuclear club, its deference to the demands of Britain and the United States, and the complex discourses of Australian society surrounding nuclear power. |
| summer flower tamiki hara: War Stories Philip Dwyer, 2016-11-01 Although war memoirs constitute a rich, varied literary form, they are often dismissed by historians as unreliable. This collection of essays is one of the first to explore the modern war memoir, revealing the genre’s surprising capacity for breadth and sophistication while remaining sensitive to the challenges it poses for scholars. Covering conflicts from the Napoleonic era to today, the studies gathered here consider how memoirs have been used to transmit particular views of war even as they have emerged within specific social and political contexts. |
| summer flower tamiki hara: Hiroshima Nagasaki Paul Ham, 2014-08-05 A history and analysis of the WWII nuclear bombings of Japan from “a master of engrossing and exciting narrative” (Los Angeles Review of Books). In this harrowing history of the Hiroshima and Nagasaki bombings, Paul Ham argues against the use of nuclear weapons, drawing on extensive research and hundreds of interviews to prove that the bombings had little impact on the eventual outcome of the Pacific War. More than 100,000 people were killed instantly by the atomic bombs, mostly women, children, and the elderly. Many hundreds of thousands more succumbed to their horrific injuries later, or slowly perished of radiation-related sickness. Yet American leaders claimed the bombs were “our least abhorrent choice” —and still today most people believe they ended the Pacific War and saved millions of American and Japanese lives. In this gripping narrative, Ham demonstrates convincingly that misunderstandings and nationalist fury on both sides led to the use of the bombs. Ham also gives powerful witness to its destruction through the eyes of eighty survivors, from twelve-year-olds forced to work in war factories to wives and children who faced the holocaust alone. Hiroshima Nagasaki presents the grisly unadorned truth about the bombings, blurred for so long by postwar propaganda, and transforms our understanding of one of the defining events of the twentieth century. Praise for Hiroshima Nagasaki “Moral anger drives Mr. Ham . . . Ordinary Japanese, Mr. Ham believes, were less emperor-worshiping fanatics than victims of an authoritarian elite that prolonged the war with no regard for their hardships.” —The Wall Street Journal “Ham presents a forceful argument that the bombing was excessive and unjustified. . . . In this sweeping and comprehensive history, Ham details the geopolitical considerations and huge egos behind evolving theories of warfare. . . . But most powerful are the eyewitness accounts of 80 survivors, ordinary people caught up in the events of war.” —Booklist (starred review) |
| summer flower tamiki hara: The Shadow of Sunrise Shōichi Saeki, 1966 |
| summer flower tamiki hara: Modernism, War, and Violence Marina MacKay, 2017-05-18 The modernist period was an era of world war and violent revolution. Covering a wide range of authors from Joseph Conrad and Thomas Hardy at the beginning of the period to Elizabeth Bowen and Samuel Beckett at the end, this book situates modernism's extraordinary literary achievements in their contexts of historical violence, while surveying the ways in which the relationships between modernism and conflict have been understood by readers and critics over the past fifty years. Ranging from the colonial conflicts of the late 19th century to the world wars and the civil wars in between, and concluding with the institutionalization of modernism in the Cold War, Modernism, War, and Violence provides a starting point for readers who are new to these topics and offers a comprehensive and up-to-date survey of the field for a more advanced audience. |
| summer flower tamiki hara: The Columbia Anthology of Modern Japanese Literature: From restoration to occupation, 1868-1945 J. Thomas Rimer, Van C. Gessel, 2005 1870s, continues through the years of social change preceding World War I and the bold and innovative writing of the interwar period, and concludes with works written during World War II. Each chapter includes a helpful critical introduction and biographical introductions for each writer. |
| summer flower tamiki hara: The Catch and Other War Stories Kenzaburō Ōe, 1981 Four Japanese stories focus on people experiencing the time of World War II. The emphasis is on human feelings of bewilderment and qualities of endurance. |
| summer flower tamiki hara: Modernism the Morning After Bob Perelman, 2017-04-18 In Modernism the Morning After, Bob Perelman scrutinizes a number of long-held modernist dogmas in order to articulate a more capacious model for thinking about modernism-past, present, and future. Throughout his career, Perelman has focused on the persistence of modernist ambition in poetry, with all of its admirable articulations and tragicomic short-circuits. Poetry, it turns out, is not simply news that stays news, as Ezra Pound postulated. Instead, as Perelman demonstrates, poetry often gropes toward whatever news can be found in the broader contexts of public speech-the cultural commons, the almost-real or much-too-real language of people and our hyperactive media. Book jacket. |
| summer flower tamiki hara: Philosophy After Hiroshima Fred Dallmayr, 2020-05-15 Philosophy after Hiroshima offers a philosophical analysis of the issues surrounding war and peace, and their challenges to ethics. It reminds us that the threat posed to civilization by nuclear weapons persists, as does the need for continuing philosophical reflection on the nature of war, the problem of violence, and the need for a workable ethics in the nuclear age. The book recalls the atomic bombings of Hiroshima and Nagasaki as the beginning of the nuclear age, the Cold War, and subsequently of the hegemonic unilateralism of the sole superpower. Reviewing early critical responses to the first atomic bombings by such figures as Camus, Sartre, Russell, Heidegger, Jaspers and others, the authors themselves respond to contemporary threats to peace, including the US “global war on terrorism,” the recrudescence of militarism, and the continuation of imperial power politics by other means. In the nuclear age, the use of military force as a political instrument threatens the future of humanity. This poses formidable challenges to philosophy and calls for its transformation. In using memories of the atomic bombings to help us to grasp the moral implications of the current escalation of global violence, the authors hope to show the urgent relevance of nonviolence in the contemporary context. Drawing on a range of philosophical traditions—Taoist and Western—the contributors take up a welter of philosophical and political concerns of topical interest, including human rights, toleration, the politics of memory, intercultural dialogue, the ethics of co-responsibility, and the possibility of a cosmopolitan order of law and peace. Going beyond postmodernism and deconstruction, several of the authors develop a post-critical, constructive paradigm of thinking—a philosophy of the possible and a new methodology for the realization of the creative potential of the humanities. Philosophy is viewed as a peace-promoting global dialogue. |
| summer flower tamiki hara: Sweetness and Blood Michael Scott Moore, 2011-05-26 How did an obscure tribal sport from precolonial Hawaii—one that was nearly eliminated by Christian missionaries—jump oceans to California and Australia? And how did it become such a worldwide passion, even in places where the surf may be excellent but the society is highly conservative or superstitious about the sea? In Sweetness and Blood—a brilliantly written travel adventure—journalist (and surfer) Michael Scott Moore visits unlikely surfing destinations—Israel and the Gaza Strip, West Africa, Great Britain, Germany, Indonesia, Japan, Cuba, and Morocco—to find out. Whether he is connecting eccentric surf legend Doc Paskowitz to the Arab-Israeli conflict, trying to deconstruct the terrorist bombing in a nightclub in Bali, or being chased by the German police while surfing a river break in Berlin, Moore masterfully weaves together politics, culture, history, and surfing to create a book like no other. |
| summer flower tamiki hara: In the Realm of Ash and Sorrow Kenneth W. Harmon, 2024-01-16 When the spirit of an American airman befriends a Japanese woman and her daughter in the days before the Hiroshima bomb, he races against time to save the ones he loves the most. “This is an extraordinarily imaginative and compelling exploration of love, death, race, and patriotism with countless unusual twists to keep the reader guessing. Thorough research and stylish execution make for a striking tour de force.” —Kirkus Review (Starred Review) “One part historical fiction, one part romantic fable, I thoroughly enjoyed this truly unique, mythic, multi-cultural journey.” –Jamie Ford, New York Times bestselling author of The Many Daughters of Afong Moy When American WWII bombardier Micah Lund dies on a mission over Japan, his spirit remains trapped as a yurei ghost. Dazed, he follows Kiyomi Oshiro, a war widow struggling to care for her young daughter, Ai, as food is scarce, work at the factory is brutal, and her in-laws treat her like a servant. Watching Kiyomi and Ai together, Micah’s intolerance for the enemy is challenged. As his concern for the mother and daughter grows, so does his guilt for his part in their suffering. Micah discovers a new reality when Kiyomi and Ai dream—one which allows him to interact with them. While his feelings for them deepen, imminent destruction looms. Hiroshima is about to be bombed, and Micah must warn Kiyomi and her daughter. In a place where dreams are real, Micah races against time to save Kiyomi and Ai, while battling the old beliefs he embodied as a soldier and his idea of family. In the Realm of Ash and Sorrow is a tale about love in its most extraordinary forms—forgiveness, sacrifice, and perseverance against impossible odds. |
| summer flower tamiki hara: Catch Kenzaburo Oe, Kenzaburō Ōe, Haruo Umezaki, Tamiki Hara, 1995-05-31 |
| summer flower tamiki hara: Writing War Aaron William Moore, 2013-06-01 Writing War examines over two hundred diaries, and many more letters, postcards, and memoirs, written by Chinese, Japanese, and American servicemen in the Pacific from 1937 to 1945. As he describes conflicts that have often been overlooked by historians, Aaron William Moore reflects on diaries as tools in the construction of modern identity. |
| summer flower tamiki hara: Timely and Timeless Priscilla Galloway, 1983 |
| summer flower tamiki hara: The Moon in the Water Gwenn Boardman Petersen, 2021-05-25 No detailed description available for The Moon in the Water. |
| summer flower tamiki hara: Crisis in Identity Arthur G. Kimball, 2016-09-13 This book is a critical study of ten postwar Japanese novels that focus on man's search for identity in the modern world. With the presentation of the Nobel Prize for Literature to a Japanese author in 1969, the international significance of modern Japanese literature was formally recognized by the Western world. The best indication of the West's present keen appreciation of modern Japanese literature is the large number of excellent translations that have appeared in recent years. In Crisis in Identity a common theme—modern man's search for identity—has been traced through ten major novels. This quest takes place n conjunction with wartime cannibalism, the atomic bombing of Hiroshima, expatriation, senile eroticism, and personal and social alienation. The works in which these are depicted include: Diary of a Mad Old Man (Junichiro Tanizaki) House of the Sleeping Beauties (Yusunari Kawabata) Black Rain (Masuji Ibuse) Fires on the Plain (Shohei Ooka) THe Temple of the Golden Pavilion (Yukio Mishima) The Woman in the Dunes (Kobe Abe) A Personal Matter (Kenzaburo Oe) If you have not yet read these novels, Crisis in Identity will provide a stimulating introduction to them; if you have, it will reveal new insights. |
| summer flower tamiki hara: Immigrants and Comics Nhora Lucía Serrano, 2021-03-09 Immigrants and Comics is an interdisciplinary, themed anthology that focuses on how comics have played a crucial role in representing, constructing, and reifying the immigrant subject and the immigrant experience in popular global culture of the twentieth and twenty-first centuries. Nhora Lucía Serrano and a diverse group of contributors examine immigrant experience as they navigate new socio-political milieux in cartoons, comics, and graphic novels across cultures and time periods. They interrogate how immigration is portrayed in comics and how the ‘immigrant’ was an indispensable and vital trope to the development of the comics medium in the twentieth century. At the heart of the book‘s interdisciplinary nexus is a critical framework steeped in the ideas of remembrance and commemoration, what Pierre Nora calls lieux de mémoire. This book will be of interest to students and scholars in Visual Studies, Comparative Literature, English, Ethnic Studies, Francophone Studies, American Studies, Hispanic Studies, art history, and museum studies. |
| summer flower tamiki hara: The Age of Hiroshima Michael D. Gordin, G. John Ikenberry, 2020-01-14 A multifaceted portrait of the Hiroshima bombing and its many legacies On August 6, 1945, in the waning days of World War II, the United States dropped an atomic bomb on the Japanese city of Hiroshima. The city's destruction stands as a powerful symbol of nuclear annihilation, but it has also shaped how we think about war and peace, the past and the present, and science and ethics. The Age of Hiroshima traces these complex legacies, exploring how the meanings of Hiroshima have reverberated across the decades and around the world. Michael D. Gordin and G. John Ikenberry bring together leading scholars from disciplines ranging from international relations and political theory to cultural history and science and technology studies, who together provide new perspectives on Hiroshima as both a historical event and a cultural phenomenon. As an event, Hiroshima emerges in the flow of decisions and hard choices surrounding the bombing and its aftermath. As a phenomenon, it marked a revolution in science, politics, and the human imagination—the end of one age and the dawn of another. The Age of Hiroshima reveals how the bombing of Hiroshima gave rise to new conceptions of our world and its precarious interconnectedness, and how we continue to live in its dangerous shadow today. |
| summer flower tamiki hara: The Struggle Against the Bomb Lawrence S. Wittner, 1993 This is the opening volume in a comprehensive history of the global movement against the development, possession, and use of nuclear weapons. |
| summer flower tamiki hara: Japan’s Cold War Ann Sherif, 2009-03-05 Critics and cultural historians take Japan's postwar insularity for granted, rarely acknowledging the role of Cold War concerns in the shaping of Japanese society and culture. Nuclear anxiety, polarized ideologies, gendered tropes of nationhood, and new myths of progress, among other developments, profoundly transformed Japanese literature, criticism, and art during this era and fueled the country's desire to recast itself as a democratic nation and culture. By rereading the pivotal events, iconic figures, and crucial texts of Japan's literary and artistic life through the lens of the Cold War, Ann Sherif places this supposedly insular nation at the center of a global battle. Each of her chapters focuses on a major moment, spectacle, or critical debate highlighting Japan's entanglement with cultural Cold War politics. Film director Kurosawa Akira, atomic bomb writer Hara Tamiki, singer and movie star Ishihara Yujiro, and even Godzilla and the Japanese translation of Lady Chatterley's Lover all reveal the trends and controversies that helped Japan carve out a postwar literary canon, a definition of obscenity, an idea of the artist's function in society, and modern modes of expression and knowledge. Sherif's comparative approach not only recontextualizes seemingly anomalous texts and ideas, but binds culture firmly to the domestic and international events that defined the decades following World War II. By integrating the art and criticism of Japan into larger social fabrics, Japan's Cold War offers a truly unique perspective on the critical and creative acts of a country remaking itself in the aftermath of war. |
| summer flower tamiki hara: Hiroshima Traces Lisa Yoneyama, 1999-04-16 Remembering Hiroshima, the city obliterated by the world's first nuclear attack, has been a complicated and intensely politicized process, as we learn from Lisa Yoneyama's sensitive investigation of the dialectics of memory. She explores unconventional texts and dimensions of culture involved in constituting Hiroshima memories—including history textbook controversies, discourses on the city's tourism and urban renewal projects, campaigns to preserve atomic ruins, survivors' testimonial practices, ethnic Koreans' narratives on Japanese colonialism, and the feminized discourse on peace—in order to illuminate the politics of knowledge about the past and present. In the way battles over memories have been expressed as material struggles over the cityscape itself, we see that not all share the dominant remembering of Hiroshima's disaster, with its particular sense of pastness, nostalgia, and modernity. The politics of remembering, in Yoneyama's analysis, is constituted by multiple and contradictory senses of time, space, and positionality, elements that have been profoundly conditioned by late capitalism and intensifying awareness of post-Cold War and postcolonial realities. Hiroshima Traces, besides clarifying the discourse surrounding this unforgotten catastrophe, reflects on questions that accompany any attempts to recover marginalized or silenced experiences. At a time when historical memories around the globe appear simultaneously threatening and in danger of obliteration, Yoneyama asks how acts of remembrance can serve the cause of knowledge without being co-opted and deprived of their unsettling, self-critical qualities. |
| summer flower tamiki hara: Ichiro Ryan Inzana, 2012-03-20 Ichiro lives in New York City with his Japanese mother. His father, an American soldier, was killed in Iraq. Now, Ichi’s mom has decided they should move back to Japan to live with Ichi’s grandfather. Grandfather becomes Ichi’s tour guide, taking him to temples as well as the Hiroshima Peace Park, where Ichi starts to question the nature of war. After a supernatural encounter with the gods and creatures of Japanese mythology, Ichi must face his fears if he is to get back home. In doing so, he learns about the nature of man, of gods, and of war. He also learns there are no easy answers—for gods or men. |
| summer flower tamiki hara: Mushroom Cloud Ryūzō Saki, 2006 Original Scholarly Monograph |
| summer flower tamiki hara: Japanese and Western Literature Armando Martins Janeira, 2016-08-09 Japanese and Western Literature delves deeply into Japanese culture to discover the concepts that similarize and differentiate Japanese and Western literary creations. Paralleling Japanese literary creations and fundamental thought with those of the West, the author draws many illuminating comparisons: for example, between the novels of Murasaki Shikibu and Marcel Proust, between the Portuguese poet Torga and the haiku master Issa, and between the picaresque novel in Japan and in the West. Contrastive studies are also made into such concepts as time, nature, love, and tragedy. This broad yet incisive survey of Japanese literarily genres and themes is more than a comparative study of literature, however; it is an attempt to grasp the core of Japanese culture by setting it against world culture. From this born a complex of new ideas and problems, and author is able to probe the extent of Western influence on Japanese fiction, poetry, and essays in the past hundred years. |
| summer flower tamiki hara: Art and Activism in the Nuclear Age Roman Rosenbaum, Yasuko Claremont, 2023-05-12 This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that all art is political is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies. |
| summer flower tamiki hara: The Pacific Spectator , 1953 |
| summer flower tamiki hara: Acta Slavica Iaponica , 1996 |
| summer flower tamiki hara: Nuclear Age Literature for Youth Millicent Lenz, 1990 The author offers an analysis of books for children and young adults which deal with fears of nuclear war and its aftermath. This study traces the movement in literature from the centuries-old mythology of war to a new mythology of peace. |
| summer flower tamiki hara: The Literary Review , 1962 An international journal of contemporary writing. |
| summer flower tamiki hara: Asian English Myles Chilton, Steve Clark, Yukari Yoshihara, 2022-01-24 Contesting the idea that the study of Anglophone literature and literary studies is simply a foreign import in Asia, this collection addresses the genealogies of textual critique and institutionalized forms of teaching of English language and literature in Asia through the 19th and 20th centuries, along with an examination of how its present options and possible future directions relate to these historical contexts. It argues that the establishment of Anglophone literature in Asia did not simply “happen”: there were extra-literary and -academic forces at work, inserting and domesticating in Asian universities both the English language and Anglo-American literature, and their attendant cultural and political values. Offering new perspectives for ongoing conversations surrounding the globalization of Anglophone literature in literary and cultural studies, the book also considers the practicalities of teaching both the language and its canon of classic texts, and that the historical formation and shape of English studies in Asia offers lessons that relate not only to the discipline but also may be applied to the humanities as a whole. |
| summer flower tamiki hara: The Day the Sun Fell Susan Bouterey, Bun Hashizume, 2019-08 The Day the Sun Fell captures on a deeply human and personal level the devastating effects of the atomic bombing of Hiroshima in August 1945. The author, who at fourteen was seriously injured by the A-bomb, skilfully combines tender lyricism and stark realism to recount her own experiences and those of other members of her immediate and extended family in the aftermath of the bombing, and decades later. Not only a harrowing depiction of tragic historical events, nor just a remarkable story of survival, The Day the Sun Fell reveals aspects of the bombing never aired openly before, forcing the reader to pause to reflect on these haunting events and their continuing legacy seventy years on. It also makes for inspiring reading, for Hashizume never fails to discover hope and joy in living even in the darkest of moments. |
| summer flower tamiki hara: Asian and African Studies , 1986 |
| summer flower tamiki hara: エイヤクニホンカンケイホウブントショモクロク , 1988 |
| summer flower tamiki hara: Flower Mat Shugoro Yamamoto, 2012-01-09 First published as Hanamushiro in 1948, the setting for The Flower Mat is eighteenth-century Japan, a time when familes were bound together by a rigid code of honor and individual lives were of necessity valued far less than the interests of the group. It tells of a young bride, Ichi, born into such a tradition, groomed in the virtues of ideal womanhood, and finally tempered by tragedy. Her life and fate are bound up inexorably with the fortunes of her in-laws, high-ranking officials. She soon becomes aware that something is dreadfully wrong, that something is threatening her home and her peaceful way of life. Uneasy and frightened, she tries to put clues together, but her questions go unanswered. Political intrigue and sudden tragedy force her into a new and unfamiliar world. We follow Ichi as she grows from passive observer--a wife suppressing her own passions--to active agent--a woman who will risk anything for justice. Struggling for truth and justice, Ichi finds her only weapons are her own strength and the lovely mats, decorated with delicate flowers, that she designs. Readers everywhere will find this a solid account of personal development and responsibility in the life of one Japanese woman. |
| summer flower tamiki hara: The impact of the A-bomb, Hiroshima and Nagasaki, , 1985-07 |
Summer - Wikipedia
Summer or summertime is the hottest and brightest of the four temperate seasons, occurring after spring and before autumn. At or centred on the summer solstice, daylight hours are the …
Summer | Sunshine, Heatwaves, Vacations | Britannica
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5 days ago · Summer begins with the solstice on Friday, June 20, 2025, marking the astronomical first day of summer in the Northern Hemisphere. What exactly IS the summer solstice? Is it …
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summer starts December 1 and ends February 28 (February 29 in a Leap Year); fall (autumn) starts March 1 and ends May 31; and winter starts June 1 and ends August 31.
25 Fun and Fascinating Facts About Summer - WeAreTeachers
May 7, 2025 · Summer is the best season for travel, festivals, barbecues, and splashing in the pool. Help your students relate to the changes in the world around them with these fun and …
Summer - CalendarDate.com
5 days ago · Facts about summer, summer solstice, dates and changes in weather and length of day.
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Mar 11, 2023 · Summer is one of the four seasons, and it is distinguished from the other three by the presence of warm weather, longer days, and plenty of sunshine. It is a common time for …
Summer - Simple English Wikipedia, the free encyclopedia
Summer happens to the north and south sides of the Earth at opposite times of the year. In the north part of the world, summer takes place between the months of June and September, and …
Summer: The Warmest Season - Live Science
Mar 11, 2022 · Summer is the warmest season of the year, falling between spring and autumn. Temperatures over the period differ based upon the location on the Earth; regions near the …
Summer - Wikipedia
Summer or summertime is the hottest and brightest of the four temperate seasons, occurring after spring and before autumn. At or centred on the summer solstice, daylight hours are the longest …
Summer | Sunshine, Heatwaves, Vacations | Britannica
6 days ago · summer, warmest season of the year, between spring and autumn. In the Northern Hemisphere, it is usually defined as the period between the summer solstice (year’s longest …
Summer Solstice 2025: When Is The First Day of Summer?
5 days ago · Summer begins with the solstice on Friday, June 20, 2025, marking the astronomical first day of summer in the Northern Hemisphere. What exactly IS the summer solstice? Is it …
26 Fun Facts About Summer | Brighten Your Season
Dec 9, 2023 · Summer, a season synonymous with warmth, vitality, and vibrant colors, holds a special place in many hearts. It’s a time when days stretch longer, the sun shines brighter, and …
Seasons of the Year: When Do They Start and End? - timeanddate.com
summer starts December 1 and ends February 28 (February 29 in a Leap Year); fall (autumn) starts March 1 and ends May 31; and winter starts June 1 and ends August 31.
25 Fun and Fascinating Facts About Summer - WeAreTeachers
May 7, 2025 · Summer is the best season for travel, festivals, barbecues, and splashing in the pool. Help your students relate to the changes in the world around them with these fun and …
Summer - CalendarDate.com
5 days ago · Facts about summer, summer solstice, dates and changes in weather and length of day.
15 Facts About Summer - Have Fun With History
Mar 11, 2023 · Summer is one of the four seasons, and it is distinguished from the other three by the presence of warm weather, longer days, and plenty of sunshine. It is a common time for …
Summer - Simple English Wikipedia, the free encyclopedia
Summer happens to the north and south sides of the Earth at opposite times of the year. In the north part of the world, summer takes place between the months of June and September, and …
Summer: The Warmest Season - Live Science
Mar 11, 2022 · Summer is the warmest season of the year, falling between spring and autumn. Temperatures over the period differ based upon the location on the Earth; regions near the …
