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| submarine screenplay: Yellow Submarine Erich Segal, Lee Minoff, Al Brodax, Jack Mendelsohn, 1968 |
| submarine screenplay: Operation Hollywood David L. Robb, 2011-04-29 Directors of war and action movies receive access to billions of dollars worth of military equipment and personnel, but it comes with a hidden cost. As a veteran Hollywood journalist shows, the final product is often not just what the director intends but also what the powers-that-be in the military want to project about America's armed forces. |
| submarine screenplay: Hollywood Screenwriting Directory Spring/Summer Volume 4 Writer's Store Editors, 2014-04-01 The Hollywood Screenwriting Directory is a specialized resource for discovering where and how to sell your screenplay. It contains over 2,500 listings for Industry insiders such as studios, production companies, and independent financiers - plus, pointers to help you create a quality screenplay submission. The Hollywood Screenwriting Directory includes a free subscription to ScreenwritingDirectory.com, where screenwriters can access updated listings and market their projects to Industry Professionals. |
| submarine screenplay: Fab Four FAQ Stuart Shea, 2007-07 40 years after the release of the iconic Sgt. Pepper's Lonely Hearts Club Band, the Beatles continue to captivate music fans of all ages. There's something always more to discuss about the Fab Four. What were their greatest live performances? Their worst moments? Stories still unknown by most music fans, trends still unseen, history still uninterpreted are all revealed in Fab Four FAQ. Pop culture authors Stuart Shea and Rob Rodriguez provide must-know fan trivia and offer obscure Beatles facts and stories in an easy-to-read, provocative format that will start as many arguments as will end them. With more than sixty chapters of stories, history, observation, and opinion, Fab Four FAQ lays bare the whys and wherefores that made the Beatles so great, giving credit where credit is due and maybe bursting some bubbles along the way. |
| submarine screenplay: The Essential Screenplay (3-Book Bundle) Syd Field, 2018-04-24 Hollywood’s script guru teaches you how to write a screenplay in the ultimate three-volume guide to writing for film, featuring “the ‘bible’ of screenwriting” (The New York Times), Screenplay—now celebrating forty years of screenwriting success! This blockbuster ebook bundle includes: SCREENPLAY: FOUNDATIONS OF SCREENWRITING • THE SCREENWRITER’S WORKBOOK • THE SCREENWRITER’S PROBLEM SOLVER Syd Field was “the most sought-after screenwriting teacher in the world” according to The Hollywood Reporter. His pioneering insights into structure, concept, and character launched innumerable careers. Now in one handy collection, his invaluable expertise is available to aspiring writers and working professionals alike. The Essential Screenplay contains Syd Field’s Screenplay: The Foundations of Screenwriting, the industry standard for script development; The Screenwriter’s Workbook, a hands-on workshop full of practical exercises for creating successful screenplays; and The Screenwriter’s Problem Solver, a guide to identifying and fixing problems in your latest draft. Throughout, you’ll learn: • why the first ten pages of your script are crucially important • how to visually “grab” the reader from page one • what makes great stories work • the basics of writing dialogue • the essentials of creating great characters • how to adapt a novel, a play, or an article for the screen • the three ways to claim legal ownership of your work • tips for allowing your creative self to break free when you hit the “wall” • how to overcome writer’s block forever Featuring expert analysis of popular films including Pulp Fiction, Thelma & Louise, and the Lord of the Rings trilogy, The Essential Screenplay will transform your initial idea into a screenplay that’s destined for success—and maybe even Cannes. Praise for Syd Field “The most sought-after screenwriting teacher in the world.”—The Hollywood Reporter “Syd Field is the preeminent analyzer in the study of American screenplays.”—James L. Brooks, Academy Award–winning writer, director, producer |
| submarine screenplay: Guts and Glory Lawrence H. Suid, 2015-01-13 Guts and Glory: The Making of the American Military Image in Film is the definitive study of the symbiotic relationship between the film industry and the United States armed services. Since the first edition was published nearly two decades ago, the nation has experienced several wars, both on the battlefield and in movie theatres and living rooms at home. Now, author Lawrence Suid has extensively revised and expanded his classic history of the mutual exploitation of the film industry and the military, exploring how Hollywood has reflected and effected changes in America's image of its armed services. He offers in-depth looks at such classic films as Wings, Thirty Seconds Over Tokyo, The Longest Day, Patton, Top Gun, An Officer and a Gentleman, and Saving Private Ryan, as well as the controversial war movies The Green Berets, M*A*S*H, the Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket, and Born on the Fourth of July. |
| submarine screenplay: Motion Pictures: a Catalog of Books, Periodicals, Screenplays and Production Stills: Books and periodicals. Screenplays University of California, Los Angeles. Library, 1973 |
| submarine screenplay: The Toho Studios Story Stuart Galbraith, IV, 2008-05-16 Since its inception in 1933, Toho Co., Ltd., Japan's most famous movie production company and distributor, has produced and/or distributed some of the most notable films ever to come out of Asia, including Seven Samurai, Godzilla, Ringu, and Spirited Away. The Toho Studios Story provides a complete picture of every Toho feature the Japanese studio produced and released. |
| submarine screenplay: Under Mountain Shadows William D. Frank, 2024-02-29 From her world-famous dude ranch in Washington state's Yakima County, Kay Kershaw exerted tremendous influence on conservation efforts in the Pacific Northwest and, tangentially, on LGBTQ+ rights in the United States. After gaining local renown in sports and aviation, she established the ranch at Goose Prairie with her first partner, Pat Kane--a fraught undertaking in a region closely associated with the John Birch Society. Operating under the guise of two spinsters, Kershaw and her later life-partner Isabelle Lynn guarded their privacy closely, but local encroachment by the U.S. Forest Service and the timber industry forced them into the public arena as environmentalists. In partnership with Supreme Court Justice William O. Douglas, Kershaw and Lynn spearheaded a decades-long campaign to save the ancient forests and ecosystem of Washington's Cascade Range. In the process, Kay and Isabelle's devoted relationship proved a marked contrast to Justice Douglas' own turbulent love life, perhaps affecting his perception of the law and his precedent-setting judicial opinion in Griswold v. Connecticut (1965), which provided the basis for major LGBTQ+ Supreme Court decisions in the twenty-first century as well as Roe v. Wade in 1973. |
| submarine screenplay: Beneath the Waves Edward Finch, 2010-04-15 Capt. Edward “Ned” Latimer Beach, Jr. USN is known primarily for his bestselling novel Run Silent, Run Deep, which was made into a film in 1958 with Clark Gable and Burt Lancaster and his record setting voyage as commanding officer of USS Triton (SSN(R) 586), that was the first submarine to circumnavigate of the globe while submerged. A highly-decorated United States Navy submarine officer, during World War II, he participated in the Battle of Midway as well as other 12 combat patrols, earning 10 decorations for gallantry, including the Navy Cross. His career also offers insights into the inner workings of power, from inside the Pentagon in the years right after World War II, to inside of the Eisenhower White House, to the politics of the Republican Party in the United States Senate in the 1970s,. In addition to serving as an officer aboard U.S. submarines in the Pacific during World War II, he was a prolific author publishing two novels in addition Run Silent, Run Deep, as well as numerous works on naval history. Ned Beach is a biography that weaves together the personal, professional and writing life of a man who for many was the public face of the submarine community in the years after the Second World War. With a father, who was a naval officer and the author of thirteen published novels in the 1910s & ‘20s, as the eldest son Ned Beach was greatly influenced to follow in his father’s footsteps and to become both an officer and a writer. From his youth in Palo Alto, California during the Great Depression to his service in the Pacific in the war against Japan to the epic submerged circumnavigation of the globe in early 1960 commanding one of the early nuclear powered submarines, Ned Beach’s career encompasses a revolutionary period in American naval history. Not only did he experience it, he wrote about it. This book tells the story of his remarkable life, career and writing. |
| submarine screenplay: Why Don't We Do it in the Road? John Astley, 2006 In Why Don?t We Do It In The Road? the author looks back to the 1960s and the global phenomenon surrounding four young men from Liverpool . . .The names and the songs are well known, but the ?why?? is more difficult to assess - even with hindsight - against the glare of the music industry?s powerful myth-making apparatus. . .John Astley deploys his forensic skills as a sociologist todevelop an original take on the kaleidoscopic landscape that gave birth to The Beatles phenomenon . . .The reader is invited to take a peep back into the recent past - at the post-War years in England. . .the trembling class structure of an exhausted society. . .and the advent of global communicationsin the 1960s as the music industry and British culture is unmade and remade . . .Put another way, ?Why Don?t We DoIt In The Road?? is question that has gone answered for four decades - until now. John Astley is a writer and lecturer - and is a frequent contributor to journals, conferences, and radio talks. As a sociologist of culture, he is also the author of three volumes of collected essays: Liberation & Domestication, Culture & Creativity, and Professionalism & Practice. John Astley is currently working on Herbivores and Carnivores, a timely investigation into cultural values in contemporary society. |
| submarine screenplay: Motion Pictures University of California, Los Angeles. Library, Audree Malkin, 1976 |
| submarine screenplay: Gravitas, Punctilio, Rectitude & Pippy Bags , |
| submarine screenplay: William Faulkner at Twentieth Century-Fox Sarah Gleeson-White, 2017-02-15 William Faulkner at Twentieth Century-Fox: The Annotated Screenplays presents for the first time and in one volume the five screenplays Faulkner wrote while under contract to Twentieth Century-Fox in the mid 1930s and a sixth he wrote in 1952. An informative introduction describes Faulkner's screenwriting practices, such as adaptation and collaboration, and contextualizes these within a broader genealogy of Hollywood screenwriting and within one of the most important moments in the history of American cinema. Each of the six screenplays appears in full with scholarly annotations, and brief prefatory essays elucidate their evolution over various drafts and with various co-writers. The edition makes available for the first time and in one volume Faulkner's Fox screen writings, and, with its scholarly apparatus, thus makes a valuable contribution to recent scholarship across a number of fields: Faulkner and film; literature and film/adaptation studies; cinematic modernism; and screenplay studies. It also foregrounds Faulkner's many significant collaborators, such as Zanuck and Howard Hawks, and therefore makes an important contribution to the history of Twentieth Century-Fox under Zanuck. |
| submarine screenplay: Long and Winding Roads, Revised Edition Kenneth Womack, 2022-12-15 In Long and Winding Roads: The Evolving Artistry of the Beatles, Revised Edition, Kenneth Womack brings the band's story vividly to life-from their salad days as a Liverpool Skiffle group and their apprenticeship in the nightclubs and mean streets of Hamburg through their early triumphs at the legendary Cavern Club and the massive onslaught of Beatlemania itself. By mapping the group's development as an artistic fusion, Womack traces the Beatles' creative arc from their first, primitive recordings through Abbey Road and the twilight of their career. In this revised edition, Womack addresses new insights in Beatles-related scholarship since the original publication of Long and Winding Roads, along with hundreds of the group's outtakes released in the intervening years. The updated edition also affords attention to the Beatles' musical debt to Rhythm and Blues, as well as to key recent discoveries that vastly shift our understanding of formative events in the band's timeless story. |
| submarine screenplay: John Ford Scott Eyman, Paul Duncan, 2004 This text takes a critical look at the films of John Ford, including 'Stagecoach', 'The Fugitive' and 'The Quiet Man'. |
| submarine screenplay: American Vision Raymond Carney, 1986-10-31 Professor Carney analyses Frank Capra's life as well as the broad cultural context of his films. |
| submarine screenplay: Hollywood Independent Paul Kerr, 2023-03-09 Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels between them) and cinematic cycles, investing in adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats. |
| submarine screenplay: The Films of Douglas Sirk Tom Ryan, 2019-05-23 Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897–1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film’s great directors. Sirk worked in Europe during the 1930s, mainly for Germany’s UFA studios, and then in America in the 1940s and ’50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk’s work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters’ problems should always be solved and that endings should always restore order, what Sirk called “emergency exits” for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director’s films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk’s films, as well as providing a critical survey of previous Sirk commentary, from the time of the director’s “rediscovery” in the late 1960s up to the present day. |
| submarine screenplay: Faulkner's Hollywood Novels Ben Robbins, 2024-08-12 Tracing the influence of Faulkner’s screenwriting on his literary craft and depictions of women William Faulkner’s time as a Hollywood screenwriter has often been dismissed as little more than an intriguing interlude in the career of one of America’s greatest novelists. Consequently, it has not received the wide-ranging critical examination it deserves. In Faulkner’s Hollywood Novels, Ben Robbins provides an overdue thematic analysis by systematically tracing a dialogue of influence between Faulkner’s literary fiction and screenwriting over a period of two decades. Among numerous insights, Robbins’s work sheds valuable new light on Faulkner’s treatment of female characters, both in his novels and in the films to which he contributed. Drawing on extensive archival research, Robbins finds that Hollywood genre conventions and archetypes significantly influenced and reshaped Faulkner’s craft after his involvement in the studio system. His work in the film industry also produced a deep exploration of the gendered dynamics of collaborative labor, genre formulae, and cultural hierarchies that materialized in both his Hollywood screenplays and his experimental fiction. |
| submarine screenplay: The Film Daily Year Book of Motion Pictures , 1938 |
| submarine screenplay: Sound Pictures Kenneth Womack, 2018-09-04 More than anyone besides the bandmates themselves, George Martin was the man who created the unique sound of the Beatles. Sound Pictures offers a powerful and intimate account of how he did so. The second and final volume of the definitive biography of the man, Sound Pictures traces the story of the Beatles' breathtaking artistic trajectory after reaching the creative heights of Rubber Soul. As the bandmates engage in brash experimentation both inside and outside the studio, Martin toils along with manager Brian Epstein to consolidate the Beatles' fame in the face of growing sociocultural pressures, including the crisis associated with the Beatles are more popular than Jesus scandal. Meanwhile, he also struggles to make his way as an independent producer in the highly competitive world of mid-1960s rock 'n' roll. As Martin and the Beatles create one landmark album after another, including such masterworks as Revolver, Sgt. Pepper's Lonely Hearts Club Band, The Beatles (The White Album), and Abbey Road, the internal stakes and interpersonal challenges become ever greater. During his post-Beatles years, Martin attempts to discover new vistas of sound recording with a host of acts, including Jeff Beck, America, Cheap Trick, Paul McCartney, and Elton John, his creative breakthroughs followed by unprecedented commercial success. Eventually, though, all roads bring Martin back to the Beatles, as the group seeks out new ways to memorialize their achievement under the supervision of the man who has come to be known as Sir George. Now, more than fifty years after the Beatles' revolutionary triumphs, Martin's singular stamp on popular music has become more vital than ever, as successive generations discover the magic of the Beatles and their groundbreaking sound. |
| submarine screenplay: Reading the Beatles Kenneth Womack, Todd F. Davis, 2012-02-01 Despite the enormous amount of writing devoted to the Beatles during the last few decades, the band's abiding intellectual and cultural significance has received scant attention. Using various modes of literary, musicological, and cultural criticism, the essays in Reading the Beatles firmly establish the Beatles as a locus of serious academic and cultural study. Exploring the group's resounding impact on how we think about gender, popular culture, and the formal and poetic qualities of music, the contributors trace not only the literary and musicological qualities of selected Beatles songs but also the development of the Beatles' artistry in their films and the ways in which the band has functioned as a cultural, historical, and economic product. In a poignant afterword, Jane Tompkins offers an autobiographical account of the ways in which the Beatles afforded her with the self-actualizing means to become less alienated from popular culture, gender expectations, and even herself during the early 1960s. |
| submarine screenplay: Hollywood and the Military Bureaucracy Bob Herzberg, 2021-04-30 Through a century of movies, the U.S. military held sway over war and service-oriented films. Influenced by the armed forces and their public relations units, Hollywood presented moviegoers with images of a faultless American fighting machine led by heroic commanders. This book examines this cooperation with detailed narratives of military blunders and unfit officers that were whitewashed to be presented in a more favorable light. Drawing on production files, correspondence between bureaucrats and filmmakers, and contemporary critical reviews, the author reveals the behind-the-scenes political maneuvers that led to the rewriting of history on-screen. |
| submarine screenplay: Screenwriters José Guilherme Correa, 2016-07-13 Screen-writing is a unique literary form. Screenplays are like musical scores, in that they are intended to be interpreted on the basis of other artists performances rather than serving as finished products for the enjoyment of their readers. They are written using technical jargon and tight, spare prose to describe set directions. Unlike a novella, a script focuses on describing the literal, visual aspects of the story rather than on its characters internal thoughts. In screen-writing, the aim is to evoke those thoughts and emotions through subtext, action, and symbolism. Prominent Hollywood script doctors include Steve Zaillian, William Goldman, Robert Towne, Mort Nathan, Quentin Tarantino etc., while many up-and-coming screenwriters work as ghost writers. This book is a modest catalogue of some of the most prominent screenwriters, listed from A to Z. The good are sometimes bad, and they can be even... Ugly. Many comments herein included were googled in deference to the multiplicity of information available today, yet they reflect exactly - or almost - what I thought. An amazing thing today is how anonymous commentators on the Internet rival and even surpass the poor quality of professional media and specialised literature. It all comes down to watching the truth 24 times per second, to quote Jean-Luc Godard s phrase. Not to mention that such truth may include sex scenes, violence, pedophilia, etc. We know that a literary masterpiece like Henry James Portrait of a Lady became a film of very poor quality as scripted by Laura Jones. We know, conversely, that a mediocre writer like Mickey Spillane inspired at least one film as remarkable as Kiss Me Deadly, thanks to A. I. Bezzerides script. Asa former screenwriter, Mr. Correa must avow that he found the job most gratifying. Writing that looks effortless is often hellish to write and revise. It was something he did have to slog through, but it proved particularly pleasing. Editing, discussing & finishing your work is particularly gratifying. Identifying your flaws and working to mitigate them is also gratifying. It is a general perception that creative careers are more interesting and fun than others. But the privilege of earning money through imagination and creativity is effectively hard-won. Please comment at will. Please disagree at will. Be facetious in your remarks, but please be neither vicious nor mean-spirited. |
| submarine screenplay: Hollywood Screenwriting Directory Spring/Summer Volume 6 Writer's Store Editors, 2015-04-01 Screenwriting Market Intel You Won't Find Anywhere Else Mailing out submissions based on some contact information you found on the Internet isn’t enough to get your script sold. What's truly valuable to an aspiring screenwriter is the kind of specific details you can only get through years of Industry experience. That's why The Writers Store compiled the Hollywood Screenwriting Directory, the product of more than three decades working directly with the people behind the world's favorite films. This targeted reference book features: Verified contact information for Hollywood buyers, including phone numbers, and street and email addresses Crucial details like whether they accept unsolicited material and how they prefer to receive submissions A guide to proper script format and advice on packaging your submission Step-by-step instructions for writing professional query letters, treatments, and log lines Plus, you'll find samples throughout, illustrated with tips and pointers to help you create a quality submission. With the Hollywood Screenwriting Directory by your side, you’ll have a reliable resource that significantly ups your chances of script-selling success! |
| submarine screenplay: Writers Directory NA NA, 2016-03-05 |
| submarine screenplay: Screen Writer , 1945 |
| submarine screenplay: Dalton Trumbo, Hollywood Rebel Peter Hanson, 2015-08-13 As a screenwriter, novelist, and political activist, Dalton Trumbo stands among the key American literary figures of the 20th century--he wrote the classic antiwar novel Johnny Got His Gun, and his credits for Spartacus and Exodus broke the anticommunist blacklist that infected the movie industry for more than a decade. By defining connections between Trumbo's most highly acclaimed films (including Kitty Foyle, Thirty Seconds Over Tokyo, and Roman Holiday) and his important but lesser-known movies (The Remarkable Andrew, He Ran All the Way, and The Boss), the author identifies how for nearly four decades Trumbo used the archetype of the rebel hero to inject social consciousness into mainstream films. This new critical survey--the first book-length work on Trumbo's screenwriting career--examines the scores of films on which Trumbo worked and explores the techniques that made him, at the time he was blacklisted in 1947, Hollywood's highest-paid writer. Hanson reveals how Trumbo dealt with major themes including rebellion, radical politics, and individualism--while also detailing lesser-known areas of Trumbo's screenwriting, such as his troubling portrayal of women, the dichotomy between his proletarian attitude and bourgeois lifestyle, and the almost surreptitious manner in which he included antiestablishment rhetoric in seemingly innocuous scripts. An extensive filmography is included. |
| submarine screenplay: Screen World John Willis, Barry Monush, 2006-04-01 (Screen World). An invaluable reference guide for anyone who loves film. Back Stage Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 56 provides an illustrated listing of every significant American and foreign film released in the United States in 2004, documented with more than 1000 color and black-and-white photographs. The 2005 edition highlights Clint Eastwood's Million Dollar Baby , which won four Academy Awards, including Best Picture, Best Director, Best Actress in a Leading Role (Hilary Swank) and Best Actor in a Supporting Role for Morgan Freeman, his first Oscar. Martin Scorsese's The Aviator picked up five Academy Awards. Other notable films include Hotel Rwanda starring Academy Award nominees Don Cheadle and Sophie Okonedo. As always, Screen World 's outstanding features include: Full-page photos of the Academy Award-winning actors as well as photos of all acting nominees; A look at the year's most promising new screen personalities; Complete filmographies; A comprehensive index; and more. |
| submarine screenplay: The Christopher Lee Film Encyclopedia Robert W. Pohle, Jr., Douglas C. Hart, Rita Pohle Baldwin, 2017-05-09 The Christopher Lee Encyclopedia encompasses all of the films in the distinguished actor’s prolific career, from his early roles in of the 1940s to his work in some of the most successful film franchises of all time. This reference volume highlights Lee’s iconic roles in horror cinema as well as his non-horror films over the years. |
| submarine screenplay: Nelson's Navy in Fiction and Film Sue Parrill, 2009-12-21 This book provides summaries and analyses of more than 250 novels and nearly 30 films and examines the extent to which they accurately reflect the history, mores and manners of the period--and the extent to which they reveal the ideas and attitudes of their authors and of the periods in which they were written. Particular emphasis is placed on the nature and importance of the war at sea for the British and on the role of famous naval officers such as Nelson, Pellew, Duncan, Smith and Cochrane in the defeat of Napoleon. |
| submarine screenplay: A Title Guide to the Talkies Richard Bertrand Dimmitt, 1965 Index to literary sources of feature films. |
| submarine screenplay: Selling Sea Power Ryan D. Wadle, 2019-03-28 The accepted narrative of the interwar U.S. Navy is one of transformation from a battle-centric force into a force that could fight on the “three planes” of war: in the skies, on the water, and under the waves. The political and cultural tumult that accompanied this transformation is another story. Ryan D. Wadle’s Selling Sea Power explores this little-known but critically important aspect of naval history. After World War I, the U.S. Navy faced numerous challenges: a call for naval arms limitation, the ascendancy of air power, and budgetary constraints exacerbated by the Great Depression. Selling Sea Power tells the story of how the navy met these challenges by engaging in protracted public relations campaigns at a time when the means and methods of reaching the American public were undergoing dramatic shifts. While printed media continued to thrive, the rapidly growing film and radio industries presented new means by which the navy could connect with politicians and the public. Deftly capturing the institutional nuances and the personalities in play, Wadle tracks the U.S. Navy’s at first awkward but ultimately successful manipulation of mass media. At the same time, he analyzes what the public could actually see of the service in the variety of media available to them, including visual examples from progressively more sophisticated—and effective—public relations campaigns. Integrating military policy and strategy with the history of American culture and politics, Selling Sea Power offers a unique look at the complex links between the evolution of the art and industry of persuasion and the growth of the modern U.S. Navy, as well as the connections between the workings of communications and public relations and the command of military and political power. |
| submarine screenplay: The Screenplay's the Thing Bruce Bawer, 1992 84 movies from the late '80s are reviewed by critic Bruce Bawer. |
| submarine screenplay: Hollywood Screenwriting Directory Fall/Winter Jesse Douma, Dinah Perez, 2016-10-10 To get your screenplay in front of the right buyer, you need exclusive information and specific details you can only gain through years of industry experience. That's why The Writers Store has compiled the Hollywood Screenwriting Directory, the product of more than three decades working directly with the decision makers behind the world's favorite films. This invaluable reference features: Thousands of listings for Hollywood buyers, industry insiders, studios, and independent financiers, all with verifi ed contact information Crucial details for submitting your screenplay to specific markets: how they prefer to receive submissions, and whether they accept unsolicited material A guide to properly formatting your script and packaging your submission Clear, step-by-step instructions for crafting professional query letters, treatments, and log lines A Silver subscription to ScreenwritingDirectory.com (a $49 value) In addition, you'll find illustrated screenplay samples, essential legal information, and tips for creating a quality submission. With the Hollywood Screenwriting Directory at your fingertips, you'll significantly increase your chances of script-selling success! |
| submarine screenplay: Film Year Book , 1938 |
| submarine screenplay: May the Armed Forces Be with You Stephen Dedman, 2016-09-13 Science fiction and the United States military often inhabit the same imaginative space. Weapons technology has taken inspiration from science fiction, from the bazooka and the atomic bomb to weaponized lasers and drones. Star-spangled superheroes sold war bonds in comic books sent to GIs during World War II, and adorned the noses of bombers. The same superheroes now appear in big-budget movies made with military assistance, fighting evil in today's war zones. A missile shield of laser satellites--dreamed up by writers and embraced by the high command--is partially credited with ending the Cold War. Sci-fi themes and imagery are used to sell weapons programs, military service and wars to the public. Some science fiction creators have willingly cooperated with the military; others have been conscripted. Some have used the genre as a forum for protest. This book examines the relationship between the U.S. military and science fiction through more than 80 years of novels, comics, films and television series, including Captain America, Starship Troopers, The Twilight Zone, Dr. Strangelove, Star Trek, Iron Man, Bill the Galactic Hero, The Forever War, Star Wars, Aliens, Ender's Game, Space: Above and Beyond and Old Man's War. |
| submarine screenplay: Directory of World Cinema: Russia 2 Birgit Beumers, 2015-02-20 Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in the region, including Cold War spy movies and science-fiction films; blockbusters and horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and directors’ biographies provide the background for the key players. Building on the work of its predecessor, which explored cinema from the time of the tsars to the Putin era, this book will be warmly received by the serious film scholar as well as all those who love Russian cinema. Directory of World Cinema: Russia 2 is an essential companion to the filmic legacy of one of the world’s most storied countries. |
| submarine screenplay: The Past in Visual Culture Jilly Boyce Kay, Cat Mahoney, Caitlin Shaw, 2017-01-26 In recent years digital technology has made available an inconceivably vast archive of old media. Images of the past--accessed with the touch of a finger--are now intertwined with those of the present, raising questions about how visual culture affects our relationship with history and memory. This collection of new essays contributes to a growing debate about how the past and its media are appropriated in the modern world. Focusing on a range of visual cultures, the essays explore the intersection of film, television, online and print media and visual art--platforms whose boundaries are increasingly hard to define--and the various ways we engage the past in an environment saturated with the imagery of previous eras. Topics include period screen fiction, nonfiction media histories and memories, cinematic nostalgia and recycling, and the media as both purveyors and carriers of memory. |
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Submarine Force - NHHC
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Submarine Development, A Short History - NHHC
Oct 12, 2022 · Underwater exploration has fascinated people for thousands of years, yet submarine travel did not become common until the mid-twentieth century. The ancient …
Naval Submarine Base New London, Connecticut - NHHC
Apr 11, 2025 · The Submarine Escape Training Tank, long known as the “Dive Tower,” was a constructed during this period and became a prominent feature to the local landscape from …
Elements of Submarine Operation - NHHC
May 3, 2024 · DETECTION A submarine's effectiveness depends on its ability to remain submerged and undetected. From this position beneath the surface, a sub can search, track, …
Submarines! - NHHC
submarine dives, the ballast tanks are flooded with water and the air in the ballast tanks is vented from the submarine until its overall density is greater than the surrounding water and …
H. L. Hunley Wreck (1864) - NHHC
The Confederate submersible H. L. Hunley has the distinction of being the first submarine to sink an enemy warship in wartime. Although the boat and its crew were lost as a result of this …
US Navy Submarines Losses, Selected Accidents, and Selected
Italian Submarine Casualties in World War Two; Japanese Submarine Casualties in World War Two (I and RO Boats) Unmanned Vehicles for U.S. Naval Forces: Background and Issues for …
Submarine Force Museum - NHHC
The Submarine Force Museum and the Nautilus submarine will be closed 7-18 October 2024 for maintenance. Note: Content on this website has been revised or removed to align with the …
Nautilus (SSN-571) - NHHC
Dec 19, 2024 · USS Nautilus (SSN-571) was commissioned at Groton, Connecticut, on 30 September 1954 with Commander Eugene P. Wilkinson as the boat’s first commander. The …
Ship Abbreviations and Symbols - NHHC
SS -- submarine; or merchant steamship. SSA -- cargo submarine. SSB -- fleet ballistic missile submarine. SSBN -- fleet ballistic missile submarine (nuclear powered). SSC -- cruiser …
