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| summer of love art of the psychedelic era: Summer of Love Christoph Grunenberg, 2005 A guide to the art of the psychedelic era shares a wide range of posters, record covers, and other period photographs that explore the influence of psychedelia on the art and culture of the 1960s and beyond, in a volume complemented by a wealth of informative essays. Original. 10,000 first printing. |
| summer of love art of the psychedelic era: Summer of Love Christoph Grunenberg, Jonathan Harris, Jonathan P. Harris, 2005-01-01 Though more than a generation has passed since the revolutionary fervor of the Summer of Love of 1967, the 1960s in many ways seem with us still. From recurring debates over the war in Vietnam to the perpetually appealing music of the Beatles and the Rolling Stone to the concern about youth drug use, the legacy of the 1960s is ubiquitous in contemporary life. The Summer of Love brings together an impressive group of historians, artists, and cultural critics to present a rich and varied interpretation of this seminal decade and its continuing influence on politics, society, and culture. The Summer of Love, which accompanies an exhibition at Tate Liverpool, pays particular attention to the wildly creative psychedelic art of the era. Perceptive essays on psychedelic comics, graphic design and typography, light shows, and film successfully rescue psychedelic art from the fog of nostalgia and unjust critical neglect. Distinguished contributors also explore the role of 1960s fashion and architecture, and they consider anew the central influence of hallucinogenic drugs on the art of the era. Running throughout the essays are the elements of epochal change—from sexual liberation to student revolutions—that still form the backdrop of our collective consciousness of the 1960s. An incisive collection of writings on all aspects of 1960s art and culture, tempered by time and critical distance, The Summer of Love will be indispensable for those who wish they had been there—or for those who were, but can't remember it. |
| summer of love art of the psychedelic era: Summer of Love , 2005 |
| summer of love art of the psychedelic era: Summer of Love Jill D'Alessandro, Colleen Terry, Dennis McNally, Joel Selvin, 2017-04-11 Published by the Fine Arts Museums of San Francisco and University of California Press on the occasion of the exhibition The Summer of Love Experience: Art, Fashion, and Rock and Roll at the de Young, San Francisco, April 8 through August 20, 2017--Colophon. |
| summer of love art of the psychedelic era: Summer of Love Joel Selvin, 1999 This book weaves a fascinating narrative that separates surprising fact from entrenched mythology. |
| summer of love art of the psychedelic era: I Want to Take You Higher James Henke, Parke Puterbaugh, 1997 I Want to Take You Higher also features posters, paraphernalia and an illustrated time line (just in case you forgot), as well as classic and previously unpublished images from the greatest rock photographers of the era: Jim Marshall, Baron Wolman, Robert Whitaker, Michael Cooper, Herb Greene, Bob Seidemann and others. |
| summer of love art of the psychedelic era: Psychedelia and Other Colours Rob Chapman, 2015-09-01 In Psychedelia and Other Colours, acclaimed author Rob Chapman explores in crystalline detail the history, precedents and cultural impact of LSD, from the earliest experiments in painting with light and immersive environments to the thriving avant-garde scene that existed in San Francisco even before the Grateful Dead and the Fillmore Auditorium. In the UK, he documents an entirely different history, and one that has never been told before. It has its roots in fairy tales and fairgrounds, the music hall and the dead of Flanders fields, in the Festival of Britain and that peculiarly British strand of surrealism that culminated in the Magical Mystery Tour. Sitars and Sergeant Pepper, surfadelica and the Soft Machine, light shows and love-ins - the mind-expanding effects of acid were to redefine popular culture as we know it. Psychedelia and Other Colours documents these utopian reverberations - and the dark side of their moon - in a perfect portrait. |
| summer of love art of the psychedelic era: Radical Dreams Elliott H. King, Abigail Susik, 2022-03-08 Surrealism is widely thought of as an artistic movement that flourished in Europe between the two world wars. However, during the 1960s, ’70s, and ’80s, diverse radical affinity groups, underground subcultures, and student protest movements proclaimed their connections to surrealism. Radical Dreams argues that surrealism was more than an avant-garde art movement; it was a living current of anti-authoritarian resistance. Featuring perspectives from scholars across the humanities and, distinctively, from contemporary surrealist practitioners, this volume examines surrealism’s role in postwar oppositional cultures. It demonstrates how surrealism’s committed engagement extends beyond the parameters of an artistic style or historical period, with chapters devoted to Afrosurrealism, Ted Joans, punk, the Situationist International, the student protests of May ’68, and other topics. Privileging interdisciplinary, transhistorical, and material culture approaches, contributors address surrealism’s interaction with New Left politics, protest movements, the sexual revolution, psychedelia, and other subcultural trends around the globe. A revelatory work, Radical Dreams definitively shows that the surrealist movement was synonymous with cultural and political radicalism. It will be especially valuable to those interested in the avant-garde, contemporary art, and radical social movements. In addition to the editors, the contributors to this volume include Mikkel Bolt Rasmussen, Jonathan P. Eburne, David Hopkins, Claire Howard, Michael Löwy, Alyce Mahon, Gavin Parkinson, Grégory Pierrot, Penelope Rosemont, Ron Sakolsky, Marie Arleth Skov, Ryan Standfest, and Sandra Zalman. |
| summer of love art of the psychedelic era: Art Music & Life , 2009 Described as basically an art book with autobiographical anecdotes, the book features more than 100 color images of the paintings, drawings and sculputres of George Frayne and Chris Frayne, with comments by George Frayne. |
| summer of love art of the psychedelic era: Impermanence Haidy Geismar, Ton Otto, Cameron David Warner, 2022-03-01 Nothing lasts forever. This common experience is the source of much anxiety but also hope. The concept of impermanence or continuous change opens up a range of timely questions and discussions that speak to globally shared experiences of transformation and concerns for the future. Impermanence engages with an emergent body of social theory emphasizing flux and transformation, and brings this into a dialogue with other traditions of thought and practice, notably Buddhism that has sustained a long-lasting and sophisticated meditation on impermanence. In cases drawn from all over the world, this volume investigates the significance of impermanence in such diverse contexts as social death, atheism, alcoholism, migration, ritual, fashion, oncology, museums, cultural heritage and art. The authors draw on a wide range of disciplines, including anthropology, archaeology, art history, Buddhist studies, cultural geography and museology. This volume also includes numerous photographs, artworks and poems that evocatively communicate notions and experiences of impermanence. |
| summer of love art of the psychedelic era: Making Images Move Gregory Zinman, 2020-01-03 Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come. |
| summer of love art of the psychedelic era: West of Center Elissa Auther, Adam Lerner, 2012 Recovering the art and lifestyle of the counterculture in the American West in the 1960s and '70s |
| summer of love art of the psychedelic era: The Sixties Art Scene in London David Mellor, 1993 The sixties saw the emergence of many of Britain's most important artists, amongst them Anthony Caro, Robyn Denny, David Hockney, Richard Hamilton and Bridget Riley. This book explores the explosion of styles and techniques which characterized the decade. |
| summer of love art of the psychedelic era: Jean-Jacques Lebel and French Happenings of the 1960s Laurel Jean Fredrickson, 2021-03-25 Combining a broad overview of Jean-Jacques Lebel's coming-of-age among Surrealists and his rupture with the movement, Laurel Jean Fredrickson focuses on two landmark happenings in this book: the first, “Funeral of the Thing of Tinguely” (1960), and the most scandalous, “120 Minutes dedicated to the Divine Marquis” (1966). This study illustrates the development and significance of French happenings in relation to cultural and political changes of the 1960s. Research in Lebel's archives, and others like the Archives nationale d'outre-mer are indispensable in the telling of this extraordinary historical and theoretical narrative. It illuminates sensitive, often veiled dimensions of postwar French society, from torture during the Algerian War, to government censorship, to the sexual politics of nudity in art. This volume shows how Lebel synthesized the lessons of Dada and surrealism and 1960s experimentalism, electrified by political radicalism, to participate in shaping the erotics and forms of revolution in May 1968. |
| summer of love art of the psychedelic era: Youth, Identity, and Re-Fashioning Popular Music in Israel Oded Heilbronner, Ari Katorza, 2024-08-06 The book Youth, Identity, and Re-Fashioning Popular Music in Israel. 1950s–1980s aims to refresh the understanding of the relationship between social power relations, youth culture, and popular music in Israel. The authors discuss various perspectives regarding the axis of youth, popular culture, and music and present additional options for the discourse on these topics in Israel. Among its many new findings, the study discusses new insights relating to the increasing openness of Israeli culture to globalization, the decline of the collective culture of the Sabra, the rise of individual culture, liberalism and neoliberalism, the decay of Israeli consensus, and the melting pot idea and practices. In addition, the authors examine various perspectives on how Israeli culture and music have changed over the years and reacted to historical alterations. It reviews the tensions between modernism and postmodernism, localism and globalism, teenagers and their parents’ culture, ethnicity and class, hegemonic negotiations, and marginal subcultures. This book uses historical methodology combined with the assistance of cultural theories, historical surveys, and first-hand documents. |
| summer of love art of the psychedelic era: Inner Sound Jonathan Weinel, 2018 Over the last century, developments in electronic music and art have enabled new possibilities for creating audio and audio-visual artworks. With this new potential has come the possibility for representing subjective internal conscious states, such as the experience of hallucinations, using digital technology. Combined with immersive technologies such as virtual reality goggles and high-quality loudspeakers, the potential for accurate simulations of conscious encounters such as Altered States of Consciousness (ASCs) is rapidly advancing. In Inner Sound, author Jonathan Weinel traverses the creative influence of ASCs, from Amazonian chicha festivals to the synaesthetic assaults of neon raves; and from an immersive outdoor electroacoustic performance on an Athenian hilltop to a mushroom trip on a tropical island in virtual reality. Beginning with a discussion of consciousness, the book explores how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance. Taking a broad view across a wide range of genres, Inner Sound draws connections between shamanic art and music, and the modern technoshamanism of psychedelic rock, electronic dance music, and electroacoustic music. Going beyond the sonic into the visual, the book also examines the role of altered states in film, visual music, VJ performances, interactive video games, and virtual reality applications. Through the analysis of these examples, Weinel uncovers common mechanisms, and ultimately proposes a conceptual model for Altered States of Consciousness Simulations (ASCSs). This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also examined, ultimately allowing the reader not only to consider the design of ASCSs, but also the implications of their use for digital society. |
| summer of love art of the psychedelic era: R. Crumb David Stephen Calonne, 2021-02-01 Robert Crumb (b. 1943) read widely and deeply a long roster of authors including Robert Louis Stevenson, Charles Dickens, J. D. Salinger, Jack Kerouac, William S. Burroughs, and Allen Ginsberg, as well as religious classics including biblical, Buddhist, Hindu, and Gnostic texts. Crumb’s genius, according to author David Stephen Calonne, lies in his ability to absorb a variety of literary, artistic, and spiritual traditions and incorporate them within an original, American mode of discourse that seeks to reveal his personal search for the meaning of life. R. Crumb: Literature, Autobiography, and the Quest for Self contains six chapters that chart Crumb’s intellectual trajectory and explore the recurring philosophical themes that permeate his depictions of literary and biographical works and the ways he responds to them through innovative, dazzling compositional techniques. Calonne explores the ways Crumb develops concepts of solitude, despair, desire, and conflict as aspects of the quest for self in his engagement with the book of Genesis and works by Franz Kafka, Jean-Paul Sartre, the Beats, Charles Bukowski, and Philip K. Dick, as well as Crumb’s illustrations of biographies of musicians Jelly Roll Morton and Charley Patton. Calonne demonstrates how Crumb’s love for literature led him to attempt an extremely faithful rendering of the texts he admired while at the same time highlighting for his readers the particular hidden philosophical meanings he found most significant in his own autobiographical quest for identity and his authentic self. |
| summer of love art of the psychedelic era: Transgression as a Mode of Resistance Christina R. Foust, 2010-06-22 Since industrialization, two major theoretical perspectives have accompanied the vibrant practice of social change. The first, hegemony, emerged as a less deterministic route to revolution from Marxist theory, and forms the common sense of social movement today. Within hegemonic resistance, rhetoric links issues, ideas, and identities to form a recognizable collective agent, whose aim is to transform the status quo into its vision of the world. The second major mode of resistance, transgression, grows from anarchist and autonomous resistance to capitalism. Transgression attempts to free individuals' uniqueness and creative power by deconstructing authority and explicating the body in resistance. Transgression as a Mode of Resistance: Rethinking Social Movement in an Era of Corporate Globalization provides the conceptual mapping for scholars, students, and practitioners to participate in the growing debate between these rich and powerful forces of social change. Through a broad perspective on philosophy and history, Christina R. Foust demonstrates that hegemony and transgression are sometimes conflicting, oftentimes inter-related practices. She responds to critics who believe that without a social change agent, resistance appears baseless and na ve; without a representational economy to cohere and express common interests, social movement is impossible. Through alternative social relationships and political performances, transgressive resistors may reinvent daily life. |
| summer of love art of the psychedelic era: Design: The Key Concepts Catherine McDermott, 2007-10-30 This is the essential student’s guide to Design – its practice, its theory and its history. Respected design writer Catherine McDermott draws from a wide range of international examples. |
| summer of love art of the psychedelic era: Documents of Doubt Heather Diack, 2020-06-12 A major reassessment of photography’s pivotal role in 1960s conceptual art Why do we continue to look to photographs for evidence despite our awareness of photography’s potential for duplicity? Documents of Doubt critically reassesses the truth claims surrounding photographs by looking at how conceptual artists creatively undermined them. Studying the unique relationship between photography and conceptual art practices in the United States during the social and political instability of the late 1960s, Heather Diack offers vital new perspectives on our “post-truth” world and the importance of suspending easy conclusions in contemporary art. Considering the work of four leading conceptual artists of the 1960s and ’70s, Diack looks at photographs as documents of doubt, pushing the form beyond commonly assumed limits. Through in-depth and thorough reevaluations of early work by noted artists Mel Bochner, Bruce Nauman, Douglas Huebler, and John Baldessari, Diack advances the powerful thesis that photography provided a means of moving away from the object and toward performative effects, playing a crucial role in the development of conceptual art as a medium of doubt and contingency. Discussing how unexpected and contradictory meanings can exist in the guise of ordinary pictures, Documents of Doubt offers evocative and original ideas on truth’s connection to photography in the United States during the late 1960s and how conceptual art from that period anticipated our current era of “alternative facts” in contemporary politics and culture. |
| summer of love art of the psychedelic era: Jewish Artists John Castagno, 2010-08-16 John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In this new volume, Castagno has collected more than 1,100 signatures and monograms of Jewish artists, as well as signatures of artists whose work reflects Jewish themes. In addition to the standard signature entries found in Castagno's other books, this volume features additional biographical information, providing a more complete profile of the artist and his or her work. All artists are listed with the most updated information on nationality, birthand/or death dates. The entries direct the researcher to many biographical and bibliographical sources not found on web site searches, and many of the resources offer additional references. Several individual listings provide gallery referrals and catalogauction dates, which can be used to buy or sell a particular artist's work. The use of Jewish Artists Signatures and Monograms: A Directory provides the researcher a reference tool not duplicated elsewhere: one that will save many hours of research. |
| summer of love art of the psychedelic era: Expo 67 Rhona Richman Kenneally, Johanne Sloan, 2010-01-01 Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and international cooperation. This collection of essays brings new critical perspectives to Expo 67, an event that left behind a significant material and imaginative legacy. The contributors to this volume reflect a variety of interdisciplinary approaches and address Expo 67 across a broad spectrum ranging from architecture and film to more ephemeral markers such as postcards, menus, pavilion displays, or the uniforms of the hostesses employed on the site. Collectively, the essays explore issues of nationalism, the interplay of tradition and modernity, twentieth-century discourse about urban experience, and the enduring impact of Expo 67's technological experimentation. Expo 67: Not Just a Souvenir is a compelling examination of a world's fair that had a profound impact locally, nationally, and internationally. |
| summer of love art of the psychedelic era: Culture and Customs of the United States Benjamin F. Shearer, 2007-12-30 American life and culture is truly unique in that it was born from many other cultures around the world. When immigrants migrated to the Land of Opportunity, they brought with them pieces of their own heritage: foods, religions, holidays, festivals, music, and art, just to name a few. Through time, these customs have developed into what we now know as American life. Explore how even within the US, various cultures and customs differ from New England to the Midwest to the Pacific. Discover how many religions are practiced all over the country, and how each sect differs in its celebration. Learn how gender plays an important role in American society, and how things have changed and progressed in the past century. Readers will learn about American holidays-religious, federal, and even those fabricated by Hallmark and television! Sports, leisure activities, and fashion also play a major role in American culture, as discussed in this all-encompassing work. Discover how American cuisine has evolved from other cultures, such as Italian, Greek, Mexican, Chinese, Indian, and West Africa, and how each region has its own indigenous dishes, including New England clam chowder, Southern jambalaya, and Mid-western lutefisk. Contemporary and classic literature is also discussed, along with the evolution of poetry. Readers will learn about the development of mass media, as well as the growth of cinema and films from the first silent film to today's popular blockbuster trilogy Pirates of the Caribbean. Music and dance are also discussed in detail, covering the New York Philharmonic to Woodstock. Contemporary art and architecture is discussed as well as types of housing across all the regions of the U.S. This unique two-volume addition to the Culture and Customs of the World series gives high school students, both national and international, the chance to examine the United States from the outside in. The mosaic of American culture comes to life in this expansive yet detailed study of what makes the United States a complex blend of customs and traditions. Each volume in this comprehensive two-volume study offers chapters that detail how American life was born and how it has grown, covering the history of customs as well as how traditions are now celebrated in New England, the South, the Midwest, the Pacific Northwest, and the Southwest, as well as Alaska and Hawaii. Narrative chapters include the following: |
| summer of love art of the psychedelic era: Syd Barrett & Pink Floyd Julian Palacios, 2010 Syd Barrett was an art school student when he founded Pink Floyd. Famous before his 20th birthday, Barrett led the charge of psychedelia onstage at London s famed UFO club, and his acid-inspired lyrics became a hallmark of London s 1967 Summer of Love. By turns improvisatory and whimsical, Zen-like and hard-living, Barrett pushed the boundaries of music into new realms of artistic expression while fighting the demons of drug abuse and mental illness. This probing study, ten years in the writing, features a wealth of first-hand interviews with Syd's family, friends, and members of the band, giving us an unvarnished look at Barrett's life and work. Author Julian Palacios traces Barrett s swift evolution from precocious youth to internationally acclaimed psychedelic rock star, examining both his wide-ranging inspirations and his influence on generations of musicians. A never-to-be forgotten casualty of the excesses, innovations, and idealism of the 1960s, Syd Barrett is one of the most heavily mythologized men in rock, and this book offers a rare portrayal of this unique spirit in freefall. |
| summer of love art of the psychedelic era: William Blake and the Myth of America Linda Freedman, 2018-07-11 This volume tells the story of William Blake's literary reception in America and suggests that ideas about Blake's poetry and personality helped shape mythopoeic visions of America from the Abolitionists to the counterculture. It links high and low culture and covers poetry, music, theology, and the novel. American writers have turned to Blake to rediscover the symbolic meaning of their country in times of cataclysmic change, terror, and hope. Blake entered American society when slavery was rife and civil war threatened the fragile experiment of democracy. He found his moment in the mid twentieth-century counterculture as left-wing Americans took refuge in the arts at a time of increasingly reactionary conservatism, vicious racism, pervasive sexism, dangerous nuclear competition, and an increasingly unpopular war in Vietnam, the fires of Orc raging against the systems of Urizen. Blake's America, as a symbol of cyclical hope and despair, influenced many Americans who saw themselves as continuing the task of prophecy and vision. Blakean forms of bardic song, aphorism, prophecy, and lament became particularly relevant to a literary tradition which centralised the relationship between aspiration and experience. His interrogations of power and privilege, freedom and form resonated with Americans who repeatedly wrestled with the deep ironies of new world symbolism and sought to renew a Whitmanesque ideal of democracy through affection and openness towards alterity. |
| summer of love art of the psychedelic era: Edinburgh Festivals Angela Bartie, 2014-05-14 This book explores the 'culture wars' of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza. |
| summer of love art of the psychedelic era: High-Tech Trash Carolyn L. Kane, 2019-12-17 A free ebook version of this title will be available through Luminos, University of California Press’ Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. High-Tech Trash analyzes creative strategies in glitch, noise, and error to chart the development of an aesthetic paradigm rooted in failure. Carolyn L. Kane explores how technologically influenced creative practices, primarily from the second half of the twentieth and first quarter of the twenty-first centuries, critically offset a broader culture of pervasive risk and discontent. In so doing, she questions how we continue onward, striving to do better and acquire more, despite inevitable disappointment. High-Tech Trash speaks to a paradox in contemporary society in which failure is disavowed yet necessary for technological innovation. |
| summer of love art of the psychedelic era: Contextual Practice Stephen Fredman, 2010 Fredman makes the original argument that some of the most innovative works of poetry and art in the postwar period (1945–1970) engaged in a contextual practice, a term that refers both to a way of making art characterized by assemblage and to a new relationship between art and life, an erotic poetics. |
| summer of love art of the psychedelic era: From Black to Schwarz Maria I. Diedrich, Jürgen Heinrichs, 2011-06-01 From Black to Schwarz explores the long and varied history of the exchanges between African America and Germany, with a particular focus on cultural interplay. Covering a wide range of media of expression—music, performance, film, scholarship, literature, visual arts, reviews—these essays trace and analyze a cultural interaction, collaboration, and mutual transformation that began in the eighteenth century, boomed during the Harlem Renaissance/Weimar Republic, survived the Third Reich’s “Degenerate Art” campaigns, and (with new media available to further exchanges), is still increasingly empowering and inspiring participants on both sides of the Atlantic. |
| summer of love art of the psychedelic era: I Shot Frank Zappa Robert JH Davidson, John Elliott, 2022-07-08 This is the autobiography of Robert Davidson, who shot to fame with his iconic photograph of Frank Zappa with his trousers around his ankles, on the loo chatting to his wife on the phone. Known as the ‘Zappa Krappa’ these pictures gained cult status, as Zappa said, “I’m probably more famous for sitting on the toilet than for anything else.” On the 16th of August 1967, 25 year old Robert Davidson was at The Royal Garden Hotel with band promoter Tony Secunda as part of a press call for Frank Zappa’s upcoming concert at the Royal Albert Hall, a day that was to change his life forever. It was swelteringly hot. The room was heaving with press. Zappa disappeared to go to the bathroom. Wandering around the penthouse apartment, looking for a photo opportunity, Robert found Zappa, stripped, with his trousers around his ankles, sitting on the loo chatting to his wife Gail on the phone. The open doorway framed the shot perfectly. It was too good to miss. Robert asked permission to take some photos. Zappa saying to his wife. “Some limey wants to take my picture on the John. Sure, whatever turns him on.” This set of images, immediately gained cult status, a sentiment echoed by Zappa himself in 1983, when he stated, “I’m probably more famous for sitting on the toilet than for anything else.” Despite one of the photographs becoming a worldwide bestselling poster, Robert never received any royalties. I Shot Frank Zappa chronicles Robert’s efforts over the years to reclaim copyright and ownership of the negatives, and in the process takes the reader on a journey through the drug fuelled Swinging Sixties of London up to the current day, where characters like the Krays, the models Twiggy and Celia Hammond and later Kate Moss trip lightly over the pages. It is not just a story about stolen copyright. It describes a man’s personal journey and his struggle to balance the demands of family life with failing mental health. I Shot Frank Zappa is a story of serendipity and redemption and the refusal to give up when the world seems against you, all seen through Robert’s eyes, which filter events with warmth and humanity, like the lens of the camera, behind which he prefers to hide. |
| summer of love art of the psychedelic era: Desires for Reality Benjamin Halligan, 2016-02-01 As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era’s cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the “low” cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt—a cinema for the barricades. |
| summer of love art of the psychedelic era: Text and Drugs and Rock 'n' Roll Simon Warner, 2013-03-14 Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years. |
| summer of love art of the psychedelic era: Cannabis Nation James H. Mills, 2013 Based on extensive archival research and interviews with key figures, this text provides a comprehensive history of the consumption and control of cannabis in the UK. |
| summer of love art of the psychedelic era: A Cultural History of the Radical Sixties in the San Francisco Bay Area Anthony Ashbolt, 2015-10-06 The San Francisco Bay Area was a meeting point for radical politics and counterculture in the 1960s. Until now there has been little understanding of what made political culture here unique. This work explores the development of a regional culture of radicalism in the Bay Area, one that underpinned both political protest and the counterculture. |
| summer of love art of the psychedelic era: West Germany and the Global Sixties Timothy Scott Brown, 2013-10-10 The anti-authoritarian revolt of the 1960s and 1970s was a watershed in the history of the Federal Republic of Germany. The rebellion of the so-called '68ers' - against cultural conformity and the ideological imperatives of the Cold War, against the American war in Vietnam, and in favor of a more open accounting for the crimes of the Nazi era - helped to inspire a dialogue on democratization with profound effects on German society. Timothy Scott Brown examines the unique synthesis of globalizing influences on West Germany to reveal how the presence of Third World students, imported pop culture from America and England, and the influence of new political doctrines worldwide all helped to precipitate the revolt. The book explains how the events in West Germany grew out of a new interplay of radical politics and popular culture, even as they drew on principles of direct-democracy, self-organization and self-determination, all still highly relevant in the present day. |
| summer of love art of the psychedelic era: In Concert Philip Auslander, 2021-01-04 The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson. |
| summer of love art of the psychedelic era: San Francisco and the Long 60s Sarah Hill, 2016-01-14 San Francisco and the Long 60s tells the fascinating story of the legacy of popular music in San Francisco between the years 1965-69. It is also a chronicle of the impact this brief cultural flowering has continued to have in the city – and more widely in American culture – right up to the present day. The aim of San Francisco and the Long 60s is to question the standard historical narrative of the time, situating the local popular music of the 1960s in the city's contemporary artistic and literary cultures: at once visionary and hallucinatory, experimental and traditional, singular and universal. These qualities defined the aesthetic experience of the local culture in the 1960s, and continue to inform the cultural and social life of the Bay Area even fifty years later. The brief period 1965-69 marks the emergence of the psychedelic counterculture in the Haight-Ashbury neighbourhood, the development of a local musical 'sound' into a mainstream international 'style', the mythologizing of the Haight-Ashbury as the destination for 'seekers' in the Summer of Love, and the ultimate dispersal of the original hippie community to outlying counties in the greater Bay Area and beyond. San Francisco and the Long 60s charts this period with the references to received historical accounts of the time, the musical, visual and literary communications from the counterculture, and retrospective glances from members of the 1960s Haight community via extensive first-hand interviews. For more information, read Sarah Hill's blog posts here: http://blogs.cardiff.ac.uk/musicresearch/2014/05/15/san-francisco-and-the-long-60s http://blogs.cardiff.ac.uk/musicresearch/2014/08/22/city-scale/ http://blogs.cardiff.ac.uk/musicresearch/2015/07/21/fare-thee-well/ |
| summer of love art of the psychedelic era: 1967 Harvey Kubernik, 2017 In 1967, tens of thousands of young people streamed into San Francisco, kicking off a social transformation that shook the world. In this book, Harvey Kubernik embarks on an insider's musical exploration of the Summer of Love. The main narrative is multi-voiced, based on a treasure trove of exclusive interviews with 1967's significant scene-makers and musicians by Kubernik - who knows them all. |
| summer of love art of the psychedelic era: My Beautiful Hippie Janet Nichols Lynch, 2013-01-22 It's 1967 and fifteen-year-old Joanne's San Francisco neighborhood of Haight-Ashbury has become inundated with hippies for the Summer of Love, which thrills her but appalls the rest of her family. In the midst of preparations for her sister's wedding, Joanne meets Martin, an enigmatic and irresistible hippie, and begins to see him secretly. Over the course of the next year, Joanne discovers a world of drugs, antiwar demonstrations, and psychedelic dances that both fascinates and frightens her. As this world collides with her family's values, Joanne must decide whether to stay with her middle-class family and pursue her love of classical music or follow free-spirited Martin into a new kind of life. |
| summer of love art of the psychedelic era: It Must Be Art! Michael Fishel, 2018-09-15 Collection of works by artists who published psychedelic posters with Big O Posters Features hundreds of works by 19 artists, including Martin Sharp, Roger Dean, and H.R. Giger Posters and art for glam rock, hippie music, counterculture literature, film, and more |
Summer - Wikipedia
Summer or summertime is the hottest and brightest of the four temperate seasons, occurring after spring and before autumn. At or centred on the summer solstice, daylight hours are the …
Summer | Sunshine, Heatwaves, Vacations | Britannica
6 days ago · summer, warmest season of the year, between spring and autumn. In the Northern Hemisphere, it is usually defined as the period between the summer solstice (year’s longest …
Summer Solstice 2025: When Is The First Day of Summer?
5 days ago · Summer begins with the solstice on Friday, June 20, 2025, marking the astronomical first day of summer in the Northern Hemisphere. What exactly IS the summer solstice? Is it …
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Dec 9, 2023 · Summer, a season synonymous with warmth, vitality, and vibrant colors, holds a special place in many hearts. It’s a time when days stretch longer, the sun shines brighter, and …
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summer starts December 1 and ends February 28 (February 29 in a Leap Year); fall (autumn) starts March 1 and ends May 31; and winter starts June 1 and ends August 31.
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5 days ago · Facts about summer, summer solstice, dates and changes in weather and length of day.
15 Facts About Summer - Have Fun With History
Mar 11, 2023 · Summer is one of the four seasons, and it is distinguished from the other three by the presence of warm weather, longer days, and plenty of sunshine. It is a common time for …
Summer - Simple English Wikipedia, the free encyclopedia
Summer happens to the north and south sides of the Earth at opposite times of the year. In the north part of the world, summer takes place between the months of June and September, and …
Summer: The Warmest Season - Live Science
Mar 11, 2022 · Summer is the warmest season of the year, falling between spring and autumn. Temperatures over the period differ based upon the location on the Earth; regions near the …
Summer - Wikipedia
Summer or summertime is the hottest and brightest of the four temperate seasons, occurring after spring and before autumn. At or centred on the …
Summer | Sunshine, Heatwaves, Vacations | Brita…
6 days ago · summer, warmest season of the year, between spring and autumn. In the Northern Hemisphere, it is usually defined as the period …
Summer Solstice 2025: When Is The First Day of Summer?
5 days ago · Summer begins with the solstice on Friday, June 20, 2025, marking the astronomical first day of summer in the Northern …
26 Fun Facts About Summer | Brighten Your Season
Dec 9, 2023 · Summer, a season synonymous with warmth, vitality, and vibrant colors, holds a special place in many hearts. It’s a time when days …
Seasons of the Year: When Do They Start and End? - timean…
summer starts December 1 and ends February 28 (February 29 in a Leap Year); fall (autumn) starts March 1 and ends May 31; and winter starts June …
