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| take me home saxophone song: Take Me Home Tonight Morgan Matson, 2022-05-31 Stevie and Kat, two high school seniors heavily involved in theater, leave Connecticut for a night of fun in New York City, but soon they find themselves without their phones or each other. |
| take me home saxophone song: Case Study Designs in Music Therapy David Aldridge, 2005 This book shows, for the first time, how research and clinical work can creatively complement one another, proving beneficial to both disciplines. Each chapter is written by a leading researcher and practitioner in the field, and the book covers a wide spectrum of approaches within different settings. |
| take me home saxophone song: All She Wrote: Charmaine’s Version Charmaine Glass Davis, 2022-03-08 All She Wrote: Charmaine's Version instantly takes the reader on an emotive journey through life's countless spirit-lifting triumphs and inevitable trials. These snippets of self-discovery in poetic form reveal a heartfelt narrative that jolts the depth of one's psyche wide awake. Through Charmaine's eloquent use of alliterative lines, striking stanzas, and lulling metaphors, this ultimate awakening of the senses gains momentum page by page. Both insightful and equally as expressive, poetess Charmaine Glass Davis invites you to lose the notion of all things superficial and trivial, so you can discover what really matters in this life: authenticity and true depth at a soul level. By the book's end, you will hold in your hands not a typical collection of poems, but a one-of-a-kind transformational story that you won't soon forget. |
| take me home saxophone song: Catalog of Copyright Entries , 1935 |
| take me home saxophone song: Exquisite Corpse Poppy Z. Brite, 2025-02-18 In this tale of two killers on the loose in the demimonde of New Orleans' French Quarter, daring young writer Poppy Z. Brite recreates the voices and visions of the soul's darkest corners, and draws readers into a labyrinth of forbidden emotions and irresistible passions. |
| take me home saxophone song: Making Waves Frederick Lau, Christine R. Yano, 2018-02-28 Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ever-increasing pace in the twentieth and twenty-first centuries. Whole musical products travel easily, though not necessarily intact, via musicians, CDs (and earlier, cassettes), satellite broadcasting, digital downloads, and streaming. The introductory chapter by the volume editors develops two framing metaphors: “traveling musics” and “making waves.” The wave-making metaphor illuminates the ways that traveling musics traverse flows of globalization and migration, initiating change, and generating energy of their own. Each of the nine contributors further examines music—its songs, makers, instruments, aurality, aesthetics, and images—as it crosses oceans, continents, and islands. In the process of landing in new homes, music interacts with older established cultural environments, sometimes in unexpected ways and with surprising results. They see these traveling musics in Hawai‘i, Asia, and the Pacific as “making waves”—that is, not only riding flows of globalism, but instigating ripples of change. What is the nature of those ripples? What constitutes some of the infrastructure for the wave itself? What are some of the effects of music landing on, transported to, or appropriated from distant shores? How does the Hawai‘i-Asia-Pacific context itself shape and get shaped by these musical waves? The two poetic and evocative metaphors allow the individual contributors great leeway in charting their own course while simultaneously referring back to the influence of their mentor and colleague Ricardo D. Trimillos, whom they identify as “the wave maker.” The volume attempts to position music as at once ritual and entertainment, esoteric and exoteric, tradition and creativity, within the cultural geographies of Hawai‘i, Asia, and the Pacific. In doing so, they situate music at the very core of global human endeavors. |
| take me home saxophone song: Melody , 1929 |
| take me home saxophone song: Billboard Music Week , 1907 |
| take me home saxophone song: Catalog of Copyright Entries, Third Series , 1967 The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.). |
| take me home saxophone song: Bluegrass Unlimited , 1985 |
| take me home saxophone song: The International Who's Who in Popular Music 2002 Andy Gregory, 2002 TheInternational Who's Who in Popular Music 2002offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world and country artists. Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music. |
| take me home saxophone song: 25 Great Sax Solos Eric J. Morones, 2008-04-01 (Sax Instruction). From Chuck Rio and King Curtis to David Sanborn and Kenny G, take an inside look at the genesis of pop saxophone. This book/audio pack provides solo transcriptions in standard notation, lessons on how to play them, bios, equipment, photos, history, and much more. The audio features full-band demos of every sax solo in the book. Songs include: After the Love Has Gone * Deacon Blues * Just the Two of Us * Just the Way You Are * Mercy, Mercy Me * Money * Respect * Spooky * Take Five * Tequila * Yakety Sax * and more. |
| take me home saxophone song: Country Gentleman , 1925 |
| take me home saxophone song: Catalog of Copyright Entries. Fourth Series Library of Congress. Copyright Office, 1926 |
| take me home saxophone song: Catalog of Copyright Entries Library of Congress. Copyright Office, 1971 |
| take me home saxophone song: Catalog of Copyright Entries Library of Congress. Copyright Office, 1977 |
| take me home saxophone song: Catalog of Copyright Entries. Fourth Series Library of Congress. Copyright Office, 1971 |
| take me home saxophone song: Music in Print Master Title Index , 1995 |
| take me home saxophone song: Music Trade Indicator , 1925 |
| take me home saxophone song: International Who's who in Music , 2000 |
| take me home saxophone song: Watching Jazz Björn Heile, Peter Elsdon, Jenny Doctor, 2016-05-31 Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on screen media. Where earlier studies have focused almost entirely on the role and portrayal of jazz in Hollywood film, the present book engages with a plethora of technologies and media from early film and soundies through television to recent developments in digital technologies and online media. Likewise, the authors discuss jazz in the widest sense, ranging from Duke Ellington and Jimmy Dorsey through the likes of Dizzy Gillespie, Art Blakey, Oscar Peterson, Miles Davis, John Coltrane and Charles Mingus to Pat Metheny. Much of this rich and fascinating material has never been studied in depth before, and what emerges most clearly are the manifold connections between the music and the media on which it was and is being recorded. Its long association with film and television has left its trace in jazz, just as online and social media are subtly shaping it now. Vice versa, visual media have always benefited from focusing on music and this significantly affected their development. The book follows these interrelations, showing how jazz was presented and represented on screen and what this tells us about the music, the people who made it and their audiences. The result is a new approach to jazz and the media, which will be required reading for students of both fields. |
| take me home saxophone song: Hearst's , 1920 |
| take me home saxophone song: International Who's Who in Popular Music 2009 Europa, 2009-03 A comprehensive guide to the people and organizations involved in the world of popular music. |
| take me home saxophone song: Curve , 1996 |
| take me home saxophone song: Canadiana , 1990-05 |
| take me home saxophone song: Billboard , 1951-11-24 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| take me home saxophone song: Rockin' the Bronx Larry Kirwan, 2025-03-04 Discover the untold story of 1980s Irish New York, where love, politics, and rock 'n' roll collide in a gritty urban tale that's as passionate as it is poignant. Rockin’ The Bronx vividly transports readers to the vibrant and chaotic world of 1980s Bronx, where Irish immigrants forged a new community amidst the backdrop of political upheaval and cultural transformation. Larry Kirwan, leader of the revolutionary band Black 47, blends drama, passion, and musical evolution into a narrative that captures the essence of an era defined by its challenges and triumphs. Through the eyes of characters like the groundbreaking gay hero, a book-loving, hard-hitting immigrant with IRA roots, and the central couple, Seán and Mary, who navigate this raucous landscape, Kirwan explores the intersecting worlds of personal identity and communal struggle. Set during significant historical moments—the deaths of John Lennon and Bobby Sands, the AIDS crisis, and the birth of new musical movements—this novel not only tells the story of its characters but also of a neighborhood echoing with the rhythms of change. As these Irish immigrants carve out their destinies, they leave behind a legacy of resilience and rebirth, encapsulated in a narrative that moves irrepressibly to the beat of the 1980s. Rockin' The Bronx is more than a novel; it’s a chronicle of a time when being Irish in New York could mean everything from strapping on a Stratocaster to knocking down walls both structural and cultural. data-fwclientid=8689d109-65f9-4971-bf1f-858e6c13ac9c data-preservehtmlbullets=1 data-allowlists=0 data-crlfsubmit=1 autocomplete=off spellcheck=true class=field_input_main field_input_copytext field_input_copytext_body copytextheight-normal field_input_disabled fieldkeycheck-setup copytext-setup contenteditable=false>Discover the untold story of 1980s Irish New York, where love, politics, and rock 'n' roll collide in a gritty urban tale that's as passionate as it is poignant. Rockin’ The Bronx vividly transports readers to the vibrant and chaotic world of 1980s Bronx, where Irish immigrants forged a new community amidst the backdrop of political upheaval and cultural transformation. Larry Kirwan, leader of the revolutionary band Black 47, blends drama, passion, and musical evolution into a narrative that captures the essence of an era defined by its challenges and triumphs. Through the eyes of characters like the groundbreaking gay hero, a book-loving, hard-hitting immigrant with IRA roots, and the central couple, Seán and Mary, who navigate this raucous landscape, Kirwan explores the intersecting worlds of personal identity and communal struggle. Set during significant historical moments—the deaths of John Lennon and Bobby Sands, the AIDS crisis, and the birth of new musical movements—this novel not only tells the story of its characters but also of a neighborhood echoing with the rhythms of change. As these Irish immigrants carve out their destinies, they leave behind a legacy of resilience and rebirth, encapsulated in a narrative that moves irrepressibly to the beat of the 1980s. Rockin' The Bronx is more than a novel; it’s a chronicle of a time when being Irish in New York could mean everything from strapping on a Stratocaster to knocking down walls both structural and cultural. |
| take me home saxophone song: Jacobs' Band Monthly , 1929 |
| take me home saxophone song: The Royal Magazine , 1921 |
| take me home saxophone song: Experiencing Peter Gabriel Durrell Bowman, 2016-09-02 In Experiencing Peter Gabriel, author Durrell Bowman delves into the sounds and stories of the innovative, versatile, English pop icon. As not only a singer-songwriter and musician, but also a music technologist, world-music champion, and humanitarian, Gabriel has consistently maintained an unabashed individualism and dedication to his artistry. From 1969 to 1975, Gabriel served as the lead singer, flute player, occasional percussionist, and frequent songwriter and lyricist of the progressive rock band Genesis. With the band, Gabriel made six studio albums, a live album, and numerous performances and concert tours. The early version of Genesis made some of the most self-consciously complex pop music ever released. However, on the cusp of Genesis becoming a major act internationally, Gabriel did the unthinkable and left the group. Gabriel’s solo career has encompassed nine studio albums, plus five film/media scores, additional songs, videos, major tours, and other projects. As a solo artist and collaborator, he has worked with first-rate musicians and produced unrivaled tracks such as the U.S. No. 1 hit “Sledgehammer.” Gabriel won six Grammy Awards in the 1990s and 2000s, as well as numerous additional awards and honors for his music and his videos, as well as for his humanitarian work. From his early work with Genesis to his substantial contributions as a solo artist, Gabriel’s music ranges from chart-topping pop songs to experimental explorations often filled with disarmingly personal emotions. Experiencing Peter Gabriel investigates the career of this magnetic performer and uncovers how Gabriel developed a sound so full of raw authenticity that it continues to attract new fans from across the world. |
| take me home saxophone song: John Denver's Take Me Home, Country Roads John Denver, 2005-09-01 Take Me Home, Country Roads, a book following the lyrics of John Denver's first hit song, is a great teaching tool for young readers about family and appreciation for the natural world around us. This brilliant picture book adaptation of John Denver's first hit song is all about roots, family, and country. Set in Appalachia, a humorously diverse bunch of relatives and their in-laws go up, down and around the hills of West Virginia to converge by car, pickup, and motorcycle to a family reunion at Grandma and Grandpa's country home. True to Appalachian style, Canyon portrays it all as if on a quilt, complete with little stitches between the fabric. The lyrics demand to be sung! A book for: fans of John Denver wanting to share his music with their kids! anyone who wants to inspire children to appreciate the country! Parents and children looking for feelings of security and comfort! |
| take me home saxophone song: Hobbies Otto C. Lightner, Pearl Ann Reeder, 1953 |
| take me home saxophone song: Webster's New World Dictionary of Music Nicolas Slonimsky, 1998 Highly readable and authoritative, Webster's New World(TM) Dictionary of Music covers the world of music from A to Z, past and present, classical to reggae. This handy desktop reference is packed with over 12,000 entries covering everything you want to know about composers, conductors, theory, terms, instruments, musicians, singers, and more. Expanded entries give you detailed information about the most significant people, concepts and developments in music, such as: acoustics Beethoven Debussy, dodecaphonic music film music Gershwin Gottschalk harmony jazz Karajan leitmotiv Mendelssohn micronality Mozart Rimsky-Korsakov Rolling Stones Sibelius Slonimsky Velvet Underground Wagner whole-tone scale Webster's New World(TM) Dictionary of Music is the most up-to-date and complete music dictionary available in a compact paperback format. It is the perfect music reference for student, professional, casual listener, and aficionado alike. |
| take me home saxophone song: Jacobs' Orchestra Monthly , 1929 |
| take me home saxophone song: Music, Books on Music, and Sound Recordings Library of Congress, 1987 |
| take me home saxophone song: The Year in Music, 1979 Judith Glassman, 1979 |
| take me home saxophone song: Joel Whitburn's Top Pop Singles 1955-2006 Joel Whitburn, 2007 This edition lists every song that made the Billboard Hot 100 and Pop music charts from 1955 through 2006, and includes basic chart facts, plus detailed artist and song title data of more than 26,000 titles and 6,200 artists. New features include lists of artist awards and classic songs that did not chart, but have become fan favorites.-- |
| take me home saxophone song: Vaudeville Humor Paul M Levitt, 2006-09-06 Although occasionally found in bits and pieces in anthologies and in some period dramatic comedies, vaudeville humor has never before been available in one collection--performers rarely if ever kept a record of their jokes and routines. Fortunately, Ed Lowry was an inveterate collector. He kept copious notebooks of jokes and routines that he not only commissioned but also stole from other comics, clipped from newspapers, and copied from now defunct popular magazines of the day. |
| take me home saxophone song: American Song Ken Bloom, 1985 |
| take me home saxophone song: Decca Group Records & Tapes Main Catalogue Decca Record Company, 1978 |
TAKE Definition & Meaning - Merriam-Webster
The meaning of TAKE is to get into one's hands or into one's possession, power, or control. How to use take in a sentence. Synonym Discussion of Take.
TAKE | English meaning - Cambridge Dictionary
TAKE definition: 1. to remove something, especially without permission: 2. to calculate the difference between two…. Learn more.
TAKE - Definition & Translations | Collins English Dictionary
Discover everything about the word "TAKE" in English: meanings, translations, synonyms, pronunciations, examples, and grammar insights - all in one comprehensive guide.
Take Definition & Meaning - YourDictionary
To get by conquering; capture; seize. The act or process of taking. The number of fish, game birds, or other animals killed or captured at one time. Something that has been taken. The …
take verb - Definition, pictures, pronunciation and usage ...
Definition of take verb from the Oxford Advanced Learner's Dictionary. [transitive] to carry or move something from one place to another. take something Remember to take your coat when you …
take | Dictionaries and vocabulary tools for English language ...
to obtain possession of through force, skill, or trick; seize; capture. The king's army easily took the enemy fortress. to carry away; remove. That man took my purse! Don't forget to take your …
TAKE Definition & Meaning | Dictionary.com
to get into one's hold or possession by voluntary action. to take a pen and begin to write. to hold, grasp, or grip. to take a child by the hand. to get into one's hands, possession, control, etc., by …
Take - Definition, Meaning & Synonyms - Vocabulary.com
4 days ago · Take means to gain possession of or lay hold of something. You can take an apple from a bowl or take a child's hand to cross the street. Ways to take include receiving, …
TAKE Synonyms: 549 Similar and Opposite Words | Merriam ...
Some common synonyms of take are clutch, grab, grasp, seize, and snatch. While all these words mean "to get hold of by or as if by catching up with the hand," take is a general term applicable …
Meaning of take – Learner’s Dictionary - Cambridge Dictionary
TAKE definition: 1. to get and carry something with you when you go somewhere: 2. to go somewhere with someone…. Learn more.
TAKE Definition & Meaning - Merriam-Webster
The meaning of TAKE is to get into one's hands or into one's possession, power, or control. How to use take in a sentence. Synonym Discussion of Take.
TAKE | English meaning - Cambridge Dictionary
TAKE definition: 1. to remove something, especially without permission: 2. to calculate the difference between two…. Learn more.
TAKE - Definition & Translations | Collins English Dictionary
Discover everything about the word "TAKE" in English: meanings, translations, synonyms, pronunciations, examples, and grammar insights - all in one comprehensive guide.
Take Definition & Meaning - YourDictionary
To get by conquering; capture; seize. The act or process of taking. The number of fish, game birds, or other animals killed or captured at …
take verb - Definition, pictures, pronunciation and usage ...
Definition of take verb from the Oxford Advanced Learner's Dictionary. [transitive] to carry or move something from one place to another. take something Remember to take your coat when you leave. take something …
