Advertisement
| tascam 22 4 review: Using Your Portable Studio Peter McIan, 1996 Getting professional results out of today's portable studios is an art. In this book, top producer and engineer Peter McIan guides you step by step through the theory and practice of getting the most out of these remarkable machines. As you are introduced to the Why, What, and how of studio recording and production, you will find invaluable 'recipes' designed to show you how to 'push the envelope' of your portable studio's capabilities. |
| tascam 22 4 review: The Equipment Directory of Audio-visual, Computer and Video Products , 1990 |
| tascam 22 4 review: High Fidelity News and Record Review , 2000 |
| tascam 22 4 review: Hi-fi News & Record Review , 2000 |
| tascam 22 4 review: TASCAM Randy Alberts, 2003 (Book). TASCAM: 30 Years of Recording Evolution is an informative, archival book devoted to the company's groundbreaking product line and the people who created it. Recalling the company's perennial leadership role in the music and pro audio industries (firsts include the 1/2-inch 8-track recorder, the Portastudio and the digital DA-88) with a glimpse towards the future, this book warmly portrays key past and present employees by re-visiting the landmark products they've built together since 1974. Quotes from respected musicians and producers who have trusted TASCAM gear for seminal recordings including Bo Diddley, Jim Keltner and Alan Parsons are sprinkled throughout this timeline-based book. Learn how TASCAM products changed the way musicians captured their ideas and empowered a new generation of songwriters and engineers. Wow! The first classic piece of TASCAM gear I had was the first 4-track Portastudio. That thing allowed me to put so many classic P-Funk song ideas down that I can't even count 'em. Bootsy Collins, Bassist/Songwriter |
| tascam 22 4 review: Sound International , 1981 |
| tascam 22 4 review: Access , 1989 |
| tascam 22 4 review: Home & Studio Recording , 1990 |
| tascam 22 4 review: Secrets of Recording Lorne Bregitzer, 2009 Packed with all the studio tips and tricks you'll need it's easier than ever to create pro-quality music at home -- book jacket. |
| tascam 22 4 review: The Audio-visual Equipment Directory , 1983 |
| tascam 22 4 review: Sound Reproduction Floyd E. Toole, 2017-07-28 Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource. |
| tascam 22 4 review: Big Studio Secrets for Home Recording and Production Joe Dochtermann, 2011 The big recording studio is quickly becoming a defunct model. Musicians are working in lofts, living rooms, garages, and on the go everywhere. Big Studio Secrets for Home Studio Recording and Production is a complete guide to the techniques and methods of large studios that can help today's home-studio musician/engineer succeed at home. The reader will learn from classic studio techniques, blending these ideas with digital processing and editing, loops, sound experimentation, production and arranging tips and tricks, and mixing and mastering how-to's for the laptop age. |
| tascam 22 4 review: Stereo Review , 1989-07 |
| tascam 22 4 review: Hi Fi/stereo Review , 1990 |
| tascam 22 4 review: Time And a Word Martin Popoff, 2016-02-01 The Story Of Yes – (Largely) In Their Own Words For his landmark 50th book, top rock writer Martin Popoff abandons his metal musings to celebrate the long and legendary life of Yes, a band he has loved since the 1970s. Using a timeline format, Popoff disentangles the convoluted tale of the band’s hirings and firings, their inspired creations, live triumphs and studio victories (as well as the occasional controversial failure.) With original interviews from Anderson, Bruford, Howe, Wakeman, the late Chris Squire and many others, the tale unfolds via an exhaustive chronology designed to satisfy the most knowledgeable of Yes fans. You just might learn what “Close To The Edge” actually means, or why Alan White and Jon Anderson might be seen prowling the junkyard for car parts! Not content with charting the band’s history, Popoff covers the major projects outside the Yes umbrella, such as Asia, GTR and Rick Wakeman’s extravaganzas, to paint a full picture. If you’ve been moved by classic albums like Fragile, Close To The Edge, Relayer, Going For The One, or more recent offerings like Fly From Here and Heaven And Earth, you’ll love this book, which perfectly captures the spirit of progressive rock’s first, biggest, and best band who have made it their mission to widen our perceptions of what music can be. |
| tascam 22 4 review: Tomorrow on Cassette Benjamin Duester, 2025-05-15 Growing sales numbers for cassette tapes in the Global North since the early 2010s have led mass media outlets to repeatedly proclaim a tape revival. Yet, the grassroots projects of devotees in niche punk, noise and hip-hop DIY music scenes have continuously upheld the unique material benefits of cassettes while wider society considered them a relic of bygone times. Contrasting the popular notion of current cassette use being a mere side effect of the blazing interest in the vinyl record, this book argues that the lasting embrace of tapes is based on complex cultural, economic and material factors that shape cassettes as hybrid artefacts of music in the new media age. Drawing on interviews with 85 experts active in DIY music cultures as independent record shop operators, musicians, event promoters, fans and collectors across Japan, Australia and the United States, Tomorrow on Cassette presents a seminal exploration of how the cassette tape's significance as a tool for material expression, creativity and sociality perseveres in the 21st-century. |
| tascam 22 4 review: Barbed Wire Kisses Zoë Howe, 2015-04-16 Musically, culturally and in terms of sheer attitude, The Jesus and Mary Chain stand alone. Their seminal debut album Psychocandy changed the course of popular music with its iconic blend of psychotic white noise, darkly surreal lyrics and pop sensibility, and the band continue to enchant and confound. This fierce, frank and often funny tale begins in the faceless new town of East Kilbride, near Glasgow, at the dawn of the 1980s with two chronically shy brothers, Jim and William Reid, listening to music in their shared bedroom. What follows charts the formation of The Jesus and Mary Chain, their incendiary live performances, their relationship with Alan McGee's Creation Records and those famous fraternal tensions that prepared McGee for the onslaught of the Gallaghers, with plenty of feedback, fighting and, most importantly, perfectly crafted pop along the way. It is time this vastly influential group and sometime 'public enemy' had their say. |
| tascam 22 4 review: Popular Photography , 1995-04 |
| tascam 22 4 review: Digitizing Your Community's History Alex Hoffman, 2016-05-16 Follow the blueprint in this book to launch a library DIY community history digitization program—one that provides the access and fosters engagement with patrons to sustain the program over time. Internet technologies have enabled anyone to tell their story—and to find out their own unknown story. Libraries are seeing increased interest in community and family history and in genealogy, as well as heightened demand for access to personal and community history materials in digital format. The opportunity exists for libraries to benefit their communities by providing these in-demand, digitized historical materials optimized for researchers at the individual level. Digitizing Your Community's History: The Innovative Librarian's Guide provides you with step-by-step directions for launching a DIY digitization program for personal and community historical materials. It covers the process of setting up a digitization program, training customers to use the equipment, best practices for storing digitized material, and tips for engaging the community in local history, such as ideas for exhibiting materials and programs for genealogy and family history. Just as importantly, the author addresses how to explain the benefits of programs like these to library stakeholders and supplies recommendations on sustaining library community history programs through access and engagement. The book also provides supplemental materials that include templates and programming ideas, lists of recommended software and apps, and recommended specifications for equipment and for file storage. |
| tascam 22 4 review: Getting Started with Audacity 1.3 Bethany Hiitola, 2010 Conversational and practical, this book is full of real life examples of where and how you would use the Audacity software. Not only does it give you task-based step-by-step instructions from installation to advanced audio editing techniques, it caters to the beginner to familiarize them with all the jargon, suggests recording equipment, it walks them through a simple sample project showing off everything Audacity can do. If you are new to audio recording and editing, and particularly using the Audacity software, this book is for you. It explains everything from common audio industry terms and software basics. Technical sound engineering details and jargon are omitted to keep the book friendly and easy to understand. |
| tascam 22 4 review: Nonfiction Sound and Story for Film and Video Amy DeLouise, Cheryl Ottenritter, 2019-09-30 This book guides nonfiction storytellers in the art of creatively and strategically using sound to engage their audience and bring stories to life. Sound is half of film and video storytelling, and yet its importance is often overlooked until a post-production emergency arises. Written by two experienced creators—one a seasoned nonfiction producer/director with a background in music, and one a sound designer who owns a well-regarded mix studio—this book teaches nonfiction producers, filmmakers, and branded content creators how to reimagine their storytelling by improving sound workflow from field to post. In addition to real-world examples from the authors’ own experiences, interviews with and examples from industry professionals across many genres of nonfiction production are included throughout. Written in a conversational style, the book pinpoints practical topics and considerations like 360 video and viewer accessibility. As such, it is a vital point of reference for all nonfiction filmmakers, directors, and producers, or anyone wanting to learn how to improve their storytelling. An accompanying Companion Website offers listening exercises, production sound layout diagrams, templates, and other resources. |
| tascam 22 4 review: Future Music , 2006 |
| tascam 22 4 review: Current List of Medical Literature , 1959 Includes section, Recent book acquisitions (varies: Recent United States publications) formerly published separately by the U.S. Army Medical Library. |
| tascam 22 4 review: Studio Sound and Broadcast Engineering , 1994 |
| tascam 22 4 review: The New York Times Index , 1999 |
| tascam 22 4 review: Studio Sound , 2000 |
| tascam 22 4 review: Billboard , 1974-05-25 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| tascam 22 4 review: Billboard , 1977-02-26 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| tascam 22 4 review: Electronic Musician , 2005 |
| tascam 22 4 review: Tuning, Timbre, Spectrum, Scale William A. Sethares, 2005-01-03 Table2. 2. Each note consists of three partials. If the sequence is played ascending, then the ?rst virtual pitch tends to be perceived, whereas if played descending, the second, lower virtual pitch tends to be heard. Only one virtual pitch is audible at a time. This can be heard in sound examples [S: 6] and [S: 7]. Note First Second Third Virtual Pitch Virtual Pitch partial partial partial ascending descending 1 600 800 1000 200. 0 158. 9 2 620 820 1020 205. 2 163. 0 3 640 840 1040 210. 4 167. 1 4 660 860 1060 215. 6 171. 2 5 680 880 1080 220. 9 175. 3 6 700 900 1100 226. 1 179. 4 7 720 920 1120 231. 3 183. 6 8 740 940 1140 236. 6 187. 7 9 760 960 1160 241. 8 191. 8 10 780 980 1180 247. 0 195. 9 11 800 1000 1200 252. 2 200. 0 Pitch and virtual pitch are properties of a single sound. For instance, a chord played by the violin, viola, and cello of a string quartet is not usually thoughtofashavingapitch;rather,pitchisassociatedwitheachinstrumental tone separately. Thus, determining the pitch or pitches of a complex sound source requires that it ?rst be partitioned into separate perceptual entities. Only when a cluster of partials fuse into a single sound can it be assigned a pitch. When listening analytically, for instance, there may be more “notes” presentthaninthesamesoundwhenlisteningholistically. |
| tascam 22 4 review: Arts & Humanities Citation Index , 2002 |
| tascam 22 4 review: Canadian Periodical Index , 1997 |
| tascam 22 4 review: Audio , 1980 |
| tascam 22 4 review: Billboard , 1974-05-04 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| tascam 22 4 review: The Panhandle-Plains historical review , 1964 |
| tascam 22 4 review: ＡＶレビュー 2015年7月号 音元出版, 2015-06-17 【総力特集】評論家と販売店が選ぶビジュアルグランプリナンバーワンは？ VGP2015 SUMMER結果発表！ 【第２特集】最新AVアンプ全方位音質テスト 【連続特集】6畳間で１００インチ！ カジュアルシアター入門 【徹底検証】新製品クローズアップレビュー ※データ作成の関係上、紙版の発売日より1週間～10日程遅れる場合がございます※ ※ディスク等の付録は付きません※ |
| tascam 22 4 review: Billboard , 1995-11-11 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| tascam 22 4 review: EQ. , 2001 |
| tascam 22 4 review: Boss Gillian G. Gaar, 2016-07-22 Find out how legendary musician Bruce Springsteen earned his monicker. There's only one Boss; his story is revealed here. Bruce Springsteen is a platinum-shifting, stadium-filling rock star, but he is also more nuanced than that. He is a man of the people, making conventional-and-proud-of-it rock music aimed at the American working class. A supreme songwriter, Springsteen is a rock 'n' roll legend, and this lavishly illustrated book is an examination of his life and music. A comprehensive overview of a fascinating and unique artist, Boss: Bruce Springsteen and the E Street Band - The Illustrated History is a tribute to Springsteen's body of work, from the rock anthem Born to Run to his sepia-toned analysis of working-class misery, The River. There's Springsteen's gnarly, Bonnie and Clyde-style tableaux Atlantic City, as well as his debunking of guys' yearnings for youthful Glory Days. Throughout it all, Springsteen has demonstrated that he knows how to create a classic track. Find out once and for all why his nickname is The Boss. |
| tascam 22 4 review: Update , 1983 |
TASCAM 488 Review / Home Recording dot com
The TASCAM 488 MkII is a tabletop recording studio that makes quite professional-sounding tapes. It's …
Tascam 38 vs. TSR-8... should it be like this?
Jun 22, 2007 · It was a tough decision between the Otari and the TSR-8 though. I like the classic layout of …
Tascam 22-4 vs other Tascam 4Track machines - HomeReco…
Nov 7, 2010 · The 1 mil recommendation from TASCAM is probably designed more so for …
setting up my Tascam 38 8-track reel to reel - HomeReco…
Dec 22, 2010 · Tascam M-30, M-35, M-308 and M-1508 are all great 8 x 4 options for this from the Teac family. …
TASCAM 424 Specifications / HomeRecording.com
The Tascam 424 MKII Portastudio is a 4-track "Multitrack Master" cassette tape recorder and a full-function mixer …
TASCAM 488 Review / Home Recording dot com
The TASCAM 488 MkII is a tabletop recording studio that makes quite professional-sounding tapes. It's well-designed, uses inexpensive media, has the right features, and is easy to use …
Tascam 38 vs. TSR-8... should it be like this?
Jun 22, 2007 · It was a tough decision between the Otari and the TSR-8 though. I like the classic layout of the MX5050 and the 3-head design, but the TSR-8 just had something. Now and then …
Tascam 22-4 vs other Tascam 4Track machines
Nov 7, 2010 · The 1 mil recommendation from TASCAM is probably designed more so for getting longer recording times out of a reel of tape more then a genuine concern over 1.5 mil being …
setting up my Tascam 38 8-track reel to reel - HomeRecording.com
Dec 22, 2010 · Tascam M-30, M-35, M-308 and M-1508 are all great 8 x 4 options for this from the Teac family. Relatively affordable, good sounding and feature-packed as well as not being …
TASCAM 424 Specifications / HomeRecording.com
The Tascam 424 MKII Portastudio is a 4-track "Multitrack Master" cassette tape recorder and a full-function mixer with 8 inputs/stereo outputs combined into a single workstation. The 424 …
TASCAM 424 Review / Home Recording dot com
But the TASCAM 424 was the leader in low-priced, high-quality 4-track recorders, and I'm sure they want to stay in the lead. So it seems that they took the more modern look of the Fostex …
Help With Reel to Reel Setup | HomeRecording.com
Dec 8, 2020 · I have an m1508 i use with a tascam 238 and I really enjoy working with the mixer, it's a beaut So the hardware setup would be as such: The M1508 is a 4 bus mixer. So hook …
2488 File transfer via USB - HomeRecording.com
Sep 19, 2017 · The hard drive in the Tascam is simply an external drive where you can access the folders you've put the wav files into. Much quicker than burning a CD. The DP24SD is going to …
Tascam 424 MKIII Opinions - HomeRecording.com
Feb 13, 2000 · I do all my homerecording on my 424 mkIII and 464 TASCAM 4 trackers, and enjoy the results, and you will too! (cue the music) A long-standing favorite of the home …
Tascam Cassette 4-track Appreciation Thread...Vote For Your …
Apr 13, 2010 · I'm limited to 12 poll options. All in all I've found 21 Teac/Tascam cassette 4-track units! So I've had to do some omitting and grouping of models which I wish I didn't have to do, …
