The Baburnama

  the baburnama: The Bābur-nāma in English Babur (Emperor of Hindustan), 1921
  the baburnama: The Baburnama W.M. Thackston, Jr., 2007-12-18 Both an official chronicle and the highly personal memoir of the emperor Babur (1483–1530), The Baburnama presents a vivid and extraordinarily detailed picture of life in Afghanistan, Pakistan, and India during the late-fifteenth and early-sixteenth centuries. Babur’s honest and intimate chronicle is the first autobiography in Islamic literature, written at a time when there was no historical precedent for a personal narrative—now in a sparkling new translation by Islamic scholar Wheeler Thackston. This Modern Library Paperback Classics edition includes notes, indices, maps, and illustrations. From the Trade Paperback edition.
  the baburnama: The Baburnama Babur (Emperor of Hindustan), 2013
  the baburnama: The Illustrated Baburnama Som Prakash Verma, 2016-02-12 This book presents the Persian Baburnama, a key primary source and the earliest record of Babur’s memoirs. The authoritative translation uses paintings from the original work and draws on contemporary texts of the period to delve into the history of the legendary Mughal ruler. It provides a fresh treatment to the source material and highlights vivid accounts of the historical events of the time. The paintings are divided thematically, offering a unique and rare perspective into the Mughal world. Accompanied by a detailed Introduction, the volume also touches upon narrative art and analyses the influence of European Renaissance art on Mughal painting. With over 150 Mughal paintings and illustrations in colour, this volume will be an important sourcebook for scholars and researchers of Medieval Indian, especially Mughal, history, and art historians, as well as connoisseurs of art and the general reader.
  the baburnama: The Babur Nama Babur, 2020 A hardcover edition of the colorful memoirs of Babur (1483-1530), founder and first emperor of the Mughal dynasty in Central Asia and India. With a chronology, bibliography, and introduction by William Dalrymple--
  the baburnama: Bāburnāma Annette Susannah Beveridge, 2017-01-24 A translation of Babur' s personal memoir written in Turki Baburnama remains true to the original portraying the extraordinary life of the founder of the Mughal Empire in India. Often quoted by historians and academicians alike this book possesses the rare distinction of being relevant across centuries. Baburnama is the complete record of Babur' s life from the time he ascended the throne at the young age of eleven to when he finally established himself as a monarch (1493 to 1529).What fascinates readers even today is Babur' s intimate and detailed account of the world around him and what is truly astonishing is that there is no historical precedent for his narrative making it the first real autobiography in Islamic literature. Annette Susannah Beveridge' s nuanced translation offers us a unique insight into this remarkable period in history.
  the baburnama: The Story of Babur Parvati Sharma, 2015-11-06 At twelve, he was King of Fergana. At fifteen, he was King of Samarkand. And at nineteen, he was King of Exactly Nowhere. This is the story of Babur, the first Mughal emperor of Hindustan. It is based on the Babur Nama, in which Babur writes about the events in his life, and of the people and things he loved or hated. Descended from two legendary conquerors, Chenghis Khan and Amir Temur, Babur spent much of early life losing kingdoms, wandering through the Uzbek mountains and almost living the life of a vagabond. This is the story of the strange and wonderful things the future brought to him. Lavishly illustrated in Mughal miniature style paintings, this action-packed tale of this legend, king and adventurer will fascinate children and their parents alike.
  the baburnama: The Babur-Nama in English (Memoirs of Babur); Volume 2 Emperor of Hindustan 1483-1530 Babur, 2018-11-08 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  the baburnama: Babur Nama Dilip Hiro, 2006-03 'The facts are as stated here I have set down of good and bad whatever is known.' The Babur Nama, a journal kept by Zahir Uddin Muhammad Babur (1483-1530), the founder of the Mughal Empire, is the earliest example of autobiographical writing in world literature, and one of the finest. Against the turbulent backdrop of medieval history, it paints a precise and vivid picture of life in Central Asia and Afghanistan-where Babur ruled in Samarkand and Kabul-and in the Indian subcontinent, where his dazzling military career culminated in the founding of a dynasty that lasted three centuries. Babur was far more than a skilled, often ruthless, warrior and master strategist. In this abridged and edited version of a 1921 English translation of his memoirs, he also emerges as a sensitive aesthete, naturalist, poet and lover. Writer, journalist and internationally acclaimed Middle eastern and Central asian expert, Dilip Hiro breathes new life into a unique historical document that is at once objective and intensely personal-for, in Babur's words, 'the truth should be reached in every matter'.
  the baburnama: Babur Nama: Memories of Babur: V. 1&2 Muhammed Baur Ghazi, 1998-08-01
  the baburnama: The Garden of the Eight Paradises Stephen Dale, 2004-03-01 This the first critical biography of Zahīr al-Dīn Muhammad Bābur, the founder of one of the great premodern Islamic empires, the Timurid-Mughul empire of India. It contains an original evaluation of his life and writings as well as fresh insights into both the nature of empire building and the character of the Timurid-Mughul state. Based upon recently published critical editions of Bābur's autobiography and poetry, the book examines Bābur's life from the time he inherited his father's authority in the Ferghanah valley, east of Samarqand, in 1494, until his death in Agra, India in 1530. The book is written in an alternating series of thematic and narrative chapters. The thematic or analytical chapters examine his major writings, discuss his cultural personality and his reaction to Indian culture, while the narrative chapters relate the story of his life while critically commenting on his autobiographical intent. The book contributes to the history of the Timurid period, the study of early modern Islamic empires and the nature of autobiographical literature in Islamic and Asian societies. It is illustrated with fifteen colour plates and four maps.
  the baburnama: The Babur Nama Babur, 2020-11-03 “If you only read one autobiography from a sensitive 16th-century warlord this year, make it this one.” —The New York Times A hardcover edition of the colorful memoirs of Babur—founder and first emperor of the Mughal dynasty—that is justly considered a masterpiece (The Wall Street Journal). Zahiru’d-din Muhamad Babur (1483–1530), a poet-prince from Central Asia, was the author of one of the most remarkable autobiographies in world literature. The Babur Nama reveals him as not only a military genius but also a ruler unusually magnanimous for his time, cultured, witty, and possessing a talent for poetry, an adventurous spirit, and an acute eye for natural beauty. Babur ascended the throne of Fergana, in what is now Uzbekistan, when he was twelve years old. He eventually invaded India and founded the Mughal dynasty, which would dazzle the world for three centuries. Babur left behind a detailed and colorful record of his life, written in simple and unpretentious prose, that has fascinated readers for hundreds of years. But his self-portrait goes beyond the events of a dramatic life; on the page, his restless energy and ambition are balanced by modesty, regret for his failures, and frankness about his experiences with depression and grief in response to tragedy. The Babur Nama is both a lively chronicle of extraordinary historical events and a deeply personal memoir whose unusual honesty and sensitivity has given it enduring appeal.
  the baburnama: Alberuni's India Muḥammad ibn Aḥmad Bīrūnī, 1914
  the baburnama: A Short History of the Mughal Empire Michael Fisher, 2015-10-01 The Mughal Empire dominated India politically, culturally, socially, economically and environmentally, from its foundation by Babur, a Central Asian adventurer, in 1526 to the final trial and exile of the last emperor Bahadur Shah Zafar at the hands of the British in 1858. Throughout the empire's three centuries of rise, preeminence and decline, it remained a dynamic and complex entity within and against which diverse peoples and interests conflicted. The empire's significance continues to be controversial among scholars and politicians with fresh and exciting new insights, theories and interpretations being put forward in recent years. This book engages students and general readers with a clear, lively and informed narrative of the core political events, the struggles and interactions of key individuals, groups and cultures, and of the contending historiographical arguments surrounding the Mughal Empire.
  the baburnama: History's People Margaret MacMillan, 2015-09-08 Part of the CBC Massey Lectures Series In History’s People internationally acclaimed historian Margaret MacMillan gives her own personal selection of figures of the past, women and men, some famous and some little-known, who stand out for her. Some have changed the course of history and even directed the currents of their times. Others are memorable for being risk-takers, adventurers, or observers. She looks at the concept of leadership through Bismarck and the unification of Germany; William Lyon MacKenzie King and the preservation of the Canadian Federation; Franklin Delano Roosevelt and the bringing of a unified United States into the Second World War. She also notes how leaders can make huge and often destructive mistakes, as in the cases of Hitler, Stalin, and Thatcher. Richard Nixon and Samuel de Champlain are examples of daring risk-takers who stubbornly went their own ways, often in defiance of their own societies. Then there are the dreamers, explorers, and adventurers, individuals like Fanny Parkes and Elizabeth Simcoe who manage to defy or ignore the constraints of their own societies. Finally, there are the observers, such as Babur, the first Mughal emperor of India, and Victor Klemperer, a Holocaust survivor, who kept the notes and diaries that bring the past to life. History’s People is about the important and complex relationship between biography and history, individuals and their times.
  the baburnama: Joseph Anton Salman Rushdie, 2012-09-18 On February 14, 1986, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini, a voice reaching across the world from Iran to kill him in his own country. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet, and the Quran.” So begins the extraordinary, often harrowing story—filled too with surreal and funny moments—of how a writer was forced underground, moved from house to house, an armed police protection team living with him at all times for more than nine years. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. He became “Joe.” How do a writer and his young family live day by day with the threat of murder for so long? How do you go on working? How do you keep love and joy alive? How does despair shape your thoughts and actions, how and why do you stumble, how do you learn to fight for survival? In this remarkable memoir, Rushdie tells that story for the first time. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; of friendships (literary and otherwise) and love; and of how he regained his freedom. This is a book of exceptional frankness and honesty, compelling, moving, provocative, not only captivating as a revelatory memoir but of vital importance in its political insight and wisdom. Because it is also a story of today’s battle for intellectual liberty; of why literature matters; and of a man’s refusal to be silenced in the face of state-sponsored terrorism. And because we now know that what happened to Salman Rushdie was the first act of a drama that would rock the whole world on September 11th and is still unfolding somewhere every day.
  the baburnama: The Princes of the Mughal Empire, 1504–1719 Munis D. Faruqui, 2012-08-27 For more than 200 years, the Mughal emperors ruled supreme in northern India. How was it possible that a Muslim, ethnically Turkish, Persian-speaking dynasty established itself in the Indian subcontinent to become one of the largest and most dynamic empires on earth? In this rigorous new interpretation of the period, Munis D. Faruqui explores Mughal state formation through the pivotal role of the Mughal princes. In a challenge to previous scholarship, the book suggests that far from undermining the foundations of empire, the court intrigues and political backbiting that were features of Mughal political life - and that frequently resulted in rebellions and wars of succession - actually helped spread, deepen and mobilise Mughal power through an empire-wide network of friends and allies. This engaging book, which uses a vast archive of European and Persian sources, takes the reader from the founding of the empire under Babur to its decline in the 1700s.
  the baburnama: Genghis Khan and the Quest for God Jack Weatherford, 2016 Reveals how Genghis Khan harnessed the power of religion to rule the largest empire the world has ever known. By the New York Times best-selling author of Genghis Khan and the Making of the Modern World, --NoveList.
  the baburnama: The Emperor Who Never Was Supriya Gandhi, 2020-01-07 Dara Shukoh was the heir-apparent to the Mughal throne in 1659, when he was executed by his brother Aurangzeb. Today Dara is lionized in South Asia, while Aurangzeb, who presided over the beginnings of imperial disintegration, is scorned. Supriya Gandhi’s nuanced biography asks whether the story really would have been different with Dara in power.
  the baburnama: The Empire of the Great Mughals Annemarie Schimmel, 2004 Annemarie Schimmel has written extensively on India, Islam and poetry. In this comprehensive study she presents an overview of the cultural, economic, militaristic and artistic attributes of the great Mughal Empire from 1526 to 1857.
  the baburnama: The Baburnama W.M. Thackston, Jr., 2002-09-10 Both an official chronicle and the highly personal memoir of the emperor Babur (1483–1530), The Baburnama presents a vivid and extraordinarily detailed picture of life in Afghanistan, Pakistan, and India during the late-fifteenth and early-sixteenth centuries. Babur’s honest and intimate chronicle is the first autobiography in Islamic literature, written at a time when there was no historical precedent for a personal narrative—now in a sparkling new translation by Islamic scholar Wheeler Thackston. This Modern Library Paperback Classics edition includes notes, indices, maps, and illustrations.
  the baburnama: Raiders from the North Alex Rutherford, 2010-05-06 A boy emperor comes of age amid bloody conflict in this epic medieval series chronicling the rise and fall of Central Asia’s powerful Mogul dynasties. It is 1494 when the ruler of Ferghana dies in an extraordinary accident. His only son, Babur, faces a seemingly impossible challenge. Babur is determined to live up to the example of his legendary ancestor, Tamburlaine, whose conquests transformed civilization from Delhi to the Mediterranean. But Babur is dangerously young to inherit a kingdom. Before Babur can summon enough warlords to declare him the rightful king, plots against his crown, even his life, are hatching. And soon, he will discover that even the bravest leader can be betrayed. With wise advisers and courageous warriors by his side, Babur sets out to establish an empire in India, but every step of his journey is fraught with danger.
  the baburnama: Last Mughal (P/B) William Dalrynple, 2007 Winner Of The Duff Cooper Prize For History 2007 Bahadur Shah Zafar Ii, The Last Mughal Emperor, Was A Mystic, A Talented Poet, And A Skilled Calligrapher, Who, Though Deprived Of Real Political Power By The East India Company, Succeeded In Creating A Court Of Great Brilliance, And Presided Over One Of The Great Cultural Renaissances Of Indian History. In 1857 It Was Zafar S Blessing To A Rebellion Among The Company S Own Indian Troops That Transformed An Army Mutiny Into The Largest Uprising The British Empire Ever Had To Face. The Last Mughal Is A Portrait Of The Dazzling Delhi Zafar Personified, And The Story Of The Last Days Of The Great Mughal Capital And Its Final Destruction In The Catastrophe Of 1857. Shaped From Groundbreaking Material, William Dalrymple S Powerful Retelling Of This Fateful Course Of Events Is An Extraordinary Revisionist Work With Clear Contemporary Echoes. It Is The First Account To Present The Indian Perspective On The Siege, And Has At Its Heart The Stories Of The Forgotten Individuals Tragically Caught Up In One Of The Bloodiest Upheavals In History.
  the baburnama: Three Memoirs of Humayun Wheeler McIntosh Thackston, 2009
  the baburnama: Akbar's India Michael Brand, Glenn D. Lowry, 1985
  the baburnama: The Emperors' Album Stuart Cary Welch, 1987 Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
  the baburnama: Wonders of Nature Aśoka Kumāra Dāśa, 2012 A comprehensive collection of Mughal Natural History drawings, centred on the art of Ustad Mansur with current scientific information. Includes rare Mansur paintings from Russia and Tehran. Imaginary Birds, showcasing the artist's imagination beyond the representation of realism in nature. The Mughals combined their love of nature with their love and patronage of art. By Akbar's reign the master artists of his atelier were producing hundreds of paintings of birds and animals with great accuracy and suavity for manuscripts of animal fables and adventures for the Emperor. Natural history drawing reached its highest point during the reign of Akbar's son Jahangir whose atelier most notably illustrated the Baburnama, Jahangir's great grandfather's treatises celebrated as the first systematic account of Indian flora and fauna. Among the various master artists of Akbar and Jahangir's ateliers, none are more important than Ustad Mansur who painted many images of rare and unusual birds, animals, and flowers for Jahangir. Mughal Natural History Drawings and Ustad Mansur presents these images with their correct scientific identification and other relevant details.
  the baburnama: The Indian Portrait, 1560-1860 Rosemary Crill, Kapil Jariwala, 2010 The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
  the baburnama: The Akbarnāma of Abu-l-Faẓl Abū al-Faz̤l ibn Mubārak, 1899
  the baburnama: Art and Culture Ahsan Jan Qaisar, Som Prakash Verma, 1996 The Present Volume Of The Annual Series Of Art And Culture Carrying The Sub-Title 'Painting And Perspective' Relates To The Following Themes: (A) Cultural Set-Up And Values; (B) Sculpture And Painting And (C) Science And Technology. The Articles Of The Volume Are Not Restricted To Any Particular Period Or Geographical Area. Moreover, The Purpose Is To Encourage Scholars To Think And Write In Terms Of Social Mores And Values As Far As Possible.
  the baburnama: The Great Mughals and their India Dirk Collier, 2016-03-01 A definitive, comprehensive and engrossing chronicle of one of the greatest dynasties of the world – the Mughal – from its founder Babur to Bahadur Shah Zafar, the last of the clan. The magnificent Mughal legacy – the world-famous Taj Mahal being the most prominent among countless other examples – is an inexhaustible source of inspiration to historians, writers, moviemakers, artists and ordinary mortals alike. Mughal history abounds with all the ingredients of classical drama: ambition and frustration, hope and despair, grandeur and decline, love and hate, and loyalty and betrayal. In other words: it is great to read and offers ample food for thought on the human condition. Much more importantly, Mughal history deserves to be widely read and reflected upon, because of its lasting cultural and socio-political relevance to today’s world in general and the Indian subcontinent in particular. The Mughals have left us with a legacy that cannot be erased. With regard to the eventful reigns of Babur, Humayun, Akbar, Jahangir, Shah Jahan, Aurangzeb and their successors, crucial questions arise: Where did they succeed? Where did they fail? And more importantly, what should we learn from their triumphs and failures? The author believes that history books should be accurate, informative and entertaining. In The Great Mughals and Their India, he has kept these objectives in mind in an attempt to narrate Mughal history from their perspective. At the same time, he does not shy away from dealing with controversial issues. Here is a fascinating and riveting saga that brings alive a spectacular bygone era – authentically and convincingly.
  the baburnama: Notable Acquisitions at the Art Institute of Chicago Art Institute of Chicago, James N. Wood, Gale A. Pearson, 2004 The culmination of a two-part project, this volume takes an extended look at recent, important acquisitions by the Art Institute of Chicago's departments of American Arts, Architecture, Asian Art, European Painting, and Prints and Drawings. Bringing the museum's collecting activities into wide public view, it showcases over forty notable works handpicked by Art Institute curators and the museum's director and president, James N. Wood. Together with its companion issue, which was published in Fall 2003, this publication explores art works acquired between 1992 and 2003, years that have brought significant additions to every area of the Art Institute's holdings. This volume surveys an impressive array of objects, including a glittering Empire card table from early nineteenth-century New York; a fragment of Frank Lloyd Wright's Imperial Hotel, Tokyo (1923); and important paintings and works on paper by artists as diverse as Lee Krasner, Edvard Munch, Ni Zan, and Rembrandt van Rijn. Illuminated by striking, full-colour reproductions and a lively, accessible text, this is an indispensable guide to the newest and finest the Art Institute has to offer.
  the baburnama: The Jahangirnama Jahangir (Emperor of Hindustan),
  the baburnama: The Imam and the Indian Amitav Ghosh, 2010 The Imam and the Indian is an extensive compilation of Amitav Ghosh s non-fiction writings. Sporadically published between his novels, in magazines, journals, academic books and periodicals, these essays and articles trace the evolution of the ideas that shape his fiction. He explores the connections between past and present, events and memories, people, cultures and countries that have a shared history. Ghosh combines his historical and anthropological bent of mind with his skills of a novelist, to present a collection like no other.
  the baburnama: Domesticity and Power in the Early Mughal World Ruby Lal, 2005-09-22 This 2005 book looks at domestic life and the place of women in the Mughal court of the sixteenth century.
  the baburnama: The Millennial Sovereign A. Azfar Moin, 2012 This book brings into dialogue two major fields of scholarship that are rarely studied together: sacred kingship and sainthood in Islam. In doing so, it offers an original perspective on both. In historical terms, the foucs here is on the Mughal empire in sixteenth-century India and its antecedents and parallels in Timurid Central Asia and Safavid Iran.--Introduction, p. [1].
  the baburnama: The Memoirs of Babur Shah Naseer Ahmad Habibi, 2013-01-14 Scientific Essay from the year 2012 in the subject History - Asia, grade: A, American University of Central Asia, course: History of Kyrgyzstan, language: English, abstract: The Memoirs of Babur or Baburnama are the work of the great-great-great-grandson of Timur (Tamerlane), Zahiruddin Muhammad Babur (1483-1530). As their most recent translator declares, said to 'rank with the Confessions of St. Augustine and Rousseau, and the memoirs of Gibbon and Newton,' Babur's memoirs are the first--and until relatively recent times, the only--true autobiography in Islamic literature. The Baburnama tells the tale of the prince's struggle first to assert and defend his claim to the throne of Samarkand and the region of the Fergana Valley. After being driven out of Samarkand in 1501 by the Uzbek Shaibanids, he ultimately sought greener pastures, first in Kabul and then in northern India, where his descendants were the Moghul (Mughal) dynasty ruling in Delhi until 1858.
  the baburnama: Handbook of Autobiography / Autofiction Martina Wagner-Egelhaaf, 2019-01-29 Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.
  the baburnama: The Routledge Companion to Decolonizing Art History Tatiana Flores, Florencia San Martín, Charlene Villaseñor Black, 2023-11-27 This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies.
  the baburnama: Yoga Debra Diamond, Molly Emma Aitken, 2013 Published by the Freer Gallery of Art and the Arthur M. Sackler Gallery on the occasion of the exhibition Yoga: The Art of Transformation, October 19, 2013 - January 26, 2014. Organized by the Arthur M. Sackler Gallery, the exhibition travels to the Asian Art Museum of San Francisco, February 22-May 18, 2014, and the Cleveland Museum of Art, June 22-September 7, 2014.
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