Advertisement
| streetcar named desire full movie free: A Streetcar Named Desire , 2024 |
| streetcar named desire full movie free: Alex North's A Streetcar Named Desire Annette Davison, 2009 This film score handbook provides a detailed analysis of Alex North's astounding score for Elia Kazan's 1951 adaptation of A Streetcar Named Desire. Beginning with a review of North's musical training and film scoring techniques, the book then uses approaches from both musicology and film studies to present a comprehensive exploration of the film's (self-)censorship and its impact on North's music, most notably in the film's infamous staircase scene. |
| streetcar named desire full movie free: A Streetcar Named Desire, by Tennessee Williams Brenda Murphy, 2010 Volume of literary criticism concerning Tennessee Williams' novel A streetcar named Desire. |
| streetcar named desire full movie free: The Glass Menagerie Tennessee Willams, The Anglo Egyptian Bookshop مكتبة الأنجلو المصرية, 2009 A strong willed woman attempts to impose her shattered dreams into the life and personality of her shy, reclusive daughter. |
| streetcar named desire full movie free: Elia Kazan Richard Schickel, 2011-08-02 “No mere page-turner, this is a page-devourer, generating the kind of suspense that is usually the province of the playwright or novelist.” —The New York Times Book Review Few figures in film and theater history tower like Elia Kazan. Born in 1909 to Greek parents in Istanbul, Turkey, he arrived in America with incomparable vision and drive, and by the 1950s he was the most important and influential director in the nation, simultaneously dominating both theater and film. His productions of A Streetcar Named Desire and Death of a Salesman reshaped the values of the stage. His films—most notably On the Waterfront—brought a new realism and a new intensity of performance to the movies. Kazan’s career spanned times of enormous change in his adopted country, and his work affiliated him with many of America’s great artistic moments and figures, from New York City’s Group Theatre of the 1930s to the rebellious forefront of 1950s Hollywood; from Katharine Hepburn and Spencer Tracy to Marlon Brando and James Dean. Ebullient and secretive, bold and self-doubting, beloved yet reviled for “naming names” before the House Un-American Activities Committee, Kazan was an individual as complex and fascinating as any he directed. Noted film historian and critic Richard Schickel illuminates much more than a single astonishing life and life’s work: He pays discerning tribute to the power of theater and film, and casts a new light on six crucial decades of American history. Includes photographs A New York Times Notable Book “Magnificent.” —The Washington Post “Unsparingly thorough.” —Publishers Weekly “Remarkably insightful.” —Martin Scorsese “Vividly conveys the director’s potent personality: his exuberance, relentless work ethic, and frank assessments of the fleeting nature of fame.” —Booklist (starred review) |
| streetcar named desire full movie free: Kazan on Directing Elia Kazan, 2009-04-21 Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes—A Streetcar Named Desire, Death of a Salesman, On the Waterfront, to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered the “spine,” or core, of each script; how he analyzed each piece in terms of his own experience; and how he determined the specifics of his production. And in the final section, “The Pleasures of Directing”—written during Kazan’s final years—he becomes a wise old pro offering advice and insight for budding artists, writers, actors, and directors. |
| streetcar named desire full movie free: Poker & Pop Culture Martin Harris, 2019-06-23 Introduced shortly after the United States declared its independence, poker’s growth and development has paralleled that of America itself. As a gambling game with mass appeal, poker has been played by presidents and peasants, at kitchen tables and final tables, for matchsticks and millions. First came the hands, then came the stories – some true, some pure bluffs, and many in between. In Poker & Pop Culture: Telling the Story of America’s Favorite Card Game, Martin Harris shares these stories while chronicling poker’s progress from 19th-century steamboats and saloons to 21st-century virtual tables online, including: Poker on the Mississippi Poker in the Movies Poker in the Old West Poker on the Newsstand Poker in the Civil War Poker in Literature Poker on the Bookshelf Poker in Music Poker in the White House Poker on Television Poker During Wartime Poker on the Computer From Mark Twain to “Dogs Playing Poker” to W.C. Fields to John Wayne to A Streetcar Named Desire to the Cold War to Kenny Rogers to ESPN to Star Trek: The Next Generation and beyond, Poker & Pop Culture provides a comprehensive survey of cultural productions in which poker is of thematic importance, showing how the game’s portrayal in the mainstream has increased poker’s relevance to American history and shaped the way we think about the game and its significance. |
| streetcar named desire full movie free: Williams: A Streetcar Named Desire Philip C. Kolin, 2000-04-27 One of the most important plays of the twentieth century, A Streetcar Named Desire revolutionised the modern stage. This book offers the first continuous history of the play in production from 1947 to 1998 with an emphasis on the collaborative achievement of Tennessee Williams, Elia Kazan, and Jo Mielziner in the Broadway premiere. From there chapters survey major national premieres by the world's leading directors including those by Seki Sano (Mexico), Luchino Visconti (Italy), Ingmar Bergman (Sweden), Jean Cocteau (France ) and Laurence Olivier (England). Philip Kolin also evaluates key English-language revivals and assesses how the script evolved and adapted to cultural changes. Interpretations by Black and gay theatre companies also receive analyses and transformations into other media, such as ballet, film, television, and opera (premiered in 1998) form an important part of the overall study. |
| streetcar named desire full movie free: Tennessee Williams: Mad Pilgrimage of the Flesh John Lahr, 2014-09-22 National Book Critics Circle Award Winner: Biography Category National Book Award Finalist 2015 Winner of the Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters’ Harold D. Vursell Memorial Award A Chicago Tribune 'Best Books of 2014' USA Today: 10 Books We Loved Reading Washington Post, 10 Best Books of 2014 The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams’s tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time. |
| streetcar named desire full movie free: Hollywood's Tennessee R. Barton Palmer, William Robert Bray, 2009-04-01 No American dramatist has had more plays adapted than Tennessee Williams, and few modern dramatists have witnessed as much controversy during the adaptation process. His Hollywood legacy, captured in such screen adaptations as A Streetcar Named Desire, Cat on a Hot Tin Roof, and Suddenly, Last Summer, reflects the sea change in American culture in the mid-twentieth century. Placing this body of work within relevant contexts ranging from gender and sexuality to censorship, modernism, art cinema, and the Southern Renaissance, Hollywood's Tennessee draws on rarely examined archival research to recast Williams's significance. Providing not only cultural context, the authors also bring to light the details of the arduous screenwriting process Williams experienced, with special emphasis on the Production Code Administration--the powerful censorship office that drew high-profile criticism during the 1950s--and Williams's innovative efforts to bend the code. Going well beyond the scripts themselves, Hollywood's Tennessee showcases findings culled from poster and billboard art, pressbooks, and other production and advertising material. The result is a sweeping account of how Williams's adapted plays were crafted, marketed, and received, as well as the lasting implications of this history for commercial filmmakers and their audiences. |
| streetcar named desire full movie free: All that Hollywood Allows Jackie Byars, 2003-09-02 All that Hollywood Allows explores the representation of gender in popular Hollywood melodramas of the 1950s. Both a work of feminist film criticism and theory and an analysis of popular culture, this provocative book examines from a cultural studies perspective top-grossing film melodramas, such as A Streetcar Named Desire, From Here to Eternity, East of Eden, Imitation of Life and Picnic. Stereotypically viewed as a complacent and idyllic time, the 1950s were actually a time of dislocation and great social change. Jackie Byars argues that mass media texts of the period, especially films, provide evidence of society's consuming preoccupation with the domestic sphere - the nuclear family and its values - and she shows how Hollywood melodramas interpreted and extended societal debates concerning family structure, sexual divisions of labour, and gender roles. Her readings of these films assess a variety of critical methodologies and approaches to textual analysis, some central to feminist film studies and some previously bypassed by scholars in the field. |
| streetcar named desire full movie free: Reforming Hollywood William D. Romanowski, 2012-06-14 Religious Communication Association's Book of the Year Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious damn, to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. It is this human choice, noted one Protestant leader, that is the basis of our religion. Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced Hollywood elites, major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the Passion dollar, and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen. William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society. |
| streetcar named desire full movie free: Tennessee Williams's A Streetcar Named Desire Harold Bloom, Sterling Professor of Humanities Harold Bloom, 2014-05-14 Presents a collection of ten critical essays on Williams's play A Streetcar Named Desire arranged in chronological order of publication. |
| streetcar named desire full movie free: Brando's Smile: His Life, Thought, and Work Susan L. Mizruchi, 2014-06-23 A Financial Times Best Book of the Year Brando’s Smile returns us to the power of his greatest performances. —Dan Chiasson, New York Review of Books When people think about Marlon Brando they think of the movie star, the hunk, the scandals. Here, Susan L. Mizruchi—who gained unprecedented access to Brando’s letters, audiotapes, revised screenplays, and books—reveals the complex man whose intelligence belies the high-school dropout. She shows how Brando’s embrace of foreign cultures and social outsiders led to his brilliant performances in unusual roles to test himself and to foster empathy in his audience. |
| streetcar named desire full movie free: Cat on a Hot Tin Roof Tennessee Williams, 1986 Presents the script of the Pulitzer Prize-winning play about a wealthy Southern family and the terrible secrets that are revealed when they all gather to celebrate Big Daddy's birthday. |
| streetcar named desire full movie free: Alex North's A Streetcar Named Desire Annette Davison, 2009-02-17 This film score handbook provides a detailed analysis of Alex North's astounding score for Elia Kazan's 1951 adaptation of A Streetcar Named Desire. Beginning with a review of North's musical training and film scoring techniques, the book then uses approaches from both musicology and film studies to present a comprehensive exploration of the film's (self-)censorship and its impact on North's music, most notably in the film's infamous staircase scene. |
| streetcar named desire full movie free: The Sixties Paul Monaco, 2003-06 This book covers the 1960's as part of the definitive history of American cinema from its emergence in the 1800s to the present day. |
| streetcar named desire full movie free: Treason Ann Coulter, 2004-10-05 “Liberals’ loyalty to the United States is off-limits as a subject of political debate. Why is the relative patriotism of the two parties the only issue that is out of bounds for rational discussion?” In a stunning follow-up to her number one bestseller Slander, leading conservative pundit Ann Coulter contends that liberals have been wrong on every foreign policy issue, from the fight against Communism at home and abroad, the Nixon and the Clinton presidencies, and the struggle with the Soviet empire right up to today’s war on terrorism. “Liberals have a preternatural gift for always striking a position on the side of treason,” says Coulter. “Everyone says liberals love America, too. No, they don’t.” From Truman to Kennedy to Carter to Clinton, America has contained, appeased, and retreated, often sacrificing America’s best interests and security. With the fate of the world in the balance, liberals should leave the defense of the nation to conservatives. Reexamining the sixty-year history of the Cold War and beyond—including the career of Senator Joseph McCarthy, the Whittaker Chambers–Alger Hiss affair, Ronald Reagan’s challenge to Mikhail Gorbachev to “tear down this wall,” the Gulf War, and our present war on terrorism—Coulter reveals how liberals have been horribly wrong in all their political analyses and policy prescriptions. McCarthy, exonerated by the Venona Papers if not before, was basically right about Soviet agents working for the U.S. government. Hiss turned out to be a high-ranking Soviet spy (who consulted Roosevelt at Yalta). Reagan, ridiculed throughout his presidency, ended up winning the Cold War. And George W. Bush, also an object of ridicule, has performed exceptionally in responding to America’s newest threats at home and abroad. Coulter, who in Slander exposed a liberal bias in today’s media, also examines how history, especially in the latter half of the twentieth century, has been written by liberals and, therefore, distorted by their perspective. Far from being irrelevant today, her clearheaded and piercing view of what we’ve been through informs us perfectly for challenges today and in the future. With Slander, Ann Coulter became the most recognized and talked-about conservative intellectual of the year. Treason, in many ways an even more controversial and prescient book, will ignite impassioned political debate at one of the most crucial moments in our history. |
| streetcar named desire full movie free: Four Plays Tennessee Williams, 1976-07-30 |
| streetcar named desire full movie free: Blue-Collar Hollywood John Bodnar, John E. Bodnar, 2006-09-26 Selected by Choice Magazine as an Outstanding Academic Title for 2003 From Tom Joad to Norma Rae to Spike Lee's Mookie in Do the Right Thing, Hollywood has regularly dramatized the lives and struggles of working people in America. Ranging from idealistic to hopeless, from sympathetic to condescending, these portrayals confronted audiences with the vital economic, social, and political issues of their times while providing a diversion—sometimes entertaining, sometimes provocative—from the realities of their own lives. In Blue-Collar Hollywood, John Bodnar examines the ways in which popular American films made between the 1930s and the 1980s depicted working-class characters, comparing these cinematic representations with the aspirations of ordinary Americans and the promises made to them by the country's political elites. Based on close and imaginative viewings of dozens of films from every genre—among them Public Enemy, Black Fury, Baby Face, The Grapes of Wrath, It's a Wonderful Life, I Married a Communist, A Streetcar Named Desire, Peyton Place, Taxi Driver, Raging Bull, Coal Miner's Daughter, and Boyz N the Hood—this book explores such topics as the role of censorship, attitudes toward labor unions and worker militancy, racism, the place of women in the workforce and society, communism and the Hollywood blacklist, and faith in liberal democracy. Whether made during the Great Depression, World War II, the Cold War, or the Vietnam era, the majority of films about ordinary working Americans, Bodnar finds, avoided endorsing specific political programs, radical economic reform, or overtly reactionary positions. Instead, these movies were infused with the same current of liberalism and popular notion of democracy that flow through the American imagination. |
| streetcar named desire full movie free: Wounded Warriors Mike Sager, 2008-10-20 Lt. Col. Tim Maxwell prided himself on being a hard-core Marine—a patriotic Devil Dog on his third tour of Iraq. Then his brain was shredded with mortar shrapnel. Today, Maxwell has a large angry scar on the left side of his head. He forgets words, his wife has to read to him, and he drags one foot when he walks. Yet he works twelve-hour days as commander of the Wounded Warrior Barracks at Camp Lejeune, North Carolina. For these warriors, Iraq and Afghanistan will never quite be in the past. And the struggle never ends. Other stories in Wounded Warriors depict life inside an L.A. crack gang, ex-pat Vietnam War veterans in Thailand, and five days in Las Vegas with basketball anti-hero Kobe Bryant—all of it captured stylishly by the writer who has been called “the beat poet of American journalism.” |
| streetcar named desire full movie free: Pop Culture Wars William D. Romanowski, 2006-02-15 Entertainment has long been a source of controversy in American life. On the one hand, American popular culture is enormously desired, captivating audiences around the world. On the other hand, more and more critics blame it for the breakdown of morals and even civilizations itself. Surely Christians and other religious citizens have something to contribute to what is, after all, a discussion of morality. But too often their contributions have been ill-informed, unreflective and reactionary. In this groudbreaking book, William Romanowski brings something desperately needed to the discussion: an informed, systematic and challenging Christian perspective. Comprehensive and historically revealing, Pop Culture Wars bids to accomplish nothing less than to reframe and render more constructive a crucial but angry cultural debate. |
| streetcar named desire full movie free: Censoring Sex John E. Semonche, 2007-07-20 In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up to the present. He covers the various forms of American media—books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. The tale is varied and interesting, replete with a stock of colorful characters such as Anthony Comstock, Mae West, Theodore Dreiser, Marcel Duchamp, Opie and Anthony, Judy Blume, Jerry Falwell, Alfred Kinsey, Hugh Hefner, and the Guerilla Girls. Covering the history of censorship of sexual ideas and images is one way of telling the story of modern America, and Semonche tells that tale with insight and flair. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. Censorship, whether undertaken to ward off government regulation, to help preserve the social order, or to protect the weak and vulnerable, proceeds on the assumption that the censor knows best and that limiting the choices of media consumers is justified. At various times all of the following groups were perceived as needing protection from sexually explicit materials: children, women, the lower classes, and foreigners. As social and political conditions changed, however, the simple fact that someone was a woman or a day laborer did not support stereotyping that person as weak or impressionable. What would remain as the only acceptable rationale for censorship of sexual materials was the protection of children and unconsenting adults. For each mode of media, Semonche explains via abundant examples how and why censorship took place in America. Censoring Sex also traces the story of how the cultural territory contested by those advocating and opposing censorship has diminished over the course of the last two centuries. Yet, Semonche argues, the censorship of sexual materials that continues in the United States poses a challenge to the free speech that is part of the foundation upon which the nation is built. Indeed, in an era in which sexual images are pervasive and the need for reliable information about sex and sexuality is growing, he questions the remaining rationales for censorship and the justification for placing obscenity outside the protection of the U. S. Constitution. |
| streetcar named desire full movie free: The Sound of Cinema Sean Wilson, 2022-04-18 While some film scores crash through theater speakers to claim their place in memory, others are more unassuming. Either way, a film's score is integral to successful world building. This book lifts the curtain on the elusive yet thrilling art form, examining the birth of the Hollywood film score, its turbulent evolution throughout the decades and the multidimensional challenges to musicians that lie ahead. The history of the film score is illuminated by extraordinary talents (like John Williams, Hans Zimmer and countless others). Beginning with vaudeville and silent cinema, chapters explore the wonders of early pioneers like Max Steiner and Bernard Herrmann, and continue through the careers of other soundtrack titans. Leading Hollywood film composers offer in this book fascinating perspectives on the art of film music composition, its ongoing relevance and its astonishing ability to enhance a filmmaker's vision. |
| streetcar named desire full movie free: Grateful American Gary Sinise, 2019-02-12 Discover the moving, entertaining, never-before-told story of how one man found his calling: to see that those who defend this country and its freedoms are never forgotten. As a kid in suburban Chicago, Gary Sinise was more interested in sports and rock 'n' roll than reading or schoolwork. But when he impulsively auditioned for a school production of West Side Story, he found his true purpose--or so it seemed. Within a few years, Gary and a handful of friends created what became one of the most exciting and important new theater companies in America. From its humble beginnings in a suburban Chicago church basement and eventual move into the city, the Steppenwolf Theatre Company launched a series of groundbreaking productions, igniting Gary's career along with those of John Malkovich, Joan Allen, Gary Cole, Laurie Metcalf, Jeff Perry, John Mahoney, and countless others. Television and film came calling soon after, and Gary starred in Of Mice and Men (which he also directed) and The Stand before taking the role that would change his life in unforeseeable ways: Lieutenant Dan in the Academy Award-winning Forrest Gump. The military community's embrace of the character of the disabled veteran was matched only by the depth of Gary's realization that America's defenders had not received all the honor, respect, and gratitude their sacrifices deserve. In the aftermath of the September 11 attacks, this became Gary's new calling. Grateful American, now a New York Times bestseller, documents Gary's dedication to working tirelessly on behalf of those who serve this country, sharing stories about how he has: Entertained more than a half million troops around the world playing bass guitar with his Lt. Dan Band Raised funds on behalf of veterans Founded the Gary Sinise Foundation with a mission to serve and honor America's defenders, veterans, first responders, their families, and those in need Grateful American is the moving, entertaining, profoundly gripping story of how one man found his life's work: to see that those who defend this country and its freedoms are never forgotten. Praise for Grateful American: Gary Sinise writes as he lives, and as the artist and actor he has always been: with American authenticity, purpose, and a conviction that is inseparable from his nature. --Tom Hanks, actor and filmmaker No entertainer alive today has visited and performed more for our troops at veterans hospitals and military bases all over the world than Gary Sinise. For years his foundation has built 'smart homes' for our troops that were severely wounded in combat. The book is called Grateful American, and I promise that after you read it you will be grateful for what Gary has accomplished and contributed to our country. He's truly one of a kind. --Clint Eastwood, actor, director, producer, and musician |
| streetcar named desire full movie free: Tennessee Williams 101 Augustin J. Correro, 2021-02-22 Like an alchemist, Tennessee would dip his pen in reality and make fiction out of it. This journey through his life focuses on the influence of specific people and places on selected works. |
| streetcar named desire full movie free: Letters from Hollywood Rocky Lang, Barbara Hall, 2019-09-10 Rare correspondence from Humphrey Bogart, Audrey Hepburn, Frank Sinatra, Jane Fonda, and other Hollywood luminaries from the silent film era to the 1970s. Letters from Hollywood reproduces in full color scores of entertaining and insightful pieces of correspondence from some of the most notable and talented film industry names of all time—from the silent era to the golden age, and up through the pre-email days of the 1970s. Culled from libraries, archives, and personal collections, the 135 letters, memos, and telegrams are organized chronologically and are annotated by the authors to provide backstories and further context. While each piece reveals a specific moment in time, taken together, the letters convey a bigger picture of Hollywood history. Contributors include celebrities like Greta Garbo, Alfred Hitchcock, Humphrey Bogart, Frank Sinatra, Katharine Hepburn, Marlon Brando, Elia Kazan, Cary Grant, Francis Ford Coppola, Tom Hanks, and Jane Fonda. This is the gift book of the season for fans of classic Hollywood. With a foreword by Peter Bogdanovitch. “This is, quite simply, one of the finest books I’ve ever read about Hollywood.” —Leonard Maltin |
| streetcar named desire full movie free: Urban Mass Transit Robert C. Post, 2006-11-30 This volume in the Greenwood Technographies series covers urban mass transit - that is, the technologies that allow cities to move large numbers of people around. Just a few hundred years ago, the size of cities was limited by the time it took people to move from one part of the city to another. The development of successive technologies has forever altered the urban landscape. From horse-drawn omnibuses to subways to current light-rail, this volume highlights the technological and social struggles that have accompanied urbanization and the need for an efficient and cost-effective means of transportation in cities. |
| streetcar named desire full movie free: New York Magazine , 1985-12-23 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| streetcar named desire full movie free: All About "All About Eve" Sam Staggs, 2001-06-23 To millions of fans, All About Eve represents all that's witty and wonderful in classic Hollywood movies. Its old-fashioned, larger-than-life stars--including Bette Davis, Marilyn Monroe, Anne Baxter, George Sanders, and Celeste Holm--found their best roles in Eve and its sophisticated dialogue has entered the lexicon. But there's much more to know about All About Eve. Sam Staggs has written the definitive account of the making of this fascinating movie and its enormous influence on both film and popular culture. Staggs reveals everything about the movie--from who the famous European actress Margo Channing was based on to the hot-blooded romance on-set between Bette Davis and costar Gary Merrill, from the jump-start the movie gave Marilyn Monroe's career and the capstone it put on director Joseph L. Mankeiwicz's. All About All About Eve is not only full of rich detail about the movie, the director, and the stars, but also about the audience who loved it when it came out and adore it to this day. |
| streetcar named desire full movie free: Designing Hollywood Christian Esquevin, 2023-08-29 Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unraveling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen. |
| streetcar named desire full movie free: The Art & Science of Moviemaking (Parts I & II) Jonathan D. Krane, 2012-09-07 |
| streetcar named desire full movie free: The Booklover’s Guide to New Orleans Susan Larson, 2013-09-05 The literary tradition of New Orleans spans centuries and touches every genre; its living heritage winds through storied neighborhoods and is celebrated at numerous festivals across the city. For booklovers, a visit to the Big Easy isn't complete without whiling away the hours in an antiquarian bookstore in the French Quarter or stepping out on a literary walking tour. Perhaps only among the oak-lined avenues, Creole town houses, and famed hotels of New Orleans can the lust of A Streetcar Named Desire, the zaniness of A Confederacy of Dunces, the chill of Interview with the Vampire, and the heartbreak of Walker Percy's Moviegoer begin to resonate. Susan Larson's revised and updated edition of The Booklover's Guide to New Orleans not only explores the legacy of Tennessee Williams and William Faulkner, but also visits the haunts of celebrated writers of today, including Anne Rice and James Lee Burke. This definitive guide provides a key to the books, authors, festivals, stores, and famed addresses that make the Crescent City a literary destination. |
| streetcar named desire full movie free: Driving Visions David Laderman, 2010-01-01 From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an independent genre that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s. |
| streetcar named desire full movie free: Great Directors at Work David Richard Jones, 1986 The subject of this book is theatre directing in four internationally famous instances. The four directors—Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook—all were monarchs of the profession in their time. Without their work, theatre in the twentieth century—so often called the century of the director —would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage. |
| streetcar named desire full movie free: America's Film Legacy Daniel Eagan, 2010-01-01 Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry. |
| streetcar named desire full movie free: The Beauty of the Real Mick LaSalle, 2012-05-09 Even as actresses become increasingly marginalized by Hollywood, French cinema is witnessing an explosion of female talent—a Golden Age unlike anything the world has seen since the days of Stanwyck, Hepburn, Davis, and Garbo. In France, the joy of acting is alive and well. Scores of French actresses are doing the best work of their lives in movies tailored to their star images and unique personalities. Yet virtually no one this side of the Atlantic even knows about them. Viewers who feel shortchanged by Hollywood will be thrilled to discover The Beauty of the Real. This book showcases a range of contemporary French actresses to an audience that will know how to appreciate them—an American public hungry for the exact qualities that these women represent. To spend time with them, to admire their flashing intelligence and fearless willingness to depict life as it is lived, gives us what we're looking for in movies but so rarely find: insights into womanhood, meditations on the dark and light aspect's of life's journey, revelations and explorations that move viewers to reflect on their own lives. The stories they bring to the screen leave us feeling renewed and excited about movies again. Based on one-on-one interviews and the viewing of numerous films, Mick LaSalle has put together a fascinating profile of recent generations of French film stars and an overview of their best work. These women's insights and words illuminate his book, which will answer once and for all the two questions Americans most often have about women and the movies: Where did all the great actresses go? And how can I see their movies? Please visit blog.sfgate.com/mlasalle/2012/09/23/rendezvous-damerique/ to see a video discussing The Beauty of the Real at the Roxie Film Festival. |
| streetcar named desire full movie free: Matinees with Miriam Vicki Essex, 2016-11-01 Having his heart stolen wasn't part of the plan! Shane Patel has a way with people—a skill that's made him a success in the condo development business. But his charms are proving useless on Miriam Bateman. The Crown Theater is the key to his company's latest project. It also happens to be Miriam's home and her grandfather's legacy. She's made it clear that it's not for sale. Despite the frustration, Shane's enjoying trying to win Miriam over. And the best part of his day becomes watching old movies with her. When Miriam's plans to reopen the theater threaten his project, though, Shane has a tough decision to make: his career or Miriam. |
| streetcar named desire full movie free: Matthew Bourne and His Adventures in Dance Alastair Macaulay, Matthew Bourne, 2011-11-15 Matthew Bourne and His Adventures in Dance is an intimate and in-depth conversation between the prize-winning pioneer of ballet and contemporary dance Matthew Bourne and the New York Times dance critic Alastair Macaulay. In 1987, a small, aspirant dance group with a striking name made its debut on the London fringe. In 1996, Adventures in Motion Pictures made history as the first modern dance company to open a production in London's West End. From this achievement, AMP sailed triumphantly to Broadway - winning three Tony Awards - guided by Artistic Director Matthew Bourne. Even before the inception of AMP, Bourne was fascinated by theatre, by characterization, and by the history of dance. In his early works - Spitfire, Town & Country and Deadly Serious - Bourne brought a novel approach to dance. And in his reworkings of the classics of the ballet canon - Nutcracker, Swan Lake, Cinderella - Bourne created witty, vivid, poignant productions that received great acclaim. In the first decade of the new millennium, the company name was changed to New Adventures, and Bourne's 'classics', as well as Bourne's new works - The Car Man, Play Without Words, Edward Scissorhands and Dorian Gray - achieved levels of box-office popularity that have seldom, if ever, been matched in dance. In addition, his choreography for various musicals - My Fair Lady, Mary Poppins and Oliver! - have run for years in the West End and on Broadway. The detail in which Bourne discusses his work with Alastair Macaulay is unprecedented. The two explore Bourne's upbringing, his training and influences, and his distinctive creative methods. Bourne's notebooks, his sources and his collaboration with dancers all form part of the discussion in this book. |
| streetcar named desire full movie free: Jet , 2002-04-15 The weekly source of African American political and entertainment news. |
Streetcars in North America - Wikipedia
Streetcars or trolley (car)s (American English for the European word tram) were once the chief mode of public transit in hundreds of North American cities and towns. Most of the original …
Streetcar | Facts, History, & Development | Britannica
6 days ago · Streetcar, vehicle that runs on track laid in the streets, usually operated in single units and driven by electric motor. Early streetcars were either horse-drawn or relied on …
Seattle Streetcar - Transportation | seattle.gov
May 2, 2025 · Plan your trip by consulting the Seattle Streetcar Route Map, Seattle Streetcar Real-Time Map, or by using transit tools and resources. The Seattle Streetcar is accessible …
Streetcar History: Lines, Photos, Decline - American-Rails.com
Mar 2, 2025 · The streetcar, which sprang up after the Civil War, was the first rapid-transit system many cities utilized in ferrying residents from one place to another. They were originally horse …
Streetcar, Cable Car: What’s the difference? - Market Street …
But, there’s a simple test to distinguish streetcars from cable cars: If it runs on steel rails with a trolley pole connected to an overhead wire above, it’s a streetcar. If it runs on steel rails with …
The real story behind the demise of America’s once-mighty ... - Vox
May 7, 2015 · Streetcar systems went bankrupt and were dismantled in virtually every metro area in the United States, and National City was only involved in about 10 percent of cases.
STREETCAR Definition & Meaning - Merriam-Webster
The meaning of STREETCAR is a vehicle on rails used primarily for transporting passengers and typically operating on city streets.
Home - DC Streetcar
DC Streetcar runs free, daily trips along the H Street NE Corridor and Benning Road from Union Station to Oklahoma Avenue. Find need-to-know information about traveling the DC Streetcar …
DC’s streetcars took so long to get going. Now they’re set to retire …
Jun 3, 2025 · DC's streetcars took so long to get going. Now they're set to retire in 2 years District leaders now say the streetcar, which runs along H Street NE and Benning Road, doesn't go …
Kansas City Streetcar Authority - Visit KC
About Kansas City Streetcar Authority Managing the operations, maintenance and safety fo the KC Streetcar system, a 2.2 mile route in downtown Kansas City, MO. The KC Streetcar is …
Streetcars in North America - Wikipedia
Streetcars or trolley (car)s (American English for the European word tram) were once the chief mode of public transit in hundreds of North American cities and towns. Most of the original …
Streetcar | Facts, History, & Development | Britannica
6 days ago · Streetcar, vehicle that runs on track laid in the streets, usually operated in single units and driven by electric motor. Early streetcars were either horse-drawn or relied on …
Seattle Streetcar - Transportation | seattle.gov
May 2, 2025 · Plan your trip by consulting the Seattle Streetcar Route Map, Seattle Streetcar Real-Time Map, or by using transit tools and resources. The Seattle Streetcar is accessible …
Streetcar History: Lines, Photos, Decline - American-Rails.com
Mar 2, 2025 · The streetcar, which sprang up after the Civil War, was the first rapid-transit system many cities utilized in ferrying residents from one place to another. They were originally horse …
Streetcar, Cable Car: What’s the difference? - Market Street …
But, there’s a simple test to distinguish streetcars from cable cars: If it runs on steel rails with a trolley pole connected to an overhead wire above, it’s a streetcar. If it runs on steel rails with an …
The real story behind the demise of America’s once-mighty ... - Vox
May 7, 2015 · Streetcar systems went bankrupt and were dismantled in virtually every metro area in the United States, and National City was only involved in about 10 percent of cases.
STREETCAR Definition & Meaning - Merriam-Webster
The meaning of STREETCAR is a vehicle on rails used primarily for transporting passengers and typically operating on city streets.
Home - DC Streetcar
DC Streetcar runs free, daily trips along the H Street NE Corridor and Benning Road from Union Station to Oklahoma Avenue. Find need-to-know information about traveling the DC Streetcar …
DC’s streetcars took so long to get going. Now they’re set to retire …
Jun 3, 2025 · DC's streetcars took so long to get going. Now they're set to retire in 2 years District leaders now say the streetcar, which runs along H Street NE and Benning Road, doesn't go far …
Kansas City Streetcar Authority - Visit KC
About Kansas City Streetcar Authority Managing the operations, maintenance and safety fo the KC Streetcar system, a 2.2 mile route in downtown Kansas City, MO. The KC Streetcar is open …
