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| st louis blues radio station 2022: Florence Price William Farina, 2024-06-13 Over the last decade or more, classical music programming has expanded to an unprecedented extent, now including works by less familiar composers and underappreciated works by familiar names. At the center of this recent trend has been the musical legacy of Florence B. Price, an African American woman originally from Arkansas, later spending her professional career on the southside of Chicago. The rediscovery of Price's manuscripts in an abandoned rural house circa 2009, along with subsequent publishings, major label recordings, and Grammy Awards, has further fueled this new development. This new biography of Price also appraises her career and legacy. |
| st louis blues radio station 2022: When the Blues Go Marching in Dan O'Neill, 2019-10 When I finished the first edition of this book, the Blues had gone 50 seasons without capturing the NHL's ultimate prize. Then came their 51st season, unprecedented and improbable. Nineteen inconsistent games into the 2018-19 schedule, the Blues made a coaching change. Thirty-seven games in, they possessed the fewest points in the 31-team league. Playoffs were a pipe dream, and the Stanley Cup seemed more distant than ever. But steadied by an interim coach, lifted by a rookie goaltender, and sparked by a record winning streak, a storybook unfolded. And with it came a mandate to revisit this volume, to account for the most remarkable episode of all€the rags-to-riches tale of a Stanley Cup championship. |
| st louis blues radio station 2022: That St. Louis Thing, Vol. 1: An American Story of Roots, Rhythm and Race Bruce R. Olson, 2016 That St. Louis Thing is an American story of music, race relations and baseball. Here is over 100 years of the city's famed musical development -- blues, jazz and rock -- placed in the context of its civil rights movement and its political and ecomomic power. Here, too, are the city's people brought alive from its foundation to the racial conflicts in Ferguson in 2014. The panorama of the city presents an often overlooked gem, music that goes far beyond famed artists such as Scott Joplin, Miles Davis and Tina Turner. The city is also the scene of a historic civil rights movement that remained important from its early beginnings into the twenty-first century. And here, too, are the sounds of the crack of the bat during a century-long love affair with baseball. |
| st louis blues radio station 2022: Early Published Blues and Proto-Blues (1850–1915) Peter C. Muir, This volume is a critical edition of early blues-related sheet music, including forty-three known blues songs and instrumental compositions from the first four years of the blues industry, 1912–15, and twenty-four pre-1912 proto-blues; that is, published works stylistically related to the emerging blues style (for instance, using a twelve-bar blues sequence) from 1850–1912. The purpose of the edition is to present in systematic form, and for the first time, the rise of popular blues culture. Up until 1920, sheet music was the dominant medium of blues dissemination. The first blues recordings did not appear until 1914, two years after the appearance of sheet music; furthermore, almost all the recordings of blues that did appear before 1920 were of pre-existent published compositions. This situation only changed with the rise of the race record industry in the 1920s when the identity of blues became increasingly linked to recordings. For this earliest period of blues history, the documentation offered by sheet music is crucial. A majority of this music has not been reissued since its original publication, while some has never been published at all, and exists only as copyright deposits in the Library of Congress. As a body of work, it is little known to historians and musicians despite its importance to the understanding of the evolution of blues and popular music. |
| st louis blues radio station 2022: Blues Mamas and Broadway Belters Masi Asare, 2024-09-20 In Blues Mamas and Broadway Belters, songwriter, scholar, and dramatist Masi Asare explores the singing practice of black women singers in US musical theatre between 1900 and 1970. Asare shows how a vanguard of black women singers including Gertrude “Ma” Rainey, Bessie Smith, Ethel Waters, Pearl Bailey, Juanita Hall, Lena Horne, Eartha Kitt, Diahann Carroll, and Leslie Uggams created a lineage of highly trained and effective voice teachers whose sound and vocal techniques continue to be heard today. Challenging pervasive narratives that these and other black women possessed “untrained” voices, Asare theorizes singing as a form of sonic citational practice—how the sound of the teacher’s voice lives on in the student’s singing. From vaudeville-blues shouters, black torch singers, and character actresses to nightclub vocalists and Broadway glamour girls, Asare locates black women of the musical stage in the context of historical voice pedagogy. She invites readers not only to study these singers, but to study with them—taking seriously what they and their contemporaries have taught about the voice. Ultimately, Asare speaks to the need to feel and hear the racial history in contemporary musical theatre. |
| st louis blues radio station 2022: Cataloging beyond the Notes: Annotating Bibliographic Records for Music Effectively in RDA Ralph Hartsock, Peter H. Lisius, 2022 In Cataloging beyond the Notes: Annotating Bibliographic Records for Music Effectively in RDA, authors Ralph Hartsock and Peter Lisius present examples illustrating the effective use of notes in the description of music, and this is especially important with RDA. Since RDA has increased granularity in the description of music, whether in score, recording, video, or data formats, the expert direction offered in Cataloging beyond the Notes makes it a key reference for music cataloging. Bibliographic records are presented using MARC21. An essential resource for practicing music catalogers, Cataloging beyond the Notes begins with a comprehensive introduction, including instructions on how to use the book, and presents examples of the granular data that informs users about specific details. In addition, the examples are augmented by the authors’ commentary, so that the result is expert guidance in a single, highly accessible publication. More than that, navigation to and from the newer RDA format is facilitated by an appendix keyed to specific RDA details. Frequently used and related terms are also covered in a glossary specific to this volume. Taken as a whole, Cataloging beyond the Notes belongs in every music library and on each cataloger’s desk. |
| st louis blues radio station 2022: Music in Black American Life, 1600-1945 , 2022-08-23 This first volume of Music in Black American Life collects research and analysis that originally appeared in the journals American Music and the Black Music Research Journal, and in the University of Illinois Press's acclaimed book series Music in American Life. In these selections, experts from a cross-section of disciplines engage with fundamental issues in ways that changed our perceptions of Black music. The topics includes the culturally and musically complex Black music-making of colonial America; string bands and other lesser-known genres practiced by Black artists; the jubilee industry and its audiences; and innovators in jazz, blues, and Black gospel. Eclectic and essential, Music in Black American Life, 1600–1945 offers specialists and students alike a gateway to the history and impact of Black music in the United States. Contributors: R. Reid Badger, Rae Linda Brown, Samuel A. Floyd Jr., Sandra Jean Graham, Jeffrey Magee, Robert M. Marovich, Harriet Ottenheimer, Eileen Southern, Katrina Dyonne Thompson, Stephen Wade, and Charles Wolfe |
| st louis blues radio station 2022: Langston Hughes in Context Vera M. Kutzinski, Anthony Reed, 2022-11-24 Langston Hughes was among the most influential African American writers of the twentieth century. He inspired and challenged readers from Harlem to the Caribbean, Europe, South America, Asia, the African continent, and beyond. To study Langston Hughes is to develop a new sense of the twentieth century. He was more than a man of his times; emerging as a key member of the Harlem Renaissance, his poems, plays, journalism, translations, and prose fiction documented and shaped the world around him. The twenty-nine essays in this volume engage with his at times conflicting investments in populist and modernist literature, his investments in freedom in and beyond the US, and the many genres through which he wrote. Langston Hughes in Context considers the places and experiences that shaped him, the social and cultural contexts in which he wrote, thought and travelled, and the international networks that forged and secured his life and reputation. |
| st louis blues radio station 2022: The Routledge Companion to Music and Modern Literature Rachael Durkin, 2022-05-26 Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. The 37 chapters within consider the partnership through four lenses—the universal, opera and literature, musical and literary forms, and popular music and literature—and touch upon diverse and pertinent themes for our modern times, ranging from misogyny to queerness, racial inequality to the claimed universality of whiteness. This Companion therefore offers an essential resource for all who try to decode the musico-literary exchange. |
| st louis blues radio station 2022: Digital Scholarly Editions Beyond Text Tessa Gengnagel, 2024-02-07 Scholarly editions contextualize our cultural heritage. Traditionally, methodologies from the field of scholarly editing are applied to works of literature, e.g. in order to trace their genesis or present their varied history of transmission. What do we make of the variance in other types of cultural heritage? How can we describe, record, and reproduce it systematically? From medieval to modern times, from image to audiovisual media, the book traces discourses across different disciplines in order to develop a conceptual model for scholarly editions on a broader scale. By doing so, it also delves into the theory and philosophy of the (digital) humanities as such. |
| st louis blues radio station 2022: Continuum Encyclopedia of Popular Music of the World John Shepherd, 2003 See: |
| st louis blues radio station 2022: The Perfect Sound Garrett Hongo, 2022-02-22 A poet’s audio obsession, from collecting his earliest vinyl to his quest for the ideal vacuum tubes. A captivating book that “ingeniously mixes personal memoir with cultural history and offers us an indispensable guide for the search of acoustic truth” (Yunte Huang, author of Charlie Chan). Garrett Hongo’s passion for audio dates back to the Empire 398 turntable his father paired with a Dynakit tube amplifier in their modest tract home in Los Angeles in the early 1960s. But his adult quest begins in the CD-changer era, as he seeks out speakers and amps both powerful and refined enough to honor the top notes of the greatest opera sopranos. In recounting this search, he describes a journey of identity where meaning, fulfillment, and even liberation were often most available to him through music and its astonishingly varied delivery systems. Hongo writes about the sound of surf being his first music as a kid in Hawai‘i, about doo-wop and soul reaching out to him while growing up among Black and Asian classmates in L.A., about Rilke and Joni Mitchell as the twin poets of his adolescence, and about feeling the pulse of John Coltrane’s jazz and the rhythmic chords of Billy Joel’s piano from his car radio while driving the freeways as a young man trying to become a poet. Journeying further, he visits devoted collectors of decades-old audio gear as well as designers of the latest tube equipment, listens to sublime arias performed at La Scala, hears a ghostly lute at the grave of English Romantic poet John Keats in Rome, drinks in wisdom from blues musicians and a diversity of poetic elders while turning his ear toward the memory-rich strains of the music that has shaped him: Hawaiian steel guitar and canefield songs; Bach and the Band; Mingus, Puccini, and Duke Ellington. And in the decades-long process of perfecting his stereo setup, Hongo also discovers his own now-celebrated poetic voice. |
| st louis blues radio station 2022: Music in Black American Life, 1945-2020 , 2022-08-23 This second volume of Music in Black American Life offers research and analysis that originally appeared in the journals American Music and Black Music Research Journal, and in two book series published by the University of Illinois Press: Music in American Life, and African American Music in Global Perspective. In this collection, a group of predominately Black scholars explores a variety of topics with works that pioneered new methodologies and modes of inquiry for hearing and studying Black music. These extracts and articles examine the World War II jazz scene; look at female artists like gospel star Shirley Caesar and jazz musician-arranger Melba Liston; illuminate the South Bronx milieu that folded many forms of black expressive culture into rap; and explain Hamilton's massive success as part of the tanning of American culture that began when Black music entered the mainstream. Part sourcebook and part survey of historic music scholarship, Music in Black American Life, 1945–2020 collects groundbreaking work that redefines our view of Black music and its place in American music history. Contributors: Nelson George, Wayne Everett Goins, Claudrena N. Harold, Eileen M. Hayes, Loren Kajikawa, Robin D. G. Kelley, Tammy L. Kernodle, Cheryl L. Keyes, Gwendolyn Pough, Bernice Johnson Reagon, Mark Tucker, and Sherrie Tucker |
| st louis blues radio station 2022: Seasons of Storm and Wonder Jim Crumley, 2022-09-08 From Jim Crumley, the “pre-eminent Scottish nature-writer” (Guardian), this landmark volume documents the extraordinary natural life of the Scottish Highlands and bears witness to the toll climate chaos is taking on its wildlife, habitats, and biodiversity—laying bare what is at stake for future generations. In this landmark volume, Jim Crumley brings together a sweeping five-year quest to document the seasons and how he has seen them change. It explores the damage to the Earth’s natural rhythms, but also relishes the enduring beauty and wonder of nature itself. Drawing on his studies of each season over more than thirty years and reworking the volumes in his best-selling Seasons quartet, Crumley has created this unique account of our natural world today. After a lifetime of immersing himself in the landscapes of Scotland and a handful of other northern countries, Crumley has amassed a body of knowledge and insight and a bank of memorable imagery. Combining lyrical prose and passionate eloquence, he lays bare the impact of an increasingly chaotic climate and urges us all towards a more daring conservation vision that embraces everything from the mountain treeline to a second spring for the wolf. |
| st louis blues radio station 2022: The Letters of Oscar Hammerstein II Mark Eden Horowitz, 2022-04-18 A collection of the letters from and to American musical theater's greatest innovator that provides an entertaining look behind the scenes of Broadway Oscar Hammerstein II virtually invented the modern American musical, first with Show Boat and then in his celebrated collaborations with composer Richard Rodgers on Broadway classics like Oklahoma!, Carousel, and The King and I that continue to fascinate audiences today. A brilliant lyricist and playwright, Hammerstein innovated the American musical with his sophisticated storytelling that single-handedly elevated musical theater to a serious art form. But there were many more sides to Hammerstein: He was also a canny businessman, a successful producer, a mentor to Stephen Sondheim, and a social activist. This rich collection edited by Mark Eden Horowitz features hundreds of previously unpublished letters that show off all facets of Hammerstein's many engagements and his personality. Hammerstein's correspondence with major Broadway figures like Richard Rodgers, Stephen Sondheim, Jerome Kern, and Josh Logan tells the history of twentieth-century American show business while his exchanges with politicians and activists shed light on social issues of the period. What unites these letters across their vast range of themes is Hammerstein's compelling voice that reveals a man who was sharp, opinionated, and funny but also cared deeply about addressing the social ills that his musicals explored beyond the stage. |
| st louis blues radio station 2022: Musical Vulnerability Elizabeth H. MacGregor, 2024-12-24 Since the early twenty- first century, music education across the world has been shaped by neoliberal discourse extolling the benefits of music upon academic achievement, health and wellbeing, and social development. However, such benefits are far from universal; on the contrary, music- making often reveals our shortcomings and dependencies. This highlights an urgent need for music education to be reframed by an understanding of ‘musical vulnerability’: our inherent and situational openness to being affected by the semantic and somatic properties of music- making. Drawing on existing vulnerability studies, this book evaluates how musicmaking can foster both positive receptivity and negative susceptibility, depending on its delineation of self- identity, social identity, and space, and its embodiment through aural receptivity, mimetic participation, and affective transmission. Through phenomenological, ethnographic research with teachers and pupils, it exposes how values espoused in the music classroom require the personal and interpersonal negotiation of conflicting musical expectations, identities, and abilities. It makes recommendations for music education policymakers, teachers, and researchers in diverse global contexts, suggesting the importance of developing ‘pedagogies of vulnerability’ in order to foster caring classroom music- making praxes that acknowledge music’s capacity both to heal and to harm. |
| st louis blues radio station 2022: Loserville Clayton Trutor, 2022-02 2023 Bell Award for the Best Book on Georgia History A Sports Collectors Digest Best Baseball Book of 2022 A Public Books Public Pick of 2022 In July 1975 the editors of the Atlanta Constitution ran a two-part series entitled Loserville, U.S.A. The provocatively titled series detailed the futility of Atlanta's four professional sports teams in the decade following the 1966 arrival of its first two major league franchises, Major League Baseball's Atlanta Braves and the National Football League's Atlanta Falcons. Two years later, the Atlanta Hawks of the National Basketball Association became the city's third major professional sports franchise. In 1972 the National Hockey League granted the Flames expansion franchise to the city, making Atlanta the first southern city with teams in all four of the big leagues. The excitement surrounding the arrival of four professional franchises in Atlanta in a six-year period soon gave way to widespread frustration and, eventually, widespread apathy toward its home teams. All four of Atlanta's franchises struggled in the standings and struggled to draw fans to their games. Atlantans' indifference to their new teams took place amid the social and political fracturing that had resulted from a new Black majority in Atlanta and a predominately white suburban exodus. Sports could never quite bridge the divergence between the two. Loserville examines the pursuit, arrival, and response to professional sports in Atlanta during its first decade as a major league city (1966-75). It scrutinizes the origins of what remains the primary model for acquiring professional sports franchises: offers of municipal financing for new stadiums. Other Sunbelt cities like San Diego, Phoenix, and Tampa that aspired to big league stature adopted Atlanta's approach. Like the teams in Atlanta, the franchises in these cities have had mixed results--both in terms of on-field success and financial stability. |
| st louis blues radio station 2022: Langston Hughes and the *Chicago Defender* Langston Hughes, 2022-10-17 Langston Hughes is well known as a poet, playwright, novelist, social activist, communist sympathizer, and brilliant member of the Harlem Renaissance. He has been referred to as the Dean of Black Letters and the poet low-rate of Harlem. But it was as a columnist for the famous African-American newspaper the Chicago Defender that Hughes chronicled the hopes and despair of his people. For twenty years, he wrote forcefully about international race relations, Jim Crow, the South, white supremacy, imperialism and fascism, segregation in the armed forces, the Soviet Union and communism, and African-American art and culture. None of the racial hypocrisies of American life escaped his searing, ironic prose. This is the first collection of Hughes's nonfiction journalistic writings. For readers new to Hughes, it is an excellent introduction; for those familiar with him, it gives new insights into his poems and fiction. |
| st louis blues radio station 2022: Symbolism Florian Klaeger, Klaus Stierstorfer, Marlena Tronicke, 2022-10-03 Special Focus: Omission, edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient’s mind. The term ‘omission’ as used in the present study, then, demarcates a common artistic phenomenon: a silence, blank, or absence, introduced against the recipient’s generic or experiential expectations, but which nonetheless frequently encapsulates the tenor of the work as a whole. Such omissions can be employed for their affective potential, when emotions represented or evoked by the text are deemed to be beyond words. They can be employed to raise epistemological questions, as when an omission marks the limits of what can be known. Ethical questions can also be approached by means of omissions, as when a character’s voice is omitted, for instance. Finally, omission always carries within it the potential to reflect on the media and genres on which it is brought to bear: as its efficacy depends on the recipient’s generic expectations, omission is frequently characterized by a high degree of meta-discursiveness. This volume investigates the various strategies with which the phenomenon of omission is employed across a range of textual forms and in different cultures to conclusively argue for its status as a highly effective and near-universal form of artistic signification. |
| st louis blues radio station 2022: Goldmine Record Album Price Guide Dave Thompson, 2019-04-02 Just like you, Goldmine is passionate about vinyl. It rocks our world. So trust us when we say that the Goldmine Record Album Price Guide is a vinyl collector's best friend. Inside these pages you'll find the latest pricing and identification information for rock, pop, alternative, jazz and country albums valued at $10 or more. And that's just for starters. Goldmine Record Album Price Guide features: • Updated prices for more than 100,000 American vinyl LPs released since 1948. • A detailed explanation of the Goldmine Grading Guide, the industry standard. • Tips to help you accurately grade and value your records--including promo pressings. • An easy-to-use, well-organized format. Whether you're new to the scene or a veteran collector, Goldmine Record Album Price Guide is here to help! |
| st louis blues radio station 2022: Beloftevolle muziek / The promise of music Paul Craenen, 2022-10-25 Dit boek bevat de Nederlandse en Engelse publicatie. Jonge muzikanten die vandaag professionele muziekstudies aanvatten, hebben een missie. Hun keuze voor een arbeidsintensieve studie die weinig garanties biedt op een stabiele baan, vergt moed en geloof. Geloof in het eigen kunnen, maar ook in het potentieel van muziek voor de wereld van morgen. Deze publicatie stelt de vraag hoe muziek vandaag beloftevol kan zijn, en hoe conservatoria kunnen helpen die belofte te vervullen. Met bijdragen van studenten, docenten en onderzoekers verbonden aan het Koninklijk Conservatorium Den Haag. -------------------------------------------------------------------------------------------------- This book contains both the English- as well as the dutch-language version of the publication. In the present day young musicians who start their professional musical studies have a mission. Their choice for a labour-intensive education that offers few guarantees at obtaining a steady job requires a lot of courage and faith. Both faith in their own potential, as well as in that of music for the world of tomorrow. This publication asks how music today can be promising, and also how conservatories can help to fulfil that promise. Students, teachers and researchers affiliated to the Royal Conservatoire The Hague have contributed to this book. |
| st louis blues radio station 2022: MusicQuake Robert Dimery, 2022-09-06 MusicQuake presents a history of popular music focusing on the most rebellious and game-changing recordings and performances from the early twentieth century to today. |
| st louis blues radio station 2022: The N-Word in Music Todd M. Mealy, 2022-05-04 The minstrelsy play, song, and dance Jump, Jim Crow did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the atomic bomb of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling. |
| st louis blues radio station 2022: The Bloomsbury Handbook of Popular Music and Youth Culture Andy Bennett, 2022-12-29 The Bloomsbury Handbook of Popular Music and Youth Culture provides a comprehensive and fully up-to-date overview of key themes and debates relating to the academic study of popular music and youth culture. While this is a highly popular and rapidly expanding field of research, there currently exists no single-source reference book for those interested in this topic. The handbook is comprised of 32 original chapters written by leading authors in the field of popular music and youth culture and covers a range of topics including: theory; method; historical perspectives; genre; audience; media; globalization; ageing and generation. |
| st louis blues radio station 2022: Let's Do It Bob Stanley, 2022-09-06 The must-read music book of the year—and the first such history bringing together all musical genres to tell the definitive narrative of the birth of Pop—from 1900 to the mid-1950s. Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century. Who were these earliest record stars—and were they in any meaningful way pop stars? Who was George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after World War II? The prequel to Bob Stanley’s celebrated Yeah! Yeah! Yeah!, this new volume is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Covering superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra, alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life—from ragtime, blues and jazz to Broadway, country, crooning, and beyond—Let's Do It is essential reading for all music lovers. An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the twentieth century.—Neil Tennant (The Pet Shop Boys) |
| st louis blues radio station 2022: King of the Delta Blues Gayle Dean Wardlow, Stephen Calt, Edward Komara, 2022-10-18 Charlie Patton (1891-1934) was born in central Mississippi. By 1908, he had begun his performing career, initially at small house parties, then at barrelhouses and other settings that could accommodate a hundred people or more. Until his death in 1934, Patton was a top draw for the numerous African Americans then living and working in the Delta. In 1929 and 1930, he recorded several hits for Paramount Records, on the basis of which he was sought by the American Record Company in January 1934 for what would be his last recordings. He was immensely influential to other bluesmen, including Tommy Johnson, Kid Bailey, Robert Johnson, and Howlin' Wolf. Since 1991, his collected recordings have been available to the wider public. This book was previously published in 1988 under the authorship of Wardlow (b. 1940) and Calt (1946-2010). Its sole printing of 3,000 paperback copies sold out within seven years, and since 1988 additional recordings of Patton and his associates have been recovered and widely reissued to the public, particularly on Jack White's Third Man Records. Komara (b. 1966) has updated Wardlow and Calt's original edition and has written a new afterword discussing a resurgence of Delta-blues-style rock and the continuing influence of Patton and the music genre he helped pioneer-- |
| st louis blues radio station 2022: Originals! Jessie Carney Smith, 2022-03-01 Discover and celebrate the achievements of some of America’s most inspiring women! The first female. African American vice president, first U.S. senator, the 83rd U.S. Attorney General, and first black state legislator in Alaska. The first time a black woman and a white band shared the same stage; the first black woman writer to win a Pulitzer Prize; and the first black prima ballerina at the Metropolitan Opera Company. Black women have accomplished incredible things throughout American history. An important book, Originals! Barrier-breaking Black Women profiles the lives and successes of such notable and iconic women as abolitionist Harriet Tubman, Olympic gold medalist Wilma Rudolph, mathematician Katherine Johnson, organizer and politician Stacy Adams Stacey Abrams, astronaut Mae Jemison, jazz legend Billie Holiday, ballerina Misty Copeland, Vice President Kamala Harris, and also the accomplishments of hundreds of less-famous and lesser-known women. This fascinating read recounts 1,400 achievements, including … Gail Fisher, the first black actress to receive an Emmy Award. Tina Sloan-Green, the first black American woman to compete on the U.S. National Lacrosse team. Sarah J. (Smith Thompson) Garnet, the first black female principal in the New York City public school system. Ruth Carol Taylor, the first flight attendant to smash the color barrier. Rebecca Davis Lee Crumpler, the first black woman awarded a medical degree in the United States. Camilla Ella Williams, the first black woman to sing with the New York City Opera. Altha Stewart, the first African American president of The American Psychiatric Association. Jessie Carney Smith, the first black national president of Beta Phi Mu, the honor society for persons with graduate degrees in library science. Gwendolyn Brooks, the author of Annie Allen, a book of poetry that won the first Pulitzer Prize awarded to an African American. Jeanine McIntosh-Menze, the first African American female aviator in the U.S. Coast Guard’s 215-year history. The story of black women in America is one of struggle and obstacles overcome. It’s a story of great achievement and soaring heights. Let Originals! inspire and educate you as it shares the stories and breakthroughs of hundreds of black women in American history!! With more than 210 photos and illustrations, this enlightening book also includes a helpful bibliography and an extensive index, adding to its usefulness. |
| st louis blues radio station 2022: The Glory of CGDGAD Guitar Tuning El McMeen , Sandy Shalk, 2022-02-24 El McMeen and Sandy Shalk combine forces in this comprehensive, joyful, and entertaining study of the lush and evocative CGDGAD guitar tuning; El's standard tuning for over 30 years. Informative and humorous, the book presents CGDGAD tuning in the most engaging way possible–through music! It contains over 30 musical illustrations, and a fun mystery tune to explore and identify. An additional mini-workshop by El shows the player how to render songs (that is, music normally sung) as fingerstyle arrangements. Includes access to online audio. |
| st louis blues radio station 2022: Evolve or Die John Shannon, 2022-10-25 For fans of Michael McKinley’s Hockey: A People’s History and Bob Cole’s Now I’m Catching On—a book about what’s changed in hockey, what never should, and a celebration of what we love about the game, from the broadcaster, analyst, and longtime executive producer of Hockey Night in Canada, John Shannon. For decades, Hockey Night in Canada has been the gold standard not just for hockey broadcasts, but for all sports across North America. It shows the stories of the game: on-ice heroics, the love and support of family, small-town values, and big-city lights. Meet the person who shaped that standard. John Shannon was the longtime executive producer of Hockey Night in Canada, starting at the bottom and working his way up through the 1980s and 1990s. He has a unique view of the game and how the way we enjoy it has developed. Technology plays a role, but it’s about the storytelling—modern-day gladiators and their trials—and hockey provides endless good stories. Shannon’s world behind the scenes is every bit as colourful and unexpected as what happens on the ice—and just as full of rich characters. From standing up to the Edmonton Oilers’ mighty Glen Sather to ordering then Prime Minister Pierre Elliott Trudeau to keep out of a dressing room, these stories illuminate the big moments and people that have made the game special. Shannon captures a nostalgia for the great broadcasts of the past—complete with baby blue Hockey Night in Canada blazers—and a pride in how far we’ve come in improving the game and expanding on the stories we tell. He also shares the keys to a long and successful career: integrity, loyalty, determination, and above all passion. Much has changed in the sport and how we enjoy it, but Shannon’s career shows that some things must always remain. |
| st louis blues radio station 2022: Marginality Beyond Return Lillian Manzor, 2022-07-29 This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies. |
| st louis blues radio station 2022: PACE'S POST: Ramblings Of Wisdom From A Middle-Aged Doc Victor Pace, 2021-04-03 As a family medicine physician, with 29 years of medical experiences, and 55 years of life experiences, this book is a compilation of values, ideas, and journeys. The purpose being to help enrich and balance out one's mind, body, and soul. The words written are intended for all adolescent and adult age groups crossing all spectrums. You love traveling, hobbies, activities, family time, philosophical ideals? It's all here wrapped up in one book. |
| st louis blues radio station 2022: Encyclopedia of African American Actresses in Film and Television Bob McCann, 2022-09-23 The first work of its kind, this encyclopedia provides 360 brief biographies of African American film and television acPER010000tresses from the silent era to 2009. It includes entries on well-known and nearly forgotten actresses, running the gamut from Academy Award and NAACP Image Award winners to B-film and blaxpoitation era stars. Each entry has a complete filmography of the actress's film, TV, music video or short film credits. The work also features more than 170 photographs, some of them rare images from the Schomburg Center for Research in Black Culture. |
| st louis blues radio station 2022: Le Jazz Matthew F. Jordan, 2022-08-15 In Le Jazz, Matthew F. Jordan deftly blends textual analysis, critical theory, and cultural history in a wide-ranging and highly readable account of how jazz progressed from a foreign cultural innovation met with resistance by French traditionalists to a naturalized component of the country's identity. Jordan draws on sources including ephemeral critical writing in the press and twentieth-century French literature to trace the country's reception of jazz, from the Cakewalk dance craze and the music's significance as a harbinger of cultural recovery after World War II to its place within French ethnography and cultural hybridity. Countering the histories of jazz's celebratory reception in France, Jordan delves in to the reluctance of many French citizens to accept jazz with the same enthusiasm as the liberal humanists and cosmopolitan crowds of the 1930s. Jordan argues that some listeners and critics perceived jazz as a threat to traditional French culture, and only as France modernized its identity did jazz become compatible with notions of Frenchness. Le Jazz speaks to the power of enlivened debate about popular culture, art, and expression as the means for constructing a vibrant cultural identity, revealing crucial keys to understanding how the French have come to see themselves in the postwar world. |
| st louis blues radio station 2022: The Cinema of Barbara Stanwyck Catherine Russell, 2023-05-02 From The Lady Eve, to The Big Valley, Barbara Stanwyck played parts that showcased her multidimensional talents but also illustrated the limits imposed on women in film and television. Catherine Russell’s A to Z consideration of the iconic actress analyzes twenty-six facets of Stanwyck and the America of her times. Russell examines Stanwyck’s work onscreen against the backdrop of costuming and other aspects of filmmaking. But she also views the actress’s off-screen performance within the Hollywood networks that made her an industry favorite and longtime cornerstone of the entertainment community. Russell’s montage approach coalesces into an engrossing portrait of a singular artist whose intelligence and savvy placed her center-stage in the production of her films and in the debates around women, femininity, and motherhood that roiled mid-century America. Original and rich, The Cinema of Barbara Stanwyck is an essential and entertaining reexamination of an enduring Hollywood star. |
| st louis blues radio station 2022: The Poets of Tin Pan Alley Philip Furia, Laurie J. Patterson, 2022 From the turn of the century to the 1960s, the songwriters of Tin Pan Alley were synonymous with American popular music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart--even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In this new edition of The Poets of Tin Pan Alley, authors Philip Furia and Laurie Patterson offer a unique perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song.Furia and Patterson continue the tradition of great perception and understanding established in the first edition as they explore the deft rhymes, inventive imagery, and witty solutions these songwriters used to breathe new life into rigidly established genres. They devote full chapters to such greats as Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstain II, Howard Dietz, E.Y. Harburg, Dorothy Fields, Leo Robin, and Johnny Mercer. They also offer a comprehensive survey of other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. This was the era that produced The New Yorker, Don Marquis, Dorothy Parker, and E.B. White--and the book places Tin Pan Alley lyrics firmly in this fascinating historical context. In these pages, the lyrics emerge as an important element of American modernism, as the lyricists, like the great modernist poets, took the American vernacular and made it sing. |
| st louis blues radio station 2022: Catalog Sears, Roebuck and Company, 1929 |
| st louis blues radio station 2022: The Intertextuality and Intermediality of the Anglophone Popular Song Michael Ingham, 2022-09-07 Popular song is a liminal, hybrid form of cultural production. As a manifestation of adaptation studies, it has lacked visibility by comparison with more dominant adaptation practices, especially those for the screen. This book serves to fill this gap. It investigates what songwriters read and write before they start singing, showing that they need either to adapt material from existing sources or write their own lyrics drawn from a wide range of source texts and personal experiences. They are subject to myriad influences, and among these are other song lyrics, poems, novels, plays, films and hybrid cultural forms. This deep-structure intertextuality is embedded in the cultural flux of language, and operates at both conscious and subconscious levels. This book thus explores the complex and multifarious intertextual connections between popular songs of various genres, styles and eras and literary works, including, but by no means limited to, the Bible and Shakespeare. As such, it offers a valuable resource, by exploring the deep intertextual significance of literary source material for the intellectual and emotional diversity that can be found in the popular song form; the inverse reciprocal relationship, while much less common, is also considered in the study. |
| st louis blues radio station 2022: Let America Be America Again Langston Hughes, 2022-07-28 A collection of interviews, speeches, and essays by Langston Hughes. Let America Be America Again: Conversations with Langston Hughes is a record of a remarkable man talking. In texts ranging from early interviews in the 1920s, when he was a busboy and scribbling out poems on hotel napkins, to major speeches, such as his keynote address at the First World Festival of Negro Arts in Dakar, Senegal, in 1966, Hughes's words further amplify the international reputation he established over the course of five decades through more widely-published and well-known poems, stories, novels, and plays. In these interviews, speeches, and conversational essays, the writer referred to by admirers as the Poet Laureate of the Negro Race and the Dean of Black Letters articulated some of his most powerful critiques of fascism, economic and racial oppression, and compromised democracy. It was also through these genres that Hughes spoke of the responsibilities of the Black artist, documented the essential contributions of Black people to literature, music, and theatre, and chronicled the substantial challenges that Black artists face in gaining recognition, fair pay, and professional advancement. And it was through these pieces, too, that Hughes built on his celebrated work in other literary genres to craft an original, tragic-comic persona--a Blues poet in exile, forever yearning for and coming back to a home, a nation, that nevertheless continues to disappoint and harm him. A global traveler, Hughes's words, Let America be America Again were, throughout his career, always followed by a caveat: America never was America to me. |
| st louis blues radio station 2022: Ruth Page Joellen A. Meglin, 2022-03-04 In Ruth Page: The Woman in the Work, the Chicago ballerina emerges as a highly original choreographer who, in her art, sought the iconoclastic as she transgressed boundaries of genre, gender, race, class, and sexuality. Author Joellen A. Meglin shows how her works were often controversial and sometimes censored even as she succeeded in roles usually reserved for men in the ballet world: choreographer, artistic director, and impresario. From extensive dramaturgical analysis of her most famous ballets — La Guiablesse, Frankie and Johnny, Billy Sunday, Revenge, The Merry Widow, Camille, Carmina Burana, and Alice — to embodied re-imagining of an avant-garde solo performed in a sack designed by Isamu Noguchi, this biography follows the global reach of Ruth Page's career spanning the greater part of the twentieth century. In the process of discovering the woman in the work, one encounters with an international cast of dancers (Anna Pavlova, Harald Kreutzberg, Frederic Franklin, Alicia Markova), composers (William Grant Still, Aaron Copland, Jerome Moross, Darius Milhaud), visual artists (Noguchi, Pavel Tchelitchew, Antoni Clavé), and companies (Ballet Russe de Monte Carlo, Ballets des Champs-Elysées, London Festival Ballet). Disrupting notions that New York was the only cradle of the American ballet, and George Balanchine, its exponent to eclipse all others, Ruth Page explores the woman's unique sensibility, corporeal praxis, and collaborative ethos to reveal her Chicago-centered network of creativity. |
| st louis blues radio station 2022: Pop Music Legends Hank Moore, 2022-09-06 “Music affects every person. It is the soundtrack of our happiness, zest for achievement and relationships to others. Music brings great ideas and feelings. It soothes the soul. It creates and sustains memories.” – Hank Moore Pop Music Legends covers change and growth of the music recording industry. It is based on the Hank Moore’s involvement in music over the years, interviews with hundreds of music stars and his knowledge of pop culture. It is the only book that encompasses a full-scope music perspective and is designed to have high appeal mass appeal, historical, entertainment and is applicable to a broad audience. |
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（4）st和*st主板股票连续三个交易日内日收盘价涨跌幅偏离值累计达到±12%的； （5）证监会或本所认定属于异常波动的其他情形。 股票竞价交易出现下列情形之一的，属于严重异常波 …
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