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| simulacrum disneyland: Reading Simulacra M. W. Smith, 2001-09-06 Traces the ways in which our culture has increasingly become a culture of simulations, and offers strategies for discerning meaning in a world where the difference between what is real and what is simulated has collapsed. |
| simulacrum disneyland: Simulacra and Simulation Jean Baudrillard, 1994 Develops a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure. This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body. |
| simulacrum disneyland: Globalisation, Tourism and Simulacra Kunphatu Sakwit, 2020-08-09 This book draws on the thought of Baudrillard to explore the effects of globalisation and tourism in a Thai context. Arguing that tourism does not necessarily erode local culture but that local culture can in fact be recreated through globalisation and tourism, the author employs studies of the Damnoen Saduk and Pattaya floating markets, showing them to be simulations of Thai culture that undergo changes of form, cultural content and activity, through various stages of representation. With a focus on the themes of the circulation of value and signs, the play of differences and orders of simulacra, this volume examines the extent to which Baudrillard’s theory can apply in a non-western context and in relation to tourism. A study of consumption, tourism and the relations between the global and the local, Globalisation, Tourism and Simulacra will appeal to scholars of sociology and geography with interests tourism, globalisation and social theory. |
| simulacrum disneyland: The Space of Appearance George Baird, 1995 George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades. |
| simulacrum disneyland: Small Tech Byron Hawk, David M. Rieder, Ollie O. Oviedo, The essays in Small Tech investigate the cultural impact of digital tools and provide fresh perspectives on mobile technologies such as iPods, digital cameras, and PDAs and software functions like cut, copy, and paste and WYSIWYG. Together they advance new thinking about digital environments. Contributors: Wendy Warren Austin, Edinboro U; Jim Bizzocchi, Simon Fraser U; Collin Gifford Brooke, Syracuse U; Paul Cesarini, Bowling Green State U; Veronique Chance, U of London; Johanna Drucker, U of Virginia; Jenny Edbauer, Penn State U; Robert A. Emmons Jr., Rutgers U; Johndan Johnson-Eilola, Clarkson U; Richard Kahn, UCLA; Douglas Kellner, UCLA; Karla Saari Kitalong, U of Central Florida; Steve Mann, U of Toronto; Lev Manovich, U of California, San Diego; Adrian Miles, RMIT U; Jason Nolan, Ryerson U; Julian Oliver; Mark Paterson, U of the West of England, Bristol; Isabel Pedersen, Ryerson U; Michael Pennell, U of Rhode Island; Joanna Castner Post, U of Central Arkansas; Teri Rueb, Rhode Island School of Design; James J. Sosnoski; Lance State, Fordham U; Jason Swarts, North Carolina State U; Barry Wellman, U of Toronto; Sean D. Williams, Clemson U; Jeremy Yuille, RMIT U. Byron Hawk is assistant professor of English at George Mason University. David M. Rieder is assistant professor of English at North Carolina State University. Ollie Oviedo is associate professor of English at Eastern New Mexico University. |
| simulacrum disneyland: In the Land of the Unreal Lisa Messeri, 2024-02-02 Lisa Messeri offers an ethnographic exploration of a contemporary community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality, believing that it could remedy society’s ills. |
| simulacrum disneyland: Tourism and Architectural Simulacra Nelson Graburn, Maria Gravari-Barbas, Jean-Francois Staszak, 2021-07-05 Since its beginnings, tourism has inspired built environments that have suggested reinvented relationships with their original architectural inspirations. Copies, reinterpretations, and simulacra still constitute some of the most familiar and popular tourist attractions in the world. Some reinterpret archetypes such as the ancient palace, the Renaissance villa, or the Mediterranean village. Others duplicate the cities in which we lived in the past or we still live today. And others realise perceptions of utopias such as Shangri-La, Eden, or Paradise. Replicas – duplitecture – and simulacra can have symbolic meaning for tourists, as merely inspiring an atmosphere or as truly authentic, and their relationship to original functions, for worship, accommodation, leisure, or shopping. Tourism and Architectural Simulacra questions and rethinks the different environments constructed or adapted both for and by tourism exploring the relationship between the architectural inspiration and its reproduction within the tourist bubble. The wide range of geographical areas, eras, and subjects in this book show that the expositions of simulacra and hyper reality by Baudrillard, Deleuze, and Eco are surpassed by our complex world. Adopting an interdisciplinary approach they offer original insights of the complex relationship between tourism and architecture. The chapters in this book were originally published as a special issue of the Journal of Tourism and Cultural Change. |
| simulacrum disneyland: Handbook of Organizational Theory and Management Thomas D. Lynch, 1997-11-20 Chronologically arranged to demonstrate the evolution of ideas, this book explores major issues in public and government organization theory using classical philosophy. Containing over 2000 bibliographic citations, the book covers the influence Plato's ideas and Jesus' teachings on public administration theory, presents Machiavelli as the creator of the modern concept of public administration, details the effect of mercantilism on political governance, examines the ideas of Jeremy Bentham, John Locke, Adam Smith, and David Hume in American government, discusses the importance of Woodrow Wilson, the Progressive Reform Era, and the Bureau Movement on public administration, and more. |
| simulacrum disneyland: What Philosophy Is Havi Carel, David Gamez, 2004-03-10 What do we mean when we talk about philosophy today? How does philosophy relate to science, to politics, to literature? What methods does the modern philosopher use, and how does philosophy progress? Does philosophy differ from place to place? What can philosophy do for us? And what can it not do? This book, with contributions from such exciting and influential contemporary philosophers as Simon Blackburn, Michael Friedman, Simon Critchley and Manuel DeLanda, offers us a fascinating picture of the character and methods of philosophy; its possibilities and its limitations. And of course, it is itself a piece of philosophy in action, not merely offering us answers but also prompting us to ask further questions and to philosophise for ourselves. |
| simulacrum disneyland: Theories of Performance Elizabeth Bell, 2008-02-11 Theories of Performance invites students to explore the possibilities of performance for creating, knowing, and staking claims to the world. Each chapter surveys, explains, and illustrates classic, modern, and postmodern theories that answer the questions, What is performance? Why do people perform? and How does performance constitute our social and political worlds? The chapters feature performance as the entry point for understanding texts, drama, culture, social roles, identity, resistance, and technologies. |
| simulacrum disneyland: Organization Theory Mary Jo Hatch, 2018 The only textbook to use a three-perspective framework to explain, explore, and evaluate organizational theory in a distinctively engaging style. Organization Theory offers a clear and comprehensive introduction to the study of organizations and organizing processes. Through the unique three-perspective approach, students are challenged to explain, explore, and evaluate organizational theory, drawing on their own experiences as well as the book's diverse practical examples. The fourth edition includes a host of new learning features, which examine the practicality of theorizing and encourage students to broaden their intellectual reach. 'Theory to Practice' boxes and case studies highlight organizing processes in a range of settings, either through real-life, business examples or through exercises that encourage students to apply the theory to organizations they know or organizing experiences of their own. 'Think like a Theorist' and 'Exercise Those Perspectives' boxes then encourage students to actively theorize and evaluate, developing essential critical thinking skills and a greater understanding of the complex knowledge with which organization theorists grapple. By taking theory off the page, students can learn through doing and adopt a reflexive stance to the world around them. Mary Jo Hatch draws on her extensive experience in the field to produce a trusted and accessible introduction to the subject that provides academic depth, engaging pedagogy, and a practical focus. This book is accompanied by a collection of online resources: For students: Multiple-choice questions For lecturers: PowerPoint slides Figures and tables from the book Lecturers' guide Additional case studies |
| simulacrum disneyland: Jean Baudrillard Mike Gane, 2000-09-20 Presents Baudrillard's key concepts and examines his contribution to postmodernism, feminism, technology, art, war, time and politics |
| simulacrum disneyland: Simulation and Social Theory Sean Cubitt, 2000-12-22 This insightful book is the first to critically examine the ideas of some of the key thinkers of simulation. It addresses the work of Baudrillard, Debord, Virilio and Eco, clarifying their arguments by referring to the intellectual and social worlds each emerged from distilling what is important from their discussions. The book argues for a critical and selective use of the concept of simulation. Like the idea of ideology, simulation is a political theory, but it has also become a deeply pessimistic theory of the end of history and the impossibility of positive change. Through a series of reflections on the meaning of theme parks, warfare and computer modelling, Sean Cubitt demonstrates the strengths and limitations of the simulation thesis. |
| simulacrum disneyland: Jean Baudrillard Richard J. Lane, 2000-09-07 Best known as the philosopher who claimed that the Gulf War never happened, Jean Baudrillard is one of the most famous and controversial writers on postmodernism. This book offers a beginners guide to his thought, including his views on: * technology * primitivism * reworking Marxism * simulation and hyperreality * America and postmodernism. Richard Lane places Baudrillard's key ideas in the context of French and postmodern thought and examines the ongoing impact of his work. Concluding with an extensively annotated bibliography of the original texts, this is the perfect companion for any student approaching the work of Jean Baudrillard. |
| simulacrum disneyland: Jean Baudrillard and Radical Education Theory Kip Kline, Kristopher Holland, 2020-11-16 In Jean Baudrillard and Radical Education Theory: Turning Right to Go Left, the authors argue that Baudrillard has been underappreciated in philosophical and theoretical work in education. They introduce him here as an important figure in radical thought who has something to add to theoretical lines of inquiry in education. The book does not offer an introduction to Baudrillard. Rather, his corpus is mined in order to describe how it functions as a counter to the code of education, rational thought, critical reason, etc. In effect, they establish that Baudrillard advocates for a counter-path to thinking that can shake us out of our ready-made thoughts and realize the radical potential for change. |
| simulacrum disneyland: Adsensory Financialisation Pamela Odih, 2016-09-23 Adsensory technology presupposes a neoliberal entrepreneurial self as an integral feature of its biopolitical financialisation of healthcare regimes. According to Michel Foucault, neoliberalism is indebted to the endeavour of its self-disciplined subjects, investing human capital in a self-regulated, entrepreneurial pursuit of responsible healthcare and well-being. Primarily informed by social network analytics and virtual ethnographic observations, this book identifies the biopolitical basis of adsensory technologies. It argues that a paradoxical feature of adsensory technologies dissimulating “that there is nothing” (Jean Baudrillard) is the proliferation of risk. This is because the dissimulation of nothing opens up the possibility that “everything can be a risk, in so far as the type of event it falls under can be treated according to the principles of insurance technology” (Francois Ewald). Adsensory wearable technologies are called upon as “a strategy of deterrence” (Jean Baudrillard) to indemnify capitalism’s production of signs which dissimulate their simulation. In a context in which much that was certain now feigns its own existence, the insurance professed by adsensory technologies provides for an unrealisable guarantee against indefinable unknowable risks. Based also on case studies of European Court of Justice personal finance insurance rulings, this book engages critically with the neoliberal construct of the entrepreneurial lifestyle insurance subject. Social network analytics are utilised here to map bio-technology onto neoliberal regimes of financialised well-being and healthcare provision. In so doing, the book situates adsensory technologies within the marketising healthcare management programmes that are currently aligning the neoliberal reengineering of health and well-being citizenship with the biopolitical healthcare financialisation of populations. Paradoxically, in their endeavour to actor network virtual well-being health communities, adsensory technologies proliferate the individuating marketised conditions of neoliberal self-regulating entrepreneurialism. This gives rise to aleatory materialist dialectics of financialised surveillance far exceeding the regulatory time and space modalities of Foucauldian panoptics and Mathiesen synoptics. Adsensory technologies are integral to a seismic transformation in the cultural economies of time presently eliding digital advertising and insurantial technologies. Axiomatic with the synchronic times of the adsensory technologies valorised by lifestyle insurance, much riskier asynchronic embodied times, transgressively dissimilating the limits of financialisation, are beginning to emerge. |
| simulacrum disneyland: Crime and Media Chris Greer, 2019-07-08 This engaging and timely collection gathers together for the first time key and classic readings in the ever-expanding area of crime and media. Comprizing a carefully distilled selection of the most important contributions to the field, Crime and Media: A Reader tackles a wide range of issues including: understanding media; researching media; crime, newsworthiness and news; crime, entertainment and creativity; effects, influence and moral panic; and cybercrime, surveillance and risk. Specially devized introductory and linking sections contextualize each reading and evaluate its contribution to the field, both individually and in relation to competing approaches and debates. This book provides a single source around which criminology, media and cultural studies modules can be structured, an invaluable revision and consultation guide for students, and an extremely useful resource for scholars writing and researching across a wide range of relevant fields. Accessible yet challenging, and packed with additional pedagogical devices, Crime and Media: A Reader will be an invaluable resource for students and academics studying crime, media, culture, surveillance and control. |
| simulacrum disneyland: The Routledge Companion to Social and Political Philosophy Gerald F. Gaus, Fred D'Agostino, 2013 This comprehensive work provides an up-to-date survey of social and political philosophy, charting its history and key figures and movements, and addressing enduring questions as well as contemporary research. |
| simulacrum disneyland: Rhetoric and Human Consciousness Craig R. Smith, 2017-04-12 For two decades, students and instructors have relied on award-winning author Craig Smith’s detailed description and analysis of rhetorical theories and the historical contexts for major thinkers who advanced them. He employs key themes from important philosophical schools in this well-researched chronicle of rhetoric and human consciousness. One is that rhetoric is a response to uncertainty. The modern philosophers, like the naturalists of ancient Greece and the Scholastics who preceded them, tried to end uncertainty by combining the discoveries of science and psychology with rationalism. Their aim was progress and a consensus among experts as to what truth is. However, where modernism proved ineffective, rhetoric was revived to fill the breach. Another significant theme is that different conceptions of human consciousness lead to different theories of rhetoric, and for every major school of thought, another school of thought forms in reaction. Classic and contemporary examples demonstrate the usefulness of rhetorical theory, especially its ability to inform and guide. By providing probes for rhetorical criticism, discussions also demonstrate that rhetorical criticism illustrates, verifies, and refines rhetorical theory. Thus, the synergistic relationship between theory and criticism in rhetoric is no different than in other arts: Theory informs practice; analysis of successful practice refines theory. Smith’s absorbing study has been expanded to include thorough treatments of rhetoric in the Romantic Era, feminist and queer theory, and historical context for the creation of rhetorical theory and its use in public address. |
| simulacrum disneyland: Mimesis in a Cognitive Perspective Nicolae Babuts, 2017-07-05 Mimesis is a critical and philosophical term going back to Aristotle. It carries a wide range of meanings, including imitation, representation, mimicry, the act of expression, and the presentation of self. In modern literary criticism, mimesis has received renewed attention in the last two or three decades and been subject to wide-ranging interpretations. Nicolae Babuts looks at the concept of mimesis from a cognitive perspective. He identifies two main strands: the mimetic relation of art and poetry to the world, defined in terms of reference to an external reality, and the importance of memory in the making of plots or storytelling.Babuts suggests that there is a material identity we cannot know beyond the limits of our senses and intellect and a symbolic or coded identity that is processed by memory. All writers, including Mallarme in his esoteric poetry, Flaubert in his realist narratives, and Mihai Eminescu, the Romanian poet, in his romantic poems, rely on mimetic strategies to link the two identities: the images in memory to the outside reality. All order their narratives in accordance with the dynamics of memory. Babuts describes this phenomenon with great insight, showing how new traditions are formed. |
| simulacrum disneyland: Philosophy of History M.C. Lemon, 2003-08-29 An essential introduction to a vast body of writing about history, from classical Greece and Rome to the contemporary world. |
| simulacrum disneyland: Liminality in Fantastic Fiction Sandor Klapcsik, 2012-01-09 This critical work diversifies Victor Turner's concept of liminality, a basic category of postmodernism, in which distinct categories and hierarchies are questioned and limits erode. Liminality involves an oscillation between cultural institutions, genre conventions, narrative perspectives, and thematic binary oppositions. Grounded on this notion, the text investigates the liminality in Agatha Christie's detective fiction, Neil Gaiman's fantasy stories, and Stanislaw Lem's and Philip K. Dick's science fiction. Through an examination of destabilized norms, this analysis demonstrates that liminality is a key element in the changing trends of fantastic texts. |
| simulacrum disneyland: Social Media Marketing Stephan Dahl, 2018-03-31 The Second Edition of this text maintains a scholarly approach, providing students with an up-to-date understanding of both the theory and practice of social media marketing, whilst taking a thorough refreshment of the cases, examples and the literature. It offers a critical evaluation of the theoretical frameworks that can be used to explain and utilise social media, providing discussion questions and further reading throughout. Readers are invited to think about the different types of social media users and explore topics such as brand loyalty, co-creation, marketing strategy, measurement, mobile platforms, privacy and ethics. As well as tracing the emergence and trends of Web 2.0 and what they mean for marketing, the author also considers the future for social media marketing. The book is supported by real-life examples and case studies from a range of industries, companies and countries such as China, Canada, Sweden and Singapore. They include DHL (Germany), Dubai Foundation for Women and Children, Google (Taiwan), Addict Aide (France) Canada (opera Vancouver), Britain (British Tourism), Procter & Gamble (Global), Maggi (India), McDonalds (Global), eBags (US/Global), Vodafone (Romania). Online resources for this book are available here Suitable for Marketing, Advertising or Media students taking classes on social media or digital marketing at upper undergraduate, Masters or Doctoral level. |
| simulacrum disneyland: From Mouse to Mermaid Elizabeth Bell, 1995-11 From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes. |
| simulacrum disneyland: The Mourning After Neil Edward Brooks, Josh Toth, 2007 Have we moved beyond postmodernism? Did postmodernism lose its oppositional value when it became a cultural dominant? While focusing on questions such as these, the articles in this collection consider the possibility that the death of a certain version of postmodernism marks a renewed attempt to re-negotiate and perhaps re-embrace many of the cultural, literary and theoretical assumptions that postmodernism seemly denied outright. Including contributions from some of the leading scholars in the field - N. Katherine Hayles, John D. Caputo, Paul Maltby, Jane Flax, among others - this collection ultimately comes together to perform a certain work of mourning. Through their explorations of this current epistemological shift in narrative and theoretical production, these articles work to get over postmodernism while simultaneously celebrating a certain postmodern inheritance, an inheritance that can offer us important avenues to understanding and affecting contemporary culture and society. |
| simulacrum disneyland: Microbreweries, Nanobreweries, and Brewpubs Joseph Peter Klapatch, 2023-05-09 In the mid-1980s, the American beer market offered far fewer options than what is available today. When microbreweries began to come onto the scene, distributors and retailers were skeptical of their new beers and did not believe that these new American brews would be able to compete with imports. Newer, smaller brewers also had to overcome antiquated laws and strong consumer brand loyalty to major domestic beers. After years of struggles, microbrewers established a foothold in the American beer market, popularized new and previously underappreciated styles, and set the stage for a massive proliferation of nanobreweries across the country. This book takes a look at these microbreweries--prime examples of American enterprise and innovation--from an industry outsider's perspective. The author explores a select number of small breweries from around the United States, covering their signature brews, histories, and what it took for them to claim their niches in the marketplace. |
| simulacrum disneyland: Consuming Schools Trevor Norris, 2011-01-01 The increasing prevalence of consumerism in contemporary society often equates happiness with the acquisition of material objects. Consuming Schools describes the impact of consumerism on politics and education and charts the increasing presence of commercialism in the educational sphere through an examination of issues such as school-business partnerships, advertising in schools, and corporate-sponsored curriculum. First linking the origins of consumerism to important political and philosophical thinkers, Trevor Norris goes on to closely examine the distinction between the public and the private sphere through the lens of twentieth-century intellectuals Hannah Arendt and Jean Baudrillard. Through Arendt's account of the human activities of labour, work, and action, and the ensuing eclipse of the public realm and Baudrillard's consideration of the visual character of consumerism, Norris examines how school commercialism has been critically engaged by in-class activities such as media literacy programs and educational policies regulating school-business partnerships. |
| simulacrum disneyland: Sons of the Movement Jean Bobby Noble, 2006 Sons of the Movement documents the female-to-male (FtM) transition process from an insider's point of view, and details the limitations of both surgical procedures and pronouns. Bobby Noble challenges both the expectations of masculinity and white masculinity. As a result, this text is equally invested in creating both gender trouble and race trouble, calling for a new provocative analysis of the field of gender studies. |
| simulacrum disneyland: The Venice Myth David Barnes, 2015-10-06 Venice holds a unique place in literary and cultural history. Barnes looks at the themes of war, occupation, resistance and fascism to see how the political background has affected the literary works that have come out of this great city. He focuses on key British and American writers, including Byron, Ruskin, Pound and Eliot. |
| simulacrum disneyland: Disney and the Dialectic of Desire Joseph Zornado, 2017-10-18 This book analyzes Walt Disney’s impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney’s full-length animated features of the “golden era” as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man’s singular, perverse desire. What follows after is a discussion of the “second golden age” of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney. |
| simulacrum disneyland: A Political Space Warren Magnusson, Karena Shaw, 2002 |
| simulacrum disneyland: Critical and Cultural Theory Dani Cavallaro, 2001-01-01 This radical, new book brings together the key concepts, issues and debates in critical and cultural theory today. Each chapter presents a self-contained analysis of each concept as well providing a range of discussion questions and further reading. Throughout, text-links connect related material across chapters, enabling the reader to pursue their own line of disciplinary or cross-disciplinary inquiry. |
| simulacrum disneyland: Structural Idealism Douglas Mann, 2006-01-01 Do we determine our actions, or are our actions ruled by the structure of our society? Does our culture create us, or do we create our culture? Within history and social theory there is a fundamental division of opinion between those who explain human action by considering the intentions, reasons and motives of individuals and those who use broader social structures. Structural Idealism presents a theory of social and historical explanation which argues that “idealists” such as Hegel, who champion human agency, and “materialists” such as Marx, who support social structure, have grasped but part of a larger truth. The book contends that we have to explain human actions simultaneously by both the ideas human actors bring to a situation and the way in which previous actions have created social structures that condition those ideas. Through this realization we can see how all forms of knowledge, from the historical roots of modern philosophy to today’s popular culture, both condition and are conditioned by structural ideals. This book challenges our perception of how cultures and ideals are formed, and shows that while structural ideals allow people to co-operate as they work toward goals — their own or those of their community — these images of perfection, so easily accepted as the unalterable structure of our society, can be changed, and are changed, by individuals. Structural Idealism asks us to think beneath the surface of our society, and will be of special interest to philosophers, sociologists, historians and cultural theorists. |
| simulacrum disneyland: Theoretical Sociology Jonathan H. Turner, 2012-10-11 Written by award-winning scholar Jonathan Turner, Theoretical Sociology: 1830 to the Present covers new and emerging aspects of sociological theory and examines the significant contributions of both modern and founding theorists. Nine sections present detailed analyses of key theories and paradigms, including functionalism, evolutionary theory, conflict theory, critical theory, exchange theory, interactionist theory, and structuralism. Despite the in-depth discussions of theorists and their contributions to the field, the text is concise and focused, a perfect resource for readers seeking to develop a deeper understanding of contemporary and classical sociological theory. |
| simulacrum disneyland: Classical and Contemporary Sociological Theory Scott Appelrouth, Laura Desfor Edles, 2020-08-13 Classical and Contemporary Sociological Theory: Text and Readings provides students with the best of both worlds—carefully-edited excerpts from the original works of sociology′s key thinkers accompanied by an analytical framework that discusses the lives, ideas, and historical circumstances of each theorist. This unique format enables students to examine, compare, and contrast each theorist’s major themes and concepts. |
| simulacrum disneyland: Disney & His Worlds Alan Bryman, 2003-09-02 This work provides an overview of the Disney organization, in particular the theme parks and their significance for contemporary culture. The author examines topics such as Walt Disney's life and how his biography has been constructed, the Disney Company in the years after his death and various writings about the Disney theme parks. He raises important issues about the parks such as: whether they are harbringers of postmodernism; the significance of consumption at the parks; and the representation of past and future. The discussion of theme parks links with the presentation of Disney's biography and his organization by showing how central economic and business considerations have been in their development and how the significance of these considerations is typically marginalized in order to place an emphasis on fantasy and magic. |
| simulacrum disneyland: The Dissolution of Place Shelton Waldrep, 2016-03-16 Postmodern architecture - with its return to ornamentality, historical quotation, and low-culture kitsch - has long been seen as a critical and popular anodyne to the worst aspects of modernist architecture: glass boxes built in urban locales as so many interchangeable, generic anti-architectural cubes and slabs. This book extends this debate beyond the modernist/postmodernist rivalry to situate postmodernism as an already superseded concept that has been upended by deconstructionist and virtual architecture as well as the continued turn toward the use of theming in much new public and corporate space. It investigates architecture on the margins of postmodernism -- those places where both architecture and postmodernism begin to break down and to reveal new forms and new relationships. The book examines in detail not only a wide range of architectural phenomena such as theme parks, casinos, specific modernist and postmodernist buildings, but also interrogates architecture in relation to identity, specifically Native American and gay male identities, as they are reflected in new notions of the built environment. In dealing specifically with the intersection between postmodern architecture and virtual and filmic definitions of space, as well as with theming, and gender and racial identities, this book provides provides ground-breaking insights not only into postmodern architecture, but into spatial thinking in general. |
| simulacrum disneyland: The Political Economy of the Spectacle and Postmodern Caste John Asimakopoulos, 2019-10-01 In The Political Economy of the Spectacle and Postmodern Caste, John Asimakopoulos analyzes the political economy of the society of the spectacle, a philosophical concept developed by Guy Debord and Jean Baudrillard. Using the analytical tools of social science, while historicizing, Asimakopoulos reveals that all societies in every epoch have been and continue to be caste systems legitimized by various ideologies. He concludes there is no such thing as capitalism (or socialism)—only a caste system hidden behind capitalist ideology. Key features of the book include its broad interdisciplinary-nonsectarian approach with quantitative and qualitative data. The Political Economy of the Spectacle and Postmodern Caste is well written and clear, making it accessible to the general public. |
| simulacrum disneyland: Hyperreal Obscenities - Baudrillard on Cybersex Johannes Lenhard, 2011-12 Essay from the year 2011 in the subject Sociology - Gender Studies, grade: Distinction, London School of Economics, language: English, abstract: Baudrillard was not concerned as much about pornography and particularly not about cybersex, as he was about the more general concepts of 'hyperreality' and the 'obscene'. But nevertheless, it seems that his ideas might be relevant in today's 'mediated' forms of sexual pleasure. This paper therefore tries to apply his theory towards the notion of cybersex. Two questions seem of highest importance: Is cybersex 'real'? What is it that actually takes place in cybersex? The first question can be framed with Baudrillard's notion of 'hyperreality' and 'virtual', whereas the 'obscene' is most fruitful in describing the content of cybersex. In the following, this essay will in the first paragraph deal predominantly with the definition of cybersex before the second and third part will introduce Baudrillard's ideas and critically apply them towards the question of the 'realness of cybersex' as well as the 'content' of it. Before the conclusion will try to give the analysis a wider perspective, a section of general critique will follow the development of the argument and reflect on the applicability of Baudrillard towards cybersex. First, however, it is necessary to come to a common understanding of the notion of cybersex. |
| simulacrum disneyland: Problematic Identities in Women's Fiction of the Sri Lankan Diaspora Alexandra Watkins, 2015-06-02 Women novelists of the Sri Lankan diaspora make a significant contribution to the field of South Asian postcolonial studies. Their writing is critical and subversive, particularly concerned as it is with the problematic of identity. This book engages in insightful readings of nine novels by women writers of the Sri Lankan diaspora: Michelle de Kretser’s The Hamilton Case (2003); Yasmine Gooneratne’s A Change of Skies (1991), The Pleasures of Conquest (1996), and The Sweet and Simple Kind (2006); Chandani Lokugé’s If the Moon Smiled (2000) and Turtle Nest (2003); Karen Roberts’s July (2001); Roma Tearne’s Mosquito (2007); and V.V. Ganeshananthan’s Love Marriage (2008). These texts are set in Sri Lanka but also in contemporary Australia, England, Italy, Canada, and North America. They depict British colonialism, the Tamil–Sinhalese conflict, neocolonial touristic predation, and the double-consciousness of diaspora. Despite these different settings and preoccupations, however, this body of work reveals a consistent and vital concern with identity, as notably gendered and expressed through resonant images of mourning, melancholia, and other forms of psychic disturbance. This is a groundbreaking study of a neglected but powerful body of postcolonial fiction. “This is an excellent study that I believe makes a significant and timely contribution to the fields of postcolonial literature, Sri Lankan anglophone literature, diasporic literature, women’s studies, and world literature. It was a stimulating and thought-provoking read.” Dr Maryse Jayasuriya, The University of Texas at El Paso. |
SIMULACRUM Definition & Meaning - Merriam-Webster
The meaning of SIMULACRUM is image, representation. How to use simulacrum in a sentence. Did you know?
Simulacrum - Wikipedia
A simulacrum (pl.: simulacra or simulacrums, from Latin simulacrum, meaning "likeness, semblance") is a representation or imitation of a person or thing. [1] The word was first …
SIMULACRUM | English meaning - Cambridge Dictionary
SIMULACRUM definition: 1. something that looks like or represents something else 2. something that looks like or…. Learn more.
SIMULACRUM Definition & Meaning | Dictionary.com
Simulacrum definition: a slight, unreal, or superficial likeness or semblance.. See examples of SIMULACRUM used in a sentence.
What does simulacrum mean? - Definitions.net
A simulacrum is an image or representation of someone or something. It could refer to an object or a place that is a representation of something else, often a substantial or realistic copy. In …
simulacrum - Wiktionary, the free dictionary
May 29, 2025 · simulacrum (plural simulacra or simulacrums) A physical image or representation of a deity, person, or thing. [H]e crossed the haunted Almo, renowned of yore for its healing …
SIMULACRUM definition and meaning | Collins English Dictionary
It lifted its hands in weak defense, shuddering with an astonishing, dry simulacrum of pain. 2 meanings: archaic 1. any image or representation of something 2. a slight, unreal, or vague …
Simulacrum - definition of simulacrum by The Free Dictionary
simulacrum - a representation of a person (especially in the form of sculpture); "the coin bears an effigy of Lincoln"; "the emperor's tomb had his image carved in stone"
simulacrum noun - Definition, pictures, pronunciation and usage …
Definition of simulacrum noun in Oxford Advanced American Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
simulacrum - definition and meaning - Wordnik
Mar 19, 2011 · It must be understood that the term simulacrum is defined as "a material image, made as a representation of some deity, person, or thing," as "something having merely the …
SIMULACRUM Definition & Meaning - Merriam-Webster
The meaning of SIMULACRUM is image, representation. How to use simulacrum in a sentence. Did you know?
Simulacrum - Wikipedia
A simulacrum (pl.: simulacra or simulacrums, from Latin simulacrum, meaning "likeness, semblance") is a representation or imitation of a person or thing. [1] The word was first …
SIMULACRUM | English meaning - Cambridge Dictionary
SIMULACRUM definition: 1. something that looks like or represents something else 2. something that looks like or…. Learn more.
SIMULACRUM Definition & Meaning | Dictionary.com
Simulacrum definition: a slight, unreal, or superficial likeness or semblance.. See examples of SIMULACRUM used in a sentence.
What does simulacrum mean? - Definitions.net
A simulacrum is an image or representation of someone or something. It could refer to an object or a place that is a representation of something else, often a substantial or realistic copy. In …
simulacrum - Wiktionary, the free dictionary
May 29, 2025 · simulacrum (plural simulacra or simulacrums) A physical image or representation of a deity, person, or thing. [H]e crossed the haunted Almo, renowned of yore for its healing …
SIMULACRUM definition and meaning | Collins English Dictionary
It lifted its hands in weak defense, shuddering with an astonishing, dry simulacrum of pain. 2 meanings: archaic 1. any image or representation of something 2. a slight, unreal, or vague …
Simulacrum - definition of simulacrum by The Free Dictionary
simulacrum - a representation of a person (especially in the form of sculpture); "the coin bears an effigy of Lincoln"; "the emperor's tomb had his image carved in stone"
simulacrum noun - Definition, pictures, pronunciation and usage …
Definition of simulacrum noun in Oxford Advanced American Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
simulacrum - definition and meaning - Wordnik
Mar 19, 2011 · It must be understood that the term simulacrum is defined as "a material image, made as a representation of some deity, person, or thing," as "something having merely the …
