Advertisement
| slave ship by jmw turner: Voyage of The Slave Ship Stephen J. May, 2014-05-03 Set against the backdrop of the Atlantic slave trade, this book traces the development, exhibition and final disposition of one of J.M.W. Turner's greatest and most memorable paintings. Queen Victoria's reign (1837-1901) in Great Britain produced unprecedented wealth and luxury. For artists and writers this period was particularly noteworthy in that it gave them the opportunity to both praise their country and criticize its overreaching ambition. At the forefront of these artists and writers were men like J.M.W. Turner, Dickens, Thackeray, Tennyson, and John Ruskin, who created some of the most enduring works of art while exposing many of the social evils of their native land. The book also analyzes the man behind the painting. Aloof, gruff and mysterious, Turner resisted success. He worked as a solitary artist, traveling to Europe, sketching towns along the way, studying nature, and transferring his experiences to finished paintings upon his return to London. The son of a barber, he grew up in London and experienced many of the social issues of the age: slavery and freedom, poverty in the slums, monarchy and democracy, stability and anarchy. He was a poet of nature and its innumerable mysteries. |
| slave ship by jmw turner: Turner David Dabydeen, 2002 David Dabydeen's Turner is a long narrative poem written in response to JMW Turner's celebrated painting 'Slavers Throwing Overboard the Dead & Dying'. Dabydeen's poem focuses on what is hidden in Turner's painting, the submerged head of the drowning African. In inventing a biography and the drowned man's unspoken desires, including the resisted temptation to fabricate an idyllic past, the poem brings into confrontation the wish for renewal and the inescapable stains of history, including the meaning of Turner's painting. Turner was described Caryl Phillips as a major poem, full of lyricism and compassion, which gracefully shoulders the burden of history and introduces us to voices from the past whose voices we have all inherited, and by Hanif Kureishi as Magnificent, vivid and original. In addition to the title poems, Turner contains selections from David Dabydeen's two earlier books, Slave Song (1984) and Coolie Odyssey. David Dabydeen was born in Guyana. He has published six acclaimed novels and three collections of poetry. He is a Fellow of the Royal Society of Literature and Professor of Literary Studies at the University of Warwick. |
| slave ship by jmw turner: Blind Memory Marcus Wood, 2000 Throughout this important volume, the author underscores two vital themes: one, that visual presentation of slavery in England and America has been utterly dishonest to its subject, and the other a meditation on whether the ruptures of the slave experience - middle passage, bondage, and torture -- can be adequately represented and remembered. |
| slave ship by jmw turner: Art of the Amistad and The Portrait of Cinqué Laura A. Macaluso, 2016-03-23 The Amistad incident, one of the few successful ship revolts in the history of enslavement, has been discussed by historians for decades, even becoming the subject of a Steven Spielberg film in 1997, which brought the story to wide audiences. But, while historians have examined the Amistad case for its role in the long history of the Atlantic, the United States and slavery, there is an oil on canvas painting of one man, Cinqué, at the center of this story, an image so crucial to the continual retelling and memorialization of the Amistad story, it is difficult to think about the Amistad and not think of this image. Visual and material culture about the Amistad in the form of paintings, prints, monuments, memorials, museum exhibits, quilts and banners, began production in the late summer of 1839 and has not yet ceased. Art of the Amistad and The Portrait of Cinqué is the first book to survey in total these Amistad inspired images and related objects, and to find in them shared ideals and cultural creations, but also divergent applications of the story based on intended audience and local context. Tracing the revolutionary creation of what art historian Stephen Eisenman calls “a highly individualized, noble portrait of an African man,” Art of the Amistad and The Portrait of Cinqué is built around visual and material culture, and thus does not use images merely as illustration, but tells its story through the wide range of images and materials presented. While the Portrait of Cinqué seems to sit quietly behind Plexiglass at a local history museum, the impact of this 175-year old painting is palpable; very few portraits from the 19th century—let alone a portrait of a black man—remain a relevant part of culture as the Portrait of Cinqué continues to be today. Art of the Amistad the Portrait of Cinqué is about the art and artifacts that continue to inform and inspire our understanding of transatlantic history—a journey 175 years in the making. |
| slave ship by jmw turner: The Last Slave Ships John Harris, 2022-01-11 This stunning behind-the-curtain look into the last years of the illegal transatlantic slave trade in the United States represents a signal contribution to U.S. antebellum historiography. (Library Journal, Starred Review) A remarkable piece of scholarship.--Eric Herschthal, New Republic Uncovers an important--and little known--aspect of both New York City history and the history of the illegal slave trade to Cuba.--Erin Becker, Global Maritime History Long after the transatlantic slave trade was officially outlawed in the early nineteenth century by every major slave trading nation, merchants based in the United States were still sending hundreds of illegal slave ships from American ports to the African coast. The key instigators were slave traders who moved to New York City after the shuttering of the massive illegal slave trade to Brazil in 1850. These traffickers were determined to make Lower Manhattan a key hub in the illegal slave trade to Cuba. In conjunction with allies in Africa and Cuba, they ensnared around two hundred thousand African men, women, and children during the 1850s and 1860s. John Harris explores how the U.S. government went from ignoring, and even abetting, this illegal trade to helping to shut it down completely in 1867. |
| slave ship by jmw turner: Feeding the Ghosts Fred D'Aguiar, 2015-12-01 A literary venture into the economic shadow that slavery cast, Feeding the Ghosts, based on a true story, lays bare the raw business of the slave trade. The Zong, a slave ship packed with captive African “stock,” is headed to the New World. When illness threatens to disable all on board and cut potential profits, the ship’s captain orders his crew to throw the sick into the ocean. After being hurled overboard, Mintah, a young female slave taken from a Danish mission, is able to climb back onto the ship. From her hiding place, she rouses the remaining slaves to rebel and stirs unease among the crew with a voice and conscience they seem unable to silence. Mintah’s courage and others’ reactions to it unfold in a suspenseful story of the struggle to live even when threatened by oblivion. |
| slave ship by jmw turner: Dreams of Africa in Alabama Sylviane A. Diouf, 2009-02-18 In the summer of 1860, more than fifty years after the United States legally abolished the international slave trade, 110 men, women, and children from Benin and Nigeria were brought ashore in Alabama under cover of night. They were the last recorded group of Africans deported to the United States as slaves. Timothy Meaher, an established Mobile businessman, sent the slave ship, the Clotilda , to Africa, on a bet that he could bring a shipful of niggers right into Mobile Bay under the officers' noses. He won the bet. This book reconstructs the lives of the people in West Africa, recounts their capture and passage in the slave pen in Ouidah, and describes their experience of slavery alongside American-born enslaved men and women. After emancipation, the group reunited from various plantations, bought land, and founded their own settlement, known as African Town. They ruled it according to customary African laws, spoke their own regional language and, when giving interviews, insisted that writers use their African names so that their families would know that they were still alive. The last survivor of the Clotilda died in 1935, but African Town is still home to a community of Clotilda descendants. The publication of Dreams of Africa in Alabama marks the 200th anniversary of the abolition of the transatlantic slave trade. Winner of the Wesley-Logan Prize of the American Historical Association (2007) |
| slave ship by jmw turner: Turner David Dabydeen, 1994 David Dabydeen s Turner is a long narrative poem written in response to J. M. W. Turner s celebrated poem Slavers Throwing Overboard the Dead and Dying. Dabydeen s poem focuses on what is hidden in Turner s painting, the submerged head of the drowning African. In inventing a biography and the drowned man s unspoken desires, the poem brings into confrontation the wish for renewal and the inescapable stains of history, including the meaning of Turner s painting. |
| slave ship by jmw turner: Discourses of Slavery and Abolition B. Carey, M. Ellis, S. Salih, 2004-05-25 Discourses of Slavery and Abolition brings together for the first time the most important strands of current thinking on the relationship between slavery and categories of writing, oratory and visual culture in the 'long' Eighteenth-century. The book begins by examining writing about slavery and race by both philosophers and by authors such as Aphra Behn. It considers self-representation in the works of Ignatius Sancho, Olaudah Equiano, James Williams and Mary Prince. The final section reads literary and cultural texts associated with the abolition movements of the Eighteenth and Nineteenth centuries, moving beyond traditional accounts of the documents of that movement to show the importance of religious writing, children's literature and the relationship between art and abolition. |
| slave ship by jmw turner: Modern Painters John Ruskin, 1848 |
| slave ship by jmw turner: J.M.W. Turner and the Subject of History Leo Costello, 2017-07-05 J.M.W. Turner and the Subject of History is an in-depth consideration of the artist's complex response to the challenge of creating history paintings in the early nineteenth century. Structured around the linked themes of making and unmaking, of creation and destruction, this book examines how Turner's history paintings reveal changing notions of individual and collective identity at a time when the British Empire was simultaneously developing and fragmenting. Turner similarly emerges as a conflicted subject, one whose artistic modernism emerged out of a desire to both continue and exceed his eighteenth-century aesthetic background by responding to the altered political and historical circumstances of the nineteenth century. |
| slave ship by jmw turner: Witnessing Slavery Sarah Thomas, 2019 A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. Being there, indeed, became significant not only because of the empirical opportunities to document slave life it afforded but also because the imagery of the eyewitness was more credible than sketches and paintings created by the armchair traveler at home. Full of original insights that cast a new light on these highly charged images, this volume reconsiders how slavery was depicted within a historical context in which truth was a deeply contested subject. Distributed for the Paul Mellon Centre for Studies in British Art |
| slave ship by jmw turner: Rockets and Blue Lights (National Theatre Edition) Winsome Pinnock, 2021-08-26 The Alfred Fagon Award-winning play that retells British history through the prism of the slave trade. |
| slave ship by jmw turner: Citizen Claudia Rankine, 2014-10-07 * Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named post-race society. |
| slave ship by jmw turner: Images of Crisis (Routledge Revivals) George P. Landow, 2014-08-01 First published in 1982, Images of Crisis explores the premise that literature and art exploit various images to present culturally prevalent ideas, and thus create their own form of iconology. George Landow shows how the tumultuous history of the past two hundred years has resulted in a plethora of metaphors associated with moments of human crisis. Avalanches and volcanoes emerge as focal images in an aesthetic that concerns itself increasingly with the vulnerability of humanity. However, it is in the transformation of traditional religious images that the ideas of the vacant universe are most dramatically presented. Associated with this central idea are ironic transformations of other images that formerly had been associated with Christianity as paradigms of belief: the journey of Odysseus, the rainbow of the Covenant and Robinson Crusoe. Combining close textual analysis with a theory of literary iconology, this fascinating reissue will be of particular value to students with an interest in literary images, and literary and cultural history. |
| slave ship by jmw turner: The Amistad Rebellion Marcus Rediker, 2013-11-26 Vividly drawn . . . this stunning book honors the achievement of the captive Africans who fought for—and won—their freedom.”—The Philadelphia Tribune A unique account of the most successful slave rebellion in American history, now updated with a new epilogue—from the award-winning author of The Slave Ship In this powerful and highly original account, Marcus Rediker reclaims the Amistad rebellion for its true proponents: the enslaved Africans who risked death to stake a claim for freedom. Using newly discovered evidence and featuring vividly drawn portraits of the rebels, their captors, and their abolitionist allies, Rediker reframes the story to show how a small group of courageous men fought and won an epic battle against Spanish and American slaveholders and their governments. The successful Amistad rebellion changed the very nature of the struggle against slavery. As a handful of self-emancipated Africans steered their own course for freedom, they opened a way for millions to follow. This edition includes a new epilogue about the author's trip to Sierra Leona to search for Lomboko, the slave-trading factory where the Amistad Africans were incarcerated, and other relics and connections to the Amistad rebellion, especially living local memory of the uprising and the people who made it. |
| slave ship by jmw turner: J. M. W. Turner Joseph Mallord William Turner, 2000 Published to accompany the exhibition at the Tate Gallery, Liverpool 23 June - 1 October 2000. |
| slave ship by jmw turner: When Brains Meet Buildings Michael A. Arbib, 2021 Michael Arbib presents When Brains Meet Buildings as an invitation to the science behind architecture, richly illustrated with buildings both famous and domestic. As he converses with the reader, he presents action-oriented perception, memory, and imagination as well as atmosphere, aesthetics, and emotion as keys to analyzing the experience and design of architecture. |
| slave ship by jmw turner: The Zong - a Massacre, the Law and the End of Slaver Y James Walvin, 2019-11-27 The first full review of the mass murder by crew members on the slave ship Zong and the lasting repercussions of this horrifying event On November 29, 1781, Captain Collingwood of the British ship Zong commanded his crew to throw overboard one-third of his cargo: a shipment of Africans bound for slavery in America. The captain believed his ship was off course, and he feared there was not enough drinking water to last until landfall. This book is the first to examine in detail the deplorable killings on the Zong, the lawsuit that ensued, how the murder of 132 slaves affected debates about slavery, and the way we remember the infamous Zong today. Historian James Walvin explores all aspects of the Zong's voyage and the subsequent trial--a case brought to court not for the murder of the slaves but as a suit against the insurers who denied the owners' claim that their cargo had been necessarily jettisoned. The scandalous case prompted wide debate and fueled Britain's awakening abolition movement. Without the episode of the Zong, Walvin contends, the process of ending the slave trade would have taken an entirely different moral and political trajectory. He concludes with a fascinating discussion of how the case of the Zong, though unique in the history of slave ships, has come to be understood as typical of life on all such ships. |
| slave ship by jmw turner: Sacred Hunger Barry Unsworth, 2012-01-10 Winner of the Booker Prize A historical novel set in the eighteenth century, Sacred Hunger is a stunning, engrossing exploration of power, domination, and greed in the British Empire as it entered fully into the slave trade and spread it throughout its colonies. Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp. |
| slave ship by jmw turner: The Painter Rebecca Lenkiewicz, 2011 The fashionables? They just want to know if a painting's hot. Whether it will gain. Queen Victoria said of Turner, 'He is quite mad.' A cockney who spoke his mind, he did not fit into the norm of the artist. Society saw him as a misfit, shocking, controversial. He was a visionary, the father of modern painting. The play examines his relationship to three women in his life. English painting is dead. It's dealers making fortunes out of sentimental dross. Cherubs. Dogs. The Painter by Rebecca Lenkiewicz premiered at the Arcola Theatre, London, in January 2011 in the production which marked the opening of its new premises on Ashwin Street. |
| slave ship by jmw turner: The Story of Painting Wendy Beckett, National Gallery of Art (U.S.), 1994 |
| slave ship by jmw turner: Revisiting Slavery and Antislavery Laura Brace, Julia O'Connell Davidson, 2018-09-04 Despite growing popular and policy interest in ‘new’ slavery, with contemporary abolitionists calling for action to free an estimated 40 million ‘modern slaves’, interdisciplinary and theoretical dialogue has been largely missing from scholarship on ‘modern slavery’. This edited volume will provide a space to reinvigorate the theory and practice of representing slavery and related systems of domination, in particular our understandings of the binary between slavery and freedom in different historical and political contexts. The book takes a critical approach, interrogating the concept of modern slavery by exploring where it has come from, and its potential for obscuring and foreclosing new understandings. Including contributions from philosophers, political theorists, sociologists, anthropologists, and English literature scholars, it adds to the emerging critique of the concept of ‘modern slavery’ through its focus on the connections between the past of Atlantic World slavery, the present of contemporary groups whose freedoms are heavily restricted (prisoners, child labourers in the Global South, migrant domestic workers, and migrant wives), and the futures envisaged by activists struggling against different elements of the systems of domination that Atlantic World slavery relied upon and spawned. Revisiting Slavery & Antislavery will be of indispensable value to scholars, students, policy makers and activists in the fields of human rights, modern history, international politics, social policy, sociology and global inequality. |
| slave ship by jmw turner: The Politics of Slavery Laura Brace, 2019-08-07 Critically interrogates of the history and politics of slavery, from classical Greek philosophy to todayWhat makes a slave a slave? What does it mean to think about slavery as a political question? This book examines slavery and freedom as founding narratives of the liberal subject and of modernity. Laura Brace asks what happens when we try to bring slaves back into history, and into the history of political thought in particular. Looking at scholarship on both 'old' and 'new' slavery, the book assesses the work of Aristotle, Locke, Hegel, Kant, Wollstonecraft and Mill, and explores the contemporary concerns of human trafficking and the prison industrial complex to consider the limitations of 'new slavery' discourse.Key Features: Analyses the dominant liberal discourse on slavery, from Aristotle to Nietzsche; Examines the connections between 'old' and 'new' slavery; Explores the role of concepts of power, violence, domination and subordination, issues of economic exploitation and the organization of labour and the influence of race and gender. |
| slave ship by jmw turner: A Companion to Romanticism Duncan Wu, 1998 Contexts and perspectives vital to our understanding of the origins and evolution of the concept of Romanticism are covered in eight introductory essays. These are followed by 22 readings of key texts from Wordsworth to Felicia Hemans. |
| slave ship by jmw turner: The Middle Passage Tom Feelings, 2018-01-02 Alex Haley's Roots awakened many Americans to the cruelty of slavery. The Middle Passage focuses attention on the torturous journey which brought slaves from Africa to the Americas, allowing readers to bear witness to the sufferings of an entire people. |
| slave ship by jmw turner: Modern Painters John Ruskin, 2018-05-15 Reproduction of the original: Modern Painters by John Ruskin |
| slave ship by jmw turner: Committed to Memory Cheryl Finley, 2018-07-24 How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the slave ship icon was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film—and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy. |
| slave ship by jmw turner: How to Look at and Understand Great Art Teaching Company, 2011 Sharon Latchaw Hirsh, the president of Rosemont College, is an internationally recognized scholar of Western European art. This course introduces the most essential features of every work of art, including color, line, perspective, composition, and shape as well as point of view, time and motion, and light and texture examining different art media including drawings, prints, paintings and sculptures. |
| slave ship by jmw turner: Slave Portraiture in the Atlantic World Agnes Lugo-Ortiz, Angela Rosenthal, 2013-09-30 Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery. |
| slave ship by jmw turner: The Seventh Shrine Orland Bishop, 2017 Orland Bishop is a remarkable man who has combined extensive study of medicine, naturopathy, psychology and indigenous cosmologies with a deep dedication to human rights, Founder of the ShadeTree foundation which works with at-risk young people in Los Angeles, Bishop's primary work is around supporting individuals to be open to the higher purpose of their lives.In this fascinating book he reveals the influences on his life and work, in particular the spiritual tradition of African Gnosis, and significant individuals from the history of the African experience in America.Drawing on anthroposophy and other spiritual traditions, he explores the nature of the soul journey, and the quest for community and prosperity. |
| slave ship by jmw turner: The American Slave Narrative and the Victorian Novel Julia Sun-Joo Lee, 2010-04-09 This title explores the influence of the American slave narrative on the Victorian novel. The book argues that Charlotte Bronte, Charles Dickens, and Robert Louis Stevenson integrated into their works elements of the slave narrative. |
| slave ship by jmw turner: Contested Bodies Sasha Turner, 2017-05-05 It is often thought that slaveholders only began to show an interest in female slaves' reproductive health after the British government banned the importation of Africans into its West Indian colonies in 1807. However, as Sasha Turner shows in this illuminating study, for almost thirty years before the slave trade ended, Jamaican slaveholders and doctors adjusted slave women's labor, discipline, and health care to increase birth rates and ensure that infants lived to become adult workers. Although slaves' interests in healthy pregnancies and babies aligned with those of their masters, enslaved mothers, healers, family, and community members distrusted their owners' medicine and benevolence. Turner contends that the social bonds and cultural practices created around reproductive health care and childbirth challenged the economic purposes slaveholders gave to birthing and raising children. Through powerful stories that place the reader on the ground in plantation-era Jamaica, Contested Bodies reveals enslaved women's contrasting ideas about maternity and raising children, which put them at odds not only with their owners but sometimes with abolitionists and enslaved men. Turner argues that, as the source of new labor, these women created rituals, customs, and relationships around pregnancy, childbirth, and childrearing that enabled them at times to dictate the nature and pace of their work as well as their value. Drawing on a wide range of sources—including plantation records, abolitionist treatises, legislative documents, slave narratives, runaway advertisements, proslavery literature, and planter correspondence—Contested Bodies yields a fresh account of how the end of the slave trade changed the bodily experiences of those still enslaved in Jamaica. |
| slave ship by jmw turner: Scenes of British wealth, in produce, manufactures, and commerce Isaac Taylor, 1825 |
| slave ship by jmw turner: Slavery at Sea Sowande M Mustakeem, 2016-09-30 Most times left solely within the confine of plantation narratives, slavery was far from a land-based phenomenon. This book reveals for the first time how it took critical shape at sea. Expanding the gaze even more deeply, the book centers how the oceanic transport of human cargoes--infamously known as the Middle Passage--comprised a violently regulated process foundational to the institution of bondage. Sowande' Mustakeem's groundbreaking study goes inside the Atlantic slave trade to explore the social conditions and human costs embedded in the world of maritime slavery. Mining ship logs, records and personal documents, Mustakeem teases out the social histories produced between those on traveling ships: slaves, captains, sailors, and surgeons. As she shows, crewmen manufactured captives through enforced dependency, relentless cycles of physical, psychological terror, and pain that led to the the making--and unmaking--of enslaved Africans held and transported onboard slave ships. Mustakeem relates how this process, and related power struggles, played out not just for adult men, but also for women, children, teens, infants, nursing mothers, the elderly, diseased, ailing, and dying. Mustakeem offers provocative new insights into how gender, health, age, illness, and medical treatment intersected with trauma and violence transformed human beings into the world's most commercially sought commodity for over four centuries. |
| slave ship by jmw turner: Nineteenth-century European Art Petra ten-Doesschate Chu, 2006 This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History. |
| slave ship by jmw turner: Turner Tate Gallery, 1975 |
| slave ship by jmw turner: Beneath the World, a Sea Chris Beckett, 2019-04-04 'A disturbing descent into a surreal world, written with a deft hand.' Adrian Tchaikovsky, winner of the Arthur C. Clarke Award 2016 South America, 1990. Ben Ronson, a British police officer, arrives in a mysterious forest to investigate a spate of killings of Duendes. These silent, vaguely humanoid creatures - with long limbs and black button eyes - have a strange psychic effect on people, unleashing the subconscious and exposing their innermost thoughts and fears. Ben becomes fascinated by the Duendes, but the closer he gets, the more he begins to unravel, with terrifying results... Beneath the World, A Sea is a tour de force of modern fiction - a deeply searching and unsettling novel about the human subconscious, and all that lies beneath. 'Beckett is superb at undercutting reader assumptions with a casual line of dialogue or acute psychological observation: the book reads like Conrad's Heart of Darkness reimagined by JG Ballard.' Guardian |
| slave ship by jmw turner: J.M.W. Turner , 2017-04-11 One of the most popular painters of all time, J.M.W. Turner created a remarkable collection of sketchbooks over the course of his career. The 'Skies' sketchbook takes its name from its many richly coloured sky studies. Most of the sketches in the book were presumably observed in England, but a few many have been seen in Italy, Germany and the Netherlands. The dramatic consequence of the eruption of Mount Tambora in 1815m darkening skies and reddening sunsets around the world, surely caught his attention. Turner's more intensely-coloured studies may document these effects which lasted for over a year. This edition of the sketchbook reproduces all these beautiful drawings in near-facsimile. |
Slavery - Wikipedia
According to those proposing a change in terminology, slave perpetuates the crime of slavery in language by reducing its victims to a nonhuman noun instead of "carry[ing] them forward as …
SLAVE Definition & Meaning - Merriam-Webster
The meaning of SLAVE is someone captured, sold, or born into chattel slavery. How to use slave in a sentence.
Slavery | Definition, History, & Facts | Britannica
May 28, 2025 · slavery, condition in which one human being was owned by another. A slave was considered by law as property, or chattel, and was deprived of most of the rights ordinarily …
U.S. Slavery: Timeline, Figures & Abolition | HISTORY
Apr 25, 2024 · Though the U.S. Congress outlawed the African slave trade in 1808, the domestic trade flourished, and the enslaved population in the United States nearly tripled over the next …
A Brief History of Slavery That You Didn't Learn in School
Aug 19, 2019 · Four hundred years after enslaved Africans were first brought to Virginia, most Americans still don’t know the full story of slavery. Sometime in 1619, a Portuguese slave ship, …
Slavery and Freedom | National Museum of African American …
Slavery and Freedom explores the complex story of slavery and freedom, which rests at the core of our nation’s shared history. The exhibition begins in 15th-century Africa and Europe, …
SLAVE | English meaning - Cambridge Dictionary
SLAVE definition: 1. a person who is legally owned by someone else and has to work for that person: 2. to work very…. Learn more.
Slave Voyages
This database contains information on more than 11,000 maritime voyages trafficking enslaved people within the Americas. These slave trades operated within colonial empires, across …
slavery | Wex | US Law | LII / Legal Information Institute
In the United States, individuals were forced into slavery, born into slavery, and were slaves for life based on their race. Slaves were recognized as property or objects of the slave owners.
SLAVE definition and meaning | Collins English Dictionary
A slave is a person who is owned by another person and has to work for that person without pay.
Slavery - Wikipedia
According to those proposing a change in terminology, slave perpetuates the crime of slavery in language by reducing its victims to a nonhuman noun instead of "carry[ing] them forward as …
SLAVE Definition & Meaning - Merriam-Webster
The meaning of SLAVE is someone captured, sold, or born into chattel slavery. How to use slave in a sentence.
Slavery | Definition, History, & Facts | Britannica
May 28, 2025 · slavery, condition in which one human being was owned by another. A slave was considered by law as property, or chattel, and was deprived of most of the rights ordinarily held …
U.S. Slavery: Timeline, Figures & Abolition | HISTORY
Apr 25, 2024 · Though the U.S. Congress outlawed the African slave trade in 1808, the domestic trade flourished, and the enslaved population in the United States nearly tripled over the next 50 …
A Brief History of Slavery That You Didn't Learn in School
Aug 19, 2019 · Four hundred years after enslaved Africans were first brought to Virginia, most Americans still don’t know the full story of slavery. Sometime in 1619, a Portuguese slave ship, …
Slavery and Freedom | National Museum of African American …
Slavery and Freedom explores the complex story of slavery and freedom, which rests at the core of our nation’s shared history. The exhibition begins in 15th-century Africa and Europe, extends up …
SLAVE | English meaning - Cambridge Dictionary
SLAVE definition: 1. a person who is legally owned by someone else and has to work for that person: 2. to work very…. Learn more.
Slave Voyages
This database contains information on more than 11,000 maritime voyages trafficking enslaved people within the Americas. These slave trades operated within colonial empires, across imperial …
slavery | Wex | US Law | LII / Legal Information Institute
In the United States, individuals were forced into slavery, born into slavery, and were slaves for life based on their race. Slaves were recognized as property or objects of the slave owners.
SLAVE definition and meaning | Collins English Dictionary
A slave is a person who is owned by another person and has to work for that person without pay.
