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| stories of composers for young musicians: More Stories of Composers for Young Musicians Catherine Wolff Kendall, 1981 Brief biographies of forty composers. |
| stories of composers for young musicians: More Stories of Composers for Young Musicians Catherine Wolff Kendall, 1985 Brief biographies of forty composers. |
| stories of composers for young musicians: Stories of Women Composers for Young Musicians Catherine Wolff Kendall, 1993 Tells how thirty women composers--including Hildegard von Bingen, Clara Schumann, and Augusta Read Thomas--lived, developed their talents, and influenced the musical world. |
| stories of composers for young musicians: Why Beethoven Threw the Stew Steven Isserlis, 2012-11-15 In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. Witty and informative at the same time, Isserlis introduces us to six of his favourite composers: the sublime genius Bach, the quicksilver Mozart, Beethoven with his gruff humour, the shy Schumann, the prickly Brahms and that extraordinary split personality, Stravinsky. Isserlis brings the composers alive in an irresistible manner that can't fail to catch the attention of any child whose ear has been caught by any of the music described, or anyone entering the world of classical music for the first time. The lively black and white line illustrations provide a perfect accompaniment to the text, and make this book attractive and accessible for children to enjoy on their own or share with an adult. |
| stories of composers for young musicians: Stories of Great Musicians Katherine Lois Scobey, Olive Brown Horne, 1905 |
| stories of composers for young musicians: Stories of the Great Composers: Book & CD Maurice Hinson, June C. Montgomery, 2000-07 It is important that young students learn about the lives of the great composers who have enriched our lives with beautiful music. The 12 units in Stories of the Great Composers give elementary students a glimpse into each composer's life, character and music. Includes a CD recording of the suggested listening, featuring one composition by each composer. |
| stories of composers for young musicians: An Illustrated History Of Music For Young Musicians The Middle Ages - Renaissance Period Gilles Comeau, 2000 These five books explore not only the characteristics of the music and the lives and works of the major composers, but also many social aspects of each period. The books feature beautiful art illustrations and include study guides with activities accompanying the book sections, timelines, and composer summary charts. Grades 5-9. |
| stories of composers for young musicians: Secret Lives of Great Composers Elizabeth Lunday, 2014-01-01 True tales of murder, riots, heartbreak, and great music. With outrageous anecdotes about everyone from Gioachino Rossini (draft-dodging womanizer) to Johann Sebastian Bach (jailbird) to Richard Wagner (alleged cross-dresser), Secret Lives of Great Composers recounts the seamy, steamy, and gritty history behind the great masters of international music. You'll learn that Edward Elgar dabbled with explosives; that John Cage was obsessed with fungus; that Berlioz plotted murder; and that Giacomo Puccini stole his church's organ pipes and sold them as scrap metal so he could buy cigarettes. This is one music history lesson you'll never forget! |
| stories of composers for young musicians: I, Vivaldi Janice Shefelman, 2008-01-14 A picture book biography, told as if by Vivaldi himself, shows the famous musician's energetic personality and steadfast dedication to music. |
| stories of composers for young musicians: Child's Own Book of Great Musicians RaeAnna Goss, Thomas Tapper, 2019-01-30 This first book includes the composers Bach, Mozart, and Beethoven. Thomas Tapper originally published each composer biography to be cut, pasted, and bound into a book. This already bound printing has been formatted for students to cut and paste biographical sketches into the story. They will love having a book of their own to accompany their listening studies of the great musicians. |
| stories of composers for young musicians: The Story of the Orchestra Robert Levine, 2001 Describes the orchestra and includes information on composers, instruments, and the conductor. |
| stories of composers for young musicians: The Little Book of Music Anecdotes Helen L. Kaufmann, 1948 |
| stories of composers for young musicians: Lives of the Musicians Kathleen Krull, 1993 What are musicians really like? |
| stories of composers for young musicians: That's My Piano, Sir! Ana Gerhard, 2021-10-01T00:00:00-04:00 Travel through time following a charming little mouse called Minim who loves cheese and music. One day, he witnesses the arrival of a dapper, young Mozart and his family as they set foot on a dock one late, cold night. He is no ordinary boy, sporting a white wig and dressed in red velvet, on his way to playing several concerts in the city. To the surprise of all, he begins to play with his sister for the tired customs officer and gloomy dockworkers. The evening air comes to life, and soon, everyone’s faces are beaming, their ears ringing with music! |
| stories of composers for young musicians: Robert Schumann's Advice to Young Musicians Robert Schumann, Steven Isserlis, 2017-10-23 Introduction -- On being a musician -- Playing -- Practising -- Composing -- My own bits of advice (for what they're worth) -- On being a musician -- Playing -- Practising -- Composing |
| stories of composers for young musicians: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| stories of composers for young musicians: Violin Anne Rice, 1999-09-07 In the grand manner of Interview with the Vampire, Anne Rice's new novel moves across time and the continents, from nineteenth-century Vienna to a St. Charles Greek Revival mansion in present-day New Orleans to dazzling capitals of the modern-day world, telling a story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation. |
| stories of composers for young musicians: Music Was IT Susan Goldman Rubin, 2018-03-13 Life without music is unthinkable.—Leonard Bernstein, Findings When Lenny was two years old, his mother found that the only way to soothe her crying son was to turn on the Victrola. When his aunt passed on her piano to Lenny’s parents, the boy demanded lessons. When Lenny went to school, he had the most fun during singing hours. But Lenny’s love of music was met with opposition from the start. Lenny’s father, a successful businessman, wanted Lenny to follow in his footsteps. Additionally, the classical music world of the 1930s and 1940s was dominated by Europeans—no American Jewish kid had a serious chance to make a name for himself in this field. Beginning with Lenny’s childhood in Boston and ending with his triumphant conducting debut at Carnegie Hall with the New York Philharmonic when he was just twenty-five, MUSIC WAS IT draws readers into the energetic, passionate, challenging, music-filled life of young Leonard Bernstein. Archival photographs, mostly from the Leonard Bernstein Collection at the Library of Congress, illustrate this fascinating biography, which also includes a foreword by Bernstein’s daughter Jamie. Extensive back matter includes biographies of important people in Bernstein’s life, as well as a discography of his music. |
| stories of composers for young musicians: The First Book of the Great Musicians Percy A. Scholes, Will Earhart, 1931 |
| stories of composers for young musicians: Music and the Young Mind Maureen Harris, 2009-04-16 Maureen Harris has written an early childhood music program that is easily incorporated into the classroom routine. Written for the early childhood educator-experienced or trainee, musician or nonmusician_this book describes a music-enriched environment for teaching the whole child. Now educators can put research into practice and benefit from the wealth of knowledge and research acquired over the centuries on the power of music. With easy-to-follow lesson plans, sing-along CDs (sung in a suitable pitch for the young child), and supporting literature, educators can gain musical confidence as they explore research on child development, learn how to create a music-enriched environment and build musical confidence, see a curriculum time-frame, and follow lesson plans with ideas for further musical creativity and exploration. In addition, the multicultural section shows how to set up an early childhood music setting that maximizes the benefits of a variety of cultural values and practices. As you read this book you will begin to see music as a biological human need, an incredible vehicle for enhancing intelligence, and a means to connecting and uniting people around the world. |
| stories of composers for young musicians: Ludwig Beethoven and the Chiming Tower Bells Opal Wheeler, 2010-05 A fictional life of Beethoven for children, with excerpts from his music arranged for piano. |
| stories of composers for young musicians: Listen to This Alex Ross, 2010-09-28 One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely. |
| stories of composers for young musicians: Wonderful World of Percussion Emil Richards, Tom DiNardo, 2013-04 During a span of 55 years, Emil Richards has been a renowned presence in Hollywood soundstages, recording studios, jazz clubs and international touring venues. Considered a supreme artist on the vibraphone, marimba and xylophone, as well as a master of his world-famous collection of percussion instruments, Richards is renowned throughout the world for his versatility. This book's lifetime of insightful and hilarious experiences include years with Frank Sinatra and George Harrison, as well as many anecdotes involving Burt Bacharach, Elvis Presley and Ravi Shankar, as well as most major recording artists. Richards' chronology roughly categories the book's chapters into decades, with the 1960s mainly involving album recording, television shows in the '70s and films in the '80s and '90s. A parallel career means stories emanating through playing with George Shearing, Paul Horn, Stan Kenton and Roger Kellaway, as well as Igor Stravinsky and Richards' own group Calamari. There are warm recollections of the great film composers, including Henry Mancini, Alex North, Jerry Goldsmith and John Williams, who all collaborated at finding a unique sound at Richards' warehouse before composing. Salad bowls used in Planet Of The Apes, gongs lowered into fluid for space movies and many other unusual sonic effects will flash readers back to decades of favorite movies. From an astonishing family history and grim days growing up in Hartford, Connecticut, through wild tours with Sinatra to Europe, Japan and Egypt, and visits to the Maharishi in India, Richards' entertaining, direct style perfectly complements this wealth of inside experiences. ________________________________________ Throughout the many years of his long and distinguished career, Emil Richards consistently brought adventure, joy and discovery to all of his music making. His new book is a valuable addition to the documentation of a period of great creativity in American music. - John Williams I have no doubt that if you have even the slightest interest in movies or music, you will find that Emil's stories are as inspirational as they are funny, and most importantly, you will discover one of the greatest souls ever to grace the music industry. - Michael Giacchino Emil has played on .... I have no idea, maybe 60 or 70 scores of mine. He never disappoints and continues to amaze me. When it comes to percussion, Emil has always and always will be an irreplaceable original. ...The Man! ....The One and Only. - Danny Elfman |
| stories of composers for young musicians: Why Handel Waggled His Wig Steven Isserlis, 2006 The eagerly awaited follow-up to the best-selling Why Beethoven Threw the Stew. What did Haydn's wife use for curling-paper for her hair? What did Schubert do with his old spectacles case? Why was Dvor�k given a butcher's apron when he was a little boy? Why did Tchaikovsky spit on a map of Europe? Why did Faur� find a plate of spinach on his face? And why did Handel waggle his wig? In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis set out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. In his new book he draws us irresistibly into the world of six more favourite composers, bringing them alive in a manner that cannot fail to catch the imagination of children encountering classical music for the first time. Once again the text is packed with facts, dates and anecdotes, interspersed with lively black-and-white line illustrations, making this an attractive and accessible read for children to enjoy on their own or share with an adult. 'If Why Beethoven Threw the Stew does not turn your child into a music lover, the chances are nothing will.' Daily Mail |
| stories of composers for young musicians: The Young Brahms Opal Wheller, Sybil Deucher, Edward Godwin, Judy Wilcox, 2008-01-01 |
| stories of composers for young musicians: Vivaldi's Virgins LP Barbara Quick, 2007-07-03 In this enthralling new novel, Barbara Quick re-creates eighteenth-century Venice at the height of its splendor and decadence. A story of longing and intrigue, half-told truths and toxic lies, Vivaldi's Virgins unfolds through the eyes of Anna Maria dal Violin, one of the elite musicians cloistered in the foundling home where Antonio Vivaldi—known as the Red Priest of Venice—is maestro and composer. Fourteen-year-old Anna Maria, abandoned at the Ospedale della Pietà as an infant, is determined to find out who she is and where she came from. Her quest takes her beyond the cloister walls into the complex tapestry of Venetian society; from the impoverished alleyways of the Jewish Ghetto to a masked ball in the company of a king; from the passionate communal life of adolescent girls competing for their maestro's favor to the larger-than-life world of music and spectacle that kept the citizens of a dying republic in thrall. In this world, where for fully half the year the entire city is masked and cloaked in the anonymity of Carnival, nothing is as it appears to be. A virtuoso performance in the tradition of Girl with a Pearl Earring, Vivaldi's Virgins is a fascinating glimpse inside the source of Vivaldi's musical legacy, interwoven with the gripping story of a remarkable young woman's coming-of-age in a deliciously evocative time and place. |
| stories of composers for young musicians: When Stravinsky Met Nijinsky Lauren Stringer, 2013 Composer Igor Stravinsky and choreographer Vaslav Nijinsky, Russian comrades, worked together to bring a very different and new ballet to a Parisian audienceNThe Rite of SpringNand rioting filled the streets! Full color. |
| stories of composers for young musicians: The Roots of Rap Carole Boston Weatherford, 2025-06-10 Carole Boston Weatherford, once again, delivers a resounding testament and reminder, that hip-hop is a flavorful slice of a larger cultural cake. And to be hip-hop-to truly be it-we must remember that we are also funk, jazz, soul, folktale, and poetry. We must remember that . . . we are who we are! -Jason Reynolds, New York Times best-selling author Starting with its attention-getting cover, this picture book does an excellent job of capturing the essence of rap . . . This tribute to hip hop culture will appeal to a wide audience, and practically demands multiple readings. ―Booklist, STARRED REVIEW No way around it, this book is supa-dupa fly, with lush illustrations anchored in signature hip-hop iconography for the future of the global hip-hop nation. ―Kirkus Reviews, STARRED REVIEW With short, rhyming lines and dramatic portraits of performers, the creative team behind How Sweet the Sound: The Story of Amazing Grace offers a dynamic introduction to hip-hop. . . . This artful introduction to one of the most influential cultural movements of the 20th century pulses with the energy and rhythm of its subject. ―Publishers Weekly, STARRED REVIEW Explore the roots of rap in this stunning, rhyming, triple-timing book, now available as a board book! A generation voicing stories, hopes, and fears founds a hip-hop nation. Say holler if you hear. The roots of rap and the history of hip-hop have origins that precede DJ Kool Herc and Grandmaster Flash. Kids will learn about how it evolved from folktales, spirituals, and poetry, to the showmanship of James Brown, to the culture of graffiti art and break dancing that formed around the art form and gave birth to the musical artists we know today. Written in lyrical rhythm by award-winning author and poet Carole Boston Weatherford and complete with flowing, vibrant illustrations by Corettta Scott King Award winner, Frank Morrison, this book beautifully illustrates how hip-hop is a language spoken the whole world 'round, and it features a foreword by Swizz Beatz, a Grammy Award-winning American hip-hop rapper, DJ, and record producer. |
| stories of composers for young musicians: Musicophilia Oliver Sacks, 2010-02-05 What goes on in human beings when they make or listen to music? What is it about music, what gives it such peculiar power over us, power delectable and beneficent for the most part, but also capable of uncontrollable and sometimes destructive force? Music has no concepts, it lacks images; it has no power of representation, it has no relation to the world. And yet it is evident in all of us–we tap our feet, we keep time, hum, sing, conduct music, mirror the melodic contours and feelings of what we hear in our movements and expressions. In this book, Oliver Sacks explores the power music wields over us–a power that sometimes we control and at other times don’t. He explores, in his inimitable fashion, how it can provide access to otherwise unreachable emotional states, how it can revivify neurological avenues that have been frozen, evoke memories of earlier, lost events or states or bring those with neurological disorders back to a time when the world was much richer. This is a book that explores, like no other, the myriad dimensions of our experience of and with music. |
| stories of composers for young musicians: Anatomy of a Song Marc Myers, 2016-11-01 “A winning look at the stories behind 45 pop, punk, folk, soul and country classics” in the words of Mick Jagger, Stevie Wonder, Cyndi Lauper and more (The Washington Post). Every great song has a fascinating backstory. And here, writer and music historian Marc Myers brings to life five decades of music through oral histories of forty-five era-defining hits woven from interviews with the artists who created them, including such legendary tunes as the Isley Brothers’ Shout, Led Zeppelin’s Whole Lotta Love, Janis Joplin’s Mercedes Benz, and R.E.M’s Losing My Religion. After receiving his discharge from the army in 1968, John Fogerty did a handstand—and reworked Beethoven’s Fifth Symphony to come up with Proud Mary. Joni Mitchell remembers living in a cave on Crete with the mean old daddy who inspired her 1971 hit Carey. Elvis Costello talks about writing (The Angels Wanna Wear My) Red Shoes in ten minutes on the train to Liverpool. And Mick Jagger, Jimmy Page, Rod Stewart, the Clash, Jimmy Cliff, Roger Waters, Stevie Wonder, Keith Richards, Cyndi Lauper, and many other leading artists reveal the emotions, inspirations, and techniques behind their influential works. Anatomy of a Song is a love letter to the songs that have defined generations of listeners and “a rich history of both the music industry and the baby boomer era” (Los Angeles Times Book Review). |
| stories of composers for young musicians: The Vintage Guide to Classical Music Jan Swafford, 1992-12-15 The most readable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond. The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features: -- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times; -- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement; -- a glossary of musical terms, from a cappella to woodwinds; -- a step-by-step guide to building a great classical music library. Written with wit and a clarity that both musical experts and beginners can appreciate, The Vintage Guide to Classical Music is an invaluable source-book for music lovers everywhere. |
| stories of composers for young musicians: Songs of Innocence William Blake, 1789 |
| stories of composers for young musicians: Julian Bream: a Life on the Road Tony Palmer, 2021-04-08 Julian Bream is recognised as one of the world's leading guitarists, some would say the greatest. He was certainly for many years Britain's senior ambassador as a guitarist and lutenist, touring more widely and more frequently than almost any other artist in the international arena. Bream also did incomparable work in the recording studio to establish both the guitar and the lute as concert instruments. Not content with his unique status as a performer, however, Julian Bream has always been actively concerned with new music - commissioning works from a stream of leading contemporary composers. Surprisingly for a man of his international reputation, Julian Bream was his own secretary. He planned his own concerts, made his own travel arrangements, drove himself around, checked his own lighting and carried his own baggage. At the same time, he was an avid amateur cricketer and country gardener - growing his own fruit and vegetables all year round. In 1981 this intriguingly self-contained man agreed to share some of the load. Tony Palmer travelled with him in Europe and America over several months, drawing out from the essentially private Julian Bream his views on his art and on his position in the world of music. The result is Julian Bream: a Life on the Road, where the Maestro discusses the history of his beloved guitar and its role as a solo instrument, as well as his relationships with giants of contemporary music. With self-deprecating wit, he gives a unique insight into all that he then felt about his life on the road: where he was going, what good he believed he did, why he carried on, how he 'did it' - the guitar, the lute, touring, recording, commissioning, 'the old musicke racket', his home. Daniel Meadows accompanied them, and his beautiful photographs add to this unusual and exhilarating picture of a self-made man - who built, out of nothing, his own unrivalled status as a man of music. The re-publishing of Palmer's acclaimed book - for so long out-of-print and thus a much sought-after collector's item - will be welcomed by music lovers and guitar aficionados around the world. Praise for Julian Bream: A Life on the Road: 'An immensely revealing series of snapshots. I don't think I've ever heard a musician being so frank about what it means to make a life in music' - Nathalie Wheen, BBC 'Immensely informative, conversational, light-hearted and intentionally deprecatory. Fascinating and extremely entertaining' - Classical Music Weekly 'This book is a brilliant vindication of the craft of the interviewer. It's remarkably frank, warm and clear-headed about a man who has too few self-delusions for his comfort' - Michael Oliver, The Gramophone 'There is no better account of what it is like to be a touring concert artist' - Punch Tony Palmer is a British celebrated and multi-award-winning filmmaker, music journalist and author. |
| stories of composers for young musicians: The Great Composers Wendy Thompson, 2001 This new authoritative reference provides an illustrated guide to the most influential western composers of classical music: the ones who have defined or developed particular styles of composition, and who have created for themselves a significant place in music history. |
| stories of composers for young musicians: Forbidden Music Michael Haas, 2013-06-18 Offers a study of the Jewish composers and musicians banned by the Third Reich, and describes the consequences for music around the world. |
| stories of composers for young musicians: Chance and Circumstance Carolyn Brown, 2009-12-23 The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage. From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage. Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark. |
| stories of composers for young musicians: Talks with Great Composers Arthur M. Abell, 1964 Mr. Abell, an American music critic stationed in Berlin from 1890-1918, records his extensive interviews with composers Brahms, Strauss, Puccini, Humperdink, Bruch, and Grieg. |
| stories of composers for young musicians: Building Bridges with Music Samuel Adler, 2024-09-24 |
| stories of composers for young musicians: Suzuki Twinkles: An Intimate Portrait Alfred Garson, Dr. Garson has given us an intimate look into his time spent with Dr. Suzuki. A fascinating look, through anecdotes and photos, at an extraordinary man. A great addition to any Suzuki library! |
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