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stephen greenblatt marvelous possessions: Marvelous Possessions Stephen Greenblatt, 1991 This study examines the ways in which Europeans of the late Middle Ages and the early modern period represented non-European peoples and took possession of their lands, in particular the New World. |
stephen greenblatt marvelous possessions: Marvelous Possessions Stephen J. Greenblatt, 1992 |
stephen greenblatt marvelous possessions: Will in the World Stephen Greenblatt, 2004 A portrait of Elizabethan England and how it contributed to the making of William Shakespeare discusses how he moved to London lacking money, connections, and a formal education and rose to became his age's foremost playwright. |
stephen greenblatt marvelous possessions: Hamlet in Purgatory Stephen Greenblatt, 2013-10-06 In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false poem, they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly prison house of souls had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author. |
stephen greenblatt marvelous possessions: Learning to Curse Stephen Greenblatt, 2007 Learning to Curse is a wide ranging collection of essays that uses Marxist, psychoanalytic and historical perspectives to explore the art of the Renaissance |
stephen greenblatt marvelous possessions: Practicing New Historicism Catherine Gallagher, Stephen Greenblatt, 2020-05-21 For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations. By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt? Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars. Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible.—Choice A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about.—Kirkus Reviews, starred review |
stephen greenblatt marvelous possessions: Tyrant: Shakespeare on Politics Stephen Greenblatt, 2018-05-08 Brilliant, beautifully organized, exceedingly readable. —Philip Roth World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright’s insight into bad (and often mad) rulers. Examining the psyche—and psychoses—of the likes of Richard III, Macbeth, Lear, and Coriolanus, Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the disasters visited upon the societies over which these characters rule. Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites. |
stephen greenblatt marvelous possessions: The Power of Forms in the English Renaissance Stephen Greenblatt, 1982 |
stephen greenblatt marvelous possessions: New World Encounters Stephen Greenblatt, 2023-04-28 The discovery of the Indies, wrote Francisco López de Gómara in 1552, was the greatest event since the creation of the world, excepting the Incarnation and Death of Him who created it. Five centuries have not diminished either the overwhelming importance or the strangeness of the early encounter between Europeans and American peoples. This collection of essays, encompassing history, literary criticism, art history, and anthropology, offers a fresh and innovative approach to the momentous encounter. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993. The discovery of the Indies, wrote Francisco López de Gómara in 1552, was the greatest event since the creation of the world, excepting the Incarnation and Death of Him who created it. Five centuries have not diminished either the overwhelming importanc |
stephen greenblatt marvelous possessions: Shakespeare's Freedom Stephen Greenblatt, 2010-11-15 Shakespeare lived in a world of absolutes—of claims for the absolute authority of scripture, monarch, and God, and the authority of fathers over wives and children, the old over the young, and the gentle over the baseborn. With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers. Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained. A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time. |
stephen greenblatt marvelous possessions: The Greenblatt Reader Stephen Greenblatt, 2021-03-19 Stephen Greenblatt is one of the most influential practitioners of new historicism. This Reader makes available in one volume Greenblatt’s most important writings on culture, Renaissance studies, and Shakespeare. It also features occasional pieces on subjects as diverse as story-telling and miracles, demonstrating the range of his cultural interests. Taken together, the texts collected here dispel the idea that new historicism is antithetical to literary and aesthetic value. |
stephen greenblatt marvelous possessions: Shakespearean Negotiations Stephen Greenblatt, 1988 Stephen Greenblatt has been at the center of a major shift in literary interpretation toward a critical method that situates cultural creation in history. Shakespearean Negotiations is a sustained and powerful exemplification of this innovative method, offering a new way of understanding the power of Shakespeare's achievement and, beyond this, an original analysis of cultural process. |
stephen greenblatt marvelous possessions: The Swerve Stephen Greenblatt, 2012 Nearly six hundred years ago, On the Nature of Things by Lucretius was discovered on a library shelf. The book was the last surviving manuscript of an ancient Roman philosophical epic, filled with dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life and that matter was made up of very small particles in eternal motion. The copying and translation of this ancient book fuelled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had revolutionary influence on writers from Montaigne to Thomas Jefferson. |
stephen greenblatt marvelous possessions: No Place of Grace T. J. Jackson Lears, 2021-08-26 T. J. Jackson Lears's No Place of Grace is a landmark book in the fields of American Studies and history, known for its rigorous research and original, near-literary style. A study of responses to the culture of corporate capitalism at the turn of the twentieth century, No Place of Grace charts the development of modern consumer society through the embrace of antimodernism, the effort among many middle and upper class Americans to recapture feelings of authenticity, vigor, depth, and connection. Rather than offer true resistance to the increasing corporate bureaucratization of the time, however, antimodernism helped accommodate Americans to the new order-it was therapeutic rather than oppositional, a forerunner to today's self-help culture. And yet antimodernism contributed a new dynamic as well, an eloquent edge of protest, as Lears puts it, which is evident even today in anticonsumerism, sustainable living, and other practices. This edition, with a lively and discerning foreword by Jennifer Ratner-Rosenhagen, celebrates the book's 40th anniversary-- |
stephen greenblatt marvelous possessions: Cultural Mobility Stephen Greenblatt, 2010 Cultural Mobility offers a model for understanding the patterns of meaning that human societies create. It has emerged under the very distinguished editorial guidance of Stephen Greenblatt and represents a new way of thinking about culture and cultures with which scholars in many disciplines will need to engage. |
stephen greenblatt marvelous possessions: Face Value Michael O'Malley, 2012-05-14 The cultural historian and author of Keep Watching analyses American ideas about race, money, identity, and their surprising connections through history. From colonial history to the present, Americans have passionately, even violently, debated the nature and of money. Is it a symbol of the value of human work and creativity, or a symbol of some natural, intrinsic value? In Face Value, Michael O’Malley provides a penetrating historical analysis of American thinking about money and the ways that this ambivalence intertwines with race. Like race, money is bound up in questions of identity and worth, each a kind of shorthand for the different values of two similar things. O’Malley illuminates how these two socially constructed hierarchies are deeply rooted in American anxieties about authenticity and difference. In this compelling work of cultural history, O’Malley interprets a wide array of historical sources to evaluate competing ideas about monetary value and social distinctions. More than just a history, Face Value offers a new way of thinking about the present culture of coded racism, gold fetishism, and economic uncertainty. “This is a ‘big idea’ book that no one but Michael O’Malley could even have thought of—much less pulled off with such nuance and clarity.”—Scott A. Sandage, author of Born Losers |
stephen greenblatt marvelous possessions: Taylored Lives Martha Banta, 1993 Scientific management: Technology spawned it, Frederick Winslow Taylor championed it, Thorstein Veblen dissected it, Henry Ford implemented it. By the turn of the century, practical visionaries prided themselves on having arrived at the one best way both to increase industrial productivity and to regulate the vagaries of human behavior. Nothing escaped the efficiency craze, and in this vivid, wide-ranging book, Martha Banta explores its effect on the culture at large. To the Taylorists, everthing needed tidying up: government, business, warfare, households, and, most of all, the workplace, with its unruly influx of strangers into the native scenes. Taylored Lives gives us a striking sense of what it was like to live, work, love, and die when time, motion, and emotions were checked off on worksheets and management charts. Canvasing the culture, Banta shows how the cause of efficiency was taken up in narratives, of every sort - in mail-order catalogs, popular romances, newspaper stories, and personal testimonials from below, as well as in the canonical works of writers from Henry Adams and William James, to Sinclair Lewis, Nathanael West, and William Faulkner. The strategies of impassioned theorists and hands-on practitioners affected the kinds-of narratives produced in the controversy over the pros and cons of the management culture; they bear an eerie resemblance to the means by which we today, storytellers all, keep trying to make sense of our own chaotic times. This interdisciplinary work charts the development of a managerial culture from its start in the steel mills of Pennsylvania through its spread across the American experience in an interlocking series of social systems andeveryday practices. Banta scrutinizes narrative strategies employed by inscribers as diverse as Josephine Goldmark, Theodore Roosevelt, Charlotte Perkins Gilman, Anzia Yezierska, Richard Harding Davis, Booker T. Washington, and Theodore Dreiser; by Taylor himself, as well as Veblen and Ford; by women who toiled on the factory floor; by writers of dream-copy for ready-made houses; and by Buster Keaton in his silent treatment of the dysfuntional honeymoon home. With its historical scope and its provocative readings of assorted narratives, this richly illustrated book offers a complex and disturbing picture of a period, as well as invaluable insights into the way theory-making continually makes and breaks cultures. A remarkable work, Taylored Lives confirms Martha Banta's place as one of our leading cultural and literary critics. |
stephen greenblatt marvelous possessions: Stuck in Place Patrick Sharkey, 2013-05-15 In the 1960s, many believed that the civil rights movement’s successes would foster a new era of racial equality in America. Four decades later, the degree of racial inequality has barely changed. To understand what went wrong, Patrick Sharkey argues that we have to understand what has happened to African American communities over the last several decades. In Stuck in Place, Sharkey describes how political decisions and social policies have led to severe disinvestment from black neighborhoods, persistent segregation, declining economic opportunities, and a growing link between African American communities and the criminal justice system. As a result, neighborhood inequality that existed in the 1970s has been passed down to the current generation of African Americans. Some of the most persistent forms of racial inequality, such as gaps in income and test scores, can only be explained by considering the neighborhoods in which black and white families have lived over multiple generations. This multigenerational nature of neighborhood inequality also means that a new kind of urban policy is necessary for our nation’s cities. Sharkey argues for urban policies that have the potential to create transformative and sustained changes in urban communities and the families that live within them, and he outlines a durable urban policy agenda to move in that direction. |
stephen greenblatt marvelous possessions: American Capitals Christian Montès, 2014-01-10 State capitals are an indelible part of the American psyche, spatial representations of state power and national identity. Learning them by heart is a rite of passage in grade school, a pedagogical exercise that emphasizes the importance of committing place-names to memory. But geographers have yet to analyze state capitals in any depth. In American Capitals, Christian Montès takes us on a well-researched journey across America—from Augusta to Sacramento, Albany to Baton Rouge—shedding light along the way on the historical circumstances that led to their appointment, their success or failure, and their evolution over time. While all state capitals have a number of characteristics in common—as symbols of the state, as embodiments of political power and decision making, as public spaces with private interests—Montès does not interpret them through a single lens, in large part because of the differences in their spatial and historical evolutionary patterns. Some have remained small, while others have evolved into bustling metropolises, and Montès explores the dynamics of change and growth. All but eleven state capitals were established in the nineteenth century, thirty-five before 1861, but, rather astonishingly, only eight of the fifty states have maintained their original capitals. Despite their revered status as the most monumental and historical cities in America, capitals come from surprisingly humble beginnings, often plagued by instability, conflict, hostility, and corruption. Montès reminds us of the period in which they came about, “an era of pioneer and idealized territorial vision,” coupled with a still-evolving American citizenry and democracy. |
stephen greenblatt marvelous possessions: The United States and Mexico Josefina Zoraida Vazquez, Lorenzo Meyer, 1987-03-15 Josefina Zoraida Vazquez and Lorenzo Meyer recreate, from a distinctly Mexican perspective, the dramatic story of how one country's politics, economy, and culture have been influenced by its neighbor. Throughout, the authors emphasize the predominance of the United States, the defensive position of Mexico, and the impact of the United States on internal Mexican developments. |
stephen greenblatt marvelous possessions: Memorial Mania Erika Doss, 2012-09-07 In the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today. |
stephen greenblatt marvelous possessions: In My Place Charlayne Hunter-Gault, 1993-11-02 The award-winning correspondent for the MacNeil/Lehrer NewsHour gives a moment-by-moment account of her walk into history when, as a 19-year-old, she challenged Southern law--and Southern violence--to become the first black woman to attend the University of Georgia. A powerful act of witness to the brutal realities of segregation. |
stephen greenblatt marvelous possessions: New Historicism and Cultural Materialism John Brannigan, 2016-02-12 New historicism and cultural materialism emerged in the early 1980s as prominent literary theories and came to represent a revival of interest in history and in historicising literature. Their proponents rejected both formalist criticism and earlier attempts to read literature in its historical context and defined new ways of thinking about literature in relation to history. This study explains the development of these theories and demonstrates both their uses and weaknesses as critical practices. The potential future direction for the theories is explored and the controversial debates about their validity in literary studies are discussed. |
stephen greenblatt marvelous possessions: How Shakespeare Put Politics on the Stage Peter Lake, 2016-01-01 The politics of virtue -- Honour and its enemies: women on top - again -- Anti-popery -- Divided we fall: the politics of faction in time of war -- CHAPTER 6 Richard III: political ends, providential means -- The making of a Machiavel -- Monstrous bodies and providential signs -- Signs and prophecies -- The audience as 'high all- seer' -- Ambiguities of 'evil counsel' -- From providence to predestination: the return of legitimacy -- Richard III as a guide to the past, present and future -- CHAPTER 7 Going Roman: Richard III and Titus Andronicus compared |
stephen greenblatt marvelous possessions: The Pillars of Hercules Paul Theroux, 2011-12-15 At the gateway to the Mediterranean lie the two Pillars of Hercules: Gibraltar and Ceuta, in Morocco. Paul Theroux decided to travel from one to the other – but taking the long way round. His grand tour of the Mediterranean begins in Gibraltar and takes him through Spain, the French Riviera, Italy, Greece, Istanbul and beyond. He travels by any means necessary - including dilapidated taxi, smoke-filled bus, bicycle and even a cruise-liner. And he encounters bullfights, bazaars and British tourists, discovers pockets of humanity in war-torn Slovenia and Croatia, is astounded by the urban developments on the Costa del Sol and marvels at the ancient wonders of Delphi. Told with Theroux's inimitable wit and style, this lively and eventful tour evokes the essence of Mediterranean life. |
stephen greenblatt marvelous possessions: The Rise and Fall of Adam and Eve Stephen Greenblatt, 2017-09-14 Selected as a book of the year 2017 by The Times and Sunday Times What is it about Adam and Eve’s story that fascinates us? What does it tell us about how our species lives, dies, works or has sex? The mythic tale of Adam and Eve has shaped conceptions of human origins and destiny for centuries. Stemming from a few verses in an ancient book, it became not just the foundation of three major world faiths, but has evolved through art, philosophy and science to serve as the mirror in which we seem to glimpse the whole, long history of our fears and desires. In a quest that begins at the dawn of time, Stephen Greenblatt takes us from ancient Babylonia to the forests of east Africa. We meet evolutionary biologists and fossilised ancestors; we grapple with morality and marriage in Milton’s Paradise Lost; and we decide if the Fall is the unvarnished truth or fictional allegory. |
stephen greenblatt marvelous possessions: The Norton Anthology of English Literature Meyer Howard Abrams, Stephen Greenblatt, 2000 This edition of The Norton Anthology of English Literature continues to be an indispensable anthology. Like its predecessors, this edition offers the best in English literature from the classic to the contemporary in a readable, teachable format. More selections by women and twentieth-century writers, a richer offering of contextual writings, and apparatus fully revised to reflect today's scholarship make this the choice for breadth, depth, and quality. |
stephen greenblatt marvelous possessions: Buffalo Bill in Bologna Robert W. Rydell, Rob Kroes, 2010-06-15 When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper. Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil War—tools central to hastening the reconstruction of the country—actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the good life, cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history. |
stephen greenblatt marvelous possessions: The Norton Shakespeare William Shakespeare, 2008 Upon publication in 1997, The Norton Shakespeare set a new standard for teaching editions of Shakespeare's complete works. Instructors and students worldwide welcomed the fresh scholarship, lively and accessible introductions, helpful marginal glosses and notes, readable single-column format, all designed in support of the goal of the Oxford text: to bring the modern reader closer than before possible to Shakespeare's plays as they were first acted. Now, under Stephen Greenblatt's direction, the editors have considered afresh each introduction and all of the apparatus to make the Second Edition an even better teaching tool. |
stephen greenblatt marvelous possessions: Mary Chesnut's Civil War Epic Julia A. Stern, 2010-01-15 A genteel southern intellectual, saloniste, and wife to a prominent colonel in Jefferson Davis’s inner circle, Mary Chesnut today is remembered best for her penetrating Civil War diary. Composed between 1861 and 1865 and revised thoroughly from the late 1870s until Chesnut’s death in 1886, the diary was published first in 1905, again in 1949, and later, to great acclaim, in 1981. This complicated literary history and the questions that attend it—which edition represents the real Chesnut? To what genre does this text belong?—may explain why the document largely has, until now, been overlooked in literary studies. Julia A. Stern’s critical analysis returns Chesnut to her rightful place among American writers. In Mary Chesnut’s Civil War Epic, Stern argues that the revised diary offers the most trenchant literary account of race and slavery until the work of Faulkner and that, along with his Yoknapatawpha novels, it constitutes one of the two great Civil War epics of the American canon. By restoring Chesnut’s 1880s revision to its complex, multidecade cultural context, Stern argues both for Chesnut’s reinsertion into the pantheon of nineteenth-century American letters and for her centrality to the literary history of women’s writing as it evolved from sentimental to tragic to realist forms. |
stephen greenblatt marvelous possessions: The Creature in the Map Charles Nicholl, 1997-06-23 IntroductionPart One: The Guiana Voyage1. Mapping El Dorado2. Ralegh's America3. A Gentleman of Spain4. Love and Exile5. Preparations6. The Crew7. Atlantic Crossing8. TrinidadPart Two: The Entrada9. The Gulf of Sadness10. The Delta11. Tivitivas12. The Medicine Man13. The Guiana Bend14. Dark Eyes15. Lords of the Borders16. Downtown OrinocoPart Three: The New Dorado17. Gold Rush18. Jimmy Angel19. Canaima20. Meeting Laime21. Welcome to El DoradoPart Four: The Return22. Downriver23. Home24. Ordinary Prizes25. Balsam of Guiana26. A Golden World27. On Red Cross River28. The Shut PalaceEpilogueAppendixes1. The Sparry Papers2. Ralegh's Chart3. The FleetNotesSourcesIndex Copyright © Libri GmbH. All rights reserved. |
stephen greenblatt marvelous possessions: Redrawing the Boundaries Stephen Greenblatt, Giles B. Gunn, 1992-01 Mystery. |
stephen greenblatt marvelous possessions: People of Plenty David Morris Potter, 1966 |
stephen greenblatt marvelous possessions: The Book of Evidence John Banville, 2012-03-07 MAN BOOKER PRIZE FINALIST • From the Booker Prize winner of The Sea comes “an astonishing, disturbing little novel that might have been coughed up from hell (The New York Times Book Review) about the dark confession of an improbable murderer. “Ireland’s finest contemporary novelist.” —The Economist Freddie Montgomery is a highly cultured man, a husband and father living the life of a dissolute exile on a Mediterranean island. When a debt comes due and his wife and child are held as collateral, he returns to Ireland to secure funds. That pursuit leads to murder. And here is his attempt to present evidence, not of his innocence, but of his life, of the events that lead to the murder he committed because he could. Like a hero out of Nabokov or Camus, Montgomery is a chillingly articulate, self-aware, and amoral being, whose humanity is painfully on display. |
stephen greenblatt marvelous possessions: Nixon and the Silver Screen Mark Feeney, 2012-12-20 Richard Nixon and the film industry arrived in Southern California in the same year, 1913. In Nixon and the Silver Screen, Mark Feeney offers a new and often revelatory way of thinking about one of our most controversial presidents: by looking not just at Nixon's career—but Hollywood's. Nixon viewed more movies while in office than any other president, and Feeney argues that Nixon’s story, both in politics and in his personal life, is nothing if not quintessentially American. Bearing in mind the events that shaped his presidency from 1969 to 1974, Feeney sees aspects of Nixon’s character—and the nation’s—refracted and reimagined in the more than 500 films Nixon watched during his tenure in the White House. The verdict? Nixon’s legacy, for better or worse, is forever representative of the “Silver Age” in Hollywood, shaping and being shaped by that flickering silver screen. |
stephen greenblatt marvelous possessions: Forms of Hatred Leonidas Donskis, 2021-11-08 This book analyzes such symbolic designs of the modern troubled imagination as the conspiracy theory of society, deterministic concepts of identity and order, antisemitic obsessions, self-hatred, and the myth of the loss of roots. It offers, among other things, the unique East-Central European materials incorporated in a broad, imaginative synthesis and critique of contemporary social analysis. |
stephen greenblatt marvelous possessions: Textual Practice Terence Hawkes, 1993-04 Since its launch in 1987, Textual Practice has established itself as Britain's leading journal of radical literary theory. |
stephen greenblatt marvelous possessions: Troubling Vision Nicole R. Fleetwood, 2011-01-30 Troubling Vision addresses American culture’s fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness? Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles “Teenie” Harris to the “excess flesh” performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture. “Troubling Vision is a path-breaking book that examines the problem of seeing blackness—the simultaneous hyper-visibility and invisibility of African Americans—in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois’s idea of double vision into a broad questioning of whether ‘representation itself will resolve the problem of the black body in the field of vision.’ With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of ‘non-iconicity’ in the photographs of Charles (Teenie) Harris, the ‘visible seams’ in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies.”—Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize |
stephen greenblatt marvelous possessions: The Norton Anthology of English Literature Stephen Greenblatt, Meyer Howard Abrams, 2006 Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published. |
stephen greenblatt marvelous possessions: Made in America Claude S. Fischer, 2011-10-10 Our nation began with the simple phrase, “We the People.” But who were and are “We”? Who were we in 1776, in 1865, or 1968, and is there any continuity in character between the we of those years and the nearly 300 million people living in the radically different America of today? With Made in America, Claude S. Fischer draws on decades of historical, psychological, and social research to answer that question by tracking the evolution of American character and culture over three centuries. He explodes myths—such as that contemporary Americans are more mobile and less religious than their ancestors, or that they are more focused on money and consumption—and reveals instead how greater security and wealth have only reinforced the independence, egalitarianism, and commitment to community that characterized our people from the earliest years. Skillfully drawing on personal stories of representative Americans, Fischer shows that affluence and social progress have allowed more people to participate fully in cultural and political life, thus broadening the category of “American” —yet at the same time what it means to be an American has retained surprising continuity with much earlier notions of American character. Firmly in the vein of such classics as The Lonely Crowd and Habits of the Heart—yet challenging many of their conclusions—Made in America takes readers beyond the simplicity of headlines and the actions of elites to show us the lives, aspirations, and emotions of ordinary Americans, from the settling of the colonies to the settling of the suburbs. |
Stephen - Wikipedia
The name, in both the forms Stephen and Steven, is often shortened to Steve or Stevie. In English, the female version of the name is Stephanie. Many surnames are derived from the first name, …
Who was Stephen in the Bible? - GotQuestions.org
Feb 13, 2024 · Stephen was one of the seven men chosen to be responsible over the distribution of food to widows in the early church after a dispute arose and the apostles recognized they …
Meaning, origin and history of the name Stephen
Nov 20, 2020 · Saint Stephen was a deacon who was stoned to death, as told in Acts in the New Testament. He is regarded as the first Christian martyr. Due to him, the name became common in …
Stephen - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Stephen is a boy's name of Greek origin meaning "garland, crown". Stephen is the 377 ranked male name by popularity.
Stephen | The amazing name Stephen: meaning and etymology
May 19, 2021 · An indepth look at the meaning and etymology of the awesome name Stephen. We'll discuss the original Greek, plus the words and names Stephen is related to, plus the occurences …
Stephen - Name Meaning, What does Stephen mean? - Think Baby Names
Thinking of names? Complete 2021 information on the meaning of Stephen, its origin, history, pronunciation, popularity, variants and more as a baby boy name.
Stephen - Etymology, Origin & Meaning of the Name - Etymonline
Saint Stephen, stoned to death, was said to be Christianity's first martyr. Stephen (and the older pronunciation of nephew, still maintained) were said to be the only cases where English -ph- isn't …
Stephen - Name Meaning and Origin
About Stephen The name Stephen is derived from the Greek name Stephanos, meaning "crown" or "garland." It is a masculine name that signifies honor, victory, and achievement.
Stephen: meaning, origin, and significance explained - What the …
In Greek, the name Stephen translates to Crown, symbolizing leadership and supremacy. This meaning reflects the characteristics associated with individuals named Stephen – noble, …
Stephen Name Meaning: Namesakes, Popularity & Variations
Feb 17, 2025 · The name Stephen is an Old English name, and it comes from the Ancient Greek name Stephanos, which means wreath or crown. Stephanos was the name of Saint Stephen, the …
Stephen - Wikipedia
The name, in both the forms Stephen and Steven, is often shortened to Steve or Stevie. In English, the female version of the name is Stephanie. Many surnames are derived from the first …
Who was Stephen in the Bible? - GotQuestions.org
Feb 13, 2024 · Stephen was one of the seven men chosen to be responsible over the distribution of food to widows in the early church after a dispute arose and the apostles recognized they …
Meaning, origin and history of the name Stephen
Nov 20, 2020 · Saint Stephen was a deacon who was stoned to death, as told in Acts in the New Testament. He is regarded as the first Christian martyr. Due to him, the name became …
Stephen - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Stephen is a boy's name of Greek origin meaning "garland, crown". Stephen is the 377 ranked male name by popularity.
Stephen | The amazing name Stephen: meaning and etymology
May 19, 2021 · An indepth look at the meaning and etymology of the awesome name Stephen. We'll discuss the original Greek, plus the words and names Stephen is related to, plus the …
Stephen - Name Meaning, What does Stephen mean? - Think Baby Names
Thinking of names? Complete 2021 information on the meaning of Stephen, its origin, history, pronunciation, popularity, variants and more as a baby boy name.
Stephen - Etymology, Origin & Meaning of the Name - Etymonline
Saint Stephen, stoned to death, was said to be Christianity's first martyr. Stephen (and the older pronunciation of nephew, still maintained) were said to be the only cases where English -ph- …
Stephen - Name Meaning and Origin
About Stephen The name Stephen is derived from the Greek name Stephanos, meaning "crown" or "garland." It is a masculine name that signifies honor, victory, and achievement.
Stephen: meaning, origin, and significance explained - What the …
In Greek, the name Stephen translates to Crown, symbolizing leadership and supremacy. This meaning reflects the characteristics associated with individuals named Stephen – noble, …
Stephen Name Meaning: Namesakes, Popularity & Variations
Feb 17, 2025 · The name Stephen is an Old English name, and it comes from the Ancient Greek name Stephanos, which means wreath or crown. Stephanos was the name of Saint Stephen, …