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| sous le ciel de paris film 1950: The New Biographical Dictionary of Film David Thomson, 2014-05-06 For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.” |
| sous le ciel de paris film 1950: The Encyclopedia of Film James Monaco, 1991 An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR |
| sous le ciel de paris film 1950: Film and Community in Britain and France Margaret Butler, 2004-08-27 Relations between France and Britain have always been uneasy and ambivelant. But in cinema, WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and division. She also draws on contemporary debates and offers a perceptive reading of key films, to reveal the meaning and appeal of French classics like Les Enfants du Paradis and notable British productions like Waterloo Road. |
| sous le ciel de paris film 1950: French Cinema—A Critical Filmography Colin Crisp, 2015-08-10 This invaluable resource by one of the world's leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929–1939 and Volume 2: 1940–1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958–1974, is forthcoming. |
| sous le ciel de paris film 1950: Julien Duvivier Ben McCann, 2017-02-26 This book is the first ever English-language study of Julien Duvivier (1896-1967), once considered one of the world's great filmmakers. It provides new contextual and analytical readings of his films that identify his key themes and techniques, trace patterns of continuity and change, and explore critical assessments of his work over time. His career began in the silent era and ended as the French New Wave was winding down. In between, Duvivier made over sixty films in a long and at times difficult career. He was adept at literary adaptation, biblical epic, and film noir, and this groundbreaking volume illustrates in great detail Duvivier's eclecticism, technical efficiency and visual fluency in works such as Panique (1946) and Voici le temps des assassins (1956). It will particularly appeal to scholars and students of French cinema looking for examples of a director who could straddle the realms of the popular and the auteur. |
| sous le ciel de paris film 1950: Catalogue of the Book Library of the British Film Institute, London, England: Title catalogue, G-Z. Script catalogue. Subject catalogue. Personality index. Film index British Film Institute. Library, 1975 |
| sous le ciel de paris film 1950: Paris and the Cliché of History Catherine E. Clark, 2018-07-19 This book turns a compelling new lens on thinking about the history of Paris and photography. The invention of photography changed how history could be written. But the now commonplace assumptions--that photographs capture fragments of lost time or present emotional gateways to the past--that structure today's understandings did not emerge whole cloth in 1839. Focusing on one of photography's birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined as documents of the past. Author Catherine E. Clark analyzes photography's effects on historical interpretation by examining the formation of Paris's first photo archives at the Musée Carnavalet and the city's municipal library, their use in illustrated history books and historical exhibitions and reconstructions such as the 1951 celebration of Paris's 2000th birthday, and the public's contribution to the historical record in amateur photo contests. Despite the photograph's growing importance in these forums, it did not simply replace older forms of illustration, visual documentation, or written text. Photos worked in complex and shifting relation to other types of pictures as photographers, popular historians, and publishers built on the traditions and iconography of painting and engraving in order to both document the past scientifically and objectively and to reconstruct it romantically. In doing so, they not only influenced how Parisians thought about the city's past and how they pictured it; they also ensured that these images shaped how Parisians lived their own lives--especially in deeply charged moments such as the Liberation after World War II. This history of picturing Paris does not simply reflect the city's history: it is Parisian history. |
| sous le ciel de paris film 1950: Encyclopedia of French Film Directors Philippe Rège, 2009-12-11 Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard. |
| sous le ciel de paris film 1950: Rediscovering French Film Mary Lea Bandy, 1983 |
| sous le ciel de paris film 1950: Reinventing Hollywood David Bordwell, 2017-10-02 In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters’ viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters’ memories, dreams, and hallucinations. Some films didn’t have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged—the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today’s cinema, that’s because it is. In Reinventing Hollywood, David Bordwell examines the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era’s unique achievements and its legacy for future filmmakers. Reinventing Hollywood is a groundbreaking study of how Hollywood storytelling became a more complex art and essential reading for lovers of popular cinema. |
| sous le ciel de paris film 1950: The Film Encyclopedia 7th Edition Ephraim Katz, Ronald Dean Nolen, 2012-05 Ephraim Katz's The Film Encyclopedia is the most comprehensive single-volume encyclopedia on film and is considered the undisputed bible of the film industry. Completely revised and updated, this seventh edition features more than 7,500 A–Z entries on the artistic, technical, and commercial aspects of moviemaking, including: Directors, producers, actors, screenwriters, and cinematographers; Styles, genres, and schools of filmmaking; Motion picture studios and film centers; Film-related organizations and events; Industry jargon and technical terms; Inventions, inventors, and equipment; Plus comprehensive listings of academy award–winning films And artists, top-grossing films, and much more! |
| sous le ciel de paris film 1950: The Film Encyclopedia Ephraim Katz, 1979 An encyclopedia of world cinema listing American, British, and international subjects and artistic, technical, and commercial aspects of the motion picture. |
| sous le ciel de paris film 1950: Edge of the Screen Murray Pomerance, 2024-11-14 This book is a series of seventeen mediations that revolve around the notion of the viewer's placement at the edge of the screen. Every page is an opportunity to think about an aspect of film, or of film viewing, in new ways, and to begin reconsidering deeply ingrained ways of unthinkingly characterizing and accounting for what it is that we watch when we watch a film, what happens to us, and how we make sense of and appreciate it. This volume follows from three others by the author: Virtuoso: Film Performance and the Actor's Magic (2020); The Film Cheat: Cinematic Artifice and Viewing Pleasure (2021); and Uncanny Cinema: Agonies of the Viewing Experience (2022). All of these, including Edge of the Screen, meander and interrogate cinema as we watch it, both connecting us to and disconnecting us from the moment of pleasure. Each meditation is characterized by a deep penetration of the inquiring, continually hungry authorial mind and a very extensive set of analyses of filmic moments from myriad films, including 2001: A Space Odyssey, Memento, Zabriskie Point, An American in Paris, Planet of the Apes (1968), Superman (1978), Possessed, The Jungle Book (1942), The Spy Who Came In from the Cold, The Toll of the Sea, Rope, and numerous others. These meditations are careful and philosophical as much as energetically ruminative, yet are written in an accessible style for all interested readers who both love cinema and wonder about that love. Each chapter can stand alone, even though all work together to challenge perspectives on what we encounter, experience, think, and feel when we watch films. Across its chapters, Edge of the Screen takes on a wide range of topics: the ontology of film; the relation between characters, actors, and the figures who appear onscreen; film's relationships to the other arts, especially painting but also novels and theatre; the passage of time in film, and its momentary character; film criticism, including deeply held values such as coherence; film's relationship to mortality; and more. |
| sous le ciel de paris film 1950: Audrey in Paris Caroline Young, 2024-02-15 A charming, illustrated gift book combining two timelessly stylish subjects - Audrey Hepburn and the city of Paris. Both classic, both inimitable, both fashion icons - Audrey Hepburn and Paris are a match made in heaven. Falling in love with the city at a young age, Audrey returned to Paris again and again in some of her most celebrated films (Sabrina, Funny Face, How to Steal a Million, Charade) wearing outfits from her favourite Parisian couturier, Hubert de Givenchy, and creating some of the most significant fashion moments of the twentieth century. Audrey in Paris brings together over 100 stunning photographs of her most iconic moments in the city, from film stills and behind-the-scenes shots to candid images of Audrey enjoying the city as a visitor. The book also includes a bespoke illustrated map showing her favourite spots. While dozens of successful books on Audrey have been published, this will be the first to document her time in the city of light. Tapping into Audrey's status as a fashion idol, which spans across the generations, as well as Paris's status as the world's capital of elegance, Audrey in Paris combines the gifty charm of How to be Parisian Wherever You Are with Audrey's forever appeal as a fashion muse. Gorgeous finishes will make this a stylish gift book to be treasured for years to come. |
| sous le ciel de paris film 1950: Index to Poetry in Music Carol June Bradley, 2014-03-18 First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. |
| sous le ciel de paris film 1950: Continental Film Review , 1956 |
| sous le ciel de paris film 1950: The Heroic City Rosemary Wakeman, 2009-12-15 The Heroic City is a sparkling account of the fate of Paris’s public spaces in the years following Nazi occupation and joyful liberation. Countering the traditional narrative that Paris’s public landscape became sterile and dehumanized in the 1940s and ’50s, Rosemary Wakeman instead finds that the city’s streets overflowed with ritual, drama, and spectacle. With frequent strikes and protests, young people and students on parade, North Africans arriving in the capital of the French empire, and radio and television shows broadcast live from the streets, Paris continued to be vital terrain. Wakeman analyzes the public life of the city from a variety of perspectives. A reemergence of traditional customs led to the return of festivals, street dances, and fun fairs, while violent protests and political marches, the housing crisis, and the struggle over decolonization signaled the political realities of postwar France. The work of urban planners and architects, the output of filmmakers and intellectuals, and the day-to-day experiences of residents from all walks of life come together in this vibrant portrait of a flamboyant and transformative moment in the life of the City of Light. |
| sous le ciel de paris film 1950: The International Encyclopedia of Film Roger Manvell, 1972 |
| sous le ciel de paris film 1950: Catalog of Copyright Entries Library of Congress. Copyright Office, 1953 |
| sous le ciel de paris film 1950: Film Directors James Robert Parish, Michael R. Pitts, 1974 |
| sous le ciel de paris film 1950: Europa cinema ottantaotto Cesare Biarese, Francesca Solinas, 1988 |
| sous le ciel de paris film 1950: Retrospective Index to Film Periodicals, 1930-1971 Linda Batty, 1975 |
| sous le ciel de paris film 1950: Catalog of Copyright Entries Library of Congress. Copyright Office, 1954 |
| sous le ciel de paris film 1950: Catalog of Copyright Entries. Fourth Series Library of Congress. Copyright Office, 1953 |
| sous le ciel de paris film 1950: Library of Congress Catalog Library of Congress, 1953 |
| sous le ciel de paris film 1950: Kinematograph Year Book , 1952 |
| sous le ciel de paris film 1950: Film Composers Guide , 1996 |
| sous le ciel de paris film 1950: National Union Catalog , 1953 |
| sous le ciel de paris film 1950: Histoire des plus célèbres chansons du cinéma Marion Vidal, Isabelle Champion, 1990 Répertoire alphabétique des chansons thèmes de films qui ont connu beaucoup de succès. |
| sous le ciel de paris film 1950: Memo from Belgium , 1966 |
| sous le ciel de paris film 1950: Halliwell's Film, Video & DVD Guide , 2008 |
| sous le ciel de paris film 1950: BTS Français. Culture générale et expression. Paris, ville capitale ? Hélène Bieber, Alexandra Beausire, Marie-Rose Bonnet, Isabelle-Rachel Casta, Christian Chelebourg, Isabelle Clochard, Célia Cristofoli, Adine De Gantho-Didierlaurent, Claude-Brigitte Dereau-Seret, Jean-Marie Duplaa, Stephanie DUVAL-GUERIN, Sonia Eismann-Nussmann, Agnès Felten, Christine Girodias-Majeune, Claire GONY-PAIN, Nicolas Grenier, Pascal Hérault, Valérie Lambert, Céline Lucchi, Virginie Lupo, Benoit Pain, Bénédicte Peralez Peslier, Lidwine Ripoche, 2023-06-06 Au sommaire : Un rappel méthodologique de la synthèse de documents et de l’écriture personnelleUne introduction claire avec une mise en perspective des problématiques essentielles du thèmeDes fiches de lecture synthétiques consacrées aux œuvres recommandées par le Bulletin officiel : – Littérature – Bande dessinée – Films – Tableaux – Photographies – Musique |
| sous le ciel de paris film 1950: BTS Français. Culture générale et expression. Paris, ville capitale ? Invitation au voyage... Hélène Bieber, 2023-06-06 Au sommaire : Un rappel méthodologique de la synthèse de documents et de l’écriture personnelleUne introduction claire avec une mise en perspective des problématiques essentielles du thèmeDes fiches de lecture synthétiques consacrées aux œuvres recommandées par le Bulletin officiel : – Littérature – Bande dessinée – Films – Tableaux – Photographie – Musique |
| sous le ciel de paris film 1950: Halliwell's Who's who in the Movies Leslie Halliwell, 2006 This best-selling encyclopedia is the definitive Who's Who of cinema, with everything you will ever need to know about major and behind-the-scenes players. It's packed with biographical profiles of actors and actresses, directors, producers, editors, and other key figures. Halliwell's Who's Who in the Movies also features filmographies, entries on the major studios and the foreign film industry, a history of the cinema, and information on all the major film awards, including a list of Oscar winners and nominations. Opinionated, witty, and packed with more information than any other film guide, it's as wonderfully unclassifiable as it is impossible to put down. |
| sous le ciel de paris film 1950: International Dictionary of Films and Filmmakers Tom Pendergast, Sara Pendergast, 2000 Contains over two thousand entries, arranged alphabetically within four volumes, that provide information about significant films, actors and actresses, directors, and writers and production artists in North American, British, and West European cinematic history. Includes photographs and indexes. |
| sous le ciel de paris film 1950: Quinlan's Film Directors David Quinlan, 1999 The enthusiast's essential handy reference to who directed what, with each entry providing a concise summary of the director's career. |
| sous le ciel de paris film 1950: International Dictionary of Films and Filmmakers: Actors and actresses Tom Pendergast, Sara Pendergast, 2000 Contains over two thousand entries, arranged alphabetically within four volumes, that provide information about significant films, actors and actresses, directors, and writers and production artists in North American, British, and West European cinematic history. Includes photographs and indexes. |
| sous le ciel de paris film 1950: The 9.5mm Vintage Film Encyclopaedia Patrick Moules, 2020-07-28 Written in both English and French, The 9.5mm Vintage Film Encyclopaedia provides a single-volume, comprehensive catalogue of all known 9.5mm film releases, including: Films: Comprising 12,460 individual entries, this A-Z reference index provides the main listing for each film and its origin where known, along with additional information including cast and crew, and cross references to other relevant material. People: This index of all known actors and film crew, comprising over 12,000 names, provides a listing which is cross referenced to the main entry for each original film they worked on. Numbers: Pathé-Baby/Pathéscope and other distributors’ catalogue numbers, film length, release dates (where known) and the series in which the films were organised, are set out in detail. With a foreword from eminent film historian and filmmaker, Keith Brownlow, this extensively researched text explains the importance of the 9.5mm film, from its beginnings in the early 1920s to becoming synonymous with Home Cinema throughout Europe. Readers will also find a brief technical explanation on how 9.5mm films were produced, along with relevant images. |
| sous le ciel de paris film 1950: The Library of Congress Author Catalog , 1953 |
| sous le ciel de paris film 1950: International Dictionary of Films and Filmmakers Laurie Collier Hillstrom, 1997 |
SOUS Definition & Meaning - Merriam-Webster
The meaning of SOU is sol. How to use sou in a sentence.
sous - Wiktionary, the free dictionary
Jun 5, 2025 · Obsolete form of sou (“French coin”). The moment I cast my eyes upon him, I was predetermined not to give him a single sous […] Short for sous-chef. Denise left the Generator …
SOUS | translate French to English - Cambridge Dictionary
Tes chaussures sont sous le lit ! Elle prépare sa thèse sous les directives d’un professeur. C’est arrivé sous mes yeux. It happened right in front of me. Elle s’est effondrée sous nos yeux. …
What Is the Difference Between Chef de Cuisine and Sous Chef?
Feb 17, 2025 · The most obvious difference between the sous chef and the chef de cuisine involves the designated rank, with the chef de cuisine acting as the ultimate kitchen authority …
English translation of 'sous' - Collins Online Dictionary
English Translation of “SOUS” | The official Collins French-English Dictionary online. Over 100,000 English translations of French words and phrases.
The Ultimate Guide to Sous Vide Meat: What's the Best Cut for …
3 days ago · Sous vide cooking has revolutionized the way we prepare meat, allowing for precise temperature control and unparalleled tenderness. But with so many types of meat to choose …
What does sous mean in French? - WordHippo
Need to translate "sous" from French? Here are 6 possible meanings.
Sous - definition of Sous by The Free Dictionary
Define Sous. Sous synonyms, Sous pronunciation, Sous translation, English dictionary definition of Sous. n. 1. A corrupt form of Sou. Webster's Revised Unabridged Dictionary, published …
Sous: Uncovering the Meaning Behind the Word - FlavoryCooking
Feb 4, 2024 · “Sous” is a French culinary term that translates to “under” or “below” in English. In the culinary world, it is often used in the context of “sous chef,” which refers to the second-in …
What does SOUS mean? - Definitions.net
Sous is a culinary term that refers to cooking food in a pouch or airtight container placed in a water bath or steam environment at a consistent and gentle temperature for an extended …
SOUS Definition & Meaning - Merriam-Webster
The meaning of SOU is sol. How to use sou in a sentence.
sous - Wiktionary, the free dictionary
Jun 5, 2025 · Obsolete form of sou (“French coin”). The moment I cast my eyes upon him, I was predetermined not to give him a single sous […] Short for sous-chef. Denise left the Generator …
SOUS | translate French to English - Cambridge Dictionary
Tes chaussures sont sous le lit ! Elle prépare sa thèse sous les directives d’un professeur. C’est arrivé sous mes yeux. It happened right in front of me. Elle s’est effondrée sous nos yeux. …
What Is the Difference Between Chef de Cuisine and Sous Chef?
Feb 17, 2025 · The most obvious difference between the sous chef and the chef de cuisine involves the designated rank, with the chef de cuisine acting as the ultimate kitchen authority …
English translation of 'sous' - Collins Online Dictionary
English Translation of “SOUS” | The official Collins French-English Dictionary online. Over 100,000 English translations of French words and phrases.
The Ultimate Guide to Sous Vide Meat: What's the Best Cut for …
3 days ago · Sous vide cooking has revolutionized the way we prepare meat, allowing for precise temperature control and unparalleled tenderness. But with so many types of meat to choose …
What does sous mean in French? - WordHippo
Need to translate "sous" from French? Here are 6 possible meanings.
Sous - definition of Sous by The Free Dictionary
Define Sous. Sous synonyms, Sous pronunciation, Sous translation, English dictionary definition of Sous. n. 1. A corrupt form of Sou. Webster's Revised Unabridged Dictionary, published 1913 …
Sous: Uncovering the Meaning Behind the Word - FlavoryCooking
Feb 4, 2024 · “Sous” is a French culinary term that translates to “under” or “below” in English. In the culinary world, it is often used in the context of “sous chef,” which refers to the second-in …
What does SOUS mean? - Definitions.net
Sous is a culinary term that refers to cooking food in a pouch or airtight container placed in a water bath or steam environment at a consistent and gentle temperature for an extended …
