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| smita agarwal poems: Wish-granting Words Smita Agarwal, 2002 |
| smita agarwal poems: Marginalized: Indian Poetry in English Smita Agarwal, 2014-01-02 Indian writing in English, especially fiction, continues to capture the attention of readers all over the English-speaking world. Conversely, the strong and flourishing tradition of poetry in English from India has not impacted the contemporary world in the same manner as the fiction. This book creates a debate to highlight the well-grounded and confident tradition of Indian Poetry in English which began almost two hundred years ago with the advent of the British. Individual essays on poets before and since the Indian Independence focus on the poetry of Derozio, Tagore, Aurobindo and Naidu right down to the modern and contemporary poets like Ezekiel, Mahapatra, Ramanujan, Kolatkar, Das, Moraes, Daruwalla, de Souza, Jussawalla and Patel who ushered in a change both in terms of subject matter and style. On either side of the Atlantic, this book which includes a substantial Introduction, Select Bibliography and Index is of value to scholars, teachers and researchers on Indian Poetry in English. |
| smita agarwal poems: Nine Indian Women Poets Eunice De Souza, 2001 This Anthology Concentrates On Nine Significant Contemporary Poets Writing In English, Aiming To Represent Adequately The Variety In Each Poets Work. |
| smita agarwal poems: Confronting Love : Poems Jerry Pinto, Jerry & Subramaniam, Arundhathi (, 2005-07-01 Forty-six Indian poets on love. 'And even now/when...years have passed/love has nothing to say...' writes Vinay Dharwarker in his poem Waking, included in this anthology. Nevertheless, poets continue to address the issue of love, looking for novel and original ways to beat cliches. In Confronting Love, Indian poets writing in English try to make sense of this emotion. From the spiritual to the corporeal, from the whimsical to the brooding, these poems convey the myriad nuances of love. There is pathos here and ecstasy, obsession and resignation. There is, as the editors say, 'the being-in-love poem, the being out-of-love poem, and the regular tumbling-headlong-into-it poem' as veterans and young talents alike seek to strike a balance between craft and feelings in dealing with the favourite theme of poets all over the world - love. |
| smita agarwal poems: The Dance of the Peacock Vivekanand Jha, 2013-05-01 The Dance of the Peacock, focused as it is on poetry in English by Indians and diasporic Indians, is also a celebration of diversity. This anthology is a brave attempt to capture something of the Indian English global poetry scene at this moment in time. It does not pretend to be a comprehensive collection; rather it is a genuine and rewarding sampler for the reader who would like an introduction to its riches. Dr. Debjani Chatterjee, MBE Sheffield, UK Editor of the renowned poetry collections, The Redbeck Anthology of British South Asian Poetry (Redbeck Press) and Masala: Poems from India, Bangladesh, Pakistan and Sri Lanka (Macmillan) The Dance of the Peacock is a diverse collection of contemporary English poetry from Indian. The 151 poets represented in this book hail from the many different states of India as well as from the United Kingdom, United States and Canada. The poets between these covers range in age from 15 to 92. It is rare that one will find a more diverse collection of poets representing Indo-English poetry. |
| smita agarwal poems: A History of Indian Poetry in English Rosinka Chaudhuri, 2016-03-29 A History of Indian Poetry in English explores the genealogy of Anglophone verse in India from its nineteenth-century origins to the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that illuminate the legacy of English in Indian poetry. Organized thematically, these essays survey the multilayered verse of such diverse poets as Henry Louis Vivian Derozio, Rabindranath Tagore, Nissim Ezekiel, Dom Moraes, Kamala Das, and Melanie Silgardo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of imperialism and diaspora in Indian poetry. This book is of pivotal importance to the development of Indian poetry in English and will serve as an invaluable reference for specialists and students alike. |
| smita agarwal poems: The Productivity of Negative Emotions in Postcolonial Literature Jean-François Vernay, Donald Wehrs, Isabelle Wentworth, 2024-11-18 This volume explores the possibilities and potentialities of “negative” affect in postcolonial literature and literary theory, featuring work on postcolonial studies, First Nations studies, cognitive cultural studies, cognitive historicism, reader response theory, postcolonial feminist studies, and trauma studies. The chapters of this work investigate negative affect in all its types and dimensions: analyses of the structures of feeling created by socio-political forces; assemblages and alliances produced by negative emotion; enactive interrelationships of emotion and environment; and the ethical implications of emotional response, to name a few. It seeks to rebrand “negative” emotions as productive forces which can paradoxically confer pleasure, agential power, and social progress through literary representation. |
| smita agarwal poems: Quintessential Outpourings Dr. Vandita Liddle Dharni, 2016-10-17 Quintessential Outpourings is a collection of poems which reflect the varied colours of life. An introspective reader will be transported to utopia in this book, as it encompasses all the beautiful aspects of nature, imbibed with a cadence and powerful imagery that will leave you spellbound. You will also be taken on a journey through the haunting stark realities of life that define the very purpose of our existence. The subjectivity and sensitivity is complimented with a pulsating tone that creates a mesmerising impact. The themes range from love in all its forms, the infectious S.M.S. bug that has infected every teenager, the wretched role of the Indian girl, to the majestic image of the tiger that is now a tragic endangered species. This book is sure to electrify your senses and leave your heart throbbing as you succumb to a powerful wave of self-revelation and social consciousness. |
| smita agarwal poems: Literary Sentiments in the Vernacular Charu Gupta, Laura Brueck, Hans Harder, Shobna Nijhawan, 2021-12-14 This collection brings together nine essays, accompanied by nine short translations that expand the assumptions that have typically framed literary histories, and creatively re-draws their boundaries, both temporally and spatially. The essays, rooted in the humanities and informed by interdisciplinary area studies, explore multiple linkages between forms of print culture, linguistic identities, and diverse vernacular literary spaces in colonial and post-colonial South Asia. The accompanying translations—from Bengali, Hindi, Marathi, Tamil, and Urdu—not only round out these scholarly explorations and comparisons, but invite readers to recognise the assiduous, intimate, and critical labour of expanding access to the vernacular archive, while also engaging with the challenges—linguistic, cultural, and political—of rendering vernacular articulations of gendered experience and embodiment in English. Collectively, the essays and translations foreground complex and politicised expressions of gender and genre in fictional and non-fictional print materials and thus draw meaningful connections between the vernacular and literature, the everyday and the marginals, and gender and sentiment. They expand vernacular literary archives, canons and genealogies, and push us to theorise the nature of writing in South Asia. Literary Sentiments in the Vernacular is a significant new contribution to South Asian literary history and gender studies, and will be a great resource for academics, researchers, and advanced students of History, Literature, Cultural Studies, Politics, and Sociology. The chapters in this book were originally published as a special issue of South Asia: Journal of South Asian Studies. |
| smita agarwal poems: 14/2: The Attack on Pulwama Vikas Trivedi, Smita Agarwal, Following the deadly Pulwama attack, Clinton Joseph of the NIA is assigned a secret job of catching the masterminds. Joseph’s investigation leads him to various clues, one of which points to a prisoner terrorist Al-Khaled, in India. Through the traps of betrayal, hatred and death, Clinton is determined to bring the perpetrators of the Pulwama attack into the light of justice. Owing to his findings, the Indian Air Force launches an airstrike across the border. The strike leads to the capture of Indian Wg. Cdr Anand behind the enemy lines. As his life hangs by a thread, it is his wit that will help him survive the ordeal. The two stories meld together, taking the patriots through the maze that has vowed to kill every last one of them - and the time's running out. |
| smita agarwal poems: The Oxford Handbook of Modern Indian Literatures Ulka Anjaria, Anjali Nerlekar, 2024 The Oxford Handbook of Modern Indian Literatures is a compilation of scholarship on Indian literature from the 19th century to the present in a range of Indian languages. On one hand, because of reasons associated with national academic structures, publishing resources, and global visibility, English writing gets privileged over all the other linguistic traditions in the scholarship on Indian literatures. On the other hand, within the scholarship on regional language literary productions (in Hindi, Marathi, Bengali, etc.), the critical works and the surveys focus only on that particular language and therefore frequently suffer from a lack of comparative breadth and/or global access. Both reflect the paradigm of monolingualism within which much literary scholarship on Indian literature takes place. This handbook instead focuses on the multilingual pathways through which modern Indian literature gets constituted. It features cutting-edge literary criticism from at least seventeen languages, and on traditional literary genres as well as more recent ones like graphic novels. It shows the deep connections and collaborations across genres, languages, nations, and regions that produce a literature of diverse contact zones, generating innovations on form, aesthetics, and technique. Foregrounding themes such as modernity and modernism, gender, caste, diaspora, and political resistance, the book collects an array of perspectives on this vast topic-- |
| smita agarwal poems: The Map-maker Keki N. Daruwalla, 2002 |
| smita agarwal poems: Indian English Poetry K. V. Surendran, 2002 The Poets Discussed In This Volume Are Vivekananda, Toru Dutt, Rabindranath Tagore, Sarojini Naidu, Nissim Ezekiel, Kammala Das, A.K. Ramanujan, T.R. Rajasekharaiah, O.P. Bhatnagar, Sugathakumari, Melanie Silgardo, Eunice De Souza And A Ew Others. |
| smita agarwal poems: A New Book of Indian Poems in English , 2000 |
| smita agarwal poems: A Twisted Cue Rohit Handa, 2003 This A Novel That Delves Deep Into The Inner Psyche Of India With 1965 War As The Backdrop. |
| smita agarwal poems: The Hyperlocal in Eighteenth- and Nineteenth-Century Literary Space Nicholas Birns, 2019-08-26 This book surveys the hyperlocal in the works of authors such as Jane Austen, John Keats, and Charles Dickens. It shows that the hyperlocal space or object, though particular, reaches beyond itself, affording an elasticity that can allow those things that seem beneath notice to reveal broader cultural significance. |
| smita agarwal poems: INDIAN POETRY IN ENGLISH : CRITICAL ESSAYS ZINIA MITRA, 2016-07-01 Indian poets who wrote in English—a small middle class minority—were divided from the regional language poets by more than language for long. The English poets had a selected readership, were known unto themselves, in academic circles if they were widely published, but were looked down upon with a kind of derision by regional writers. However, the scenario has changed now. From English being spurned as a colonizer’s tongue that was nobody’s language, it has now become everybody’s language with English medium schools, English movies, ads, soaps and serials. For a generation living in a global village, genuine readership and appreciation of English poetry is no longer an encumbrance. This book, in its second edition, continues to educate the students with diverse and thought-provoking essays that vary from personal to argumentative to objectively discursive English literature and to those who are genuinely interested in Indian English poetry. The Fourteen poets selected in this anthology are Michael Madhusudan Dutt, Toru Dutt, Rabindranath Tagore, Aurobindo Ghosh, Sarojini Naidu, Jibanananda Das, Nissim Ezekiel, Jayanta Mahapatra, A.K. Ramanujan, Arun Kolatkar, Rajagopal Parthasarathy, Kamala Das, and Dilip Chitre. The poets included are all on the syllabi of major universities in India. |
| smita agarwal poems: The T. S. Eliot Studies Annual John D. Morgenstern, 2017-03-06 The T. S. Eliot Studies Annual features the year’s best scholarship on this major literary figure. |
| smita agarwal poems: Bombay Modern Anjali Nerlekar, 2016-05-15 Anjali Nerlekar's Bombay Modern is a close reading of Arun Kolatkar's canonical poetic works that relocates the genre of poetry to the center of both Indian literary modernist studies and postcolonial Indian studies. Nerlekar shows how a bilingual, materialist reading of Kolatkar's texts uncovers a uniquely resistant sense of the local that defies the monolinguistic cultural pressures of the post-1960 years and straddles the boundaries of English and Marathi writing. Bombay Modern uncovers an alternative and provincial modernism through poetry, a genre that is marginal to postcolonial studies, and through bilingual scholarship across English and Marathi texts, a methodology that is currently peripheral at best to both modernist studies and postcolonial literary criticism in India. Eschewing any attempt to define an overarching or universal modernism, Bombay Modern delimits its sphere of study to Bombay and to the post-1960 (the sathottari period) in an attempt to examine at close range the specific way in which this poetry redeployed the regional, the national, and the international to create a very tangible yet transient local. |
| smita agarwal poems: New Lights on Indian Women Novelists in English Amar Nath Prasad, 2003 |
| smita agarwal poems: Women Poets, Male Publishers Lise Jaillant, 2025-03-17 We are often told that the women’s movement of the 1960s and 1970s led to the rediscovery of forgotten women writers. Without feminist presses such as Virago, these women would have sunk into obscurity. Thanks to Carmen Callil and other trailblazing feminist publishers, a canon of women’s literature emerged, and living writers managed to survive and sometimes thrive in a literary marketplace that had so far been dominated by men. Although obstacles remained, the story is one of the triumphs over a misogynistic publishing industry—a sector that had once sought to erase women writers of the past, marginalise living authors, and close the doors to any future legacy. There are two problems with this oft-repeated story. First, it focuses mainly on fiction rather than poetry (founded in 1973, Virago did not start publishing poetry until the early 1980s). Second, it neglects the major role that conservative male publishers played in (re)discovering women poets in post-1960s Britain. With the growing influence of the Women’s Liberation movement, these publishers realised that there was a growing market for poetry by women. At the same time, the Arts Council of Great Britain started pushing for more diversity, nudging its “clients” to make more room for women and ethnic minorities. Drawing on extensive archival work and oral history interviews, this open access book pushes the boundaries of a scholarship that has focused mainly on women’s poetry in relation to women’s presses. Archival documents show the influence of the Arts Council and the market in pushing conservative publishers towards more diversity. This evolution has had long-term consequences on the canon of women’s poetry, a canon that was largely shaped by conservative publishing houses rather than radical feminist presses. |
| smita agarwal poems: Gulzar's Aandhi Saba Mahmood Bashir, 2019-02-25 At one level, Gulzar's Aandhi (1975) is a story of estranged love between two headstrong and individualistic personalities; at another, it is a tongue-in-cheek comment on the political scenario of the country. Through a close textual analysis of the film, this book examines in detail its stellar cast, the language and dialogues, and the evergreen songs which had a major role in making the film a commercial success. Gulzar's own insights into the making of Aandhi (from an interview) further enhances the readers' understanding of the film. Saba Bashir's book will delight those wanting to savour the duality and drama that befit life, or shall we say, cinema. |
| smita agarwal poems: The English Language Poetry of South Asians Mitali Pati Wong, Syed Khwaja Moinul Hassan, 2013-01-24 In this study, ten independent critical essays and a coda explore the English-language poetry of South Asians in terms of time, place, themes and poetic methodologies. The transnational perspective taken establishes connections between colonial and postcolonial South Asian poetry in English as well as the poetry of the old and new diaspora and the Subcontinent. The poetry analysis covers the relevance of historical allusions as well as underlying concerns of gender, ethnicity and class. Comparisons are offered between poets of different places and time periods, yielding numerous sociopolitical paradigms that surface in the poetry. |
| smita agarwal poems: Contemporary Indian English Poetry and Drama Sajalkumar Bhattacharya, Himadri Lahiri, Arnab Kumar Sinha, 2019-07-29 This anthology of essays maps the divergent issues that have become relevant in contemporary Indian English poetry and drama. By providing a clear idea about the new themes, techniques and methods used by the Indian English poets and playwrights to address the issues emerging in the changing socio-cultural scenario, particularly during the post-globalization period, the essays offer insightful observations on canon formation and its reception. It is high time to consider afresh whether the canons of Indian English poetry and drama have widened their scope to include innovative forms of writing or whether they have evolved significantly to generate novel perspectives. These questions, which are linked with the issue of canon formation and its reception are intricately woven into the fabric of these essays. This anthology will respond to the scholarly interests of inquisitive students, research scholars and academics in the field of Indian English literature. |
| smita agarwal poems: These My Words Eunice de Souza, 2012-10-15 The ultimate anthology of Indian poetry from the Vedas to the present in all the major Indian languages These My Words is an anthology of magnificent breadth, ranging from Valmiki to Agha Shahid Ali, Aurobindo to Vikram Seth, Andal to Tagore, spanning Indian poetry in its myriad forms, styles and languages. The poems speak for themselves and to each other, as folk songs and tribal epics sit alongside classical Sanskrit and formal Tamil verse is a companion to contemporary Bengali or Dogri. There is Ghalib in praise of love, Tukaram on religious bigotry, Ksetrayya on divine love through the erotic, Gieve Patel on identity. In Eunice de Souza and Melanie Silgardo’s carefully curated selection, each poem illumines exquisitely the tradition of Indian poetry. |
| smita agarwal poems: Ariel , 2015 |
| smita agarwal poems: Deconstructing the Stereotype: Reconsidering Indian Culture, Literature and Cinema Kaustav Chakraborty, 2014-04 Stereotypes are mere 'pictures in our heads'. Prejudice and suspicion against all that is perceived of as ‘different’ give rise to cultural stereotypes. Creating stereotypes also involves connecting the created categories with values, equipping the categories with an ideational label. Thus, stereotypes often contain the presupposition that one’s own group represents the normal, or even universal and that one’s own culture and ist socially construed concepts of reality is superior and normative in relation to other cultures and world-views. The stereotypes are not just one person’s private attitude but are always shared with a larger socio-cultural group. Stereotypes result in simplifications that prevent people from seeing the ‘otherized’ individuals as they truly are. This book, aims at transgressing the boundaries of the strategically generated stereotyped image of a homogenous Indian culture. Rather, by highlighting the marginalised issues related to class, caste and gender, this book, by citing examples of select Indian literary and cinematic representations, argues that the stigma related to the non-conformist /alternative/minority identities, is baseless and fraudulent. |
| smita agarwal poems: Indian Poetry In English: Roots And Blossoms (part-I) Amar Nath Prasad, 2007 |
| smita agarwal poems: Reasons for Belonging Ranjit Hoskote, 2002 Reasons For Belonging Brings Together Some Of The Most Striking Voices In Contemporary Indian Poetry In English. These Poets Are At Home In The World. Most Of Them Operate From India S Metropolitan Centres, And Their Poetry Reflects The Formal Assurance And Urbane Fluency Of That Position. They Celebrate The Possibilities Of Hybridity; They Are Cosmopolitan In Their Attitudes, And English Is Their First Language Of Creative Expression. Their Poetry Emerges From The Metropolitan Experience: Speed, Exchange, Novelty, Interplay, Violence, Solitude And Isolation, And Nostalgia For Other Regions And States Of Being. And Their Tones Range From Frenzy And Anger Through Coolness To Quietness And Reflection. This Anthology Features Most Of The Well-Known Poets, Born Between The Late 1950S And The Late 1960S, Who Belong To What Has Been Described As The Second Generation Of Post-Colonial Indian Poets. But Hoskote Pushes The Envelope By Including Voices From The Third Generation Comprising 1950S- And 1960S-Born Poets Whose Work Has Come To Public Notice During The Late 1990S, And Poets Born In The Early 1970S. Together, They Extend The Scope, Scale And Modes Of Poetry, And Its Relationship With The World. Poets Included In The Book Jeet Thayil Tabish Khair Ranjit Hoskoté Vijay Nambisan H. Masud Taj Rukmini Bhaya Nair C.P. Surendran Vivek Narayanan Gavin Barrett Anjum Hasan Jerry Pinto Smita Agarwal Arundhathi Subramaniam Anand Thakore |
| smita agarwal poems: Poetry Review Stephen Phillips, Galloway Kyle, Harold Monro, 1998 |
| smita agarwal poems: Encyclopedia of Post-Colonial Literatures in English Eugene Benson, L.W. Conolly, 2004-11-30 Post-Colonial Literatures in English, together with English Literature and American Literature, form one of the three major groupings of literature in English, and, as such, are widely studied around the world. Their significance derives from the richness and variety of experience which they reflect. In three volumes, this Encyclopedia documents the history and development of this body of work and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide. |
| smita agarwal poems: Quote Poet Unquote Dennis O'Driscoll, 2008 A teeming mosaic of provocative one-liners and chewy ruminations on the art and practice of poetry. |
| smita agarwal poems: Unearthing Gender Smita Tewari Jassal, 2012-03-28 This book analyzes the folk songs from the Bhojpuri-speaking regions of North India to explore how ideas of gender, caste, and class are socially constructed, transmitted, questioned, and reaffirmed through their performance. |
| smita agarwal poems: When Mirrors Are Windows Guillermo Rodríguez, 2016-09-01 In an ocean where myriads of rivers converge, can one sole river lend the ocean its distinct flavour? For someone who is at home with several languages, literary traditions and disciplines, is it possible for one form to criss-cross the landscape of another? In a poet’s world of mirrors, where stream and earth are sky, one may ‘sometimes count every orange on a tree’, but can one count ‘all the trees in a single orange’? In this volume, Guillermo Rodríguez explores these possibilities by analysing the works of one of India’s finest poets, translators, essayists and scholars of the twentieth century, A.K. Ramanujan (1929–1993). |
| smita agarwal poems: New Soundings in Postcolonial Writing Janet Wilson, Chris Ringrose, 2016-08-29 New Soundings in Postcolonial Writing is a collection of critical and creative writing in honour of the postcolonial critic, editor and anthologist Bruce King. There are essays on topics relating to Caribbean authors (Derek Walcott, Simone and Andre Schwarz-Bart); diaspora writers in England (Zadie Smith, Andrea Levy, Michael Ondaatje), South East Asian writing in English (Arun Kolatkar, recent Pakistani fiction, Anita Desai) and New Zealand, Canadian and Pacific writers (Albert Wendt, Patricia Grace, Bill Manhire, Joseph Boyden, Greg O’Brien). The creative writing section features new work by David Dabydeen, Fred D’Aguiar, Arvind Mehrotra, Jeet Thayil, Meena Alexander, Keki Daruwalla, Adil Jussawalla, Tabish Khair, Susan Visvanathan and others, reflecting King’s pioneering work on Indian poetry in English, and his many friendships. |
| smita agarwal poems: Indian Poetry in English Makarand R. Paranjape, 1993 This new anthology features nearly 200 poems by thirty-one poets representing over 160 years of Indian Poetry in English. |
| smita agarwal poems: The Longest Pleasure Vinita Agrawal, 2015-09-18 |
| smita agarwal poems: Indian English Women Poets Anisur Rahman, Ameena Kazi Ansari, 2009 Contributed articles. |
| smita agarwal poems: Kavya Bharati , 1994 Anthology of Indic poetry in English, translated into English, and its criticism. |
| smita agarwal poems: Forever Shinings Sahil Chopra, 2022-02-26 Forever Shinings is a collection of write-ups that have familiar topics and are relatable and written by few talented writers of INDIA. It adds value to your life in a unique and distiction way by focusing on modern concerns. the book is compiled and manged by Sahil Chopra. |
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