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| spiritus mundi northrop frye: Spiritus Mundi Northrop Frye, 1991 This collection of a dozen major essays is vintage Frye - the fine distillation of a lifetime of originative thinking about literature and its context. The essays in Spiritus Mundi are arranged in three groups of four essays each. The first are about the contexts of literature, the second are about the mythological universe, and the last are studies of four of the great visionary or myth-making poets who have been enduring sources of interest for Frye: Milton, Blake, Yeats, and Wallace Stevens. |
| spiritus mundi northrop frye: Spiritus Mundi Northrop Frye, 2006 |
| spiritus mundi northrop frye: The Educated Imagination Northrop Frye, 1997-03-01 What good is the study of literature? Does it help us think more clearly, or feel more sensitively, or live a better life than we could without it? Written in the relaxed and frequently humorous style of his public lectures, this remains, of Northrop Frye's many books, perhaps the easiest introduction to his theories of literature and literary education. |
| spiritus mundi northrop frye: Anatomy of Criticism Northrop Frye, 1957 |
| spiritus mundi northrop frye: A Companion to Literary Theory David H. Richter, 2018-03-19 Introduces readers to the modes of literary and cultural study of the previous half century A Companion to Literary Theory is a collection of 36 original essays, all by noted scholars in their field, designed to introduce the modes and ideas of contemporary literary and cultural theory. Arranged by topic rather than chronology, in order to highlight the relationships between earlier and most recent theoretical developments, the book groups its chapters into seven convenient sections: I. Literary Form: Narrative and Poetry; II. The Task of Reading; III. Literary Locations and Cultural Studies; IV. The Politics of Literature; V. Identities; VI. Bodies and Their Minds; and VII. Scientific Inflections. Allotting proper space to all areas of theory most relevant today, this comprehensive volume features three dozen masterfully written chapters covering such subjects as: Anglo-American New Criticism; Chicago Formalism; Russian Formalism; Derrida and Deconstruction; Empathy/Affect Studies; Foucault and Poststructuralism; Marx and Marxist Literary Theory; Postcolonial Studies; Ethnic Studies; Gender Theory; Freudian Psychoanalytic Criticism; Cognitive Literary Theory; Evolutionary Literary Theory; Cybernetics and Posthumanism; and much more. Features 36 essays by noted scholars in the field Fills a growing need for companion books that can guide readers through the thicket of ideas, systems, and terminologies Presents important contemporary literary theory while examining those of the past The Wiley-Blackwell Companion to Literary Theory will be welcomed by college and university students seeking an accessible and authoritative guide to the complex and often intimidating modes of literary and cultural study of the previous half century. |
| spiritus mundi northrop frye: The Well-tempered Critic Northrop Frye, 1983 |
| spiritus mundi northrop frye: Powerful Prose R. L. Victoria Pöhls, Mariane Utudji, 2021-10-01 What makes a reading experience »powerful«? This volume brings together literary scholars, linguists, and empirical researchers who tackle the question by investigating the effects and reader responses generated by selected extracts of literary prose. The twelve contributions theorize this widely-used, but to date insufficiently studied notion, and provide insights into the therefore still mysterious-seeming power of literary fiction. The collection explores a variety of stylistic as well as readerly and psychological features responsible for short- and long-term effects – topics of great interest to those interested or specialized in literary studies and narratology, (cognitive) stylistics, empirical literary studies and reader response theory. |
| spiritus mundi northrop frye: The Double Vision Northrop Frye, 1991-01-01 The Double Vision originated in lectures delivered at Emmanuel College in the University of Toronto, the texts of which were revised and augmented. |
| spiritus mundi northrop frye: Northrop Frye's Uncollected Prose Northrop Frye, 2015-05-07 Northrop Frye’s Uncollected Prose, which features twenty-one pieces in the form of notes, prefaces, reviews, and talks, is the latest addition to the impressive body of writing by and about Frye. Among the highlights of the collection are Frye’s “Notes on Romance,” written in preparation for the lectures that eventually became The Secular Scripture; a newly discovered early notebook, parts of which may date from his second year as an undergraduate at Victoria College; and a pair of previously unavailable interviews. Expertly introduced by Robert D. Denham, one of the leading editors of Frye’s papers, Northrop Frye’s Uncollected Prose offers valuable insight into Frye’s early life, his research methodology, and thought process, and is further proof of the remarkable depth and range of his work. |
| spiritus mundi northrop frye: The Secular Scripture Northrop Frye, 1976 Reassesses the tradition and individual works of Western romance, from ancient Greece to the present, as constituting an imaginative universe in which man, moving between the idyllic and demonic, functions as a scriptural hero. |
| spiritus mundi northrop frye: A Mythic Journey Edward Diller, 2014-07-15 Although The Tin Drum has often been called one of the great novels of the 20th century, most critics have been baffled in attempting to draw its apparent chaos into a single literary framework. Here is the full-length study to penetrate the brilliance of Gunter Grass's style and uncover the novel's mythopoetic core. In A Mythic Journey: Gunter Grass's Tin Drum, author Edward Diller convincingly demonstrates the still valid relationship between modern and classical literary criticism. By reading The Tin Drum as both modern myth and historical epic, he provides a profound and sensitive interpretation of one of the masterpieces of 20th century literature. |
| spiritus mundi northrop frye: Biblical and Classical Myths Northrop Frye, Jay Macpherson, 2004-01-01 Combines a 1981-82 series of twenty-four lectures by Canadian literary critic Northrop Frye and Canadian poet and classicist Jay Macpherson's Four Ages: the Classical Myths published in 1962. |
| spiritus mundi northrop frye: The Unfolding God of Jung and Milton James P. Driscoll, 2021-10-21 In this first extensive Jungian treatment of Milton's major poems, James P. Driscoll uses archetypal psychology to explore Milton's great themes of God, man, woman, and evil and offers readers deepened understanding of Jung's profound thoughts on Godhead. The Father, the Son, Satan, Messiah, Samson, Adam, and Eve gain new dimensions of meaning as their stories become epiphanies of the archetypes of Godhead. God and Satan of Paradise Lost are seen as the ego and the shadow of a single unfolding personality whose anima is the Holy Spirit and Milton's muse. Samson carries the Yahweh archetype examined by Jung in Answer to Job, and Messiah and Satan in Paradise Regained embody the hostile brothers archetype. Anima, animus and the individuation drive underlie the psychodynamics of Adam and Eve's fall. Driscoll draws on his critical acumen and scholarly knowledge of Renaissance literature to shed new light on Jung's psychology of religion. The Unfolding God of Jung and Milton illumines Jung's heterodox notion of Godhead as a quarternity rather than a trinity, his revolutionary concept of a divine individuation process, his radical solution to the problem of evil, and his wrestling with the feminine in Godhead. The book's glossary of Jungian terms, written for literary critics and theologians rather than clinicians, is exceptionally detailed and insightful. Beyond enriching our understanding of Jung and Milton, Driscoll's discussion contributes to theodicy, to process theology, and to the study of myths and archetypes in literature. |
| spiritus mundi northrop frye: Words With Power Northrop Frye, 2008-08-09 Words with Power is the crowning achievement of the latter half of Northrop Frye's career. Portions of the work can be found in Frye's notebooks as far back as the mid-1960s when he had just finished Anatomy of Criticism, and he completed the book shortly before his death in 1991. Beyond summing up his ideas about the relation of the Bible to Western culture, Words with Power boldly confronts a host of questions ranging from the relationship between literature and ideology to the real meaning of words like 'spirit' and 'faith.' The first half of the 'double mirror' structure looks at the language in which the Bible is written, arguing that it is identical to that of myth and metaphor. Frye suggests, therefore, that given this characteristic, the Bible should be read imaginatively rather than historically or doctrinally. However, he is also careful to point out the ways in which the Bible is more than a conventional work of fiction. The second half is an astonishing tour de force in which Frye demonstrates how both the Bible and literature revolve around four primary concerns of human life. This edition goes beyond the original in its documentation of Frye's dazzlingly encyclopedic range of reference. Profound and searching, Words with Power is perhaps the most daring book of Frye's career and one of the most exciting. |
| spiritus mundi northrop frye: Yeats Richard Ellmann, 2023-03-20 The definitive biography of William Butler Yeats The most influential poet of his age, Yeats eluded the grasp of many who sought to explain him. In this classic critical examination of the poet, Richard Ellmann strips away the masks of his subject: occultist, senator of the Irish Free State, libidinous old man, and Nobel Prize winner. |
| spiritus mundi northrop frye: Fearful Symmetry Northrop Frye, 2013-04-04 This brilliant outline of Blake's thought and commentary on his poetry comes on the crest of the current interest in Blake, and carries us further towards an understanding of his work than any previous study. Here is a dear and complete solution to the riddles of the longer poems, the so-called Prophecies, and a demonstration of Blake's insight that will amaze the modern reader. The first section of the book shows how Blake arrived at a theory of knowledge that was also, for him, a theory of religion, of human life and of art, and how this rigorously defined system of ideas found expression in the complicated but consistent symbolism of his poetry. The second and third parts, after indicating the relation of Blake to English literature and the intellectual atmosphere of his own time, explain the meaning of Blake's poems and the significance of their characters. |
| spiritus mundi northrop frye: Fables of Identity Northrop Frye, 1963 In this outstanding collection of sixteen essays, the world-renowned critic and scholar discusses various works in the central tradition of English mythopoeic poetry, paying particular attention to the centrality of Romanticism. |
| spiritus mundi northrop frye: Northrop Frye Robert D. Denham, 2004 The notebooks' contents not only expand on ideas laid out in Frye's published works but also touch on subjects most readers would not associate with Frye, such as his wide reading both in Eastern religious texts and in esoteric traditions ranging from astrology to the Kabbalah.--BOOK JACKET. |
| spiritus mundi northrop frye: Shakespeare, the Orient, and the Critics Abdulla Al-Dabbagh, 2010 Previous criticism has not adequately discussed oriental aspects of the content of Shakespearean drama. In addition to his portrayal of oriental figures (such as Cleopatra, Othello, and Shylock) and his use of literary genres and motifs that have roots in oriental tradition (such as that of the tragic romance in Romeo and Juliet, there are certain key elements in Shakespeare's thought and outlook that can only be properly understood within the larger contribution of the oriental legacy. This legacy has clear relevance not only to the exemplary fate of the lovers in Romeo and Juliet, but also to the destinies of such major Shakespearean heroes as Hamlet and Lear. Shakespeare, the Orient, and the Critics investigates the boundaries of oriental framework within works such as Hamlet, King Lear, and The Tempest. Stylistically, at the heart of Shakespeare's orientalism are two long-recognized features of his dramatic art: his predilection for reversing stereotypes and his sympathy and identification with the alien and the «other.» This can be most clearly seen in the love tragedies of Othello and Anthony and Cleopatra as well as the romantic comedy of The Merchant of Venice. Ultimately, the philosophic underpinning of such works is a special expression of Renaissance humanism that transcends the boundaries of class, race, and culture. |
| spiritus mundi northrop frye: Northrop Frye in Context Diane Dubois, 2011-09-22 “Diane Dubois takes a contextual approach to Northrop Frye’s work and claims that it is best assessed in relation to his biographical circumstances. In context and in specific details, Dubois’ book seeks to illuminate Frye’s œuvre as a personal, lifelong project. This volume successfully situates Frye’s work within the social, political, religious and philosophical conditions of the time and place of conception and writing. Dubois ranges from Frye’s critical utopia and views on criticism and education through the university, church and William Blake to politics and the Canadian and academic milieu. This book, which is particularly good at tracing Frye’s academic influences and his roots in Methodism and Canada, will have a strong appeal to an international audience of general readers, students, teachers and specialists. Frye is a key figure in the cultural and literary theory of the twentieth century, and Dubois’ accomplished discussion helps us to see his work anew.” – Jonathan Hart, author of Northrop Frye: The Theoretical Imagination (1994), Interpreting Cultures (2006), Empires and Colonies (2008) and Literature, Theory, History (2011) |
| spiritus mundi northrop frye: Revolving around the Bible: A Study of Northrop Frye János Kenyeres, 2003 |
| spiritus mundi northrop frye: Chaucer's Dante Richard Neuse, 2023-11-15 Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales. He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human. Borrowing Bertolt Brecht's phrase epic theater, Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991. |
| spiritus mundi northrop frye: Fools of Time Northrop Frye, 1996-02-06 In the Alexander Lectures for 1965-66 at the University of Toronto, Dr. Frye describes the basis of the tragic vision as being in time, in which death as the essential event that gives shape and form to life ... defines the individual, and marks him off from the continuity of life that flows indefinitely between the past and the future. In Dr. Frye's view, three general types can be distinguished in Shakespearean tragedy, the tragedy of order, the tragedy of passion, and the tragedy of isolation, in all of which a pattern of being in time shapes the action. In the first type, of which Julius Caesar, Macbeth, and Hamlet are examples, a strong ruler is killed, replaced by a rebel-figure, and avenged by a nemesis-figure; in the second, represented by Romeo and Juliet, Anthony and Cleopatra, and Troilus and Cressida, authority is split and the hero is destroyed by a conflict between social and personal loyalties; and in the third, Othello, King Lear, and Timon of Athens, the central figure is cut off from his world, largely as a result of his failure to comprehend the dynamics of that world. What all these plays show us, Dr. Frye maintains, is the impact of heroic energy on the human situation with the result that the heroic is normally destroyed ... and the human situation goes on surviving. Fools of Time will be welcomed not only by many scholars who are familiar with Dr. Frye's keen critical insight but also by undergraduates, graduates, high-school and university teachers who have long valued his work as a means toward a firmer grasp and deeper understanding of English literature. |
| spiritus mundi northrop frye: Reception of Northrop Frye , 2021-09-23 The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice. |
| spiritus mundi northrop frye: The History of Science Fiction A. Roberts, 2005-11-28 The History of Science Fiction traces the origin and development of science fiction from Ancient Greece up to the present day. The author is both an academic literary critic and acclaimed creative writer of the genre. Written in lively, accessible prose it is specifically designed to bridge the worlds of academic criticism and SF fandom. |
| spiritus mundi northrop frye: The Bush Garden Northrop Frye, 1995-09-13 Originally published by Anansi in 1971, this attractive new edition of Frye's timeless essays on literature and painting features an introduction by Canadian literature scholar Linda Hutcheon. |
| spiritus mundi northrop frye: The Spiritual Quest Robert M. Torrance, 2023-09-01 Robert Torrance's wide-ranging, innovative study argues that the spiritual quest is rooted in our biological, psychological, linguistic, and social nature. The quest is not, as most have believed, a rare mystical experience, but a frequent expression of our most basic human impulses. Shaman and scientist, medium and poet, prophet and philosopher, all venture forth in quest of visionary truths to transform and renew the world. Yet Torrance is not trying to reduce the quest to an archetype or monomyth. Instead, he presents the full diversity of the quest in the myths and religious practices of tribal peoples throughout the world, from Oceania to India, Africa, Siberia, and especially the Americas. In theorizing about the quest, Torrance draws on thinkers as diverse as Bergson and Piaget, van Gennep and Turner, Pierce and Popper, Freud, Darwin, and Chomsky. This is a book that will expand our knowledge—and awareness—of a fundamental human activity in all its fascinating complexity. Robert Torrance's wide-ranging, innovative study argues that the spiritual quest is rooted in our biological, psychological, linguistic, and social nature. The quest is not, as most have believed, a rare mystical experience, but a frequent expression of o |
| spiritus mundi northrop frye: A Study of English Romanticism Northrop Frye, 1968 |
| spiritus mundi northrop frye: English Romantic Poets Meyer Howard Abrams, 1887 |
| spiritus mundi northrop frye: Northrop Frye David Rampton, 2009 More than fifty years after the publication of Anatomy of Criticism, Northrop Frye remains one of Canada's most influential intellectuals. This reappraisal reasserts the relevance of his work to the study of literature and illuminates its fruitful intersection with a variety of other fields, including film, cultural studies, linguistics, and feminism. Many of the contributors draw upon the early essays, correspondence, and diaries recently published as part of the Collected Works of Northrop Frye series, in order to explore the development of his extraordinary intellectual range and the implications of his imaginative syntheses. They refute postmodernist arguments that Frye's literary criticism is obsolete and propose his wide-ranging and non-linear ways of thinking as a model for twenty-first century readers searching for innovative ways of understanding literature and its relevance to contiguous disciplines. The volume provides an in-depth examination of Frye's work on a range of literary questions, periods, and genres, as well as a consideration of his contributions to literary theory, philosophy, and theology. The portrait that emerges is that of a writer who still has much to offer those interested in literature and the ways it represents and transforms our world. The book's overall argument is that Frye's case for the centrality of the imagination has never been more important where understanding history, reconciling science and culture, or reconceptualizing social change is concerned. Published in English. |
| spiritus mundi northrop frye: Northrop Frye Jonathan Hart, 2005-09-29 First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company. |
| spiritus mundi northrop frye: Fiction Without Humanity Lynn Festa, 2019-06-28 Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, humanity is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view. |
| spiritus mundi northrop frye: Making Believe Magdalene Redekop, 2020-04-10 Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more. A similar renaissance is evident in the visual arts (including artists Gathie Falk, Wanda Koop, and Aganetha Dyck) and in music (including composers Randolph Peters, Carol Ann Weaver, and Stephanie Martin). Confronted with an embarrassment of riches that resist survey, Magdalene Redekop opts for the use of case studies to raise questions about Mennonites and art. Part criticism, part memoir, Making Believe argues that there is no such thing as Mennonite art. At the same time, her close engagement with individual works of art paradoxically leads Redekop to identify a Mennonite sensibility at play in the space where artists from many cultures interact. Constant questioning and commitment to community are part of the Mennonite dissenting tradition. Although these values come up against the legacy of radical Anabaptist hostility to art, Redekop argues that the Early Modern roots of a contemporary crisis of representation are shared by all artists. Making Believe posits a Spielraum or play space in which all artists are dissembling tricksters, but differences in how we play are inflected by where we come from. The close readings in this book insist on respect for difference at the same time as they invite readers to find common ground while making believe across cultures. |
| spiritus mundi northrop frye: The Productions of Time Michael Dolzani, 2021-02-18 Myth criticism flourished in the mid-twentieth century under the powerful influence of Canadian thinker Northrop Frye. It asserted the need to identify common, unifying patterns in literature, arts, and religion. Although it was eclipsed by postmodern theories that asserted difference and conflict, those theories proved incapable of inspiring solidarity or guiding social action. The Productions of Time argues for a return to myth criticism in order to refine and extend its vision. With the aim of rehabilitating myth criticism for our time, Michael Dolzani sketches an anatomy of the imagination as demonstrated in the total body of its productions, including literature, mythology, the arts, popular culture, and religious and political texts. Dolzani situates a vast panoply of images, character types, plot structures, themes, and genres to better understand their purposes, their recurrences across broad spans of history, and their interrelations. Illustrating the relationship between mythology and history, The Productions of Time proposes a symbolic language as a way of enabling dialogue across ideological and individual differences. Arguing for the ethical and intellectual necessity of conceiving a unifying pattern that transcends differences, The Productions of Time demonstrates that imagination is part of the human inheritance, common to all, not just to poets and mystics. |
| spiritus mundi northrop frye: "Stylistic Arrangements" Barbara L. Croft, 1987 No thorough comparison has been made of the systems of the two versions of A Vision and, until quite recently, almost no consideration has been given to the fiction and introductory essays. The purpose of this study is to trace the evolution of A Vision and to attempt a re-evaluation of it as a work of art. |
| spiritus mundi northrop frye: Rediscovering Reverence Ralph Heintzman, 2011-10-11 Drawing on familiar experiences as well as aspects of western and eastern spiritual traditions, Heintzman argues that religious practice is rooted in two basic ways human beings act in the world. It is therefore an element in the structure of the human spirit, not a phase in its history. Explaining the meaning of religious practice in contemporary language, Rediscovering Reverence is addressed to anyone who wants to explore the meaning and promise of a religious life. A unique and thoughtful meditation on the role of reverence in everyday life, Rediscovering Reverence presents new perspectives on modern faith, religion, and both personal and societal well-being. |
| spiritus mundi northrop frye: Encyclopedia of Post-Colonial Literatures in English Eugene Benson, L.W. Conolly, 2004-11-30 Post-Colonial Literatures in English, together with English Literature and American Literature, form one of the three major groupings of literature in English, and, as such, are widely studied around the world. Their significance derives from the richness and variety of experience which they reflect. In three volumes, this Encyclopedia documents the history and development of this body of work and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide. |
| spiritus mundi northrop frye: William Blake - Songs of Innocence and of Experience Sarah Haggarty, Jon A Mee, 2013-11-28 Songs of Innocence and of Experience (1794) is William Blake's best-known work, containing such familiar poems as 'London', 'Sick Rose' and 'The Tyger'. Evolving over the author's lifetime, the collection was printed by Blake himself on his own press. This Reader's Guide: - Explains the unique development of Songs as an illuminated book - Considers the earliest reactions to the text during Blake's lifetime, and his gathering posthumous reputation in the nineteenth century - Explores modern critical approaches and recent debates - Discusses key topics that have been of abiding interest to critics, including the relationship between text and image in Blake's 'composite art' Insightful and stimulating, this introductory guide is an invaluable resource for anyone who is seeking to navigate their way through the mass of criticism surrounding Blake's most widely-studied work. |
| spiritus mundi northrop frye: Poetry, Signs, and Magic Thomas M. Greene, 2005 Poetry, Signs, and Magic brings together in a single volume fourteen new and previously published essays by the eminent Renaissance scholar and literary critic Thomas M. Greene. This collection looks back toward two earlier volumes by Greene, his first essay collection The Vulnerable Text: Essays on Renaissance Literature, and Poesie et Magie, whose theme is here explored again at greater length and depth, from linguistic and literary critical perspectives. Greene argues that certain poetic gestures draw their peculiar strengths by serving as vestiges of poetry's ancestral acts - magic, prayer, and invocation. Poetry, in other words, feigns an earlier power, but in this diminishment there occurs a verbal subtlety, and figural poignancy, commonly associated with art's aesthetic pleasures. Greene employs his well-known skills as a close reader to texts by a range of writers including a variety of contemporary theorists. in diverse contexts the distinction between disjunctive and conjunctive linguistics, dual theories of sound and meaning of crucial importance to Plato and Aristotle, to Catholic and Protestant debates on the sacraments, to the more recent skeptical methodologies of Derrida and de Man. Thomas M. Greene was a Professor of English and Comparative Literature at Yale University. |
| spiritus mundi northrop frye: Against Coercion Eleanor Cook, 1998 This book looks at how poems work, showing how they speak to historical, ethical, and aesthetic questions. It also demonstrates how to read poetry—how to go beyond an elementary approach, to recover the sheer pleasure of good poems. |
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