South Kolkata Puja Parikrama

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  south kolkata puja parikrama: Revelry, Rivalry, and Longing for the Goddesses of Bengal Rachel Fell McDermott, 2011 Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
  south kolkata puja parikrama: In the Name of the Goddess Tapati Guha-Thakurta, 2015 Each year, Kolkata's Durga Puja scales new heights as the most spectacular and extravagant event in the city's calendar. From the turn of the twenty-first century, the festival has taken on a particular artistic dispensation that is unique to the contemporary city, demanding a new order of attention and analysis. Based on field-research conducted between 2002 and 2012, this book unravels the anatomy of this newly-congured 'art' event, by tracking the new production processes, the mounting trends of publicity and sponsorship as well as the practices of mass spectatorship that make for the transformed visual culture of the festival. This new visual aesthetic, it is argued, has become the most important marker of the rapidly mutating identity of today's Durga Puja in Kolkata, bringing into the fray new categories of artists and designers, new genres of public art, and new spaces for art production and reception in the city. The book's central concern lies in conceptualizing a specically contemporary and artistic history of the urban festival. In keeping with its title, the book examines the diversity of images and practices - from the consumerist spectacle and the bonanza of awards to the efflorescence of public installations and art and craft productions - that unfurls in this season 'in the name of the goddess'. While proling the Durga Pujas as Kolkata's biggest public art event, the book also addresses the ambivalence of the designations of 'art' and 'artist' in this eld of production and viewership. One of the main aims of this study has been to lay open the claims of 'art' in this festival both as a set of insistent projections as well as a mesh of incomplete formations. The new artistic nomenclature of the festival, it is shown, is not easily secured and has to struggle to assert itself within the body of the religious event and the ephemeral mass spectacle.
  south kolkata puja parikrama: Calcutta: Past and Present Kathleen Blechynden, 2020-12-08 In Calcutta: Past and Present, Kathleen Blechynden offers an intricate exploration of the city of Calcutta, weaving together its rich historical tapestry with contemporary narratives. The book employs a vibrant literary style, blending descriptive prose with engaging anecdotes that bring the city to life. Blechynden delves into the architectural, social, and cultural transformations that have occurred over centuries, juxtaposing the colonial past with the vibrant chaos of modern-day life, effectively capturing the essence of a city that is both beloved and beleaguered. Through her vivid imagery and detailed observations, she highlights the complexities that make Calcutta a city of contradictions and a center of intellectual and artistic innovation. Kathleen Blechynden's background as a cultural historian with a particular focus on South Asian studies informs her keen insights into Calcutta's evolution. Her extensive research, coupled with personal experiences and immersion in the city's life, enriches her narrative. Blechynden's passion for the region, alongside her academic rigor, provides a unique lens through which she investigates the intersections of history, identity, and urbanism. This book is highly recommended for readers interested in urban studies, post-colonial literature, and South Asian history. Blechynden's engaging prose and deep understanding of Calcutta reveal not just the city, but also the universal themes of resilience and transformation that resonate globally. It is a must-read for anyone seeking to grasp the complexities of one of the world's most fascinating cities.
  south kolkata puja parikrama: Calcutta in Urban History Pradip Sinha, 1978
  south kolkata puja parikrama: CALCUTTA OLD & NEW Evan Cotton, 2016-08-24 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  south kolkata puja parikrama: Handmade in India Aditi Ranjan, M. P. Ranjan, 2007
  south kolkata puja parikrama: Women who Dared Valjean McLenighan, 1979 The story of 6 American women (e.g., Margaret Bourke-White and Diana Nyad) who have accomplished much in different fields.
  south kolkata puja parikrama: Hinduism Hiro G. Badlani, 2008 Hinduism, the world's oldest living religion, embodies a wide spectrum of philosophies, beliefs, and customs. It has prompted thinkers from an array of cultures and ages-from Apollonius Tyaneus, a first century Greek thinker, to Voltaire, Mark Twain, and Albert Einstein-to extol its influence.Now, Dr. Hiro G. Badlani brings you Hinduism: Path of the Ancient Wisdom, an easy-to-understand guidebook that delves into Hinduism's spiritual and historical perspectives. For more than ten years, Dr. Badlani has passionately channeled his resources and inner reflections into learning about this ancient religion. His meticulous research, combined with guidance from spiritual masters, sages, and swamis has brought forth in this volume.This mini-encyclopedia covers all aspects of Hinduism in a series of small chapters. Spiritual teachings form the book's core, for without the spiritual teachings, what function can any religion play? Still, however, information is presented in a non-dogmatic manner, stressing the basic unity and homogeneity of all religions.With its powerful narrative and roots in spiritual storytelling, this book is perfect for anyone who desires authentic information on Hinduism. Engaging with this book will not only educate you, but imbue you with personal peace and happiness, becoming an experience both elegant and empowering.
  south kolkata puja parikrama: Sri Ramakrishna on Himself Dr. Mohit Ranjan Das, 2019 Streams of multi-branched sadhanas found an appropriate confluence in Sri Ramakrishna and the extent and depth of his spiritual realizations beggar description. The ablest biographer may find it difficult to comprehend the evolution of the Master’s inmost self and episodes of his divine transformation. Therefore the story of his unique life is best told by himself. This book published by Advaita Ashrama (Publication House of Ramakrishna Math, Belur Math, India) is an attempt to form an autobiography of Sri Ramakrishna from his utterances about his life.
  south kolkata puja parikrama: Uttam Kumar Sayandeb Chowdhury, 2021-09-30 'There is none like Uttam and there will be no one to ever replace him. He was and he is unparalleled in Bengali, even Indian cinema.'-Satyajit Ray, Oscar-winning Indian film-maker Actor and screen icon Uttam Kumar (1926–1980) is a talismanic figure in Bengali public life. Breaking away from established codes of onscreen performance, he came to anchor an entire industry and led the efforts to reimagine popular cinema in mid-20th-century Bengal. But there is pitifully less knowledge about Uttam Kumar in the learned circles-be it about his range of style and performance; the attractions and problems of his cinema; his roles as a producer and patriarch of the industry; or his persona, stardom and legacy. The first definitive cultural and critical biography of this larger-than-life figure engages meaningfully with his life and cinema, revealing the man, hero and actor from various, often competing, vantages. The conceptual aim is to locate a star figure within a larger historical and cultural context, and to enquire into how a towering image was mobilised for an ever-greater, wholesome, popular and even, at times, radical and progressive entertainment. A complimentary métier of this work is to explore why and how this star persona would go on to reconstitute the bhadrolok Bengali visual and cultural world in the post-Partition period. But above all, this is the story of a clerk who became an actor, an actor who became a star, a star who became an icon and an icon who became a legend.
  south kolkata puja parikrama: Inner Engineering Sadhguru, 2016-09-20 NEW YORK TIMES BESTSELLER • Thought leader, visionary, philanthropist, mystic, and yogi Sadhguru presents Western readers with a time-tested path to achieving absolute well-being: the classical science of yoga. “A loving invitation to live our best lives and a profound reassurance of why and how we can.”—Sir Ken Robinson, author of The Element, Finding Your Element, and Out of Our Minds: Learning to Be Creative NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY SPIRITUALITY & HEALTH The practice of hatha yoga, as we commonly know it, is but one of eight branches of the body of knowledge that is yoga. In fact, yoga is a sophisticated system of self-empowerment that is capable of harnessing and activating inner energies in such a way that your body and mind function at their optimal capacity. It is a means to create inner situations exactly the way you want them, turning you into the architect of your own joy. A yogi lives life in this expansive state, and in this transformative book Sadhguru tells the story of his own awakening, from a boy with an unusual affinity for the natural world to a young daredevil who crossed the Indian continent on his motorcycle. He relates the moment of his enlightenment on a mountaintop in southern India, where time stood still and he emerged radically changed. Today, as the founder of Isha, an organization devoted to humanitarian causes, he lights the path for millions. The term guru, he notes, means “dispeller of darkness, someone who opens the door for you. . . . As a guru, I have no doctrine to teach, no philosophy to impart, no belief to propagate. And that is because the only solution for all the ills that plague humanity is self-transformation. Self-transformation means that nothing of the old remains. It is a dimensional shift in the way you perceive and experience life.” The wisdom distilled in this accessible, profound, and engaging book offers readers time-tested tools that are fresh, alive, and radiantly new. Inner Engineering presents a revolutionary way of thinking about our agency and our humanity and the opportunity to achieve nothing less than a life of joy.
  south kolkata puja parikrama: Temples of South India Kuthur Ramakrishna Srinivasan, 1991
  south kolkata puja parikrama: First Promise, The (Revised Edition) Āśāpūrṇā Debī, Indira Chowdhury, 2009-01-01 The First Promise is a translation of Ashapurna Debi s novel, Pratham Pratisruti , originally published in Bengali in 1964. Celebrated as one of the most popular and path-breaking novels of its time, it has received continual critical acclaim: the Rabindra Puraskar (the Tagore Prize) in 1966 and the Bharitiya Jnanpith, India s highest literary award, in 1977. Spanning the late eighteenth and early twentieth centuries, Ashapurna tells the story of the struggles and efforts of women in nineteenth-century, colonial Bengal in a deceptively easy and conversational style. The charming eight-year old heroine, Satyabati is a child bride who leaves her husband s village for Calcutta, the capital of British India where she is caught in the social dynamics of women s education, social reform agendas, modern medicine and urban entertainment. As she makes her way through this complex maze, making sense of the rapidly changing world around her, Satyabati nurtures hopes and aspirations for her daughter. But the promises held out by modernity turn out to be empty, instigating Satyabati to break away from her inherited world and initiate a quest that takes her to the very heart of tradition.
  south kolkata puja parikrama: Why I Became a Hindu Parama Karuna Devi, 2019-12-26 The movement known as Hindu Resurgence, Hindu Awakening or Hindu Renaissance has become increasingly noticeable, and there is a distinct effort to liberate Hinduism from the definitions andlimitations imposed by the domination of hostile outsiders. However, confusion and lack of proper information are still serious obstacles on the path of proper understanding and realisation. India, or as it was called in ancient times, Bharata Varsha, has an immense potential that can be materialised simply by returning to the correctoriginal perspective of the golden Vedic civilisation that is the natural heritage of all Indians and in fact of all human beings.The Rig Veda samhita (9.63.5) points us in the correct direction: Krinvanto visvam aryam, Let everyone become arya
  south kolkata puja parikrama: Revelry, Rivalry, and Longing for the Goddesses of Bengal Rachel Fell McDermott, 2011-05-31 Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
  south kolkata puja parikrama: Hiding in Unnatural Happiness Swami Devamrita, 2015 Hiding in Unnatural Happiness, is about our search to attain happiness and how it's such an elusive subjective state. It explores whether genetics, circumstances and willpower (or lack of it) limit our attempts at happiness. Drawing upon the ancient yoga science of the self, Hiding in nnnatural happiness probes our contemporary approach to fulfillment and progress, and recommends another road, less traveled but timeless.
  south kolkata puja parikrama: 101 Pilgrimages , 2006
  south kolkata puja parikrama: Sri Chaitanya Mahaprabhu His Life Religion and Philosophy Swami Tapasyananda, 2023-05-06 Vedanta is often equated exclusively to Advaita Vedanta of Sri Sankaracharya, but there are several other acharyas who have expounded the Vedanta in quite a different way and whose status as teachers of Vedanta requires recognition.This book by Swami Tapasyananda, a scholar-monk and former vice-president of the Ramakrishna Order, expounds the life and philosophy of Sri Chaitanya, whose illustrious disciples formed a distinctive set of metaphysics and theology around his teachings that came to be known as Acintya-bhedabheda philosophy. This book will help readers acquaint themselves with his devotional life and the fundamental concepts of Vedanta as formulated by his disciples based on his teachings.
  south kolkata puja parikrama: The Philosophy and Religion of Śrī Caitanya O. B. L. Kapoor, 1977 Illustrations: 1 B/w Illustration Description: This is a comprehensive, critical and comparative study of all aspects of the philosophy and religion of Sri Caitanya. In the first three chapters the history of the Vaisnava religion is traced from the earliest Vedic period to pre-Caitanya Vaisnavism in Bengal and some controversies regarding the life of Sri Caitanya and the Sampradaya or the sect to which he belongs are set at rest. In the succeeding chapters the problems of philosophy and religion are discussed in detail. It is shown how Sri Caitanya breathes a new spirit into philosophy and religion by transcending the narrow and mutually conflicting 'isms' and dogmas and reconciling them in a higher synthesis by means of the concept of the absolute as Bhagavan and the doctrine of Acintya-bhedabheda or inconceivable identity-indifference. The importance of Bhakti as the exclusive means of attaining God is His highest and sweetest form is stressed. Prema or divine love is distinguished from eroticism and established as the highest end. The doctrine of Rasa or transcendental relish is explained and Parakiya Rasa is established as the highest Rasa.
  south kolkata puja parikrama: Dalits in Modern India S. M. Michael, 2007-05-08 This second, revised and enlarged edition looks back at the aspirations and struggle of the marginalised Dalit masses and looks forward to a new humanity based on equality, social justice and human dignity. Within the context of Dalit emancipation, it explores the social, economic and cultural content of Dalit transformation in modern India. These articles, by some of the foremost researchers in the field, are presented in four parts:Part I deals with the historical material on the origin and development of untouchability in Indian civilisation.Part II contests mainstream explanations and shows that the Dalit vision of Indian society is different from that of the upper castes.Part III offers a critique of the Sanskritic perspective of traditional Indian society, and fieldwork-based portraits of the Hinduisation of Adivasis in Gujarat, Dalit patriarchy in Maharashtra and Dalit power politics in Uttar Pradesh.Part IV concentrates on the economic condition of the Dalits.
  south kolkata puja parikrama: The Defining Moments in Bengal, 1920-1947 Sabyasachi Bhattacharya, 2014 In what way was 20th century Bengal different from the late 19th century 'Renaissance' Bengal? How did a regional identity consciousness develop? What social experiences drove the Muslim community's identity consciousness? How did Bengal cope with crises like the inflation during World War II, and the famine of 1943, the communal riots, climaxed by the Calcutta riots of 1946? This book looks at these crises which cast a shadow on the decades that followed the period under study, 1920-1947--OCLC.
  south kolkata puja parikrama: Sadhana Panchakam Swami Chinmayananda, 2021-12-08 There is the Jiva and there is his Jivana - in and through the pleasures and pains of his life, he pines for an ideal, an anchor. Ready for a forty step journey that takes you to unimaginable heights? Each milestone helps you checkout where you have reached and what you should do next. Between the test and rest, you are guided for the glide. Bhagavan Sankaracharya's precision coupled with Swami Chinmayananda's elaborations give you illuminations.
  south kolkata puja parikrama: Bharatiya Katha Vaibhava 2 K. Shreedarshan, 2021-05-03 Why did Lord Krishna visit Ayodhya on Sri Ramanavami? Why did the British Collector Rous Peter offer padukas to Goddess Meenakshi? How did Lord Krishna's idol reach Udupi from Dwaraka? Who created Akasha Ganga atop Tirumala hills? This collection of mythical tales has all the answers. These tales take the reader into the wonderful world of Gods and Goddesses, sages and saints, kings and devotees. Every story highlights the rich cultural heritage of our land, which is a must-read for every growing child, teenager, and adult alike. The stories are not only entertaining to the children but also provide a glimpse of the noble thoughts and heroic actions of ideal men and women.
  south kolkata puja parikrama: The Routledge Handbook on Historic Urban Landscapes in the Asia-Pacific Kapila D. Silva, 2020 The Routledge Handbook on Historic Urban Landscapes in Asia-Pacific sheds light onto the balancing act of urban heritage management, focusing specifically on the Asia-Pacific regions in which this challenge is imminent and in need of effective solutions. Urban heritage, while being threatened amidst myriad forces of global and ecological change, provides a vital social, cultural, and economic asset for regeneration and sustenance of liveability of inhabited urban areas worldwide. This six-part volume takes a critical look at the concept of Historic Urban Landscapes, the approach that UNESCO promotes to achieve holistic management of urban heritage, through the lens of issues, prospects, and experiences of urban regeneration of the selected geo-cultural context. It further discusses the difficult task that heritage managers encounter in conceptualizing, mapping, curating, and sustaining the plurality, poetics, and politics of urban heritage of the regions in question. The connective thesis that weaves the chapters in this volume together reinforces for readers that the management of urban heritage considers cities as dynamic entities, palimpsests of historical memories, collages of social diversity, territories of contested identities, and sites for sustainable liveability. Throughout this edited collection, chapters argue for recognizing the totality of the eco-cultural urban fabric, embracing change, building social cohesion, and initiating strategic socio-economic progress in the conservation of historic urban landscapes. Containing thirty-six contributions written by leading regional experts, and illustrated with over 200 black and white images and tables, this volume provides a much-needed resource on historic urban landscapes for students, scholars and researchers--
  south kolkata puja parikrama: Sri Sri Ramakrishna Kathamrita Mahendra Nath Gupta, D. P. Gupta, 2002-10-30 This is the English translation of one of India's most famous books. It contains the dialogues of the Bengali saint Ramakrishna wrtten in almost stenographic accuracy.This edition is different translation of the Swami Nikhilananda Gospel of Sri Ramakrishna which was published in the forties and showed the restraint of that era.
  south kolkata puja parikrama: Traditions of Indian Folk Dance Kapila Vatsyayan, 1987
  south kolkata puja parikrama: Devi Chaudhurani Baṅkimacandra Caṭṭopādhyāẏa, 1946
  south kolkata puja parikrama: Tughlaq Girish Raghunath Karnad, 1972
  south kolkata puja parikrama: Vaishnava Saints Anata Shakti, 2002 Profiles devotees of the Hindu Lord Krishna, whose lives set the ideal example of how to follow the godly way of life, either through personal devotion or through public works of compassion.
  south kolkata puja parikrama: A Comprehensive History of Modern Bengal, 1700-1950 Sabyasachi Bhattacharya, 2020
  south kolkata puja parikrama: Science and Religion Swami Ranganathananda, 1979
  south kolkata puja parikrama: Navadvīpa-dhāma Bhaktivedānta Nārāyaṇa, 2005 On Navadwip, Vaishnava religious pilgrims in India.
  south kolkata puja parikrama: Conundrum , 2019
  south kolkata puja parikrama: Sri Prema Vivarta Srila Jagadananda Pandita, 2011-05-31
  south kolkata puja parikrama: GUIDE TO THE BOOK OF GENESIS. JOHN. HARGREAVES, 2011
  south kolkata puja parikrama: Renaissance Man (video). , 1994
  south kolkata puja parikrama: Hindu Tradition of Pilgrimage Rana P. B. Singh, 2013
  south kolkata puja parikrama: Publishers' International ISBN Directory , 2002
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