Advertisement
| sonnet 62 theme: The Sonnets William Shakespeare, 2006-06-22 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Sonnets, Stephen Orgel has written a new introduction to Shakespeare's best-loved and most widely read poems. In a series of focused readings he probes the sonnets' sexual and temperamental ambiguity as well as their complex textual history, and explores the difficulties editors face when modernising the spelling, punctuation and layout of the 1609 quarto. Orgel reminds us that the order in which the sonnets were composed bears no relation to the order in which they appear in the quarto and he warns against reading them biographically. This edition retains the text prepared by G. Blakemore Evans, together with his notes and commentary. |
| sonnet 62 theme: Petrarch Victoria Kirkham, Armando Maggi, 2009-06-10 Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance. |
| sonnet 62 theme: Themes and Variations in Shakespeare's Sonnets J B Leishman, 2013-04-15 First published in 1961. This study analyses Shakespeare's treatment of the universal themes of Beauty, Love and Time. He compares Shakespeare with other great poets and sonnet writers - Pindar, Horace and Ovid, with Petrarch, Tasso and Ronsart, with Shakespeare's own English predecessors and contemporaries, notably Spenser, Daniel and Drayton and with John Donne. By discussing their resemblances and differences, a not altogether orthodox picture of Shakespeare's attitude to life is presented, which suggests that he was not as phlegmatic and equable a person as critics have often supposed. |
| sonnet 62 theme: Soliciting Interpretation Elizabeth D. Harvey, Katharine Eisaman Maus, 1990-08-08 This collection gathers new essays by critics and scholars who are currently reshaping our sense of the function and nature of seventeenth-century poetry. Contributors return to the New Critical canon of Renaissance poetry with fresh perspectives that emphasize considerations of gender, ideology, power, and language. In the first group of essays, David Norbrook, Annabel Patterson, John Guillory, Rosemary Kegl, and Stephen Orgel explore the various ways in which a text can be political. Next, Arthur Marotti, Jane Tylus, and Jonathan Goldberg consider the circumstances of textual production and reception in the seventeenth century. Finally, Stanley Fish, Gordon Braden, Michael C. Schoenfeldt, and Maureen Quilligan discuss the particular forms of anxiety that result when seventeenth-century poets modify the traditional rhetoric of sexual desire to serve what seem to be erotic or religious purposes. These essays, accompanied by an extensive editors' introduction, intersect less in their shared enthusiasm for particular authors or interpretative methods than in a common interest in particular critical issues. They present the most exciting work by critics redefining Renaissance studies. |
| sonnet 62 theme: The Shakespeare Sonnet Order Brents Stirling, 2023-11-15 This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968. |
| sonnet 62 theme: The Drama in Shakespeare's Sonnets Mark Jay Mirsky, 2011-07-16 The Drama in Shakespeare's Sonnets: A Satire to Decay is a work of detective scholarship. Unable to believe that England's great dramatist would publish a sequence of sonnets without a plot, Mark Jay Mirsky, novelist, playwright, and professor of English, proposes a solution to a riddle that has frustrated scholars and poets alike. Arguing that the Sonnets are not just a higgledy piggledy collection of poems but were put in order by Shakespeare himself, and drawing on the insights of several of the Sonnets' foremost contemporary scholars, Mirsky examines the Sonnets poem by poem to ask what is the story of the whole. |
| sonnet 62 theme: Shakespeare's Sonnets Dympna Callaghan, 2008-04-15 This introduction provides a concise overview of the central issues and critical responses to Shakespeare’s sonnets, looking at the themes, images, and structure of his work, as well as the social and historical circumstances surrounding their creation. Explores the biographical mystery of the identities of the characters addressed. Examines the intangible aspects of each sonnet, such as eroticism and imagination. A helpful appendix offers a summary of each poem with descriptions of key literary figures. |
| sonnet 62 theme: The Spenser Encyclopedia A.C. Hamilton, 2020-07-01 'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains Edmund Spenser remains one of Britain's most famous poets. With nearly 700 entries this Encyclopedia provides a comprehensive one-stop reference tool for: * appreciating Spenser's poetry in the context of his age and our own * understanding the language, themes and characters of the poems * easy to find entries arranged by subject. |
| sonnet 62 theme: Petrarch's 'Fragmenta' Thomas E Peterson, 2016-06-16 Petrarch's Rerum vulgarium fragmenta, a collection of lyric poems on sacred and profane love and other subjects, has traditionally been viewed as reflecting the conflicted nature of its author. However, award winning author Thomas E. Peterson argues that Petrarch’s Fragmenta is an ordered and coherent work unified by narrative and theological structures. By concentrating on the poem’s reliance on Christian tenets and distinguishing between author, narrator and character, Peterson exposes the underlying narrative and theological unity of the work. Building on recent Petrarch scholarship and broader studies of medieval poetics, poetic narrativity, and biblical intertextuality, Peterson conducts a rigorous examination of the Fragmenta’s poetic language. This combination of stylistic and philological analysis recasts Petrarch’s poetry in a new light revealing its radically innovative and liberating character. |
| sonnet 62 theme: First Readers of Shakespeare’s Sonnets, 1590-1790 Faith D. Acker, 2020-09-22 For more than four centuries, cultural preferences, literary values, critical contexts, and personal tastes have governed readers’ responses to Shakespeare’s sonnets. Early private readers often considered these poems in light of the religious, political, and humanist values by which they lived. Other seventeenth- and eighteenth- century readers, such as stationers and editors, balanced their personal literary preferences against the imagined or actual interests of the literate public to whom they marketed carefully curated editions of the sonnets, often successfully. Whether public or private, however, many disparate sonnet interpretations from the sonnets’ first two centuries in print have been overlooked by modern sonnet scholarship, with its emphasis on narrative and amorous readings of the 1609 sequence. First Readers of Shakespeare’s Sonnets reintroduces many early readings of Shakespeare’s sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, thereby affording them numerous future applications. This volume draws upon book history, manuscript studies, and editorial theory to recover four lost critical approaches to the sonnets, highlighting early readers’ interests in Shakespeare’s classical adaptations, political applicability, religious themes, and rhetorical skill during the seventeenth and eighteenth centuries. |
| sonnet 62 theme: Shakespeare's Sonnets William Shakespeare, 2007 This book is intended for all readers interested in The Sonnets, and will appeal to all those who desire nothing more than to enjoy Shakespeare's greatest poetry.--BOOK JACKET. |
| sonnet 62 theme: WILLIAM SHAKESPEARE Ultimate Collection: ALL 38 Plays & Complete Poetry William Shakespeare, 2023-12-09 This carefully crafted ebook: WILLIAM SHAKESPEARE Ultimate Collection: ALL 38 Plays & Complete Poetry (Including the Biography of the Author) is formatted for your eReader with a functional and detailed table of contents: Comedies All's Well That Ends Well As You Like It The Comedy of Errors Love's Labour's Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre The Taming of the Shrew The Tempest Twelfth Night or What You Will Two Gentlemen of Verona The Two Noble Kinsmen The Winter's Tale Tragedies Romeo and Juliet Coriolanus Titus Andronicus Timon of Athens Julius Caesar Macbeth Hamlet Troilus and Cressida King Lear Othello Antony and Cleopatra Cymbeline Histories King John Richard II Henry IV, Part 1 Henry IV, Part 2 Henry V Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Richard III Henry VIII Poetry The Sonnets Venus and Adonis The Rape of Lucrece The Passionate Pilgrim The Phoenix and the Turtle A Lover's Complaint Apocryphal Plays Arden of Faversham A Yorkshire Tragedy The Lamentable Tragedy of Locrine Mucedorus The King's Son of Valentia, and Amadine, The King's Daughter of Arragon The London Prodigal The Puritaine Widdow The Second Maiden's Tragedy Sir John Oldcastle Lord Cromwell King Edward The Third Edmund Ironside Sir Tomas More Faire Em A Fairy Tale in Two Acts The Merry Devill of Edmonton Thomas of Woodstock The Life of William Shakespeare William Shakespeare (1564-1616) was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet, and the Bard of Avon. His extant works consist of approximately 38 plays, 154 sonnets, two long narrative poems, and a few other verses. His plays have been translated into every major living language and are performed more often than those of any other playwright. |
| sonnet 62 theme: The Sonnet Stephen Regan, 2019-02-28 The Sonnet provides a comprehensive study of one of the oldest and most popular forms of poetry, widely used by Shakespeare, Milton, and Wordsworth, and still used centuries later by poets such as Seamus Heaney, Tony Harrison, and Carol Ann Duffy. This book traces the development of the sonnet from its origins in medieval Italy to its widespread acceptance in modern Britain, Ireland, and America. It shows how the sonnet emerges from the aristocratic courtly centres of Renaissance Europe and gradually becomes the chosen form of radical political poets such as Milton. The book draws on detailed critical analysis of some of the best-known sonnets written in English to explain how the sonnet functions as a poetic form, and it argues that the flexibility and versatility of the sonnet have given it a special place in literary history and tradition. |
| sonnet 62 theme: Moniment Paul Hemenway Altrocchi, MD, 2014-08-21 Most people are completely unaware that the Shakespeare authorship question is the greatest cultural mystery in Western Civilization. Few realize that Will Shakspere of Stratford-on-Avon was an uneducated grain speculator and real estate investor who could not read or write, yet he was chosen as the front man for a fraudulent conspiracy perpetrated by Queen Elizabeth's chief counselor, Robert Cecil, for reasons of monarchial succession, greed and power. The astonishing power of Conventional Wisdom has kept the ruse going, perpetrated by Professors of English who cannot break the tenacious shackles of their guild mythology and thus refuse to believe the reams of authoritative evidence discovered in the past century in favor of Edward de Vere, 17th Earl of Oxford, as Shakespeare. Volume 10 of this anthology series--Moniment-- contains eighteen brilliant, compelling articles by highly qualified authorship experts who convincingly reinforce the case for Edward de Vere and annihilate the completely impossible candidacy of the illiterate Stratford Man. Judge Philip Howerton, Jr. BA, JD: It doesn't take an 'academically based' person to realize that the quarter page of known facts of William Shakspere's life can be mastered by a twelve year old and that all the rest of the stuff that has been written--in the attempt to connect his 'life' and the works--by [Professors] Brown, Chambers, Chute, Rowse, Schoenbaum, et al, ad nauseam, is, and always has been, as Vladimir Nabokov once put it, in another context, 'thirty-two percent nonsense and fifty of neutral padding.' [Scottish Author]Josephine Tey called it 'tonypandy' [a nonsensical, untrue story grown to legend and accepted by the public in the face of all evidence to the contrary]. Michael H. Hart, Ph.D. in Astrophysics, Princeton. Author of The 100: A Ranking of the Most Influential Persons in History: I made a serious error in the first edition when, without carefully checking the facts, I simply 'followed the crowd' and accepted the Stratford man as the author of the [Shakespeare] plays. Since then I have carefully examined the arguments on both sides of the question and have concluded that the weight of the evidence is heavily against the Stratford man and in favor of de Vere. |
| sonnet 62 theme: Drama and Sonnets of William Shakespeare vol. 2 Samiran Kumar Paul, 2020-12-15 Shakespeare at best answers the needs of a particular generation in one country or another. Those needs vary: directors and actors, audiences and common readers, scholar-teachers and students do not necessarily seek the same aids for understanding. Shakespeare is an international possession, transcending nations, languages and professions. More than the Bible, which competes with the Koran, and with Indian and Chinese religious writings, Shakespeare is unique in the world’s culture, not just in the world’s theatres. Shakespeare’s literary and cultural authority is now so unquestioned that it has taken on an aura of historical inevitability and has enshrined the figure of the solitary author as the standard bearer of literary production. It is all the more important, then, to suggest that Shakespeare had a genius for timing—managing to be born in exactly the right place and at the right time to nourish his particular form of greatness. He regularly demonstrates and celebrates the ideas and ideals of Renaissance humanism, often—even in his tragic plays—presenting characters that embody the principles and ideals of Renaissance humanism, or people of tremendous self-knowledge and wit that are capable of self-expression and the practice of individual freedom. Shakespeare himself can be understood as the ultimate product of Renaissance humanism; he was an artist who openly practised and celebrated with a deep understanding of humanity and an uncanny ability for self-expression. |
| sonnet 62 theme: JEGP, Journal of English and Germanic Philology Gustaf E. Karsten, 1977 |
| sonnet 62 theme: Shakespeare's Sonnets Paul Edmondson, Stanley W. Wells, Stanley Wells, 2004 The sonnets are among the most accomplished and fascinating poems in the English language. They are central to an understanding of Shakespeare's work as a poet and poetic dramatist, and while their autobiographical relevance is uncertain, no account of Shakespeare's life can afford to ignore them. So many myths and superstitions have arisen around these poems, relating for example to their possible addressees, to their coherence as a sequence, to their dates of composition, to their relation to other poetry of the period and to Shakespeare's plays, that even the most naïve reader will find it difficult to read them with an innocent mind. Shakespeare's Sonnets dispels the myths and focuses on the poems. Considering different possible ways of reading the Sonnets, Wells and Edmondson place them in a variety of literary and dramatic contexts--in relation to other poetry of the period, to Shakespeare's plays, as poems for performance, and in relation to their reception and reputation. Selected sonnets are discussed in depth, but the book avoids the jargon of theoretical criticism. Shakespeare's Sonnets is an exciting contribution to the Oxford Shakespeare Topics, ideal for students and the general reader interested in these intriguing poems. |
| sonnet 62 theme: Shakespeare's Verbal Art William Bellamy, 2016-01-14 Shakespeare’s Verbal Art is a profoundly important study of the newly rediscovered anagrams that lie hidden below the surface of all Shakespearean texts. It explains the essential role played by these concealed figures in Classical and Renaissance poetry, demonstrating the revelatory function of anagram by reference to the close analysis of a wide range of examples. Special attention is given to Shakespeare’s use of these sub-textual devices to clarify meaning and intention. The focus is first on Shake-speares Sonnets of 1609, and secondly on Hamlet, Othello and Twelfth Night, all of which are found to be composed around the concealed anagrams that render these works self-interpreting. A new kind of language use is revealed, in terms of which pre-Enlightenment text is envisaged as existing in two distinct dimensions – the overt and the covert – both of which must be read if any particular poem or play is to be fully understood. In effect, a wholly new set of Shakespearean texts is made available to the reader, who will find Shakespeare’s Verbal Art an essential guide to the new discoveries. The book will also be indispensable in the fields of Classical and Renaissance literature, linguistics, poetics, rhetoric, and literary history, and in relation to the pre-Enlightenment text in general, and will interest both the specialist and the general reader. |
| sonnet 62 theme: Shakespeare's Sonnets , |
| sonnet 62 theme: The Love Conventions of the English Sonnet Lu Emily Hess Pearson, 1929 |
| sonnet 62 theme: Mind in Character David K. Weiser, 1987 This book is about poetry rather than theory. Shakespeare's poetry, I find, remains more relevant and more rewarding than any theory, however elaborate, as to who, if anyone, should read a text and, if so, how they should do it. In other words, I do not intend another prolegomena for future studies of the reader in the text and/ or the text in the reader. I simply have written what I think the sonnets are about, what they say and how they say it. I do not attempt to speak for the reader, as I know little about him or her, but only for myself. What interests me especially is the behavior of Shakespeare's sonnet-speaker, the coherent psychological entity projected by the speaking voice in these poems. I do not identify that speaker with the historical William Shakespeare, knowing scarcely more about him than about the reader.--Preface. |
| sonnet 62 theme: Sir Philip Sidney Albert Charles Hamilton, 1977-06-23 A general critical study of Sidney's life and works, first published in 1977: his life in relation to his works and both in relation to his age. In the late 1570s and early 1580s, when the literary scene in England was barren, Sidney emerged as the right man at the right moment to establish a national literature. In his Defence of Poetry he formulated a poetic which showed 'why and how' imaginative literature could be written in Protestant England; and in his poetry and prose, chiefly in Astrophel and Stella and the two versions of The Countess of Pembroke's Arcadia, he revealed that the English language was, as he claimed, 'indeed capable of any excellent exercising of it'. Through the influence of his personality, his critical insight, and his brilliant achievement in both poetry and prose - which Professor Hamilton in this study establishes through careful analysis - Sidney became the central figure of the English literary Renaissance. |
| sonnet 62 theme: The Definitive Shakespeare Companion Joseph Rosenblum, 2017-06-22 This expansive four-volume work gives students detailed explanations of Shakespeare's plays and poems and also covers his age, life, theater, texts, and language. Numerous excerpts from primary source historical documents contextualize his works, while reviews of productions chronicle his performance history and reception. Shakespeare's works often served to convey simple truths, but they are also complex, multilayered masterpieces. Shakespeare drew on varied sources to create his plays, and while the plays are sometimes set in worlds before the Elizabethan age, they nonetheless parallel and comment on situations in his own era. Written with the needs of students in mind, this four-volume set demystifies Shakespeare for today's readers and provides the necessary perspective and analysis students need to better appreciate the genius of his work. This indispensable ready reference examines Shakespeare's plots, language, and themes; his use of sources and exploration of issues important to his age; the interpretation of his works through productions from the Renaissance to the present; and the critical reaction to key questions concerning his writings. The book provides coverage of each key play and poems in discrete sections, with each section presenting summaries; discussions of themes, characters, language, and imagery; and clear explications of key passages. Readers will be able to inspect historical documents related to the topics explored in the work being discussed and view excerpts from Shakespeare's sources as well as reviews of major productions. The work also provides a comprehensive list of print and electronic resources suitable for student research. |
| sonnet 62 theme: Theme and Symbol in Tennyson's Poems to 1850 Clyde de L. Ryals, 2016-11-11 One of Keats' finest sonnets begins: Much have I traveled, yet Keats traveled very little, only to Italy where he died. Shelley, also an introspective and intellectual, dabbled in politics, often with a comic effect and although he could not swim, he was devoted to sailing. Wordsworth marched to France, praising the Revolution, which he later regretted. Coleridge wandered to Germany and German metaphysics. Later he created the Ancient Mariner which is the mythic centerpiece of the Romantic period. Each of these poets feels that the occupation of a poet demand a dedication to a life of action as well as inward discovery. Consequently, the image of the journey, with its double reference to natural and psychic realities, is one of the unifying motifs of nineteenth-century poetry. Alfred Tennyson, the author claims, was one of the last poets able to make both voyages, but he could only do so with great effort and at great expense. By nature introspective , he found the life of the mind far more appealing than the life of action; yet he knew, like Milton and Keats before him, that great poetry demands the voyage without as well as the voyage within. His early poetry, then, is concerned with the pull of the two voyages, and thus it becomes, in Arnold's worlds, the dialogue of the mind with itself. There is for modern readers something intensely interesting about such a divided personality, for we see in Tennyson almost the same dilemma that faces contemporary artists. Often when we read his poems we feel that Tennyson is of our age. But then at times he seems as remote from us as Bishop Wilberforce and his anti-Darwin fulminations. What, then, is there about Tennyson that makes him appear so modern and yet so dated? The answer is not easily given, although this has been one of the primary concerns of Tennyson's critics. In this book, the author shows how Tennyson became the mental voyager exploring both the inner and outer worlds, and further, how in making the two voyages he followed the pattern of development of other Romantic artists of the nineteenth century. He examines certain themes and images in Tennyson's early verse which in their frequent recurrence attain symbolic status, and by doing so, he shows that there is a very clear-cut pattern in Tennyson's poetry, one which is repeated time and again throughout the poet's work to 1850. |
| sonnet 62 theme: A Shakespeare Music Catalogue: Volume III Bryan N. S. Gooch, David Thatcher, Odean Long, Charles Haywood, 1991-05-16 V.1. The catalogue of music, All's well that ends well-Love's labour's lost -- v.2. The catalogue of music, Macbeth-The taming of the shrew -- v.3. The catalo gue of music, The tempest-The two nobel kinsmen, the sonnets ... -- v.4. Indices --v.5. Bibliography. |
| sonnet 62 theme: Reader and Shakespeare's Young Man Sonnets Gerald Hammond, 1981-06-18 |
| sonnet 62 theme: The Structure of Petrarch's Canzoniere Frederic J. Jones, 1995 Examination of the chronology of the poems of Part 1 of Petrarch's Canzoniereconsidered with reference to the Catastrophe Theory. |
| sonnet 62 theme: Laugh Lines Carrie Conners, 2022-04-19 Humor in recent American poetry has been largely dismissed or ignored by scholars, due in part to a staid reverence for the lyric. Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century American Poetry argues that humor is not a superficial feature of a small subset, but instead an integral feature in a great deal of American poetry written since the 1950s. Rather than viewing poetry as a lofty, serious genre, Carrie Conners asks readers to consider poetry alongside another art form that has burgeoned in America since the 1950s: stand-up comedy. Both art forms use wit and laughter to rethink the world and the words used to describe it. Humor’s disruptive nature makes it especially whetted for critique. Many comedians and humorous poets prove to be astute cultural critics. To that end, Laugh Lines focuses on poetry that wields humor to espouse sociopolitical critique. To show the range of recent American poetry that uses humor to articulate sociopolitical critique, Conners highlights the work of poets working in four distinct poetic genres: traditional, received forms, such as the sonnet; the epic; procedural poetry; and prose poetry. Marilyn Hacker, Harryette Mullen, Ed Dorn, and Russell Edson provide the main focus of the chapters, but each chapter compares those poets to others writing humorous political verse in the same genre, including Terrance Hayes and Anne Carson. This comparison highlights the pervasiveness of this trend in recent American poetry and reveals the particular ways the poets use conventions of genre to generate and even amplify their humor. Conners argues that the interplay between humor and genre creates special opportunities for political critique, as poetic forms and styles can invoke the very social constructs that the poets deride. |
| sonnet 62 theme: The Variorum Edition of the Poetry of John Donne, Volume 7, Part 2 John Donne, 2021-01-05 Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012. |
| sonnet 62 theme: Wittgenstein Reading Sascha Bru, Wolfgang Huemer, Daniel Steuer, 2013-10-29 Wittgenstein's thought is reflected in his reading and reception of other authors. Wittgenstein Reading approaches the moment of literature as a vehicle of self-reflection for Wittgenstein. What sounds, on the surface, like criticism (e.g. of Shakespeare) can equally be understood as a simple registration of Wittgenstein's own reaction, hence a piece of self-diagnosis or self-analysis. The book brings a representative sample of authors, from Shakespeare, Goethe, or Dostoyevsky to some that have received far less attention in Wittgenstein scholarship like Kleist, Lessing, or Wilhelm Busch and Johann Nepomuk Nestroy. Furthermore, the volume offers means for the cultural contextualization of Wittgenstein's thoughts. Unique to this book is its internal design. The editors' introduction sets the scene with regards to both biography and theory, while each of the subsequent chapters takes a quotation from Wittgenstein on a particular author as its point of departure for developing a more specific theme relating to the writer in question. This format serves to avoid the well-trodden paths of discussions on the relationship between philosophy and literature, allowing for unconventional observations to be made. Furthermore, the volume offers means for the cultural contextualization of Wittgenstein's thoughts. |
| sonnet 62 theme: Mystical Love in the German Baroque Isabella van Elferen, 2009 Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by Heinrich Sch tz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, Isabella van Elferen demonstrates that they need to be viewed instead as intensifications of the sacred. Based on a wide selection of previously unedited or translated 17th- and 18th-century sources, van Elferen describes the history and development of baroque poetic and musical love discourses, from Sch tz's early works through Buxtehude's cantatas and Bach's cantatas and Passions. This long and multilayered discursive history of these compositions considers the love poetry of Petrarch, European reception of petrarchan imagery and traditions, its effect on the madrigal in Germany, and the role of Catholic medieval mystics in baroque Lutheranism. Van Elferen shows that Bach's compositional technique, based on the emotional characteristics of text and music rather than on the depiction of single words, allows the musical expression of mystical love to correspond closely to contemporary literary and theological conceptions of this affect. |
| sonnet 62 theme: A new Study of Shakespeare: an Inquiry into the Connection of the Playsand Poems, with the Origins of the classical Drama, and with the Platonic Philosophy, trough the Mysteries , 1886 |
| sonnet 62 theme: Shakespeare's Sonnets as from the Pen of William Stanley, Sixth Earl of Derby Arthur Walsh Titherley, 1939 |
| sonnet 62 theme: John Milton Harold Bloom, 2009 Provides insight into six of Milton's most influential works along with a short history of the poet. |
| sonnet 62 theme: Hamlet: History and commentary Alex Jack, 2005 |
| sonnet 62 theme: Re/Presenting Gender and Love Dikmen Yakalı Çamoğlu, 2019-01-04 This volume was first published by Inter-Disciplinary Press in 2015. This volume presents interdisciplinary explorations aiming to understand the interaction and interconnection between the concepts of love and gender. Throughout the chapters, the reader can pursue various representations of gender and love and explore how their meanings are produced in different periods and geographies. These representations produce embodied individuals and shared meanings in which gender and love mutually construct each other. As you will see in the following chapters, what we set out to understand, most of the time, was not individual relationships but the relations of power. Thus, these essays show how gender and love are represented in various discourses; produced in knowledge – in philosophy, psychology, literature and popular culture; and regulated by the discursive practices and disciplinary techniques of different societies. |
| sonnet 62 theme: The Variorum Edition of the Poetry of John Donne John Donne, 2021-01-05 Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012. |
| sonnet 62 theme: Routledge Revivals: English Poetry in the Later Nineteenth Century (1933) B. Ifor Evans, 2017-11-30 First published in 1933, this study, which underwent revision in the 1960s, is a comprehensive survey of the verse of English nineteenth-century poets whose work appeared after 1860. A special feature is the full and critical treatment of minor writers. In no other book is their work so carefully evaluated. There is a full account of the minor Pre-Raphaelites, of James Thomson, the poet of The City of Dreadful Night, of Henley, Stevenson and George MacDonald. John Davidson is the subject of a long and revealing study. Evans suggests that poetry from the late nineteenth century is neglected in scholarly study, and that Victorian Romanticism deserves more attention than it has recently received. |
| sonnet 62 theme: The Five Authors of 'Shake-speares Sonnets' Henry Telford Stonor Forrest, 1923 |
| sonnet 62 theme: A life of William Shakespeare Sidney Lee, 1898 |
Sonnet - Definition and Examples | LitCharts
Here’s a quick and simple definition: A sonnet is a type of fourteen-line poem. Traditionally, the fourteen lines of a sonnet consist of an octave (or two quatrains making up a stanza of 8 lines) …
Sonnet - Wikipedia
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set rhyming scheme. [1] The term derives from the Italian word sonetto (lit. 'little song', from …
Sonnet - Definition and Examples of Sonnet - Literary Devices
A sonnet is a poem generally structured in the form of 14 lines, usually iambic pentameter, that expresses a thought or idea and utilizes an established rhyme scheme.
Sonnet | Definition, Examples, & Facts | Britannica
Jun 5, 2025 · sonnet, fixed verse form of Italian origin consisting of 14 lines that are typically five-foot iambics rhyming according to a prescribed scheme. The sonnet is unique among poetic …
Sonnet | The Poetry Foundation
There are many different types of sonnets. The Petrarchan sonnet, perfected by the Italian poet Petrarch, divides the 14 lines into two sections: an eight-line stanza (octave) rhyming …
What is a Sonnet? || Definition & Examples - Oregon State University
When you read a sonnet, it’s important to think about what the poet is saying but also how. Sonnets typically have a “turn”, a place where the argument AND the rhyme scheme change.
What is a sonnet? - BBC Bitesize
Learn about the conventions of a sonnet, Shakespearean sonnets and Petrarchan sonnets, iambic pentameter and rhyme in this KS3 English BBC Bitesize article.
Sonnet: Definition and Examples | LiteraryTerms.net
A sonnet (pronounced son -it) is a fourteen line poem with a fixed rhyme scheme. Often, sonnets use iambic pentameter: five sets of unstressed syllables followed by stressed syllables for a …
What is a Sonnet? Definition, Structure, and Examples
Sep 7, 2024 · What Defines a Sonnet Poem? A sonnet is a type of poem that traditionally consists of 14 lines and is typically written in iambic pentameter. It is known for its specific rhyme …
Learning the Sonnet - Poetry Foundation
Aug 29, 2013 · The sonnet, one of the oldest, strictest, and most enduring poetic forms, comes from the Italian word sonetto, meaning “little song.” Its origins date to the thirteenth century, to …
Sonnet - Definition and Examples | LitCharts
Here’s a quick and simple definition: A sonnet is a type of fourteen-line poem. Traditionally, the fourteen lines of a sonnet consist of an octave (or two …
Sonnet - Wikipedia
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set rhyming scheme. [1] The term …
Sonnet - Definition and Examples of Sonnet - Literar…
A sonnet is a poem generally structured in the form of 14 lines, usually iambic pentameter, that expresses a thought or idea and utilizes an established …
Sonnet | Definition, Examples, & Facts | Britannica
Jun 5, 2025 · sonnet, fixed verse form of Italian origin consisting of 14 lines that are typically five-foot iambics rhyming according to a prescribed scheme. …
Sonnet | The Poetry Foundation
There are many different types of sonnets. The Petrarchan sonnet, perfected by the Italian poet Petrarch, divides the 14 lines into two …
