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| shakespearean comedy: Beyond a Common Joy Paul A. Olson, 2008-01-01 ?Soul of the age!? Ben Jonson eulogized Shakespeare, and in the next breath, ?He was not of an age but for all time.? That he was both ?of the age? and ?for all time? is, this book suggests, the key to Shakespeare?s comic genius. In this engaging introduction to the First Folio comedies, Paul A. Olson gives a persuasive and thoroughly engrossing account of the playwright?s comic transcendence, showing how Shakespeare, by taking on the great themes of his time, elevated comedy from a mere mid-level literary form to its own form of greatness?on par with epic and tragedy. Like the best tragic or epic writers, Shakespeare in his comedies goes beyond private and domestic matters in order to draw on the whole of the commonwealth. He examines how a ruler?s or a court?s community at the household and local levels shapes the politics of empire?existing or nascent empires such as England, the Holy Roman Empire, Spain, Venice, and the Ottoman Empire or part empires such as Rome and Athens?where all their suffering and silliness play into how they govern. In Olson?s work we also see how Shakespeare?s appropriation of his age?s ideas about classical myth and biblical scriptures bring to his comic action a sort of sacral profundity in keeping with notions of poetry as ?inspired? and comic endings as more than merely happy but as, in fact, uncommonly joyful. |
| shakespearean comedy: The Cambridge Companion to Shakespearean Comedy Alexander Leggatt, 2002 An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001. |
| shakespearean comedy: The Metamorphoses of Shakespearean Comedy William C. Carroll, 2014-07-14 This book argues that the idea of metamorphosis is central to both the theory and practice of Shakespearean comedy. It offers a synthesis of several major themes of Shakespearean comedy--identity, change, desire, marriage, and comic form--under the master trope of transformation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| shakespearean comedy: Shakespeare's Comedies Bart Van Es, 2016 In this Very Short Introduction Bart Van Es analyses Shakespeare's comedic plays, picking out the family resemblances across these works. He considers their shared themes such as confusion and cross dressing, misguided love, twins and substitutions, and explores the bard's verbal artistry and wit. |
| shakespearean comedy: The Comedy of Errors William Shakespeare, 1868 |
| shakespearean comedy: Evolution of Shakespeare's Comedy Larry S. Champion, 1970 The evolution of Shakespeare's comedy, in Larry Champion's view, is apparent in the expansion of his comic vision to include a complete reflection of human life while maintaining a comic detachment for the audience. Like the other popular dramatists of Elizabethan England, Shakespeare used the diverse comic motifs and devices which time and custom had proved effective. He went further, however, and created progressively deeper levels of characterization and plot interaction, thereby forming characters who were not merely devices subordinated to the needs of the plot. Shakespeare's development as a comic playwright, suggests Champion, was consistently in the direction of complexity or depth of characterization. His earliest works, like those of his contemporaries, are essentially situation comedies: the humor arises from action rather than character. There is no significant development of the main characters; instead, they are manipulated into situations which are humorous as a result, for example, of mistaken identity or slapstick confusion. The ensuing phase of Shakespeare's comedy sets forth plots in which the emphasis is on identity rather than physical action, a revelation of character which occurs in one of two forms: either a hypocrite is exposed for what he actually is or a character who has assumed an unnatural or abnormal pose is forced to realize and admit the ridiculousness of his position. In the final comedies involving sin and sacrificial forgiveness, however, character development is concerned with a transformation of values. Although each of the comedies is discussed, Champion concentrates on nine, dividing them according to the complexity of characterization. He pursues as well the playwright's efforts to achieve for the spectator the detached stance so vital to comedy. Shakespeare obtained this perspective, Champion observes, through experimentation with the use of material mirroring the main action--mockery, parody, or caricature--and through the use of a comic pointer who is himself involved in the action but is sufficiently independent of the other characters to provide the audience with an omniscient view. |
| shakespearean comedy: The Oxford Handbook of Shakespearean Comedy Heather Hirschfeld, 2018-09-06 The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field. |
| shakespearean comedy: Shakespearean Comedy Thomas Marc Parrott, 1949 |
| shakespearean comedy: Shakespearean Comedy Maurice Charney, 1980 |
| shakespearean comedy: A Midsummer Night's Dream William Shakespeare, 1877 |
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| shakespearean comedy: Love and Society in Shakespearean Comedy Richard A. Levin, 1985 This book is about three of Shakespeare's comedies, The Merchant of Venice, Much Ado About Nothing, and Twelfth Night. The author discusses them as expressions of a single theory of comedy -- that is, that every element of these plays contributes to an anti-romantic interpretation -- and he interprets them only in light of this anti-romantic theory. |
| shakespearean comedy: William Shakespeare's 'The Merchant of Venice' - Comedy, tragedy or problem play? Anni St., 2012-02-20 Seminar paper from the year 2010 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, RWTH Aachen University (Institut für Anglistik), course: Hauptseminar Shakespeare's Comedies, language: English, abstract: The first question that Shakespeare’s play The Merchant of Venice raises is “What kind of play is this? Is it a comedy, a tragedy or a problem play?” The Merchant of Venice is believed to be written between 1596 and 1598. Already from the very beginning, hardly any other play has experienced so many diverse receptions after its publication. In his essay on The Merchant of Venice, Walter Cohen comments that “no other Shakespeare comedy before All’s Well That Ends Well (1602) and Measure for Measure (1604), perhaps no other Shakespeare comedy at all, has excited comparable controversy.” Although the title page of the first edition of the play “The Most Excellent Historie of the Merchant of Venice” (first print in 1600) suggested it to be a history play, it had initially been classified as a comedy. In 1623, Heminges and Condell placed The Merchant of Venice among the comedies in the First Folio of Shakespeare’s works. However, many readers, actors, directors and playgoers still argue about the genre of the play. They have difficulties in defining The Merchant of Venice as a comedy as the following quotation shows: “Indeed, seen from any angle, The Merchant of Venice is not a very funny play, and we might gain a lot if, for the moment, we ceased to be bullied by its inclusion in the comedies.” Today, The Merchant of Venice is often read and played more like a problem play or even a tragedy. The following term paper deals with the classification of the literary genre of The Merchant of Venice. Does the play belong to the category of comedies or shall it rather be identified as a tragedy or problem play? To assign the play to a specific category, it is necessary to shortly present the criteria of the genres comedy, tragedy and problem play. In chapter 3, the play will be analysed in terms of comic and tragic aspects. The focus is put on the flesh-bond and the courtship plot, the first having its setting in Venice, the second in Belmont. The aim of this chapter is to illustrate that The Merchant of Venice contains both comic and tragic elements. Chapter 4 deals with the complex character Shylock whose perception has changed through the centuries. Is he still the comic villain of the Elizabethan time or can he rather be seen as a victim of extreme anti-Semitism? By giving an insight into comic and tragic aspects in Shakespeare’s The Merchant of Venice, this term paper shall try to solve the problem of assigning the play to a specific literary genre. |
| shakespearean comedy: Four Comedies William Shakespeare, 1994 Contains The Taming of the Shrew, A Midsummer Night's Dream, The Merchant of Venice and Twelfth Night. |
| shakespearean comedy: Gale Researcher Guide for: Shakespearean Comedy Ian Calvert, Gale Researcher Guide for: Shakespearean Comedy is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research. |
| shakespearean comedy: The Love Story in Shakespearean Comedy Anthony J. Lewis, 2021-10-21 In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare. |
| shakespearean comedy: As You Like It William Shakespeare, 2021-01-01 Welcome to the enchanting world of As You Like It by William Shakespeare, a timeless comedy that celebrates the complexities of love, identity, and the human spirit. Follow the captivating adventures of Rosalind, Orlando, and a colorful cast of characters as they journey through the Forest of Arden in search of love and self-discovery. With its delightful blend of wit, romance, and mistaken identity, As You Like It invites readers to revel in the joyous chaos of Shakespearean comedy. Explore themes of love, friendship, and the transformative power of nature as Shakespeare weaves together a tapestry of laughter and longing. From the banter of the lovelorn courtiers to the wisdom of the exiled Duke, each character adds depth and nuance to the vibrant tapestry of the play. Through sparkling dialogue and memorable soliloquies, Shakespeare offers profound insights into the human condition, inviting readers to ponder the nature of love and the pursuit of happiness. With its timeless appeal and universal themes, As You Like It continues to captivate audiences of all ages and backgrounds. The overall tone of the play is one of mirth and celebration, as Shakespeare celebrates the resilience of the human spirit and the enduring power of love. His lyrical language and vivid imagery transport readers to a world of whimsy and wonder, where anything is possible. Critically acclaimed for its wit, charm, and memorable characters, As You Like It has earned its place as one of Shakespeare's most beloved comedies. Its enduring popularity speaks to its universal appeal and timeless relevance. Whether you're a lifelong fan of Shakespeare or discovering his work for the first time, As You Like It promises to delight and entertain. Don't miss your chance to experience the magic of Shakespearean comedy. Grab your copy now and immerse yourself in the laughter and romance of As You Like It. |
| shakespearean comedy: Shakespeare's Agonistic Comedy G. Beiner, 1993 As the poetics is based on the texts (not derived by deduction or theoretical extension from some principle of poetics), so it is applied as a tool of analysis to the texts and used in conjunction with evaluation. The underlying assumption is that the task of poetics is instrumental, and that its usefulness has to be demonstrated and verified in practice. Hence, the division of the book into two parts. As Part I formulates a poetics on the basis of the texts, so Part II applies the poetics to the major texts - always within the dynamics of the multiple-plot and multi-layered perspective on a play. Part II focuses in detail on The Merry Wives of Windsor, The Merchant of Venice, and Twelfth Night, analyzing the agons and placing them in relation to the comedy of love and the perspective of folly.--Jacket. |
| shakespearean comedy: Shakespeare's Festive Comedy Cesar Lombardi Barber, 1959 I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture.--C. L. Barber, in the Introduction |
| shakespearean comedy: Shakespearean Comedies Sarbani Putatunda, 2006 According To The Social Historians Of England, After The Economic And Religious Unrest Of The Middle Tudor Period, The Freedom Preached By The Humanists Rejuvenated In A Way The Moral Of The Entire Nation. And Shakespeare Having Chanced Upon The Best Time In Which To Live Had Ample Opportunity To Exercise, With Least Distraction And Most Encouragement, The Highest Faculties Of Man. His Comedies, Therefore, Register Most Comprehensively The Characteristics Of The Congenial Social Atmosphere Of His Time. The Saturnalia Presented In His Comedies Are Not Inimical To The Positive Aspects Of A New Bourgeois Social Set-Up, Which Facilitated The Notions Of Peace And Order. But Inside The Large England, Which Still Retained The Remnants Of Monarchy And/Or Aristocracy, Society Was Afflicted By Many Discordant Elements, Which Shakespeare Never Failed To Notice And Record. As An Assiduous Comic Playwright, He Infused In His Saturnalia The Hints Of Many Social Injustices, The Oppressive Patriarchy (Egeon And His Diktats Against His Daughter For Daring To Choose Her Own Husband In A Midsummer Night S Dream), The Crisis Of Aristocracy (Sir Toby And His Likes), The Degeneration Of Moral Values Leading To An Erosion Of Social Values In A Mercantile Society, And The Historical Retrospection Of The Turbulent Past.The Infusion Though Pronounced In His Early Comedies Is Not Entirely Absent In The Middle Comedies, Which Contain Elements Of Social Realism Behind A Romantic Exterior. The Audience Would Naturally Realize That Both The Early And The Middle Comedies Of Shakespeare Were Interlinked In The Context Of The Social Realism Of The Elizabethan Period. The Delicate Relationship Of Oberon And Titania In A Midsummer Night S Dream, For Instance, Represent A Different Version Of Matrimony Throughout Causing The Reader To Question The Validity Of The Institution. Likewise In The Taming Of The Shrew One Is At A Loss At The End Of The Play When Kate Appears To Be More Subservient Than Either Her Sister Or The Widow. Has Marriage Actually Tamed Her Or Has She Relinquished Her Past Misdemeanours Willingly Because She Has Fallen In Love With Petruchio? The World In Twelfth Night Is Also Clearly Demarcated Into Two Classes The Landowning Wealthy Aristocrats And The Titular Aristocrats Whom Lawrence Classifies As The Declassed Aristocrats . The Historical Retrospection Of The Past Is Made Clearer At This Apparently Incongruent Point, Than In All Other Romantic Comedies. The Book Would Definitely Prove Valuable To Students And Teachers Concerned With Shakespearean Works. |
| shakespearean comedy: The Cambridge Introduction to Shakespeare's Comedies Penny Gay, 2008-04-07 Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre. |
| shakespearean comedy: A Natural Perspective Northrop Frye, 1965 Frye maintains that Shakespeare's comedy is widely misunderstood and underestimated, and that the four romances-- Pericles, Cymbeline, The Winter's Tale, and The Tempest--are the inevitable culmination of the poet's career. |
| shakespearean comedy: The Cambridge Companion to Shakespeare and Race Ayanna Thompson, 2021-02-25 The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience. |
| shakespearean comedy: Shakespeare's Universe of Discourse Keir Elam, 1984-06-21 This book makes ample use of approaches to language within linguistics, semiotics, the philosophy of language and sociology, in order to do justice to the subtlety of Shakespeare's verbal artistry. Keir Elam adopts a fresh approach to the language of Shakespeare's comedies, considering it not simply as 'style' but as the principal dramatic and comic substance of the plays. Traditional analysis of the language as 'diction', 'expression' or 'verbal structure' is not adequate to describe the range and importance of linguistic functions in these plays. This book shows that in Shakespearean comedy language, or rather 'discourse', language in use, is always a dynamic, active protagonist of the drama. The author explores the extraordinary gamut of verbal activities or 'language-games' that contribute to the rich rhetorical make-up of the comedies. The historical framework complements the application of critical theory which will assure a readership among students and teachers of Shakespeare as well as those interested in liguistics and semiotics. |
| shakespearean comedy: Shakespeare's Comedy of As You Like it William Shakespeare, 1903 |
| shakespearean comedy: Complete Works of William Shakespeare (abridged) [revised] [again] Adam Long, 2023-09-15 Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages. The Complete Works of William Shakespeare (abridged) is not so much a play as it is a vaudeville show in which three charismatic, wildly ambitious actors attempt to present all thirty-seven of Shakespeare's plays in a single performance. They have a rudimentary concept of the stories and have imperfectly memorized a smattering of famous lines. Backstage there's a meager assortment of costumes and props. Thus armed, the three brazenly launch into their task with an earnest focus and breakneck enthusiasm. |
| shakespearean comedy: Anxious Pleasures Jonathan Hall, 1995 The following sections deal with such themes as the relationship of wit to political and sexual anxiety, the connection of the mobility of signs to an elusive interiority of the subject, and the paradoxically threatening and redemptive mobility of women in relationship to patriarchal control. |
| shakespearean comedy: The Taming of the Shrew William Shakespeare, 2015-08-25 The Taming of the Shrew by William Shakespeare - Classic William Shakespeare - The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1592. The play begins with a framing device, often referred to as the induction,[a] in which a mischievous nobleman tricks a drunken tinker named Christopher Sly into believing he is actually a nobleman himself. The nobleman then has the play performed for Sly's diversion. Prior to the first act, an induction frames the play as a kind of history played in front of a befuddled drunkard named Christopher Sly who is tricked into believing he is a lord. In the play performed for Sly, the shrew is Katherina, the eldest daughter of Baptista Minola, a lord in Padua. Katherina's temper is notorious, and it is thought no man would ever wish to marry her. On the other hand, two men - Hortensio and Gremio - are eager to marry her younger sister Bianca. However, Baptista has sworn not to allow Bianca marry before Katherina is wed, much to the despair of her suitors, who agree to work together to marry off Katherina so they may freely compete for Bianca. The plot becomes more complex when Lucentio, who has recently come to Padua to attend university, falls in love with Bianca. Lucentio overhears Baptista announce he is on the lookout for tutors for his daughters, so he has his servant Tranio pretend to be him, while he disguises himself as a Latin tutor named Cambio, so he can woo Bianca behind Baptista's back. |
| shakespearean comedy: Skepticism and Belonging in Shakespeare's Comedy Derek Gottlieb, 2019-12-10 This book recovers a sense of the high stakes of Shakespearean comedy, arguing that the comedies, no less than the tragedies, serve to dramatize responses to the condition of being human, responses that invite scholarly investigation and explanation. Taking its cue from Stanley Cavell's influential readings of Othello and Lear, the book argues that exposure or vulnerability to others is the source of both human happiness and human misery; while the tragedies showcase attempts at the evasion of such vulnerability through the self-defeating pursuit of epistemological certainty, the comedies present the drama and the difficulty of turning away from an epistemological register in order to productively respond to the fact of our humanity. Where Shakespeare's tragedies might be viewed in Cavellian terms as the drama of skepticism, Shakespeare's comedies then exemplify the drama of acknowledgement. As a parallel and a preamble, Gottlieb suggests that the field of literary studies is itself a site of such revealing responses: where competing research methods strive to foreclose upon (or, alternatively, rejoice in) epistemological uncertainty, such commitments bespeak an urge to avoid or circumvent the human in the practice of scholarship. Reading Shakespeare's comedies in tandem with a defactoist view of teaching and learning points in the direction of a new humanism, one that eschews both the relativism of old deconstruction and contemporary Presentism and the determinism of various kinds of structural accounts. This book offers something new in scholarly and popular understanding of Shakespeare's work, doing so with both philosophical rigor and literary attention to the difficult work of reading. |
| shakespearean comedy: Shakespeare's Comedies: All That Matters Michael Scott, 2014-08-29 In Shakespeare's Comedies: All That Matters, Mike Scott explores and explains the secrets that have made Shakespeare's comedies so enduring that they continue to be performed, watched and studied by millions of people every year. Professor Scott focuses in turn on The Comedy of Errors, A Midsummer Night's Dream, Twelfth Night, As You Like It and The Merchant of Venice and builds an argument based around Shakepeare's use of language to prompt the audience's imagination and thought. This original little book, and its companion volume Shakespeare's Tragedies, fills a major gap in the market for a book which will enable readers to understand a Shakesperean play in the context of its ouevre. This accessible and readable book will appeal both to students and general readers, giving a fascinating intoruduction to Shakespeare's comedies - and what matters most about them. 'Comedy is a serious business' says Michael Scott - it is, and his splendid short book takes it very seriously as it should, but remains lively and wonderfully readable withall. Dr Drummond Bone, Master of Balliol College, Oxford An authoritative and expert overview of the entire fields of Shakespearean Comedy and Tragedy combined with persuasive and eminently accessible close readings of particular plays. Michael Scott brings to the task and infectious enthusiasm and deep knowledge of their theatrical, literary and cultural significance and he provides a clear and compelling endorsement of their continued relevance. These books provide an exemplary introduction to the complex world of Shakespearean drama, full of insights, observations, and ideas, all of which are brought firmly to bear on the abiding question of what these plays mean for us today. John Drakakis, Professor of English at the University of Stirling Everything is so clear - no academic jargon, for instance. With Shakespeare's Comedies, even the most critical scholars can learn something... as well as students at the start of their encounter with Shakespeare and the same for regular theatre goers. To address all three at once... has to be an accomplishment... from the Introduction to the Conclusion... to the last sentence: (the) reader will readily grasp why this series of books is called All That Matters. Professor M.L.Wine, Evanston, USA |
| shakespearean comedy: Shakespeare's Comedies Ralph Berry, 2016-03-17 In this lucid and original study, first published in 1972, Ralph Berry discusses the ten comedies that run from The Comedy of Errors to Twelfth Night. Berry’s purpose is to identify the form of each play by relating the governing idea of the play to the action that expresses it. To this end the author employs a variety of standpoints and techniques, and taken together, these chapters present a lively and coherent view of Shakespeare’s techniques, concerns, and development. This title will be of interests to students of literature and drama. |
| shakespearean comedy: Staging the Gaze Barbara Freedman, 1991 |
| shakespearean comedy: Shakespeare Survey Stanley Wells, 2002-11-28 The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback. |
| shakespearean comedy: Study Guide to The Comedies by William Shakespeare Intelligent Education, 2020-03-27 A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by William Shakespeare, considered one of the greatest playwrights in history. Titles in this study guide include Comedy of Errors, The Taming of the Shrew, Two Gentlemen of Verona, Love's Labour's Lost, The Merry Wives of Windsor, All's Well that Ends Well, The Winter's Tale, and Measure for Measure. As a collection of humor filled tales of Elizabethian life, the comedies depict fun, mischief, irony, mistaken identities, and intriguing wordplay. Moreover, his work draws audiences to sadness, joy, tragedy, comedy, darkness, and the depths of human experience. This Bright Notes Study Guide explores the context and history of Shakespeare’s classic work, helping students to thoroughly explore the reasons they have stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research. |
| shakespearean comedy: Enchanted Shows Elissa Hare, 2017-04-07 The book, first published in 1988, examines the role of magic in Elizabethan and Shakespearean theatre. The author observes how certain plays, including Shakespeare’s A Midsummer Night’s Dream and The Tempest, rationalise the unrealism and improbabilities typical of romantic comedy as miracles wrought by specifically magical intervention. The author also explores the ways in which playwrights justify structural discontinuity by the working of magic. This title will be of interest to students of English Literature, Drama and Performance. |
| shakespearean comedy: Shakespeare's Comedy of as You Like It William Shakespeare, William J. Rolfe, 2017-09-08 Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates. |
| shakespearean comedy: Shakespeare's Theatre Hugh M. Richmond, 2002-01-01 Presents information regarding the character and operation of theaters in Shakespeare's time, including its origin, the practices of the actors and script writers, and the use of choreography, costumes, and make-up. |
| shakespearean comedy: Shakespearean Comedy Chintamani N. Desai, 1952 |
Shakespearean comedy - Wikipedia
This alphabetical list includes everything listed as a comedy in the First Folio of 1623, in addition to the two quarto plays (The Two Noble Kinsmen and Pericles, Prince of Tyre) which are not …
Shakespeare Comedies: All About Shakespeare Comedy Plays
Any attempt at describing Shakespeare’s comedy plays as a cohesive group can’t go beyond that superficial outline. The highly contrived endings of most Shakespeare comedies are the clue to …
What Is Shakespearean Comedy? 7 Characteristics of ... - HubPages
Dec 11, 2014 · What Is Shakespearean Comedy? A Shakespearean comedy is a type of romantic comedy in which the story ends happily, often with a marriage between the various characters. …
All 16 Shakespeare Comedies, Ranked
Jul 10, 2024 · Vote up your favorite of Shakespeare's comedy plays. This list includes all Shakespeare comedies, ranked in order of popularity. William Shakespeare's comedic plays …
Elements of Shakespearean Comedy - Exploring what makes a comedy a comedy
An examination of the differences between tragedy and comedy and the elements of Shakespearean comedy
Shakespeare Comedy Plays: “As You Like It ... - We Are Actors
Sep 29, 2023 · Some popular Shakespearean comedy plays include “A Midsummer Night’s Dream,” “As You Like It,” and “Twelfth Night.” These plays often involve mistaken identity, witty …
William Shakespeare's Life and Times: Comedy - SparkNotes
Shakespeare’s comedies represented a significant departure from the classical comedy that had dominated the stage prior to his arrival in London. Whereas classical comedies were fairly …
William Shakespeare’s Comedies - William Shakespeare Off The …
Aug 7, 2021 · In this post I present a brief description of each of William Shakespeare’s comedies. At the end of each description I provide a link to download a free copy of each play discussed. …
Shakespeare's Comedies : The Comedy Plays - Elizabeth I of …
All Shakespeare's comedies have a happy ending, except Love's Labour's Lost, which was perhaps intended to have a sequel. Below, the plays are listed in the order they appeared in …
The Comedies of William Shakespeare » Shakespeare HQ
Sep 25, 2024 · Curious to explore more of Shakespeare’s funniest plays? Click the play summaries in the sidebar to discover the mix-ups, smart wordplay, and adventures in Twelfth …
Shakespearean comedy - Wikipedia
This alphabetical list includes everything listed as a comedy in the First Folio of 1623, in addition to the two quarto plays (The Two Noble Kinsmen and Pericles, Prince of Tyre) which are not …
Shakespeare Comedies: All About Shakespeare Comedy Plays
Any attempt at describing Shakespeare’s comedy plays as a cohesive group can’t go beyond that superficial outline. The highly contrived endings of most Shakespeare comedies are the clue …
What Is Shakespearean Comedy? 7 Characteristics of
Dec 11, 2014 · What Is Shakespearean Comedy? A Shakespearean comedy is a type of romantic comedy in which the story ends happily, often with a marriage between the various characters. …
All 16 Shakespeare Comedies, Ranked
Jul 10, 2024 · Vote up your favorite of Shakespeare's comedy plays. This list includes all Shakespeare comedies, ranked in order of popularity. William Shakespeare's comedic plays …
Elements of Shakespearean Comedy - Exploring what makes a comedy a comedy
An examination of the differences between tragedy and comedy and the elements of Shakespearean comedy
Shakespeare Comedy Plays: “As You Like It ... - We Are Actors
Sep 29, 2023 · Some popular Shakespearean comedy plays include “A Midsummer Night’s Dream,” “As You Like It,” and “Twelfth Night.” These plays often involve mistaken identity, witty …
William Shakespeare's Life and Times: Comedy - SparkNotes
Shakespeare’s comedies represented a significant departure from the classical comedy that had dominated the stage prior to his arrival in London. Whereas classical comedies were fairly …
William Shakespeare’s Comedies - William Shakespeare Off The …
Aug 7, 2021 · In this post I present a brief description of each of William Shakespeare’s comedies. At the end of each description I provide a link to download a free copy of each play discussed. …
Shakespeare's Comedies : The Comedy Plays - Elizabeth I of …
All Shakespeare's comedies have a happy ending, except Love's Labour's Lost, which was perhaps intended to have a sequel. Below, the plays are listed in the order they appeared in …
The Comedies of William Shakespeare » Shakespeare HQ
Sep 25, 2024 · Curious to explore more of Shakespeare’s funniest plays? Click the play summaries in the sidebar to discover the mix-ups, smart wordplay, and adventures in Twelfth …
