Advertisement
| sexism in the music industry statistics: Towards Gender Equality in the Music Industry Catherine Strong, Sarah Raine, 2019-12-12 Gender inequality is universally understood to be a continued problem in the music industry. This open access book presents research that uses an industry-based approach to examine why this gender imbalance has proven so hard to shift, and explores strategies that are being adopted to try and bring about meaningful change in terms of women and gender diverse people establishing ongoing careers in music. The book focuses on three key areas: music education; case studies that explore practices in the music industry; and activist spaces. Sitting at the intersection between musical production, the creative industries and gender politics, this volume brings together research that considers the gender politics of the music industry itself. It takes a global approach to these issues, and incorporates a range of genres and theoretical approaches. At a time when more attention than ever is being paid to gender and music, this volume presents cutting edge research that contributes to current debates and offers insights into possible solutions for the future. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched. |
| sexism in the music industry statistics: Music as Intangible Cultural Heritage Blanca de-Miguel-Molina, Virginia Santamarina-Campos, María de-Miguel-Molina, Rafael Boix-Doménech, 2021-08-20 This open access book offers an interdisciplinary perspective and presents various case studies on music as ICH, highlighting the importance and functionality of music to stimulating social innovation and entrepreneurship. Intangible Cultural Heritage (ICH) covers the traditions or living expressions proposed by the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage in five areas, including music. To understand the relationship between immaterial and material uses and inherent cultural landscapes, this open access book analyzes the symbolic, political, and economic dimensions of music. The authors highlight the continuity and current functionality of these artistic forms of expression as well as their lively and changing character in continuous transformation. Topics include the economic value and impact of music, strategies for social innovation in the music sector, music management, and public policies to promote cultural and creative industries. |
| sexism in the music industry statistics: Gender Equality and the Cultural Economy Helmut K. Anheier, Darinka Markovic, 2024-09-12 The status of women in the creative and cultural industries remains precarious. This comparative analysis provides insights from seven key economies to help understand progress towards gender equality in culture and the arts and the broader cultural economy. With empirical and policy analysis spanning Europe and the US, the authors investigate the extent to which gender equality has entered the mainstream along dimensions of leadership, access and awards, pay and pension gaps, work-life balance, and the monitoring of gender equality. While many of the structural barriers have been erased, countries differ significantly in how much gender equality has been achieved in the creative economy and how much female talent is lost and unrecognized. This book is essential reading for scholars, policymakers, and practitioners across the human and social sciences, especially those involved with arts management and the creative or cultural economy more broadly. |
| sexism in the music industry statistics: An Exploration of Hatred in Pop Music Glenn Fosbraey, 2022-07-05 ‘Love’ may be the major theme of the majority of pop songs, but ‘hate’, including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from ‘Runaround Sue’ to ‘W.A.P’, this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way. |
| sexism in the music industry statistics: Women in Popular Culture Laura L. Finley, 2023-03-24 Including more than 300 alphabetically listed entries, this 2-volume set presents a timely and detailed overview of some of the most significant contributions women have made to American popular culture from the silent film era to the present day. The lives and accomplishments of women from various aspects of popular culture are examined, including women from film, television, music, fashion, and literature. In addition to profiles, the encyclopedia also includes chapters that provide a historical review of gender, domesticity, marriage, work, and inclusivity in popular culture as well as a chronology of key achievements. This reference work is an ideal introduction to the roles women have played, both in the spotlight and behind it, throughout the history of popular culture in America. From the stars of Hollywood's Golden Age to the chart toppers of the 2020s, author Laura L. Finley documents how attitudes towards these icons have evolved and how their influence has shifted throughout time. The entries and essays also address such timely topics as feminism, the #MeToo movement, and the gender pay gap. |
| sexism in the music industry statistics: Gender, Subjectivity, and Cultural Work Christina Scharff, 2017-09-27 What is it like to work as a classical musician today? How can we explain ongoing gender, racial, and class inequalities in the classical music profession? What happens when musicians become entrepreneurial and think of themselves as a product that needs to be sold and marketed? Gender, Subjectivity, and Cultural Work explores these and other questions by drawing on innovative, empirical research on the working lives of classical musicians in Germany and the UK. Indeed, Scharff examines a range of timely issues such as the gender, racial, and class inequalities that characterise the cultural and creative industries; the ways in which entrepreneurialism – as an ethos to work on and improve the self – is lived out; and the subjective experiences of precarious work in so-called ‘creative cities’. Thus, this book not only adds to our understanding of the working lives of artists and creatives, but also makes broader contributions by exploring how precarity, neoliberalism, and inequalities shape subjective experiences. Contributing to a range of contemporary debates around cultural work, Gender, Subjectivity, and Cultural Work will be of interest to scholars and students in the fields of Sociology, Gender and Cultural Studies. |
| sexism in the music industry statistics: Disruptive Divas Lori Burns, Melisse Lafrance, 2013-10-08 Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me'Shell Ndegéocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of acceptable female musicianship. |
| sexism in the music industry statistics: The Palgrave Handbook of Critical Music Industry Studies David Arditi, Ryan Nolan, 2024-09-28 The Handbook of Critical Music Industry Studies provides students and researchers with the means to think about how the performance, recording, and publishing of music could be if we do things differently. People are hungry for a more equitable music performance and recording system. The industry exudes patriarchy, white supremacy, cultural imperialism, ableism, and worker exploitation. In the context of gendered (e.g., #MeToo and #TimesUp) and racialized (e.g., Black Lives Matter) inequity, rampant precarity and casualization, and modes of musical dissemination that are changing faster than policymakers and regulatory bodies can keep up with, the timing for assembling such an interdisciplinary collection could not be more appropriate. Essays in this handbook will tackle power structures at root in the music industry and the academic study of the field. Topics covered include the politics of representation and power in the global music industries, the labor of music, music as media (including data and algorithmic culture), and copyright/intellectual property, among others. Chapter 35 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. |
| sexism in the music industry statistics: Gender in Music Production Russ Hepworth-Sawyer, Jay Hodgson, Liesl King, Mark Marrington, 2020-04-07 The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students, and researchers working in the field of music production today. |
| sexism in the music industry statistics: The Composer, Herself Linda Kouvaras, Natalie Williams, Maria Grenfell, 2023-11-30 This edited volume presents 27 original essays by living composers from all around the globe, reflecting on the creation of their music. Coterminous to the recent worldwide resurgence in feminist focus, the distinctive feature of this collection is the “snapshots” of creative processes and conceptualizing on the part of women who write music, writing in the present day, from prominent early-career composers to major figures, from a range of ethnic backgrounds in the contemporary music field. The chapters step into the juncture point at which feminism finds itself: as binary conceptions of gender are being dissolved, with critiques of the attendant gender-based historical generalizations of composers, and with the growing awareness of the rightful place of First Nations' cultural voices, the contributors explore what, actually, is being composed by women, and what they think about their world. The needs that this book serves are acutely felt: despite recent social gains, and sector initiatives and programs encouraging and presenting the work of women who compose music, their works are yet to receive commensurate exposure with that of their male counterparts. In its multi-pronged, direct response to this dire situation, this vibrant volume highlights established as well as emerging women composers on the international stage; reveals myriad issues around feminism, as broadly conceived; and gives insights, from the composers' own voices, on the inner workings of their composition process. The volume thus presents a contemporary moment in time across the generations and within developments in musical composition. With its unique insights, this book is essential for academics and practitioners interested in the illuminations of the current working landscape for creative women. |
| sexism in the music industry statistics: Invisible Women Caroline Criado Perez, 2019-03-12 #1 International Bestseller “A rallying cry to fight back.” —Sunday Times (London) Winner, 2019 Financial Times and McKinsey Business Book of the Year Award Winner, 2019 Royal Society Science Book Prize Data is fundamental to the modern world. From economic development, to healthcare, to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems. And women pay tremendous costs for this bias in time, money, and sometimes with their lives. Celebrated feminist advocate Caroline Criado Perez investigates the shocking root cause of gender inequality and research in Invisible Women, diving into women’s lives at home, the workplace, the public square, the doctor’s office, and more. Chapters here include: Can Snow-Clearing Be Sexist The Myth of Meritocracy The Henry Higgins Effect One-Size-Fits-Men Yentl Syndrome From Purse to Wallet Women’s Rights Are Human Rights Perez writes in her preface, “It’s when women are able to step out from the shadows with their voices and their bodies that things start to shift. The gaps close. And so, at heart, Invisible Women is also a call for change. For too long we have positioned women as a deviation from standard humanity and this is why they have been allowed to become invisible. It’s time for a change in perspective. It’s time for women to be seen.” Built on hundreds of studies in the US, the UK, and around the world, and written with energy, wit, and sparkling intelligence, this is a groundbreaking, unforgettable exposé that will change the way you look at the world. |
| sexism in the music industry statistics: Music Management, Marketing and PR Chris Anderton, James Hannam, Johnny Hopkins, 2022-02-24 This book is your guide to the study and practice of music management and the fast-moving music business of the 21st century. Covering a range of careers, organisations, and practices, this expert introduction will help aspiring artists, managers, and executives to understand and succeed in this exciting sector. Featuring exclusive interviews with industry experts and discussions of well-known artists, it covers key areas such as artist development, the live music sector, fan engagement, and copyright. Other topics include: Managing contracts and assembling teams. Using data audits of platforms to adapt campaigns. Shaping opinions about music, musicians, events. How the music industry can be more diverse, inclusive, and equitable for the benefit of all. Working with venues, promoters, booking agents, and tour managers. Branding, sponsorship, and endorsement. Funding, crowdsourcing and royalty collection. Ongoing digital developments such as streaming income and algorithmic recommendation. Balancing the creative and the commercial, it is essential reading for students of music management, music business, and music promotion – and anybody looking to build their career in the music industries. Dr Chris Anderton, Johnny Hopkins, and James Hannam all teach on the BA Music Business at the Faculty of Business, Law and Digital Technologies at Solent University, Southampton, UK. |
| sexism in the music industry statistics: Gender Inequality in Metal Music Production Pauwke Berkers, Julian Schaap, 2018-06-19 In metal, it seems that women are nowhere but gender is everywhere. This title offers a sociological analysis of metal music's historical and global gender imbalance to investigate why this genre is such an impenetrable fortress for female musicians and how it could change. |
| sexism in the music industry statistics: The First Collection of Criticism by a Living Female Rock Critic Jessica Hopper, 2015-05-12 Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work influential. Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most. |
| sexism in the music industry statistics: After the Rise and Stall of American Feminism Lynn S. Chancer, 2019-02-26 It is more than fifty years since Betty Friedan diagnosed malaise among suburban housewives and the National Organization of Women was founded. Across the decades, the feminist movement brought about significant progress on workplace discrimination, reproductive rights, and sexual assault. Yet, the proverbial million-dollar question remains: why is there still so much to be done? With this book, Lynn S. Chancer takes stock of the American feminist movement and engages with a new burst of feminist activism. She articulates four common causes—advancing political and economic equality, allowing intimate and sexual freedom, ending violence against women, and expanding the cultural representation of women—considering each in turn to assess what has been gained (or not). It is around these shared concerns, Chancer argues, that we can continue to build a vibrant and expansive feminist movement. After the Rise and Stall of American Feminism takes the long view of the successes and shortcomings of feminism(s). Chancer articulates a broad agenda developed through advancing intersectional concerns about class, race, and sexuality. She advocates ways to reduce the divisiveness that too frequently emphasizes points of disagreement over shared aims. And she offers a vision of individual and social life that does not separate the personal from the political. Ultimately, this book is about not only redressing problems, but also reasserting a future for feminism and its enduring ability to change the world. |
| sexism in the music industry statistics: Artists and Markets in Music Cameron M. Weber, Ying Zhen, J.J. Arias, 2023-08-30 This monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today. Interactive relationships, such as the importance of entrepreneurship, serendipity and authenticity, will be explored in artist subjective determinations of success. In particular, this book deeply explores the mental health of musicians and creative destruction during the covid era, copyrights in music markets and an evaluation of the importance of entrepreneurship and brand marketing in the life of musical artists. The monograph contributes empirical research to underexplored areas in the cultural economics of music, such as the proposed musical production function by Samuel Cameron (Routledge 2015) and the concept of distinction in cultural production by Pierre Bourdieu (Routledge 1984, 2010) as uniquely applied with examples from the covid era. Readers will benefit from this easy-to-understand interdisciplinary exploration of the music industry with a focus on the United States and the political economy of music during the covid era. Most cultural economics is focused on Europe and Asia, so this emphasis on the United States will be of interest. This book will be a beneficial reference work for researchers and will find an audience among music professionals and artists. Academics and non-academics, experts and novices interested in music and political economy will also find value in Artists and Markets in Music. |
| sexism in the music industry statistics: Data Feminism Catherine D'Ignazio, Lauren F. Klein, 2023-10-03 Cutting edge strategies for thinking about data science and data ethics through an intersectional feminist lens. “Without ever finger-wagging, Data Feminism reveals inequities and offers a way out of a broken system in which the numbers are allowed to lie.”—WIRED Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In Data Feminism, Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever “speak for themselves.” Data Feminism offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But Data Feminism is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed. |
| sexism in the music industry statistics: The Evolution of Electronic Dance Music Ewa Mazierska, Tony Rigg, Les Gillon, 2022-12-29 The Evolution of Electronic Dance Music establishes EDM's place on the map of popular music. The book accounts for various ambiguities, variations, transformations, and manifestations of EDM, pertaining to its generic fragmentation, large geographical spread, modes of consumption and, changes in technology. It focuses especially on its current state, its future, and its borders – between EDM and other forms of electronic music, as well as other forms of popular music. It accounts for the rise of EDM in places that are overlooked by the existing literature, such as Russia and Eastern Europe, and examines the multi-media and visual aspects such as the way EDM events music are staged and the specificity of EDM music videos. Divided into four parts – concepts, technology, celebrity, and consumption – this book takes a holistic look at the many sides of EDM culture. |
| sexism in the music industry statistics: Women in Audio Leslie Gaston-Bird, 2019-12-06 Women in Audio features almost 100 profiles and stories of audio engineers who are women and have achieved success throughout the history of the trade. Beginning with a historical view, the book covers the achievements of women in various audio professions and then focuses on organizations that support and train women and girls in the industry. What follows are eight chapters divided by discipline, highlighting accomplished women in various audio fields: radio; sound for film and television; music recording and electronic music; hardware and software design; acoustics; live sound and sound for theater; education; audio for games, virtual reality, augmented reality, and mixed reality, as well as immersive sound. Women in Audio is a valuable resource for professionals, educators, and students looking to gain insight into the careers of trailblazing women in audio-related fields and represents required reading for those looking to add diversity to their music technology programs. |
| sexism in the music industry statistics: The White Racial Frame Joe R. Feagin, 2013-08-21 In this book Joe Feagin extends the systemic racism framework in previous Routledge books by developing an innovative concept, the white racial frame. Now four centuries-old, this white racial frame encompasses not only the stereotyping, bigotry, and racist ideology emphasized in other theories of race, but also the visual images, array of emotions, sounds of accented language, interlinking interpretations and narratives, and inclinations to discriminate that are still central to the frame’s everyday operations. Deeply imbedded in American minds and institutions, this white racial frame has for centuries functioned as a broad worldview, one essential to the routine legitimation, scripting, and maintenance of systemic racism in the United States. Here Feagin examines how and why this white racial frame emerged in North America, how and why it has evolved socially over time, which racial groups are framed within it, how it has operated in the past and in the present for both white Americans and Americans of color, and how the latter have long responded with strategies of resistance that include enduring counter-frames. In this new edition, Feagin has included much new interview material and other data from recent research studies on framing issues related to white, black, Latino, and Asian Americans, and on society generally. The book also includes a new discussion of the impact of the white frame on popular culture, including on movies, video games, and television programs as well as a discussion of the white racial frame’s significant impacts on public policymaking, immigration, the environment, health care, and crime and imprisonment issues. |
| sexism in the music industry statistics: Gender & Creativity Conor, Bridget, UNESCO, 2021-03-06 |
| sexism in the music industry statistics: Fascism: A Very Short Introduction Kevin Passmore, 2014-05-29 What is fascism? Is it revolutionary? Or is it reactionary? Can it be both? Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That is overtly macho in style, yet attracts many women? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society? In the new edition of this Very Short Introduction, Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world--tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I, including fascist regimes in Italy and Germany, and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| sexism in the music industry statistics: Gender in Music Production Russ Hepworth-Sawyer, Jay Hodgson, Liesl King, Mark Marrington, 2020-04-07 The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students, and researchers working in the field of music production today. |
| sexism in the music industry statistics: Thinking of thee , 1874 |
| sexism in the music industry statistics: Unsilenced Rosemary Lucy Hill, Bianca Fileborn, Catherine Strong, 2025-01-09 This book explores gender-based violence within the music industry, and how women who have experienced violence represent it in their music. Using the key case studies of music by Kesha, Lingua Ignota, and Alice Glass, as well as many other examples from across the musical landscape, the book examines how the artists represent their experiences of gender-based violence in their music, lyrics, and music videos; how they narrate and describe their experiences; how they incorporate these experiences into their public personas; and how the music industry itself might be facilitating or perpetuating the violence. The analysis sheds light on how survivors construct their experiences, and how the songs and videos inscribe new understandings of gender-based violence. The book argues that men's control of women's creativity can be considered a form of musical abuse, and that through its structures and systems the music industry itself can be classed as inherently abusive. And yet, women musicians can sing back to the violence they've experienced and create powerful new representations that have the potential to change the way we listen to music, if we are prepared to develop our feminist ears. |
| sexism in the music industry statistics: Gender equality, heritage and creativity UNESCO, 2014-10-13 Initiated by the Culture Sector of UNESCO, the report draws together existing research, policies, case studies and statistics on gender equality and women's empowerment in culture provided by the UN Special Rapporteur in the field of cultural rights, government representatives, international research groups and think-tanks, academia, artists and heritage professionals. It includes recommendations for governments, decision-makers and the international community, within the fields of creativity and heritage. Annex contains essay 'Gender and culture: the statistical perspective' by Lydia Deloumeaux. |
| sexism in the music industry statistics: Gender in the Music Industry Marion Leonard, 2007 Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest. |
| sexism in the music industry statistics: Patriarchy and Gender Stereotypes in the Contemporary World Naznin Tabassum, Bhabani Nayak, 2024-07-18 Patriarchy and Gender Stereotypes in the Contemporary World offers a thorough analysis of the stereotyping of women, particularly in organisations and higher education. The book considers both theoretical and empirical evidence and articulates the potential for transforming perceptions of women at work and in society, emphasising the importance of understanding the pictures created in our heads by gender stereotypes and their impact both positively and negatively on the status of women. In addition, the authors consider gender stereotypes from different countries and generations, providing a uniquely detailed description of how patriarchy operates across cultures and time. The book is a key textbook and research reference for students, researchers, policymakers, academicians, and activists working on gender studies. |
| sexism in the music industry statistics: The Music Industry Patrik Wikström, 2013-04-25 The music industry is going through a period of immense change brought about in part by the digital revolution. What is the role of music in the age of computers and the internet? How has the music industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This is the first major study of the music industry in the new millennium. Wikström provides an international overview of the music industry and its future prospects in the world of global entertainment. They illuminate the workings of the music industry, and capture the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. The Music Industry will become a standard work on the music industry at the beginning of the 21st century. It will be of great interest to students and scholars of media and communication studies, cultural studies, popular music, sociology and economics. It will also be of great value to professionals in the music industry, policy makers, and to anyone interested in the future of music. |
| sexism in the music industry statistics: Performing Glam Rock Philip Auslander, 2006 Explores the many ways glam rock paved the way for new explorations of identity in terms of gender, sexuality, and performance |
| sexism in the music industry statistics: The Cambridge Companion to Women in Music since 1900 Laura Hamer, 2021-05-06 An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists. |
| sexism in the music industry statistics: Sociological Abstracts Leo P. Chall, 1998 |
| sexism in the music industry statistics: The Vagenda Rhiannon Lucy Cosslett, Holly Baxter, 2015-03-05 HAVE YOU EVERa Obsessed over your body's 'problem areas'? Killed an hour on the Sidebar of Shame? Wondered whether to try '50 Sex Tips to Please Your Man'? Felt worse after doing any of the above? Holly and Rhiannon grew up reading glossy mags and, like most women, thought of them as just a bit of fun. But over time they started to feel uneasy - not just about magazines, but about music videos, page 3, and women being labelled frigid, princesses or tramps. So, following the amazing success of their Vagenda blog, they wrote this book. Welcome to your indispensable guide to the madness of women's media. |
| sexism in the music industry statistics: Gender Politics Susan Henneberg, 2016-12-15 It is somewhat astounding that a gender gap continues to exist today in the United States and worldwide. Girls and women face educational roadblocks, economic disparity, threats to their health and safety, and biased laws. How can such treatment of the world’s mothers, sisters, wives, and daughters be permitted? This enlightening anthology presents a range of diverse viewpoints about the gender divide between men and women. Readers will learn the effects that culture and gender constructs have on this gap, and why it is an issue that concerns both women and men. |
| sexism in the music industry statistics: Understanding Popular Music Culture Roy Shuker, 2008 Focusing on the variety of genres that make up pop music, Roy Shuker explores key subjects which shape our experience of music such as music production, the music industry, music policy, fans, audiences and subcultures. |
| sexism in the music industry statistics: Everyday Sexism Laura Bates, 2016-04-05 “Laura Bates has challenged the normalization of sexism, and created a place where both men and women can see it and change it.” —Gloria Steinem The Everyday Sexism Project was founded by writer and activist Laura Bates in April 2012. It began life as a website where people could share their experiences of daily, normalized sexism, from street harassment to workplace discrimination to sexual assault and rape. The Project became a viral sensation, attracting international press attention from The New York Times to French Glamour,Grazia South Africa, to the Times of India and support from celebrities such as Rose McGowan, Amanda Palmer, Mara Wilson, Ashley Judd, James Corden, Simon Pegg, and many others. The project has now collected over 100,000 testimonies from people around the world and launched new branches in twenty-five countries worldwide. Everyday Sexism has been credited with helping to spark a new wave of feminism. “Laura Bates didn’t just begin a movement, she has started a revolution.” —Liz Plank, Senior Correspondent at Mic and host of Flip the Script “A startlingly astute analysis on violence and inequality.” —Lauren Wolfe, journalist and Director of the Women’s Media Center’s Women Under Siege Project “Powerful.” —Stephen Dunbar-Johnson, President of International at The New York Times “Pioneering.” —Telegraph “A must-read for every woman.” —Cosmopolitan (UK) “This is an important work and if I had my way would be compulsory school reading across the globe.” —Feminist Times “Laura Bates deftly makes visible the spider web of oppression that holds us back and binds us all together.” —Jaclyn Friedman, co-author of Yes Means Yes: Visions of Female Sexual Power and a World Without Rape |
| sexism in the music industry statistics: The Handbook of Gender, Communication, and Women's Human Rights Margaret Gallagher, Aimee Vega Montiel, 2023-11-14 A timely feminist intervention on gender, communication, and women’s human rights The Handbook on Gender, Communication, and Women's Human Rights engages contemporary debates on women’s rights, democracy, and neoliberalism through the lens of feminist communication scholarship. The first major collection of its kind published in the COVID-19 era, this unique volume frames a wide range of issues relevant to the gender and communication agenda within a human rights framework. An international panel of feminist academics and activists examines how media, information, and communication systems contribute to enabling, ignoring, questioning, or denying women's human and communication rights. Divided into four parts, the Handbook covers governance and policy, systems and institutions, advocacy and activism, and content, rights, and freedoms. Throughout the text, the contributors demonstrate the need for strong feminist critiques of exclusionary power structures, highlight new opportunities and challenges in promoting change, illustrate both the risks and rewards associated with digital communication, and much more. Offers a state-of-the-art exploration of the intersection between gender, communication, and women's rights Addresses both core and emerging topics in feminist media scholarship and research Discusses the vital role of communication systems and processes in women's struggles to claim and exercise their rights Analyzes how the COVID-19 pandemic has exacerbated structures of inequality and intensified the spread of disinformation Explores feminist-based concepts and approaches that could enrich communication policy at all levels Part of the Global Handbooks in Media and Communication Research series, TheHandbook of Gender, Communication, and Women's Human Rights is essential reading for advanced undergraduate and graduate students in media studies, communication studies, cultural studies, journalism, feminist studies, gender studies, global studies, and human rights programs at institutions around the world. It is also an invaluable resource for academics, researchers, policymakers, and civil society and human rights activists. |
| sexism in the music industry statistics: The Sexualization of Girls and Girlhood Eileen L. Zurbriggen, Tomi-Ann Roberts, 2012-11-22 The Sexualization of Girls and Girlhood includes the best empirical research, theory, and practice stemming from the report of the American Psychological Association's Task Force on the Sexualization of Girls. Contributors discuss evidence for this phenomenon from media and marketing, to interpersonal interaction, to girls' own efforts to fashion themselves after sexualized role models around them. |
| sexism in the music industry statistics: FemPoetiks of American Poetry and Americana Music Linda Nicole Blair, 2021-06-10 From the poems of Anne Bradstreet, America’s first published poet, The FemPoetiks of American Poetry and Americana Music presents a powerful discourse that developed in the poetry of writers like Phillis Wheatley, Emily Dickinson and in Americana song lyrics of writers like Brandi Carlile, Rhiannon Giddens, and Lucinda Williams. |
| sexism in the music industry statistics: The Wrong Kind of Women Naomi McDougall Jones, 2020-02-04 A brutally honest look at the systemic exclusion of women in film—an industry with massive cultural influence—and how, in response, women are making space in cinema for their voices to be heard. Generation after generation, women have faced the devastating reality that Hollywood is a system built to keep them out. The films created by that system influence everything from our worldviews to our brain chemistry. When women’s voices are excluded from the medium, the impact on society is immense. Actor, screenwriter, and award-winning independent filmmaker Naomi McDougall Jones takes us inside the cutthroat, scandal-laden film industry, where only 5% of top studio films are directed by women and less than 20% of leading characters in mainstream films are female. Jones calls on all of us to act radically to build a different kind of future for cinema—not only for the women being actively hurt inside the industry but for those outside it, whose lives, purchasing decisions, and sense of selves are shaped by the stories told. Informed by the journey of her own career; by interviews with others throughout the film industry; and by cold, hard data, Jones deconstructs the casual, commonplace sexism rampant in Hollywood that has kept women out of key roles for decades. Next, she shows us the growing women-driven revolution in filmmaking—sparked by streaming services, crumbling distribution models, direct-to-audience access via innovative online platforms, and outside advocacy groups—which has enabled women to build careers outside the traditional studio system. Finally, she makes a business case for financing and producing films by female filmmakers. |
5 stories that show women fighting sexism around the world
May 9, 2016 · The only female bus driver in a Turkish town, an Afghan businesswoman facing death threats, a Kenyan police officer protecting victims of violence, and other courageous …
7 surprising and outrageous stats about gender inequality
Mar 8, 2019 · You may think the world has become largely gender equal. These stats will make you think otherwise.
What is unconscious gender bias and what can we do about it
Mar 8, 2017 · unconscious gender bias is everywhere. But just because it's subliminal doesn't mean we can't fight it, says Alison Kay on International Women's Day.
How sexist is that film? This app will help you find out
Mar 4, 2019 · The creators hope to spark a bigger conversation about sexism and misogyny in the movies.
This is why AI has a gender problem | World Economic Forum
Jun 30, 2019 · Most prominently, we have seen workshops specializing on abusive language detection and the detection of sexism at the top natural language processing conference. …
Global Gender Gap Report 2024 | World Economic Forum
Jun 11, 2024 · The Global Gender Gap Index 2024 benchmarks the current state and evolution of gender parity across four key dimensions (Economic Participation and Opportunity, …
Sexism is bad for the economy. These 4 charts prove it
Sep 22, 2016 · Economic Growth Sexism is bad for the economy. These 4 charts prove it Sep 22, 2016 Gender equality boosts development, income, growth and competitiveness, the UN …
8 sexist laws you won’t believe still exist - The World Economic …
May 8, 2017 · Despite all the progress made towards gender equality, there is still a lot of work to be done, as these anti-women laws show.
3 sexist myths about men’s and women’s brains debunked
Oct 3, 2016 · What is clear from extensive research from institutes such as McMaster University, the University of Pennsylvania and Cambridge University is that there are physical differences …
23 things companies can do right now to fight sexism
Mar 9, 2017 · The economic gender gap won't close for another 170 years. But these small actions could help women achieve equality a lot sooner.
5 stories that show women fighting sexism around the world
May 9, 2016 · The only female bus driver in a Turkish town, an Afghan businesswoman facing death threats, a Kenyan police officer protecting victims of violence, and other courageous women.
7 surprising and outrageous stats about gender inequality
Mar 8, 2019 · You may think the world has become largely gender equal. These stats will make you think otherwise.
What is unconscious gender bias and what can we do about it
Mar 8, 2017 · unconscious gender bias is everywhere. But just because it's subliminal doesn't mean we can't fight it, says Alison Kay on International Women's Day.
How sexist is that film? This app will help you find out
Mar 4, 2019 · The creators hope to spark a bigger conversation about sexism and misogyny in the movies.
This is why AI has a gender problem | World Economic Forum
Jun 30, 2019 · Most prominently, we have seen workshops specializing on abusive language detection and the detection of sexism at the top natural language processing conference. …
Global Gender Gap Report 2024 | World Economic Forum
Jun 11, 2024 · The Global Gender Gap Index 2024 benchmarks the current state and evolution of gender parity across four key dimensions (Economic Participation and Opportunity, Educational …
Sexism is bad for the economy. These 4 charts prove it
Sep 22, 2016 · Economic Growth Sexism is bad for the economy. These 4 charts prove it Sep 22, 2016 Gender equality boosts development, income, growth and competitiveness, the UN …
8 sexist laws you won’t believe still exist - The World Economic Forum
May 8, 2017 · Despite all the progress made towards gender equality, there is still a lot of work to be done, as these anti-women laws show.
3 sexist myths about men’s and women’s brains debunked
Oct 3, 2016 · What is clear from extensive research from institutes such as McMaster University, the University of Pennsylvania and Cambridge University is that there are physical differences …
23 things companies can do right now to fight sexism
Mar 9, 2017 · The economic gender gap won't close for another 170 years. But these small actions could help women achieve equality a lot sooner.
