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| second class citizen by buchi: Second-class Citizen Buchi Emecheta, 1994 Adah, a woman from the Ibo tribe, moves to England to live with her Nigerian student husband. She soon discovers that life for a young Nigerian woman living in London in the 1960s is grim. Rejected by British society and thwarted by her husband, who expects her to be subservient to him, she is forced to face up to life as a second-class citizen.--Back cover |
| second class citizen by buchi: The Country of Absence Felix Stefanile, 1999 Poetry. These poems, chosen from previously published works, comment upon facets of an Italian American experience. In the introductory essay titled The Allegory of the Hyphen, Stefanile identifies his eponymous country of absence as that undiscovered country of America as language, the discovery of which formed his life as a poet. For a long time now, Felix Stefanile has been among the most consistently interesting poets in America....Readers who still need an introduction to [his poetry] will find THE COUNTRY OF ABSENCE an ideal point of entry. In memorable poems and an incisive essay, Stefanile sets out to retrace his roots, to understand those forces that make him a poet --X.J. Kennedy. |
| second class citizen by buchi: In the Ditch Buchi Emecheta, 2023 'Sad, sonorous, occasionally hilarious, an extraordinary first novel' Washington Post 'Striking . . . brings sexism and classism into equal focus' The Paris Review Adah is a single mother of five, living in a dank, crumbling housing estate for 'problem families', avoiding the rats and rubbish. It's not quite the new start in London she had planned. As she navigates the complicated welfare system that keeps her trapped in poverty, can she cling to her dream of a better life, and find somewhere that feels like home? Buchi Emecheta's scorching debut novel drew on her own experiences to paint a moving picture of hope, unexpected friendship, and survival. In the Ditch joins The Joys of Motherhood and Second-Class Citizen in Penguin Modern Classics, with a bespoke cover design from Turner Prize-winning artist Chris Ofili. 'Buchi Emecheta was the foremother of black British women's writing' Bernardine Evaristo |
| second class citizen by buchi: The Joys of Motherhood Buchi Emecheta, 1994 ...a graceful, touching, ironically titled tale. - John Updike A new edition of her classic novel to coincide with the publication of her other works in the African Writers Series. Nnu Ego is a woman devoted to her children, giving them all her energy, all her worldly possessions, indeed, all her life to them -- with the result that she finds herself friendless and alone in middle age. This story of a young mother's struggles in 1950s Lagos is a powerful commentary on polygamy, patriarchy, and women's changing roles in urban Nigeria. |
| second class citizen by buchi: The Bride Price Buchi Emecheta, 1995 A novel by a Nigerian-born author which explores the constraints of a tradition under which women are defined in purely monetary terms. When Aku-nna and her family are inherited by her uncle, who values her only for the high bride-price she is expected to fetch, she defies convention and society. |
| second class citizen by buchi: The Slave Girl Buchi Emecheta, 1995 Annotation Her graphically detailed pictures of tribal life make the novel memorable.-Chicago Tribune. |
| second class citizen by buchi: When Rain Clouds Gather Bessie Head, 2013-09-23 Rural Botswana is the backdrop for When Rain Clouds Gather, the first novel published by one of Africa’s leading woman writers in English, Bessie Head (1937–1986). Inspired by her own traumatic life experiences as an outcast in Apartheid South African society and as a refugee living at the Bamangwato Development Association Farm in Botswana, Head’s tough and telling classic work is set in the poverty-stricken village of Golema Mmidi, a haven to exiles. A South African political refugee and an Englishman join forces to revolutionize the villagers’ traditional farming methods, but their task is fraught with hazards as the pressures of tradition, opposition from the local chief, and the unrelenting climate threaten to divide and devastate the fragile community. Head’s layered, compelling story confronts the complexities of such topics as social and political change, conflict between science and traditional ways, tribalism, the role of traditional African chiefs, religion, race relations, and male–female relations. |
| second class citizen by buchi: The Intended David Dabydeen, 2005 Exploring rites of passage in London's Asian community, this semiautobiographical novel follows a young Indo-Guyanese narrator from his South American village to Great Britain. With determination and self-discipline he seizes opportunities of education and upward mobility, but struggles to keep his cultural identity alive through memories of his childhood. This sophisticated postcolonial text links language and character to reveal the social divisions, educational obstacles, and self-exploration of a struggling foreigner in the mid-20th century. |
| second class citizen by buchi: Postcolonial African Writers Siga Fatima Jagne, Pushpa Naidu Parekh, 2012-11-12 This reference book surveys the richness of postcolonial African literature. The volume begins with an introductory essay on postcolonial criticism and African writing, then presents alphabetically arranged profiles of some 60 writers, including Chinua Achebe, Nadine Gordimer, Bessie Head, Doris Lessing, Tsitsi Dangarembga, Tahbar Ben Jelloun, among others. Each entry includes a brief biography, a discussion of major works and themes that appear in the author's writings, an overview of the critical response to the author's work, and a bibliography of primary and secondary sources. These profiles are written by expert contributors and reflect many different perspectives. The volume concludes with a selected general bibliography of the most important critical works on postcolonial African literature. |
| second class citizen by buchi: Our Own Freedom , 1981 A photo essay showing African women at work in traditional and modern settings. |
| second class citizen by buchi: The African Palimpsest Chantal Zabus, 2007-01-01 Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of ‘indigenization’ whereby West African writers have made their literary English or French distinctively ‘African’. Through the apt metaphor of the palimpsest – a surface that has been written on, written over, partially erased and written over again – the book examines such well-known West African writers as Achebe, Armah, Ekwensi, Kourouma, Okara, Saro–Wiwa, Soyinka and Tutuola as well as lesser-known writers from francophone and anglophone Africa. Providing a great variety of case-studies in Nigerian Pidgin, Akan, Igbo, Maninka, Yoruba, Wolof and other African languages, the book also clarifies the vital interface between Europhone African writing and the new outlets for African artistic expression in (auto-)translation, broadcast television, radio and film. |
| second class citizen by buchi: The Wrestling Match Buchi Emecheta, 1980 Sixteen-year-old Okei, left an orphan after the NIgerian civil war, engages in a wrestling match to prove to his critical uncle and aunt that he is not as idle and worthless as they think. |
| second class citizen by buchi: Kehinde Buchi Emecheta, 2005 The problems of African expatriates in England. Albert and Kehinde Okolo have lived in London for 18 years. When Albert announces they are returning to Nigeria, Kehinde opposes him because Nigeria is a foreign country to their children. It is the start of a marriage crisis. |
| second class citizen by buchi: There Was a Country Chinua Achebe, 2012-10-11 From the legendary author of Things Fall Apart—a long-awaited memoir of coming of age in a fragile new nation, and its destruction in a tragic civil war For more than forty years, Chinua Achebe maintained a considered silence on the events of the Nigerian civil war, also known as the Biafran War, of 1967–1970, addressing them only obliquely through his poetry. Decades in the making, There Was a Country is a towering account of one of modern Africa’s most disastrous events, from a writer whose words and courage left an enduring stamp on world literature. A marriage of history and memoir, vivid firsthand observation and decades of research and reflection, There Was a Country is a work whose wisdom and compassion remind us of Chinua Achebe’s place as one of the great literary and moral voices of our age. |
| second class citizen by buchi: The Stillborn Z. Alkali, 1995-01 This novel is centred around the experiences of women in contemporary Nigeria. It follows the adolescent plans and dreams of Li as she struggles for independence against the traditional values of her family home, marriage and the lure of the city and all it can offer. |
| second class citizen by buchi: Union Street Pat Barker, 2016-10-27 'Vivid, bawdy and bitter' THE TIMES 'A first-rate first novel . . . pungent, raunchy dialogue . . . passages of fine understated wit' IVAN GOLD, NEW YORK TIMES BOOK REVIEW Pat Barker's first novel shows the women of Union Street, young and old, meeting the harsh challeges of poverty and survival in a precarious world. There's Kelly, at eleven, neglected and independent, dealing with a squalid rape; Dinah, knocking on sixty and still on the game; Joanne, not yet twenty, not yet married and already pregnant. Old Alice is welcoming her impending death whilst Muriel helplessly watches the decline of her stoical husband. And linking them all, watching over them all, mother to half the street, is fiery, indomitable Iris. |
| second class citizen by buchi: Beyond the Horizon Amma Darko, 2024-02-01 Beyond the Horizon is the heart-wrenching debut novel by award-winning author Ammo Darko, telling the tale of a young Ghanaian woman tricked into a life of exploitation by her husband. Mara stares in the mirror, searching for the woman she used to know. The sweet, innocent woman that was excited to marry the man her father chose for her, to start a family and live in a house of her own. But her husband had other plans. Determined to make his fortune in Europe, Mara's husband expects her to sacrifice everything to make his dreams come true – but the sacrifice is more than she could ever have imagined... Beyond the Horizon is a gripping and provocative story of the plight of African women, the lies they were sold about life in Europe, and the false hopes of those they leave behind. |
| second class citizen by buchi: Cack-Handed: A Memoir Gina Yashere, 2021-07-08 The British comedian of Nigerian heritage and co-executive producer and writer of the CBS hit series Bob Hearts Abishola chronicles her odyssey to get to America and break into Hollywood in this lively and humorous memoir. |
| second class citizen by buchi: Of Women and Frogs Bisi Adjapon, 2019-09-29 One of the best books of this year. -Arts and Africa Adjapon tells a gripping tale -The Nation Bisi Adjapon has tackled some of the truly difficult aspects of love and sexuality. -The Mirror At times hilariously funny and at others deeply disturbing. Of Women and Frogs offers a refreshing and insider perspective onto two West Africa societies. -Literandra London Unputdownable, a book that makes you go from laughing out loud to bawling and back to laughing again. -Ayesha Haruna Attah, author of The Hundred Wells of Salaga Stunning. I spent hours moving between out-loud laughter, gripping fear and deep annoyance and love for Esi and her father. -Africa in Dialogue A precocious African girl, whose sexual curiosity brings unexpected heartbreak, wishes frogs will turn her into a man. Will she ever find a way to love herself again and become the extraordinary woman she hoped to be? Esi is a feisty half-Nigerian girl growing up in Ghana, with occasional visits to her family in Lagos. When curiosity about her womanhood leads to a burning punishment from her stepmother, Esi begins to question the hypocrisy of adults around her and the restrictions they place on girls. Moving between Ghana and Nigeria, this heartwarming story of a girl beating a path to self-actualization amidst political upheaval in Rawlings' Ghana and strained relationships between her ancestral countries. OF WOMEN AND FROGS is a heartwarming, soulful coming-of-age tale. Explore girlhood with the inquisitive, unflappable Esi as she journeys through the trials of becoming a woman to find her best self. This is a really wonderful story. [Bisi Adjapon] writes with incredible vividness and clarity. [Her] similes and attention to all the senses are really extraordinary. - Dave Eggers, publisher of McSweeney's Quarterly Concern and Pulitzer Prize-winning author of A Heartbreaking Work of Staggering Genius |
| second class citizen by buchi: A Kind of Marriage Buchi Emecheta, 2025-02-11 When Auntie Bintu returns once more to Nigeria, she expects her sister-in-law to have plenty of stories for her after all, last time she visited she heard the sad tale of Ramonu (see Naira Power). She is not disappointed by Amina's latest tale. It is full of unexpected twists as she unfolds the tortured history of Afam, the son of Charles Ubakanma and the woman his parents force him to marry secretly when his first wife finds she is unable to have more than one child. |
| second class citizen by buchi: Double Yoke Buchi Emecheta, 1983 |
| second class citizen by buchi: Distant View of a Minaret and Other Stories Alifa Rifaat, 2014-01-16 “More convincingly than any other woman writing in Arabic today, Alifa Rifaat lifts the veil on what it means to be a woman living within a traditional Muslim society.” So states the translator’s foreword to this collection of the Egyptian author’s best short stories. Rifaat (1930–1996) did not go to university, spoke only Arabic, and seldom traveled abroad. This virtual immunity from Western influence lends a special authenticity to her direct yet sincere accounts of death, sexual fulfillment, the lives of women in purdah, and the frustrations of everyday life in a male-dominated Islamic environment. Translated from the Arabic by Denys Johnson-Davies, the collection admits the reader into a hidden private world, regulated by the call of the mosque, but often full of profound anguish and personal isolation. Badriyya’s despairing anger at her deceitful husband, for example, or the haunting melancholy of “At the Time of the Jasmine,” are treated with a sensitivity to the discipline and order of Islam. |
| second class citizen by buchi: The Final Passage Caryl Phillips, 2004 As nineteen-year-old Leila surveys her island home from the ship that will carry her, her husband, and baby to England, she contemplates the Caribbean life of the 1950s that is chaotic, hand-to-mouth, and offers no way but out. |
| second class citizen by buchi: Dottie Abdulrazak Gurnah, 2021-12-23 By the winner of the Nobel Prize in Literature 2021 A searing tale of a young woman discovering her troubled family history and cultural past 'Gurnah writes with wonderful insight about family relationships and he folds in the layers of history with elegance and warmth' The Times _________________________________ Dottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history – or the abuse her ancestors suffered as they made their home in Britain. At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs. Building on her fragmented, tantalising memories, she begins to clear a path through life, gradually gathering the confidence to take risks, to forge friendships and to challenge the labels that have been forced upon her. |
| second class citizen by buchi: Chasing Butterflies Yejide Kilanko, 2018-02-22 A good mother does not run from her child's home. She always stays and fights. Titilope Ojo left Nigeria for the United States over a decade ago, but her mother's words remain fresh in her mind. Titilope is married to Tomide, a handsome and charismatic man who she is afraid of. She spends each day anticipating his moods and lives in fear of offending him. She takes great care to try and love him just the way he wants, but will it ever be enough? As life continues to spiral out of control, Titilope finds herself alone at a crossroad where she must choose between duty and survival. |
| second class citizen by buchi: Wings of Courage Anupama L, 2019-06-12 This section looks into the realistic and fictional experiences in the selected texts of the black women writers Buchi Emecheta and Flora Nwapa, the major themes in the selected literary texts, the status accorded to women in the pre-colonial, colonial and in the post-colonial Africa, and the impact of racism and slavery faced by the blacks in Africa. The selected texts represent the experiences and developing identities of Nigerian women. These texts present a different world with quite different standards from those that the reader might be familiar with. The texts selected for the study are Flora Nwapa's Efuru and Buchi Emecheta's Second-Class Citizen and The Joys of Motherhood. These texts have both fictional and autobiographical elements. Many recent literary works represent the slippage between fiction and autobiography. Literary works like Norma Kouri's Honor Lost: Love and Death in Modern day Jordan (2003), James Frey's A Million Little Pieces (2003) and Helen Demidenko's The Hand that Signed the Paper (1994) are examples of works that were originally regarded as autobiography but later came to be known as fictional works. Both Buchi Emecheta and Flora Nwapa serve as agents of change and beacon of hope for thousands of oppressed black women. Apart from narrating the authors' own experiences, their works reflect the violent suppression that numerous black women encounter in their lives. Both Nwapa and Emecheta write about issues and concerns in the lives of Igbo women affected by British colonialism. Their literary works examine the features of Igbo culture, women's wish for change and their desire to be accepted within their community. These texts place an emphasis on women as individual and analyses the impact of western education on their beliefs and values. The women characters evolve as the novels progress. They attain self-realization and become increasingly independent. This book attempts to analyze the situation of black women based on Buchi Emecheta's Second Class Citizen, The Joys of Motherhood and Flora Nwapa's Efuru. These texts are authentic as they are based on the true life experiences of black women. The selected texts draw on the real experiences of the writers as well as the experiences of numerous other black women living in similar circumstances whom these writers encounter within their community. Commenting on the writings of black women, Houston Baker critically observes To understand our origins we must journey through different straits and in the end we may only find confusion (Baker 1). Emecheta's Second-Class Citizen narrates the struggle and survival of the protagonist, Adah. Her shift from Nigeria to England is marked by deterioration in her status from high class position to a low class position. In England, she faces racism and struggles hard both as mother and wife. Like Adah, Buchi Emecheta who was born in Nigeria, near Lagos moved to England with her two children and her husband. Emecheta succeeded in graduating from London University with a degree in Sociology. The novel depicts her struggle to survive in a hostile white European society with a jealous and abusive husband. |
| second class citizen by buchi: Gwendolen Buchi Emecheta, 1994 A tale of lost innocence and betrayal of trust. |
| second class citizen by buchi: The Book of Not Tsitsi Dangarembga, 2021-05-18 The powerful sequel to Nervous Conditions, by the Booker-shortlisted author of This Mournable Body The Book of Not continues the saga of Tambudzai, picking up where Nervous Conditions left off. As Tambu begins secondary school at the Young Ladies’ College of the Sacred Heart, she is still reeling from the personal losses that have been war has inflicted upon her family—her uncle and sister were injured in a mine explosion. Soon she’ll come face to face with discriminatory practices at her mostly-white school. And when she graduates and begins a job at an advertising agency, she realizes that the political and historical forces that threaten to destroy the fabric of her community are outside the walls of the school as well. Tsitsi Dangarembga, honored with the 2021 PEN Award for Freedom of Expression, digs deep into the damage colonialism and its education system does to Tambu’s sense of self amid the struggle for Zimbabwe’s independence, resulting in a brilliant and incisive second novel. |
| second class citizen by buchi: Head Above Water Buchi Emecheta, 1994 Buchi Emecheta's autobiography spans the transition from a tribal childhood in the African bush to life in North London as an internationally acclaimed writer. |
| second class citizen by buchi: From Caucasia, with Love Danzy Senna, 2013-09-19 Growing up amidst the power politics of 1970s America, Birdie and her older sister Cole are so close they speak their own language. Daughters of a white activist mother and a black academic father, Birdie appears white, Cole black, their relationship a refuge from the rest of their lives. Yet when their parents separate, Birdie and Cole are thrown worlds apart. But Birdie's desperate need to reclaim her family forces her back on to the road, where her search for her sister becomes, inevitably, a search for her self. 'Twists serious issues - race, politics, identity, social and familial responsibility - around the structure of a compelling storyline ...an intelligent, questioning book that sparks with ideas' INDEPENDENT ON SUNDAY |
| second class citizen by buchi: Women, Resistance and Revolution Sheila Rowbotham, 2014-01-28 This classic book provides a historical overview of feminist strands among the modern revolutionary movements of Russia, China and the Third World. Sheila Rowbotham shows how women rose against the dual challenges of an unjust state system and social-sexual prejudice. Women, Resistance and Revolution is an invaluable historical study, as well as a trove of anecdote and example fit to inspire today’s generation of feminist thinkers and activists. |
| second class citizen by buchi: Fascism as a Mass Movement Mihály Vajda, 1976 |
| second class citizen by buchi: Writing Across Cultures Omar Sougou, 2021-10-25 This is a timely and comprehensive study combining various critical approaches to the fiction of Buchi Emecheta, one of Africa's most illustrious and contentious women writers. Feminist (Showalter, Cixous, Kristeva) and postcolonial approaches (writing back) are taken to Emecheta's texts to illuminate the personal, political and aesthetic ramifications of the production of this “born writer.” Poststructural programmes of analysis are shown to be less relevant to this writer’s fiction than Marxist and Bakhtinian perspectives. Emecheta is shown to be a bridge-builder between two cultures and two worlds in narratives (both challenging and popular) characterized by ambiguity, ambivalence and double-voiced discourse, all of which evince the writer's determination to expose imaginatively the colonial heritage of centre-periphery conflicts, cultural corruption, ethnic discrimination, gender oppression, and the migrant experience in multiracial communities. |
| second class citizen by buchi: The Joys of Motherhood Buchi Emecheta, 2008 |
| second class citizen by buchi: Best of Young British Novelists Bill Buford, 1993 |
| second class citizen by buchi: Africa Wo/Man Palava Chikwenye Okonjo Ogunyemi, 1996-04-15 Ogunyemi uses the novels to trace a Nigerian women's literary tradition that reflects an ideology centered on children and community. Of prime importance is the paradoxical Mammywata figure, the independent, childless mother, who serves as a basis for the postcolonial woman in the novels and in society at large. Ogunyemi tracks this figure through many permutations, from matriarch to writer, her multiple personalities reflecting competing loyalties. This sustained critical study counters prevailing masculinist theories of black literature in a powerful narrative of the Nigerian world. |
| second class citizen by buchi: Unexpected Joy at Dawn Alex Agyei-Agyiri, 2003 Fifteen years ago, Mama said, starting her story, I came to Lagos from Ghana. I came to Nigeria because I was considered an alien in that country. The government of Ghana passed a law asking all aliens without resident permits to regularise their stay in the country'. This story of migration, identities and lives undermined by cynical and xenophobic politics pushed to its logical and terrible conclusion pertains to the Ghanaian orders of `alien compliance' issued in 1970-1971, which determined to force all non-ethnic Ghanaians, so called illegal immigrants, to return to their - so stipulated - `home'. The novel thus touches on concerns of deeper relevance to the politics of race and migration of the twenty first century. |
| second class citizen by buchi: Athena's Child Hannah Lynn, 2022-01-23 Daughter. Sister. Priestess. Protector. Son. Brother. Demi-God. Hero. Monsters. Gifted and burdened with beauty far beyond that of mere mortals, Medusa seeks sanctuary with the Goddess Athena. But when the lustful gaze of mighty Poseidon falls upon her, even the Temple of Athena cannot protect her. Young Perseus embarks on a seemingly impossible quest. Equipped with only bravado and determination, his only chance of success lays in the hands of his immortal siblings. Medusa and Perseus soon become pawns of spiteful and selfish gods. Faced with the repercussions of Athena's wrath Medusa has no choice but to flee and hide. But can she do so without becoming the monster they say she is? History tells of conquering heroes. Tales distorted by time. Medusa's truth has long been lost. Until now. Now it is time to hear her truth. Revel in this powerful retelling of one of mythologies greatest tales today. |
| second class citizen by buchi: A Man's Place Annie Ernaux, 2012-05-29 WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE A New York Times Notable Book Annie Ernaux's father died exactly two months after she passed her practical examination for a teaching certificate. Barely educated and valued since childhood strictly for his labor, Ernaux's father had grown into a hard, practical man who showed his family little affection. Narrating his slow ascent towards material comfort, Ernaux's cold observation reveals the shame that haunted her father throughout his life. She scrutinizes the importance he attributed to manners and language that came so unnaturally to him as he struggled to provide for his family with a grocery store and cafe in rural France. Over the course of the book, Ernaux grows up to become the uncompromising observer now familiar to the world, while her father matures into old age with a staid appreciation for life as it is and for a daughter he cautiously, even reluctantly admires. A Man's Place is the companion book to her critically acclaimed memoir about her mother, A Woman's Story. |
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