Samskara Short Film

  samskara short film: Samskara U. R. Anantha Murthy, 1992
  samskara short film: Mining the Home Movie Karen L. Ishizuka, Patricia R. Zimmermann, 2008 Features essays that combine research, critical analyses and theoretical approaches regarding the meaning and value of amateur and archival films. This book identifies home movies as methods of visually preserving history. It defines a genre of film studies and establishes the home movie as a tool for extracting historical and social insights.
  samskara short film: Stallion of the Sun and Other Stories U. R. Anantha Murthy, 1999 A Collection Of Finely Crafted Stories That Challenge Our Political, Social And Cultural Beliefs. One Of The Leading Exponents Of The Modernist School In Kannada And Jnanpith Award Winner, U.R. Anantha Murthy Has Been A Writer For Nearly Five Decades. This Excellent Anthology Brings Together Stories From His Five Collections. Spanning Thirty-Five Years From 1955-89, They Represent His Journey From An Angry Young Radical To An Intensely Humanist Conservative . 'Clip Joint Explores The Conflict And Confluence Of Indian And Western Values Through An Encounter Between An Indian Student In England And His English Classmate. Ghatashradhha Is A Severe Indictment Of The Brahminical System Where A Priest Performs A Mock Funeral For His Child-Widow Daughter, Yamunakka, Who Has Become Pregnant. The Critique Of Unquestioning Belief In Tradition Is Pursued In Akkayya But Resolved With A Touch Of Humour Through The Protagonist S Singular Life Story. In The Crowning Story, Stallion Of The Sun , Which Is Typical Of Anantha Murthy S Later, Self-Reflexive Phase, The Dissonance Between Tradition And Modernity Settles In Favour Of Simple Faith. The Seven Masterful Stories In This Collection, Many Of Which Have Been Translated Into English For The First Time, Affirm Anantha Murthy As One Of India S Foremost Fiction Writers.
  samskara short film: AKASHVANI All India Radio (AIR), New Delhi , 1973-03-25 Akashvani (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became Akashvani (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 25 MARCH, 1973 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. XXXVIII. No. 13 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 15-50 ARTICLE: 1.Exchange with INDIA and GDR 2. Malapropism and Craze for Things Foreign 3. Drinking at Others Cost 4. Quiz for the Youth 5. Twenty years of Indian Cinema 6. Minimum Bonus 7. Back-Biting AUTHOR: 1. Protocol Signed 2.Dr. S. P. Sengupta 3. Zamaruddin. 4. Prof. Lucie Rodrigues 5. Amita Malick 6. Bernard F. D'Souza 7. Chandra Nayadu Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
  samskara short film: Indian Cinema: A Very Short Introduction Ashish Rajadhyaksha, 2016-07-21 One film out of every five made anywhere on earth comes from India. From its beginnings under colonial rule through to the heights of Bollywood , Indian Cinema has challenged social injustices such as caste, the oppression of Indian women, religious intolerance, rural poverty, and the pressures of life in the burgeoning cities. And yet, the Indian movie industry makes only about five percent of Hollywood's annual revenue. In this Very Short Introduction Ashish Rajadhyaksha delves into the political, social, and economic factors which, over time, have shaped Indian Cinema into a fascinating counterculture. Covering everything from silent cinema through to the digital era, Rajadhyaksha examines how the industry reflects the complexity and variety of Indian society through the dramatic changes of the 20th century, and into the beginnings of the 21st. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable
  samskara short film: Link , 1986
  samskara short film: Encyclopedia of Indian Cinema Ashish Rajadhyaksha, Paul Willemen, 2014-07-10 The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
  samskara short film: Good Economics for Hard Times Abhijit V. Banerjee, Esther Duflo, 2019-11-12 The winners of the Nobel Prize show how economics, when done right, can help us solve the thorniest social and political problems of our day. Figuring out how to deal with today's critical economic problems is perhaps the great challenge of our time. Much greater than space travel or perhaps even the next revolutionary medical breakthrough, what is at stake is the whole idea of the good life as we have known it. Immigration and inequality, globalization and technological disruption, slowing growth and accelerating climate change--these are sources of great anxiety across the world, from New Delhi and Dakar to Paris and Washington, DC. The resources to address these challenges are there--what we lack are ideas that will help us jump the wall of disagreement and distrust that divides us. If we succeed, history will remember our era with gratitude; if we fail, the potential losses are incalculable. In this revolutionary book, renowned MIT economists Abhijit V. Banerjee and Esther Duflo take on this challenge, building on cutting-edge research in economics explained with lucidity and grace. Original, provocative, and urgent, Good Economics for Hard Times makes a persuasive case for an intelligent interventionism and a society built on compassion and respect. It is an extraordinary achievement, one that shines a light to help us appreciate and understand our precariously balanced world.
  samskara short film: IFSON, Special Issue, Filmotsav, '82 , 1982 Contributed articles, most on Indian cinema and international film festivals held in India.
  samskara short film: Conscience of The Race BIBEKANANDA RAY, The book is a detailed and wonderful study on the Offbeat cinema in India. The author through the title says that the offbeat genre, more than the mainstream, truly reflects the conscience of the Indian people.
  samskara short film: Clearing a Space Amit Chaudhuri, 2008 Offers an exploration of what it means to be a modern Indian in relation to the West. This work features essays about Indian popular culture and high culture, travel and location in Paris, Bombay, Dublin, Calcutta and Berlin, empire and nationalism, Indian and Western cinema, music, art and literature, politics, race, and cosmopolitanism.
  samskara short film: The Educational Heritage of Ancient India Sahana Singh, 2017-08-03 Just a thousand years ago, India was dotted with universities across its length and breadth, where international students flocked to gain credentials in advanced education. This illustrated book describes how these multi-disciplinary centers of learning existed in several forms such as forest universities, brick-and-mortar universities and temple universities. It examines the funding for these citadels of learning and their graduation ceremonies. The process by which India’s ancient systems of education helped to fuel a knowledge revolution around the world with its manuscripts, forming the basis for monographs and academic papers, is explained with references. The marauding incursions by Muslim invaders, which disrupted the idyllic world of university learning in India, followed by European colonization, which led to further erosion and degeneration of India’s traditional learning systems, have been taken up in some detail. Readers will get a snapshot view of India's education system down the ages from ancient to modern times.
  samskara short film: Symposium on Cinema in Developing Countries PUBLICATIONS DIVISION, 2017-09-15 During the Seventh International Film Festival of India - 1979, New Delhi, the Indian Institute of Mass Communication organised a symposium on the theme “Cinema in Developing Countries.” Besides a large number of distinguished Indian film-makers and critics, some of the members of the International Jury also participated in it. This book is a result of the feeling that the papers and discussions that were stimulating, relevant should be made available to a larger audience.
  samskara short film: An Encyclopaedia of Australian Film John Stewart, 1984
  samskara short film: Samskara Lanre Malaolu, 2021 Four generations of black men are trying to understand themselves in a world which tells them they have to be strong. Inspired by real-life testimony and told through an explosive fusion of text, physical theatre and hip-hop dance, Samskara explores vulnerability, emotional trauma and how cycles of fathering affect masculinity. Moving through joy and suffering, laughter and longing, this soul-baring odyssey untangles what it means to be a black man in twenty-first-century Britain. Samskara premiered at The Yard Theatre, London, in November 2021, written, directed and choreographed by award-winning artist Lanre Malaolu.
  samskara short film: Class, Power & Consciousness in Indian Cinema & Television Anirudh Deshpande, 2009 This book offers a historical understanding of the Indian Audio-Visual media as well as examines and deconstructs the relationship between fact and fiction, history and imagination, nationalism and communalism, nation and gender, history and war, media and mentality and cinema and social identities particularly in Hindi cinema.
  samskara short film: Indian Writing in English Amar Nath Prasad, Kanupriya, 2006
  samskara short film: Australian Film & TV Companion Tony Harrison, 2005 Everything you ever wanted to know about 4,000 Australian films and TV productions. Includes details on every feature film made in Australia since 1930, every Australian-made TV production since 1956, and biogs for 450 casts and crews. Introduction by Geoffrey Rush. The bible for film buffs, DVD buyers and hirers, TV fans and media/communications students.
  samskara short film: The Complete Index to Literary Sources in Film Alan Goble, 2011-09-08 No detailed description available for The Complete Index to Literary Sources in Film.
  samskara short film: Report India. Ministry of Information and Broadcasting, 1974
  samskara short film: The Wordsmiths Meenakshi Sharma, 1996 Here are 5 scintillating interviews that capture the magic and the mystery of the world of the contemporary Indian writer. U R Anantha Murthy, Bhupen Khakhar, Mahasweta Devi, Krishna Sobti and M T Vasudevan Nair offer insights into the art and craft of writing, share their hopes and fears and reveal that unique creative urge which makes their work what it is.
  samskara short film: Mindfulness Vinay Dabholkar, 2019-11-01 Whether we like it or not, a large part of our thinking is wasteful -- be it guilt, fear, anxiety or stress. This drains our energy and hinders our decision-making. Mindfulness is an eye-opening take on how to reclaim your time and stay in the moment, illustrated with metaphors derived from cinema, theatre, magic and other stories. Through the book, we learn to recognize and cut down on thoughts that are unproductive. We also learn to investigate the process of self-deception -- becoming more self-aware in the process. Not reheated fixes for our existential woes, this book serves as a guide for intelligent readers and urban professionals to focus and practise mindfulness. And through it, we stand to develop skills on time management that lead to personal growth, necessary for an optimal life experience.
  samskara short film: Cinemaya , 1999
  samskara short film: Us/them Gordon Collier, 1992
  samskara short film: India, a Reference Annual , 1974
  samskara short film: This Life At Play Girish Karnad, 2021-05-19 Girish Karnad was one of modern India's greatest cultural figures: an accomplished actor, a path-breaking director, an innovative administrator, a clear-headed and erudite thinker, a public intellectual with an unwavering moral compass, and above all, the most extraordinarily gifted playwright of his times. This Life at Play, translated from the Kannada in part by Karnad himself and in part by Srinath Perur, covers the first half of his remarkable life - from his childhood in Sirsi and his early engagement with local theatre, his education in Dharwad, Bombay and Oxford, to his career in publishing, his successes and travails in the film industry, and his personal and writerly life. Moving and humorous, insightful and candid, these memoirs provide an unforgettable glimpse into the life-shaping experiences of a towering genius, and a unique window into the India in which he lived and worked.
  samskara short film: Translation - Theory and Practice Daniel Weissbort, Astradur Eysteinsson, 2006-08-04 Translation - Theory and Practice: A Historical Reader responds to the need for a collection of primary texts on translation, in the English tradition, from the earliest times to the present day. Based on an exhaustive survey of the wealth of available materials, the Reader demonstrates throughout the link between theory and practice, with excerpts not only of significant theoretical writings but of actual translations, as well as excerpts on translation from letters, interviews, autobiographies, and fiction. The collection is intended as a teaching tool, but also as an encyclopaedia for the use of translators and writers on translation. It presents the full panoply of approaches to translation, without necessarily judging between them, but showing clearly what is to be gained or lost in each case. Translations of key texts, such as the Bible and the Homeric epic, are traced through the ages, with the same passages excerpted, making it possible for readers to construct their own map of the evolution of translation and to evaluate, in their historical contexts, the variety of approaches. The passages in question are also accompanied by ad verbum versions, to facilitate comparison. The bibliographies are likewise comprehensive. The editors have drawn on the expertise of leading scholars in the field, including the late James S. Holmes, Louis Kelly, Jonathan Wilcox, Jane Stevenson, David Hopkins, and many others. In addition, significant non-English texts, such as Martin Luther's 'Circular Letter on Translation', which may be said to have inaugurated the Reformation, are included, helping to set the English tradition in a wider context. Related items, such as the introductions to their work by Tudor and Jacobean translators or the work of women translators from the sixteenth to eighteenth centuries have been brought together in 'collages', marking particularly important moments or developments in the history of translation. This comprehensive reader provides an invaluable and illuminating resources for scholars and students of translation and English literature, as well as poets, cultural historians, and professional translators.
  samskara short film: Woman and Indian Modernity Nalini Natarajan, 2002 Drawing from the large body of criticism on non-European modernities in recent years, this study targets what seems to be a discernable ambivalence in these studies. The author seeks to investigate Twentieth-Century India?s complex negotiations with modernity, with its usefulness as well as its threat, at one of the most vulnerable points of definition, the position of women. Focusing on the disciplines or genres within which modernity is introduced, the study uses the modern literary genre, as well as intellectual disciplines. Using these two domains of study, an interdisciplinary framework is developed by looking at how narratives may be read in the light of other disciplines constructing the modern subject-ideologies of manners and ?refinement?, prohibition, ethnography, ethnopsychology, film, property law and urban history.The book argues that the possibilities in modernity are subject to a constant negotiation and become domesticated through the century, especially in the area of gendering. Gendering is revealed as a historically contingent process operating differently at different historical moments. The analysis enables us to see the ideological gender constructions and contradictions behind modern versions of caste, modern daughterhood, modern citizenhood, and modern proprietorship.
  samskara short film: National Film Festival , 1983
  samskara short film: Spin Bowling Ray Illingworth, Ralph Ellis, 1979
  samskara short film: Indian Cinema , 1994 Vols. for 1984- deal with Indian films entered in the 10th- International Film Festival of India.
  samskara short film: Film World , 1979
  samskara short film: Bhava U R Ananthamurthy, 2000-10-14 A compelling tale of mystery, passion and spiritual exploration seventy-year-old Shastri; A reciter of Harikatha, encounters an Ayyappa pilgrim on a train. Around the pilgrim's neck is a Sri chakra amulet which looks like one that belonged to Saroja, Shastri's first wife. But Shastri thought he had killed Saroja years before, believing she was pregnant by another man. If the amulet is Saroja's, then she might have survived, and the pilgrim (Dinakar, a television star) could be Shastri's son. A similar story is revealed when Dinakar visits his old friend Narayan: either could be the father of Prasad, A young man destined for spiritual attainment. The interwoven lives of three generations play out variations on the same themes. Whose son am I? Whose father am I? Where are my roots? These mysteries of the past and present are explored, but there are no clear answers. And while significant in daily being , such questions lose urgency in the flux of becoming (Bhava means both being and becoming). So we are led to consider that Samsara-the world of illusion and embodiment-may not be very different from Sunya , the emptiness from which everything arises. At times a drama of cruelty and lust, at times a lyrical meditation on love and transformation, Bhava is an exceptional novel by one of India's most celebrated writers. Translated from the Kannada by Judith Kroll with the author.
  samskara short film: Indo-Asian Culture , 1977
  samskara short film: Isaac Newton Sydney Srinivas, 2019-01-12
  samskara short film: The Most Memorable Films of the World Haludodderi Narasinga Narahari Rao, 2006
  samskara short film: Cultural History of Reading [2 volumes] Sara E. Quay, Gabrielle R. Watling, 2008-11-30
  samskara short film: A Masterpiece of World Literature : From Classical to Present Era Dr. Rishikesh Tewari, 2025-05-14 This magnum opus, A MASTERPIECE OF WORLD LITERATURE - From Classical To Present Era, is a seminal work that encapsulates the vast expanse of literary theory and criticism, traversing the realms of American, Australian, and Indian literature. This comprehensive tome delves into the complexities of colonial and post-colonial literatures, while also exploring the ancient and new literatures in English. Furthermore, it ventures into the domain of comparative literature, offering a nuanced understanding of the diverse literary traditions that have shaped the world's cultural heritage. A distinctive feature of this book is its focus on Contemporary Indian Literature in English Translation, providing a platform for the voices of Indian writers to be heard globally. Additionally, it examines the significance of English studies in India, highlighting the impact of linguistic and cultural diversity on literary expression. By weaving together these disparate threads, this masterpiece presents a rich tapestry of world literature, serving as an invaluable resource for scholars, students, and literature enthusiasts alike.
  samskara short film: India Who's who , 2000
  samskara short film: Rama Bhima Soma: Cultural Investigations into Modern Karnataka Srikar Raghavan, CULTURAL ENQUIRY AND LITERARY EXPLORATION, A HISTORY OF POLITICAL ACTIVISM AND OF SOCIAL AND CULTURAL MOVEMENTS—THIS IS A COMPLEX, NUANCED AND OPEN-MINDED INVESTIGATION INTO MODERN KARNATAKA. Karnataka is one of India’s most diverse states, as rich in literary and cultural traditions as it is in democratic struggles and political churns. The twentieth century witnessed the birth of a modern Kannada renaissance, accompanied by the emergence of a powerful social conscience. One young man’s desire to explore this vibrant historical backyard, born out of a feeling of being linguistically unmoored, compounded by worries over an increasingly opaque political direction, leads to an ambitious—no, audacious—attempt to unpack the region’s social and cultural histories. Rama Bhima Soma is an enterprise of translation and rediscovery, packed with stories and conversations. The life and times of legends like Kuvempu and Shivaram Karanth; the fall of Socialism and the rise of the Hindu Right; the intellectual ruminations of U.R. Ananthamurthy, D.R. Nagaraj and M.M. Kalburgi; the wildly popular television serials of T.N. Seetharam and the community-centred one-woman theatre shows of Du Saraswathi; a brief history of Naxalism in Karnataka and glimpses of other complicated legacies of the 1970s’ Left—the book explores a dizzyingly wide sweep of Karnataka’s contemporary history, seeking, above all, to forge new connections and begin fresh conversations. Marshalling a diverse range of literary and scholarly resources, framed through biographical sketches and immersive reportage, Srikar Raghavan’s genre-bending work of narrative non-fiction reanimates some pivotal moments in the making of modern Karnataka. The result is a sizzling dish of ideas rescued from the deep freeze of historical amnesia. ‌‌‌‌‌‌‌‌
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