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sebastian knight desire: The Real Life of Sebastian Knight Vladimir Vladimirovich Nabokov, 2008 Nabokov's first novel in English, one of his greatest and most overlooked, with a new Introduction by Michael Dirda. |
sebastian knight desire: Nabokov's Personal Demons in the Real Life of Sebastian Knight and Pale Fire S. Arber, 2013-12-02 An analysis of Vladimir Nabokov's personal demons—powerful feelings of guilt and loss—that are manifested in two of his most famous novels. |
sebastian knight desire: Knight's Shadow Sebastien de Castell, 2015-03-05 The Greatcoats have found the heir to the throne . . . but now they must keep her alive, against all the odds. 'These books are just joyous - first-rate fiction, first rate adventure, first rate full stop.' Conn Iggulden, author of The Golden Age series The Greatcoats have found the heir to the throne . . . but now they must keep her alive, against all the odds. Falcio Val Mond has completed the final task given to him by the late King Paelis: he has found the King's Charoites (well, one at least). But his task isn't over, and now he, Kest and Brasti must protect the girl from those her want her dead. 'Sebastien, write faster!' John Gwynne, author of the award-winning series The Faithful and the Fallen That would be simple enough, if it weren't for the renegade Knights and legendary Dashini assassins, getting in their way, not to mention the Dukes, who are desperate to hold on to their power at any cost, or Trin, the merciless daughter of the ruthless Duke of Rijou and the cruel Duchess of Hervor, who is determined to be Queen of Tristia. Of course, the fact that the heir to the throne is thirteen years old doesn't help, nor the fact that every day brings Falcio closer to dying from the poison running through his veins. And then there is the Greatcoat's Lament . . . . |
sebastian knight desire: Half Sick of Shadows Laura Sebastian, 2022-06-21 Laura Sebastian is the next Madeline Miller. . . . a fierce, fresh, lyrical tale that will enthrall until the last page.--Kate Quinn, New York Times bestselling author of The Huntress A Popsugar Best Summer Read of 2021 A Bibliolifestyle Most Anticipated Summer 2021 Sci-fi and Fantasy Book Magical, haunting, unique--I haven't been so excited about an Arthur book since I read The Once and Future King .--Tamora Pierce, #1 New York Times bestselling author The Lady of Shalott reclaims her story in this bold feminist reimagining of the Arthurian myth from the New York Times bestselling author of Ash Princess. Everyone knows the legend. Of Arthur, destined to be a king. Of the beautiful Guinevere, who will betray him with his most loyal knight, Lancelot. Of the bitter sorceress, Morgana, who will turn against them all. But Elaine alone carries the burden of knowing what is to come--for Elaine of Shalott is cursed to see the future. On the mystical isle of Avalon, Elaine runs free and learns of the ancient prophecies surrounding her and her friends--countless possibilities, almost all of them tragic. When their future comes to claim them, Elaine, Guinevere, Lancelot, and Morgana accompany Arthur to take his throne in stifling Camelot, where magic is outlawed, the rules of society chain them, and enemies are everywhere. Yet the most dangerous threats may come from within their own circle. As visions are fulfilled and an inevitable fate closes in, Elaine must decide how far she will go to change destiny--and what she is willing to sacrifice along the way. |
sebastian knight desire: Nabokov's Eros and the Poetics of Desire M. Couturier, 2014-06-03 Nabokov gained international fame with Lolita, a highly erotic and morally disturbing novel. Through its comprehensive study of the amorous and sexual behaviors of Nabokov's characters this book shows how Eros, both as a clown or a pervert, contributes to the poetic excellence of his novels and accounts for the unfolding of the plots. |
sebastian knight desire: Nabokov's Novels in English Lucy Maddox, 2010-03-01 Lucy Maddox's sensitive treatment of Nabokov's eight finished novels written in English—Pale Fire, Ada, Lolita, Bend Sinister, The Real Life of Sebastian Knight, Transparent Things, Look at the Harlequins! and Pnin—approaches the novelist's work as significant fiction with its own integrity. Maddox provides the kind of discursive introduction that makes Nabokov's complex work more accessible, focusing on the relationship between the eccentric, artificial structures of the novels and their deeply traditional, humanistic themes. While the forms of the novels are idiosyncratic and often bizarre, says Maddox, the texts themselves are neither unfamiliar nor eccentric. Repeatedly the text is the frustration of desire or loss, which is for Nabokov the most agonizing and inescapable of human experiences. Maddox also traces through all eight novels the development of Nabokov's style, which she treats as a matter of both technique and vision. |
sebastian knight desire: The Reflexive Novel Michael Boyd, 1983 Interrogating the basic assumptions of realism, this study examines the postmodern phenomenon of fiction as the presentation of theories of fiction. The writers critically examined include Nabokov, Woolf, Conrad, Faulkner, Joyce, and Beckett. |
sebastian knight desire: Vladimir Nabokov and the Art of Painting Gerard de Vries, Donald Barton Johnson, 2006 Studie van de verwijzingen naar beeldende kunst in het werk van de Russisch-Amerikaanse schrijver (1899-1977). |
sebastian knight desire: Inheritance in Psychoanalysis Joel Goldbach, James A. Godley, 2018-02-01 Anthology of recent, cutting-edge work in psychoanalysis and philosophy on the concept of inheritance. In contrast to the way inheritance is understood in scientific discourse and culture more broadly, inheritance in psychoanalysis is a paradox. Although its impossible, strictly speaking, for the unconscious to be inherited, this volume demonstrates how the concept of inheritance can occasion a rich reassessment and reinvention of psychoanalytic theory and practice. The collection enacts a critical traversal of inheritance for psychoanalysis: from the most basic assumptions of natural or biological inheritance, such as innateness, heredity, evolution, and ontogenesis, to analysis of the ways cultural traditions can be challenged and transformed, and finally to the reinvention of psychoanalytic practice, in which the ethics of inheritance is fully realized as the individuals responsibility to transform the social bond. Featuring strong interdisciplinary analysis rooted in both psychoanalysis and philosophy, this volume further engages science, politics, and cultural studies, and addresses contemporary political challenges such as autism and transgenderism. |
sebastian knight desire: The Nabokovian , 2006 |
sebastian knight desire: Desire Amanda Quick, 1995 After the death of her father Lady Clare knows the only way to protect the Isle of Desire is to marry. Her gaurdians choice is not what she anticipated, not the poet she'd requested but a fearsome knight. Legions of robbers had fallen beneath the hellhound of his sword, and now this warrior was certain that he could tame one wilful lady... |
sebastian knight desire: Wastepaper Modernism Joseph Elkanah Rosenberg, 2021 Wastepaper Modernism traces how 20th-century writers imagined the fate of paper at the dawn of a new media age. |
sebastian knight desire: Narratives of Nothing in 20th-Century Literature Meghan Vicks, 2017-04-20 The concept of nothing was an enduring concern of the 20th century. As Martin Heidegger and Jean-Paul Sartre each positioned nothing as inseparable from the human condition and essential to the creation or operation of human existence, as Jacques Derrida demonstrated how all structures are built upon a nothing within the structure, and as mathematicians argued that zero ? the number that is also not a number ? allows for the creation of our modern mathematical system, Narratives of Nothing in 20th-Century Literature suggests that nothing itself enables the act of narration. Focusing on the literary works of Vladimir Nabokov, Samuel Beckett, and Victor Pelevin, Meghan Vicks traces how and why these writers give narrative form to nothing, demonstrating that nothing is essential to the creation of narrative ? that is, how our perceptions are conditioned, how we make meaning (or madness) out of the stuff of our existence, how we craft our knowable selves, and how we exist in language. |
sebastian knight desire: Twentieth Century Fiction George Woodcock, 1983-04-01 |
sebastian knight desire: Thinking through the Mothers Janet Beizer, 2011-03-15 If questions of subjectivity and identification are at stake in all biographical writing, they are particularly trenchant for contemporary women biographers of women. Often, their efforts to exhume buried lives in hope of finding spiritual foremothers awaken maternal phantoms that must be embraced or confronted. Do women writing in fact have any greater access to their own mothers' lives than to the lives of other women whose stories have been swept away like dust in the debris of the past? In Thinking through the Mothers, Janet Beizer surveys modern women's biographies and contemplates alternatives to an approach based in lineage and the form of thought that emphasizes the line, the path, hierarchy, unity, resemblance, reflection, and the aesthetic-mimesis-that depends on these ideas. Through close readings of memoirs and fictions about mothers, Beizer explores how biographers of the women who came before rehearse and rewrite relationships to their own mothers biographically as they seek to appropriate the past in a hybrid genre she calls bio-autography. Thinking through the Mothers features the work of George Sand and Colette and spans such varied figures as Gustave Flaubert, Julian Barnes, Louise Colet, Eunice Lipton, Vladimir Nabokov, Huguette Bouchardeau, and Christa Wolf. Beizer seeks an alternative to women's salvation biography or resurrection biography that might resist nostalgia, be attentive to silence, and reinvent the means to represent the lives of precursors without appropriating traditional models of genealogy. |
sebastian knight desire: Uneasy Alliance Hans Bak, 2004 Uneasy Alliance illuminates the recent search in literary studies for a new interface between textual and contextual readings. Written in tribute to G.A.M. Janssens, the twenty-one essays in the volume exemplify a renewed awareness of the paradoxical nature of literary texts both as works of literary art and as documents embedded in and functioning within a writer's life and culture. Together they offer fresh and often interdisciplinary perspectives on twentieth-century American writers of more or less established status (Henry James, Edna St. Vincent Millay, E.E. Cummings, Vladimir Nabokov, Flannery O'Connor, Saul Bellow, Michael Ondaatje, Toni Morrison and Sandra Cisneros) as well as on those who, for reasons of fashion, politics, ideology, or gender, have been unduly neglected (Booth Tarkington, Julia Peterkin, Robert Coates, Martha Gellhorn, Isabella Gardner, Karl Shapiro, the young Jewish-American writers, Julia Alvarez, and writers of popular crime and detective fiction). Exploring the fruitful interactions and uneasy alliance between literature and ethics, film, biography, gender studies, popular culture, avant-garde art, urban studies, anthropology and multicultural studies, together these essays testify to the ongoing pertinence of an approach to literature that is undogmatic, sensitive and sophisticated and that seeks to do justice to the complex interweavings of literature, culture and biography in twentieth-century American writing. |
sebastian knight desire: The Education of Sebastian Jane Harvey-Berrick, 2016-08-22 Seventeen year-old surfer Sebastian falls in love with thirty year-old married woman Caroline. For a summer their love blooms, but storm clouds are on the horizon. |
sebastian knight desire: Nabokov's Women Elena Rakhimova-Sommers, 2017-10-15 This volume studies the enigmatic but silent heroines Nabokov brings to the page. Chapter 4, Nabokov's Mermaid: 'Spring in Fialta' by Elena Rakhimova-Sommers, is not available in the ebook format due to digital rights restrictions. You can find the earlier version of the chapter in the journal Nabokov Studies. |
sebastian knight desire: The Late Modernist Novel Seo Hee Im, 2022-06-09 The Late Modernist Novel explores how the novel reinvented itself for a Modernist age, a world riven by war and capitalist expansion. Seo Hee Im argues that the Anglophone novel first had to disassociate itself from the modern nation-state and, by extension, national history, which had anchored the genre from its very inception. Existing studies of modernism show how the novel responded to the crisis in the national idea. Polyglot high modernists experimented with cosmopolitanism and multilingualism on the level of style, while the late modernists retreated to a literary nativism. This book explores a younger generation of writers that incorporated empirical structures as theme and form to expand the genre beyond the nation-state. |
sebastian knight desire: Julia Kristeva A. Smith, 1996-11-07 Literature can have a disturbing effect on its readers. It unsettles our hold on everyday experience and makes us strangers and exiles. Anna Smith argues that this is the side of literature which attracts critic and psychoanalyst Julia Kristeva. Kristeva is drawn to states of extremity where language and the psyche are under duress, and in this book Smith examines the way the alchemical properties of words may transform these extremities into what Kristeva calls 'a fire of tongues, an exit from representation'. |
sebastian knight desire: Biography Carl Rollyson, 2016-06-28 This is the only comprehensive, annotated bibliography of writing about biography. Rollyson, a biographer and scholar of biography, includes chapters on the history of biography (beginning in the Greco-Roman period and concluding with biographers such as Leon Edel and Richard Ellmann). Ample sections on psychobiography, the new feminist biography, and on biographers who appear in works of fiction, are also included. Cited in many recent books on the genre of biography, Biography: An Annotated Bibliography, is an essential research tool as well as a clearly written work for those wishing to browse through the commentary on this important genre. |
sebastian knight desire: That Other World Azar Nafisi, 2019-06-25 The foundational text for the acclaimed international best seller Reading Lolita in Tehran “Empathetic, incisive. . . . A sweeping overview of Nabokov's major works. . . . Graceful [and] discerning.”—Kirkus Reviews The ruler of a totalitarian state seeks validation from a former schoolmate, now the nation’s foremost thinker, in order to access a cultural cache alien to his regime. A literary critic provides commentary on an unfinished poem that both foretells the poet’s death and announces the critic’s secret identity as the king of a lost country. The greatest of Vladimir Nabokov’s enchanters—Humbert—is lost within the antithesis of a fairy story, in which Lolita does not hold the key to his past but rather imprisons him within the knowledge of his distance from that past. In this precursor to her international best seller Reading Lolita in Tehran, Azar Nafisi deftly explores the worlds apparently lost to Nabokov’s characters, their portals of access to those worlds, and how other worlds hold a mirror to Nabokov’s experiences of physical, linguistic, and recollective exile. Written before Nafisi left the Islamic Republic of Iran, and now published in English for the first time and with a new introduction by the author, this book evokes the reader’s quintessential journey of discovery and reveals what caused Nabokov to distinctively shape and reshape that journey for the author. |
sebastian knight desire: Transitional Nabokov Will Norman, Duncan White, 2009 This collection of original essays is concerned with one of the most important writers of the twentieth century: Vladimir Nabokov. The book features contributions from both well-established and new scholars, and represents the latest developments in research. The essays all address the possibility of reading Nabokov's works as operating between categories of various kinds - whether linguistic, formal, historical or national. In doing so, they explore exciting new paradigms for approaching Nabokov's oeuvre. The volume brings together a diverse range of critical voices from around the world, to respond to some of the most urgent questions raised about Nabokov's work. Topics covered include the relationship between his artistic and scientific work, his influences on contemporary fiction, and the development of his aesthetics over his career. Drawing variously on archive research, alternative readings of key texts, and fresh theoretical approaches, this book injects new impetus into Nabokov studies as it continues to evolve as a discipline. |
sebastian knight desire: Nabokov, Rushdie, and the Transnational Imagination R. Trousdale, 2013-07-31 Using Vladimir Nabokov and Salman Rushdie's work, this study argues that transnational fiction refuses the simple oppositions of postcolonial theory and suggests the possibility of an inclusive global literature. |
sebastian knight desire: The Shadow of the Second Mother Prophecy Coles, 2015-02-20 The Shadow of the Second Mother explores why has there been such little interest, in psychology, social history and biography, in the important contribution that ‘second mothers’, such as wet nurses and nannies, have had upon the emotional life of the children they have nursed. For the last three thousand years and throughout most civilisations they have nurtured the children of the privileged, and kept alive the abandoned and unwanted child, and yet there has been a profound silence surrounding the influence they may have had. The author explores the lives of several well-known people who have been wet nursed, such as Michelangelo, Rousseau, Jack London, Nabokov and Klein. She speculates that they all were affected emotionally by their ‘second mother’, and concludes that a universal feature of such delegated mothering seems to be that the bond between mother and child is broken, and the child may be left with a life-long distrust of close relationships. In The Shadow of the Second Mother, Coles combines an exploration of attachment theory with neurology, making it possible to give an explanation as to why these important figures have lain unnamed and ignored in our social and psychological consciousness. This intriguing new approach to an ancient practice will be fascinating reading for psychotherapists, psychoanalysts, sociologist and students of social history. |
sebastian knight desire: Mayhem and Murder Heta Pyrhönen, 1999-01-01 Both detective and reader attempt to solve the crimes in detective novels, relying on the same motifs but employing different narrative interpretations to do so. A unique and lucid examination of a complex genre. |
sebastian knight desire: Essays in Narrative and Fictionality Brian Richardson, 2021-06-24 This book brings together several major essays on foundational topics of narrative studies and the theory of fictionality by one of the preeminent figures of postclassical narrative theory. It reexamines and reconceives the role of the author, the status of implied authors, the model for unnatural narrative theory, the nature of narrative, and the ideological implications of narrative forms. It also explores the status of historical characters in fictional texts, the paradoxes of realism, the presence of multiple implied readers, the role of actual readers, and the question of fictionality. In addition, an appendix offers a useful approach for teaching narrative theory. The book includes analyses of works by Conrad, Joyce, Woolf, Nabokov, Beckett, Jeanette Winterson, Deborah Eisenberg, and others. Throughout, it argues for a more expansive conception of narrative theory and keen attention to the nature and difference of fiction. This provocative book makes crucial interventions in ongoing critical debates about narrative theory, literary theory, and the theory of fictionality, and is essential reading for all students of narrative. |
sebastian knight desire: Nabokov Leona Toker, 2016-11-01 Vladimir Nabokov described the literature course he taught at Cornell as a kind of detective investigation of the mystery of literary structures. Leona Toker here pursues a similar investigation of the enigmatic structures of Nabokov's own fiction. According to Toker, most previous critics stressed either Nabokov’s concern with form or the humanistic side of his works, but rarely if ever the two together. In sensitive and revealing readings of ten novels, Toker demonstrates that the need to reconcile the human element with aesthetic or metaphysical pursuits is a constant theme of Nabokov’s and that the tension between technique and content is itself a key to his fiction. Written with verve and precision, Toker’s book begins with Pnin and follows the circular pattern that is one of her subject’s own favored devices. |
sebastian knight desire: A tűnődések valósága - The Reality of Ruminations , |
sebastian knight desire: Dialogue Analysis VII: Working with Dialogue Malcolm Coulthard, Janet Cotterill, Frances Rock, 2017-11-07 This volume brings together contributors from 30 universities in 22 countries. It includes both theoretical papers which present new methods of analysis and practical studies of dialogue, much of which was recorded in work settings - a binary focus encapsulated in the title, »Working with Dialogue«. The settings from which the data was collected are diverse: the media, the courtroom, the classroom, the home and the clinic, as well as from literary texts. The book is ordered in such a way that each paper links theoretically, methodologically and/or topically with those on either side of it. |
sebastian knight desire: Figurations of Exile in Hitchcock and Nabokov Barbara Straumann, 2008-12-16 This book makes an important contribution to cultural analysis by opening up the work of two canonical authors to issues of exile and migration. Barbara Straumann's close reading of selected films and literary texts focuses on Speak, Memory, Lolita, The Real Life of Sebastian Knight, Suspicion, North by Northwest and Shadow of a Doubt and explores the connections between language, imagination and exile. Invoking psychoanalysis as the principal discourse of dislocation, the book not only uses concepts such as 'screen memory', 'family romance', 'fantasy' and 'the uncanny' as hermeneutic foils, it also argues that, in their own ways, the arch-parodists Hitchcock and Nabokov are remarkably in tune with the images and tropes developed by Freud. |
sebastian knight desire: Nabokov's Otherworld Vladimir E. Alexandrov, 2014-07-14 A major reexamination of the novelist Vladimir Nabokov as literary gamesman, this book systematically shows that behind his ironic manipulation of narrative and his puzzle-like treatment of detail there lies an aesthetic rooted in his intuition of a transcendent realm and in his consequent redefinition of nature and artifice as synonyms. Beginning with Nabokov's discursive writings, Vladimir Alexandrov finds his world view centered on the experience of epiphany--characterized by a sudden fusion of varied sensory data and memories, a feeling of timelessness, and an intuition of immortality--which grants the true artist intimations of an otherworld. Readings of The Defense, Invitation to a Beheading, The Gift, The Real Life of Sebastian Knight, Lolita, and Pale Fire reveal the epiphanic experience to be a touchstone for the characters' metaphysical insightfulness, moral makeup, and aesthetic sensibility, and to be a structural model for how the narratives themselves are fashioned and for the nature of the reader's involvement with the text. In his conclusion, Alexandrov outlines several of Nabokov's possible intellectual and artistic debts to the brilliant and variegated culture that flourished in Russia on the eve of the Revolution. Nabokov emerges as less alienated from Russian culture than most of his emigre readers believed, and as less modernist than many of his Western readers still imagine. Alexandrov's work is distinctive in that it applies an `otherworld' hypothesis as a consistent context to Nabokov's novels. The approach is obviously a fruitful one. Alexandrov is innovative in rooting Nabokov's ethics and aesthetics in the otherwordly and contributes greatly to Nabokov studies by examining certain key terms such as `commonsense,' `nature,' and `artifice.' In general Alexandrov's study leads to a much clearer understanding of Nabokov's metaphysics.--D. Barton Johnson, University of California, Santa Barbara Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
sebastian knight desire: The Humour of Vladimir Nabokov Paul Benedict Grant, 2024-09-30 The first in-depth study of Vladimir Nabokov’s humour, investigating its physical aspects such as farce, slapstick, sexual and scatological humour Offers the first in-depth study of Nabokov’s humour Presents a revisionist reading of Nabokov Examines the metaphysical aspects of Nabokov’s humour Examines the sexual and scatological aspects of Nabokov’s humour Applies humour theory (e.g. those of Hobbes, Bergson, Freud) to Nabokov’s texts Compares Nabokov’s humour to that of his Russian predecessors (e.g. Pushkin, Gogol, Chekhov) and to literary humourists such as Rabelais, Swift, Joyce Many critics classify Vladimir Nabokov as a highbrow humourist, a refined wordsmith overly fond of playful puzzles and private in-jokes whose art appeals primarily to an intellectually-sophisticated readership. This study presents a more balanced portrait, placing equal emphasis on the broader, earthier humour that is such a marked feature of Nabokov’s writing, which draws on the human body and all things physical for its laughs: sex and scatology, farce and slapstick. Moving between the metaphysical and the physical, the cosmic and the comic, mind and matter, it presents Nabokov as a writer at home in both high and low forms of humour, a comedian who is capable of producing as many belly laughs as brainteasers, and of appealing to a much wider readership than is commonly supposed. |
sebastian knight desire: Nabokov's Permanent Mystery David S. Rutledge, 2014-01-10 This critical text examines the ways in which Vladimir Nabokov, one of the twentieth century's great writers, structured his works to encapsulate his metaphysical beliefs. It draws examples from Nabokov's novels, stories and nonfiction, revealing a startling consistency in his beliefs over the course of his career, even as the structure of his novels increased in complexity. At the heart of his work is a profound respect for what's missing, for unsolvable riddles, for questions even at the expense of answers. Nabokov's techniques--from wordplay to plotlines--reveal an enduring reverence for permanent mystery. |
sebastian knight desire: The Garland Companion to Vladimir Nabokov Vladimir E. Alexandrov, 2014-05-22 First published in 1995. This companion constitutes a virtual encyclopaedia of Nabokov, and occupies a unique niche in scholarship about him. Articles on individual works by Nabokov, including his short stories and poetry, provide a brief survey of critical reactions and detailed analyses from diverse vantage points. For anyone interested in Nabokov, from scholars to readers who love his works, this is an ideal guide. Its chronology of Nabokov's life and works, bibliographies of primary and secondary works, and a detailed index make it easy to find reliable information any aspect of Nabokov's rich legacy. |
sebastian knight desire: Literature and Exile David Bevan, 1990 |
sebastian knight desire: Vladimir Nabokov D. Rampton, 2012-11-13 A clearly written, insightful study of Nabokov the novelist, providing an expert analysis of the 17 novels he wrote during a career spanning more than 50 years: one of the most impressive, challenging, and controversial literary achievements of our time. |
sebastian knight desire: Nabokov's Theatrical Imagination Siggy Frank, 2012-01-12 Drawing on a wealth of unpublished archival material, this study offers a comprehensive assessment of the importance of theatrical performance in Vladimir Nabokov's thinking and writing. Siggy Frank provides fresh insights into Nabokov's wider aesthetics and arrives at new readings of his narrative fiction. As well as emphasising the importance of theatrical performance to our understanding of Nabokov's texts, she demonstrates that the theme of theatricality runs through the central concerns of Nabokov's art and life: the nature of fiction, the relationship between the author and his fictional world, textual origin and derivation, authorial control and textual property, literary appropriations and adaptations, and finally the transformation of the writer himself from the Russian émigré writer Sirin to the American novelist Nabokov. |
sebastian knight desire: Nabokov and His Books Duncan White, 2017 At the outbreak of the Second World War Vladimir Nabokov stood on the brink of losing everything all over again. The reputation he had built as the pre-eminent Russian novelist in exile was imperilled. In Nabokov and his Books, Duncan White shows how Nabokov went to America and not only reinvented himself as an American writer but also used the success of Lolita to rescue those Russian books that had been threatened by obscurity. Using previously unpublished and neglected material, White tells the story of Nabokov the professional writer and how he sought to balance his late modernist aesthetics with the demands of a booming American literary marketplace. As Nabokov's reputation grew so he took greater and greater control of how his books were produced, making the material form of the book--including forewords, blurbs, covers--part of the novel. In his later novels, including Pale Fire, Ada, and Transparent Things, the idea of the novelist losing control of his work became the subject of the novels themselves. These plots were replicated in Nabokov's own biography, as he discovered his inability to control the forces the market success of Lolita had unleashed. With new insights into Nabokov's life and work, this book reconceptualises the way we think about one of the most important and influential novelists of the twentieth century. |
sebastian knight desire: Reference Guide to American Literature Jim Kamp, 1994 Now in its 3rd edition, the Reference Guide to American Literature focuses on the rich diversity of individuals that comprise an important group of American novelists, poets, dramatists and essayists. Entries include expanded multi-ethnic representation and profile more African Americans, and for the first time, Asian, Hispanic and Native American writers and works, as well as writers who concentrate on women's and gay and lesbian issues. |
Sebastian (name) - Wikipedia
Sebastian or Sebastián is both a given name and a surname.
Meaning, origin and history of the name Sebastian
May 30, 2025 · From the Latin name Sebastianus, which meant "from Sebaste". Sebaste was the name a town in Asia Minor, its name deriving from Greek σεβαστός (sebastos) meaning …
Sebastian - Baby name meaning, origin, and popularity
The name Sebastian has a long history, beginning in third-century Rome. The name means "venerable" or "revered" and comes from the Latin name Sebastianus, which means "from …
Sebastian Name Meaning, Origin, History, And Popularity
May 7, 2024 · The name Sebastian is derived from the Latin word Sebastianus, which means “from Sebaste,” a modern-day Turkish city. Therefore, the name was likely given to those born …
Sebastian: Name Meaning, Origin, Popularity - Parents
Apr 24, 2024 · Sebastian Name Meaning. Sebastian is frequently used as a boy's name. Learn more about the meaning, origin, and popularity of the name Sebastian.
Sebastian Name Meaning, Origin, Popularity, Boy Names Like Sebastian …
Sebastian Name Meaning. Sebastian is a Greek name derived from sebastos, meaning “venerable” or “honorable.” The name is also linked to the Latin Sebastianus, meaning “from …
Sebastian: Name Meaning, Popularity and Info on BabyNames.com
6 days ago · What is the meaning of the name Sebastian? The name Sebastian is primarily a male name of Greek origin that means Venerable . The name Sebastian is derived from the …
This Florida Fishing Village Is A Hidden Gem for Nature Lovers And ...
Jun 1, 2025 · Credit: City of Sebastian. Fuel Up With A Morning Meal . Start the day with a made-from-scratch meal. If you prefer a hearty spread with hash browns, bacon, toast, and the …
Sebastian - Name Meaning, What does Sebastian mean? - Think Baby Names
Sebastian as a boys' name is pronounced se-BASS-tian. It is of Greek origin, and the meaning of Sebastian is "revered". The original form of this name referred to those from a particular city or …
Sebastian - Name Meaning and Origin - Name Discoveries
The name Sebastian is of Greek origin and means "venerable" or "revered." It is derived from the Greek name Sebastianos, which is a combination of the elements "sebastos" meaning …
Sebastian (name) - Wikipedia
Sebastian or Sebastián is both a given name and a surname.
Meaning, origin and history of the name Sebastian
May 30, 2025 · From the Latin name Sebastianus, which meant "from Sebaste". Sebaste was the name a town in Asia Minor, its name deriving from Greek σεβαστός (sebastos) meaning …
Sebastian - Baby name meaning, origin, and popularity
The name Sebastian has a long history, beginning in third-century Rome. The name means "venerable" or "revered" and comes from the Latin name Sebastianus, which means "from …
Sebastian Name Meaning, Origin, History, And Popularity
May 7, 2024 · The name Sebastian is derived from the Latin word Sebastianus, which means “from Sebaste,” a modern-day Turkish city. Therefore, the name was likely given to those born …
Sebastian: Name Meaning, Origin, Popularity - Parents
Apr 24, 2024 · Sebastian Name Meaning. Sebastian is frequently used as a boy's name. Learn more about the meaning, origin, and popularity of the name Sebastian.
Sebastian Name Meaning, Origin, Popularity, Boy Names Like Sebastian ...
Sebastian Name Meaning. Sebastian is a Greek name derived from sebastos, meaning “venerable” or “honorable.” The name is also linked to the Latin Sebastianus, meaning “from …
Sebastian: Name Meaning, Popularity and Info on BabyNames.com
6 days ago · What is the meaning of the name Sebastian? The name Sebastian is primarily a male name of Greek origin that means Venerable . The name Sebastian is derived from the …
This Florida Fishing Village Is A Hidden Gem for Nature Lovers …
Jun 1, 2025 · Credit: City of Sebastian. Fuel Up With A Morning Meal . Start the day with a made-from-scratch meal. If you prefer a hearty spread with hash browns, bacon, toast, and the …
Sebastian - Name Meaning, What does Sebastian mean? - Think Baby Names
Sebastian as a boys' name is pronounced se-BASS-tian. It is of Greek origin, and the meaning of Sebastian is "revered". The original form of this name referred to those from a particular city or …
Sebastian - Name Meaning and Origin - Name Discoveries
The name Sebastian is of Greek origin and means "venerable" or "revered." It is derived from the Greek name Sebastianos, which is a combination of the elements "sebastos" meaning …