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| sarah brady vanity fair: Vanity Fair , 2017 |
| sarah brady vanity fair: Dress & Vanity Fair , 1923 |
| sarah brady vanity fair: Vanity Fair William Allan Stephens, 1860 |
| sarah brady vanity fair: Vanity Fair , 1914 |
| sarah brady vanity fair: Current Biography Yearbook , 1996 |
| sarah brady vanity fair: On Press Matthew Pressman, 2018-11-05 A study of how mainstream journalism transformed from 1960 to 1980. In the 1960s and 1970s, the American press embraced a new way of reporting and selling the news. The causes were many: the proliferation of television, pressure to rectify the news media’s dismal treatment of minorities and women, accusations of bias from left and right, and the migration of affluent subscribers to suburbs. As Matthew Pressman’s timely history reveals, during these tumultuous decades the core values that held the profession together broke apart, and the distinctive characteristics of contemporary American journalism emerged. Simply reporting the facts was no longer enough. In a country facing assassinations, a failing war in Vietnam, and presidential impeachment, reporters recognized a pressing need to interpret and analyze events for their readers. Objectivity and impartiality, the cornerstones of journalistic principle, were not jettisoned, but they were reimagined. Journalists’ adoption of an adversarial relationship with government and big business, along with sympathy for the dispossessed, gave their reporting a distinctly liberal drift. Yet at the same time, “soft news”—lifestyle, arts, entertainment—moved to the forefront of editors’ concerns, as profits took precedence over politics. Today, the American press stands once again at a precipice. Accusations of political bias are more rampant than ever, and there are increasing calls from activists, customers, advertisers, and reporters themselves to rethink the values that drive the industry. As On Press suggests, today’s controversies—the latest iteration of debates that began a half-century ago—will likely take the press in unforeseen directions and challenge its survival. Praise for On Press “The ultimate story behind all the stories. In tracing the evolution of news over the past half century, Matthew Pressman has produced an account that’s deeply historical and not a little troubling. In an age when the press is alternately villain or hero, Pressman serves as a kind of medicine man of journalism, telling us how we got from there to here and warning us what must change.” —Graydon Carter, former editor of Vanity Fair “Pressman helps us understand how we came to our current, troubled media moment with his deeply researched, engagingly written history of America’s press in the 1960s and ’70s. This is an important and original contribution—and a needed one.” —Margaret Sullivan, media columnist for the Washington Post |
| sarah brady vanity fair: Current Biography Yearbook Charles Moritz, 1992 |
| sarah brady vanity fair: Vying for the Iron Throne Lindsey Mantoan, Sara Brady, 2018-11-05 Game of Thrones has changed the landscape of television during an era hailed as the Golden Age of TV. An adaptation of George R.R. Martin's epic fantasy A Song of Fire and Ice, the HBO series has taken on a life of its own with original plotlines that advance past those of Martin's books. The death of protagonist Ned Stark at the end of Season One launched a killing spree in television--major characters now die on popular shows weekly. While many shows kill off characters for pure shock value, death on Game of Thrones produces seismic shifts in power dynamics--and resurrected bodies that continue to fight. This collection of new essays explores how power, death, gender, and performance intertwine in the series. |
| sarah brady vanity fair: Hebdige and Subculture in the Twenty-First Century Keith Gildart, Anna Gough-Yates, Sian Lincoln, Bill Osgerby, Lucy Robinson, John Street, Peter Webb, Matthew Worley, 2020-04-22 This book assesses the legacy of Dick Hebdige and his work on subcultures in his seminal work, Subculture: The Meaning of Style (1979). The volume interrogates the concept of subculture put forward by Hebdige, and asks if this concept is still capable of helping us understand the subcultures of the twenty-first century. The contributors to this volume assess the main theoretical trends behind Hebdige’s work, critically engaging with their value and how they orient a researcher or student of subculture, and also look at some absences in Hebdige’s original account of subculture, such as gender and ethnicity. The book concludes with an interview with Hebdige himself, where he deals with questions about his concept of subculture and the gestation of his original work in a way that shows his seriousness and humour in equal measure. This volume is a vital contribution to the debate on subculture from some of the best researchers and academics working in the field in the twenty-first century. |
| sarah brady vanity fair: Mirabella , 1994 |
| sarah brady vanity fair: Access , 1991 |
| sarah brady vanity fair: The Method to the Madness Allen Salkin, Aaron Short, 2019-07-09 A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years. To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999. Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition. Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump’s ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action. The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus. |
| sarah brady vanity fair: Pilgrimage Annie Leibovitz, 2011 An ambitious and wide-ranging new collection from Annie Leibovitz, one of the most famous photographers of our time, choosing her subjects simply because they mean something to her. |
| sarah brady vanity fair: Parties and Elections in America L. Sandy Maisel, Mark D. Brewer, 2024-07-10 This classic text introduces students to political parties and their critical role in representative democracy at the local, state, and national levels. The new edition fully incorporates the 2020 and 2022 election cycles as well as the initial run-up to the 2024 election. |
| sarah brady vanity fair: Mother Trouble Miranda J. Brady, 2024-10-01 Mother Trouble traces white maternal angst in popular culture across a span of more than fifty years, from the iconic Rosemary’s Baby to anti-vaxx mom memes and HGTV shows. The book narrows in on popular media to think about white maternal angst as a manifestation of feminism’s unrealized possibilities and continued omissions since the second wave. It interrogates intersecting systems of power which make mothers and their children the most impoverished people in the world and urges a greater appreciation in academic and popular thinking of the work that mothers do. The book calls for an analytical expansion beyond gender to better address the erasure of reproductive labour, and especially that performed by migrants and people of colour. It illustrates the continued marginalization of racialized mothers and the disproportionate amount of labour performed by all mothers in a society where their work is devalued. Ultimately, Mother Trouble reveals how the unease around white motherhood in the media has become a proxy for the troubles faced by all mothers. |
| sarah brady vanity fair: When Students Protest Judith Bessant, Analicia Mejia Mesinas, Sarah Pickard, 2021-08-20 This book analyses how generations of secondary and high school students in many countries have been thoughtful, committed and effective political actors, particularly over the past decade. |
| sarah brady vanity fair: Old Roots, New Routes Pamela Fox, Barbara Ching, 2008 An in-depth look at the influences, meaning, and identity of this contemporary music form |
| sarah brady vanity fair: Maine Library Bulletin , 1918 |
| sarah brady vanity fair: Ballyhoo! Jon Langmead, 2024-01-29 Ballyhoo! The Roughhousers, Con Artists, and Wildmen Who Invented Professional Wrestling is a history of professional wrestling’s formative period in the U.S., from roughly 1874 to 1941, and the contested interplay of wrestlers and promoters who built the “sport” as we know it. During this period, the major conventions that would define wrestling to the present day were perfected and codified, as wrestling morphed from a rough sport practiced on farms and at town gatherings to melodramatic mass entertainment that reliably drew large crowds in cities across the nation. The narrative uses the life and career of Jack Curley—a boxing promoter whose fortune took a turn for the better when he began promoting wrestling matches—as a compass as it charts the development of wrestling. By the late 1910s, Curley’s shows were selling out Madison Square Garden monthly. Ballyhoo chronicles his competition with the other promoters, as well as the lives of colorful athletes like “Strangler” Ed Lewis, Frank Gotch, the “Masked Marvel,” Jim Londos, “Gorgeous George” Wagner, “Farmer” Martin Burns, and “Dynamite” Gus Sonnenberg. |
| sarah brady vanity fair: American Women Robert E. Riegel, 1970 The various roles of women in the United States from 1815 to 1890 are examined first, viewed from social, religious, and physical standpoints in a crisp and slightly wry fashion. |
| sarah brady vanity fair: The Year in Television, 2008 Vincent Terrace, 2009-04-23 In 2008, the broadcast networks, cable channels and syndication produced nearly 1,100 new and continuing entertainment programs--the most original productions in one year since the medium first took hold in 1948. This reference book covers all the first run entertainment programs broadcast over the airwaves and on cable from January 1 through December 31, 2008, including series, specials, miniseries, made-for-television movies, pilot films, Internet series and specialized series (those broadcast on gay and lesbian channels). Alphabetically arranged entries provide storylines, performer/character casts, production credits, day/month/year broadcast dates, type, length, network(s), and review excerpts. |
| sarah brady vanity fair: Bulletin Maine State Library, 1919 |
| sarah brady vanity fair: Bulletin of the Toronto Public Library , 1912 |
| sarah brady vanity fair: Bulletin of the Maine State Library Maine State Library, 1911 |
| sarah brady vanity fair: Bulletin of the Toronto Public Library Toronto Public Library, 1911 |
| sarah brady vanity fair: When Broadway Was the Runway Marlis Schweitzer, 2009 Selected by Choice magazine as an Outstanding Academic Title for 2009 When Broadway Was the Runway explores the central and largely unacknowledged role of commercial Broadway theater in the birth of modern American fashion and consumer culture. Long before Hollywood's red carpet spectacles, Broadway theater introduced American women to the latest styles. At the beginning of the twentieth century, theater impresarios captured the imagination of their largely female patrons by transforming the stage into a glorious site of consumer spectacle. Theater historian Marlis Schweitzer examines how these impresarios presented the dresses actresses wore onstage, as well as the jewelry and hairstyles they chose, as commodities that were available for purchase in nearby department stores and salons. The Merry Widow Hat, designed for the hit operetta of the same name, sparked an international craze, and the dancer Irene Castle became a fashion celebrity when she anticipated the flapper look of the 1920s by nearly a decade. Not only were the latest styles onstage, but advertisements appeared throughout theaters, in programs, and on the curtains, while magazines such as Vogue vied for the rights to publish theatrical costume sketches and Harper's Bazar enticed readers with photo spreads of actresses in couture. This combination of spectatorship and consumption was a crucial step in the formation of a mass market for consumer goods and the rise of the cult of celebrity. Through historical analysis and dozens of early photographs and illustrations, Schweitzer aims a spotlight at the cultural and economic convergence of the theater and fashion industries in the United States. |
| sarah brady vanity fair: Billboard , 1959-06-22 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| sarah brady vanity fair: Pure-bred Dogs, American Kennel Gazette , 1968-12 |
| sarah brady vanity fair: The Lady's Guide to Death and Deception Katherine Cowley, 2022-09-06 What is a spy willing to do when both her heart and her country are at risk? Life changes once again for British spy Miss Mary Bennet when Napoleon Bonaparte escapes from the Isle of Elba. Mary quickly departs England for Brussels, the city where the Allied forces prepare for war against the French. But shortly after her arrival, one of the Duke of Wellington’s best officers is murdered, an event which threatens to break the delicate alliance between the Allies. Investigating the murder forces Mary into precarious levels of espionage, role-playing, and deception with her new partner, Mr. Withrow—the nephew and heir of her prominent sponsor, and the spy with whom she’s often at odds. Together, they court danger and discovery as they play dual roles gathering intelligence for the British. But soon Mary realizes that her growing feelings towards Mr. Withrow put her heart in as much danger as her life. And then there’s another murder. Mary will need to unmask the murderer before more people are killed, but can she do so and remain hidden in the background? |
| sarah brady vanity fair: Billboard , 1952-07-26 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| sarah brady vanity fair: Warhol After Warhol Richard Dorment, 2023-12-05 Long-time art critic Richard Dorment reveals the corruption and lies of the art world and its mystifying authentication process. Late one afternoon in the winter of 2003, art critic Richard Dorment answered a telephone call from a stranger. The caller was Joe Simon, an American film producer and art collector. He was ringing at the suggestion of David Hockney, his neighbour in Malibu. A committee of experts called the Andy Warhol Art Authentication Board had declared the two Warhols in his collection to be fake. He wanted to know why and thought Dorment could help. This call would mark the beginning of an extraordinary story that would play out over the next ten years and would involve a cast of characters straight out of a n novel. From rock icons and film stars; art dealers and art forgers; to a murdered Russian oligarch and a lawyer for the mob; from courtrooms to auction houses: all took part in a bitter struggle debating the authenticity of a series of paintings by the most famous American artist of the twentieth century. Part detective story, part art history, part memoir, and part courtroom drama, Warhol After Warhol is a spellbinding account of the dark connection between money, power, and art. |
| sarah brady vanity fair: Billboard , 1946-05-25 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| sarah brady vanity fair: The Bookseller , 1906 Official organ of the book trade of the United Kingdom. |
| sarah brady vanity fair: Hammer Complete Howard Maxford, 2019-11-08 Think you know everything there is to know about Hammer Films, the fabled Studio that Dripped Blood? The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution. |
| sarah brady vanity fair: Enlightened Self-Interest Thomas J. Bussen, Henry Biggs, Timothy Bono, 2024-04-01 Insights into a compassionate alternative to a ruthlessly self-interested capitalist culture Societally sanctioned competition for money, power, and fame promotes selfishness, personal alienation, and widespread inequality, especially in market-oriented economies. Yet many of those engaging in this competitive individualism—the competition for rewards and limited resources—yearn to act directly to promote a more civil, equitable, and sustainable society. Enlightened Self-Interest offers evidence-based insights into the societal and individual consequences of this cultural practice and an actionable alternative to it. This meticulously researched and empirically rooted reexamination of hypercompetition and zero-sum thinking presents inspiring examples of people who have reclaimed their own lives by contributing to a more civil, equitable, and sustainable society. They model the vision of enlightened self-interest, merging self-interest with other interests in pursuit of the common good, resulting in widely shared benefits. Enlighted Self Interest provides a compelling case for incremental change and a series of actionable recommendations to jump-start a personal transition and to become part of a collective radical evolution. |
| sarah brady vanity fair: The Billboard , 1926 |
| sarah brady vanity fair: Academy and Literature Charles Edward Cutts Birch Appleton, Charles Edward Doble, James Sutherland Cotton, Charles Lewis Hind, William Teignmouth Shore, Alfred Bruce Douglas, Ellis Ashmead-Bartlett, Thomas William Hodgson Crosland, 1901 |
| sarah brady vanity fair: A House of Her Own Beth Luey, 2023-10-18 Since the founding of the United States, women have picked up their pens to write and express their ideas, affording them independence and self-sufficiency in days when they had little. By way of their poetry, essays, advice columns, investigative journalism and more, women like Helen Keller, Louisa May Alcott, Charlotte Perkins Gilman and Shirley Jackson wrote not only to entertain and inform, but often to simply keep a roof over their heads. This text offers a unique examination of female New England writers, focusing on their homes. The women wrote in many genres and became literary entrepreneurs, bargaining with editors for higher fees and royalties, participating in marketing campaigns, and seeking advice and help. The homes women bought with their earnings included cottages, suburban houses, farms, and an occasional mansion. Whether modest or luxurious, these houses provided the room of her own that Virginia Woolf said every woman needs in order to write. Sometimes that room was an elegant study, and sometimes a corner of the kitchen. |
| sarah brady vanity fair: Words on Fire Helio Fred Garcia, 2020-06-30 Words on Fire is about the power of communication to do great harm, and how civic leaders and engaged citizens can hold leaders accountable to prevent such harm. Author Helio Fred Garcia focuses on the language President Trump uses that conditions an audience to accept, condone, and commit violence against a targeted group, rival, or critics. The book includes a history of such rhetoric, and identifies a playbook consisting of twelve forms of communication that typically precede genocides and other acts of mass violence. The Nazis used all twelve; the Rwandan Hutu used ten. Trump uses all twelve. The language triggers lone wolves to commit violence. Since 9/11 the use of rhetoric that provokes violence has been known as “stochastic terrorism,” a phrase that tends to confuse and that makes discussion difficult. The author suggests a more accessible name: lone-wolf whistle violence, on the model of “dog whistle” politics. The book draws on the most recent scholarship on lone wolves, their mindset, and what it takes to activate them to commit violence. The book documents Trump’s increasingly dangerous rhetoric through his campaign and first term, and how some lone wolves were motivated by the rhetoric to commit violence. It also describes the changes in the nation’s political culture and media that led to Trump’s nomination and presidency. It profiles leaders who dialed back their rhetoric when it was shown to put people’s lives in danger. Words on Fire closes with a call to action: We can learn the lessons of today to prepare for tomorrow, to help civic leaders, engaged citizens, journalists, and public officials recognize the phenomenon and take steps to hold other leaders accountable in the future when they use such language. |
| sarah brady vanity fair: Oscar Night from the Editors of Vanity Fair Graydon Carter, David Friend, 2004 This lavish collection of more than 500 black and white photographs - many never seen before - opens the door into the exclusive Oscar parties given over the past 75 years. From the first Academy Awards black-tie dinner-dance in 1929, through the 40s gatherings in Los Angeles' fashionable hotspots to the glittering Vanity Fairy gala in 2004 - this is an astounding photographic history of the ways in which Hollywood has celebrated its most glamorous night. Includes intimate and unposed photos of Cary Grant, Elizabeth Taylor, Nicole Kidman and Alfred Hitchcock. |
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