Sapido Rb 1632

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  sapido rb 1632: Barbarians and Politics at the Court of Arcadius Alan Cameron, Jacqueline Long, 2024-07-26 The chaotic events of A.D. 395–400 marked a momentous turning point for the Roman Empire and its relationship to the barbarian peoples under and beyond its command. In this masterly study, Alan Cameron and Jacqueline Long propose a complete rewriting of received wisdom concerning the social and political history of these years. Our knowledge of the period comes to us in part through Synesius of Cyrene, who recorded his view of events in his De regno and De providentia. By redating these works, Cameron and Long offer a vital new interpretation of the interactions of pagans and Christians, Goths and Romans. In 394/95, during the last four months of his life, the emperor Theodosius I ruled as sole Augustus over a united Roman Empire that had been divided between at least two emperors for most of the preceding one hundred years. Not only did the death of Theodosius set off a struggle between Roman officeholders of the two empires, but it also set off renewed efforts by the barbarian Goths to seize both territory and office. Theodosius had encouraged high-ranking Goths to enter Roman military service; thus well placed, their efforts would lead to Alaric’s sack of Rome in 410. Though the authors’ interest is in the particularities of events, Barbarians and Politics at the Court Of Arcadius conveys a wonderful sense of the general time and place. Cameron and Long’s rebuttal of modern scholarship, which pervades the narrative, enhances the reader’s engagement with the complexities of interpretation. The result is a sophisticated recounting of a period of crucial change in the Roman Empire’s relationship to the non-Roman world. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
  sapido rb 1632: Hermes Christianus Claudio Moreschini, 2011 Hermetic theosophy, originally an offspring of Egyptian religion, spread throughout the ancient world from the Hellenistic age onwards and was welcomed by Christianity in Late Antiquity. Cultivated people in a Christian milieu were convinced that Hermetic piety and religion were the preparation, expressed by heathen imagery, of their own faith: Hermes, a wise and pious philosopher in Egypt in the time of Moses, received (so it was thought) the same revelation which would be manifested 1,000 years later by Christ. At the end of the third century AD, this belief did not perish with the end of the Roman Empire; rather, it was taken up and explored during the French Renaissance of the twelfth century. In the fifteenth century, Italian humanism, supported by the rediscovery of Greek language and literature, promoted a fresh new evaluation of the ancient Hermetic texts which continued to be considered and studied as pre-Christian documents. In the sixteenth century, new interpretations of Christian Hermetism were explored until this connection between pagan and Christian was increasingly criticized by scholars who argued that Hermetism was neither as ancient as was thought nor as close to Christianity. The theory was abandoned in scientific milieux from the seventeenth century onwards, whereas Hermetic theosophy, on the contrary, survived in esoteric circles.
  sapido rb 1632: Vite De' Pittori E Scultori Ferraresi Girolamo Baruffaldi, 1844
  sapido rb 1632: Short History of the Shadow Victor I. Stoichita, 1997-08-01 Stoichita's compelling account untangles the history of one of the most enduring challenges to beset Western art - the depiction and meanings of shadows. discriminating, inspired interrogation ... dazzling analysis—Marina Warner, Tate Magazine Ambitious and a pleasure to read ... a thoroughly worthwhile book.—Times Higher Education Supplement
  sapido rb 1632: The Conflict Between Paganism and Christianity in the Fourth Century Arnaldo Momigliano, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  sapido rb 1632: Shadows and Enlightenment Michael Baxandall, 1995-01-01 Michael Baxandall begins by describing the physical constitution and different varieties of shadows. He then sketches the eighteenth-century empirical/nativist debate on the role of shadows in the perception of shape. Next he surveys modern research by cognitive scientists and machine vision workers, explaining how research is divided on the issue of how far and by what means shadows help or hinder perception of shape. Baxandall continues his exploration by recounting a neglected episode of shadow theory, the observations of a group of mid-eighteenth-century French scientists and artists on shadows as related to light and space. Finally he sets these various shadow universes into relation with each other, addressing the special problem of painting shadows, and analyses Chardin's painting The Young Draughtsman, in which shadow painting is both medium and theme.
  sapido rb 1632: The Philocalia of Origen Origen, 2020-03-09
  sapido rb 1632: On Prophecy, Dreams and Human Imagination Donald A. Russell, Heinz-Günther Nesselrath, 2014-12-15 Synesius' essay De insomniis ('On Dreams') inquires into the meaning and importance of dreams for human beings and treats themes - most of all the relationship of humans to higher spheres -, which for religiously- and philosophically-minded people are still important today.
  sapido rb 1632: Barbarians and Bishops John Hugo Wolfgang Gideon Liebeschuetz, 1990 In this illuminating study Liebeschuetz examines two fundamental themes of Late Antiquity: the barbarization of the Roman army and the interrelation of Church and secular government. He discusses Alaric's Goths in the West, who were treated as a federate regiment rather than a migrating tribe; how the civilian authorities at Constantinople maintained control over the largely German army in a conflict that culminated in the Gainas rising; and how the same authorities came into conflict with John Chrysostom, the bishop of Constantinople, and had him deposed.
  sapido rb 1632: Holy Bishops in Late Antiquity Claudia Rapp, 2013-05-01 Between 300 and 600, Christianity experienced a momentous change from persecuted cult to state religion. One of the consequences of this shift was the evolution of the role of the bishop—as the highest Church official in his city—from model Christian to model citizen. Claudia Rapp's exceptionally learned, innovative, and groundbreaking work traces this transition with a twofold aim: to deemphasize the reign of the emperor Constantine, which has traditionally been regarded as a watershed in the development of the Church as an institution, and to bring to the fore the continued importance of the religious underpinnings of the bishop's role as civic leader. Rapp rejects Max Weber’s categories of charismatic versus institutional authority that have traditionally been used to distinguish the nature of episcopal authority from that of the ascetic and holy man. Instead she proposes a model of spiritual authority, ascetic authority and pragmatic authority, in which a bishop’s visible asceticism is taken as evidence of his spiritual powers and at the same time provides the justification for his public role. In clear and graceful prose, Rapp provides a wholly fresh analysis of the changing dynamics of social mobility as played out in episcopal appointments.
  sapido rb 1632: From Diocletian to the Arab Conquest John Hugo Wolfgang Gideon Liebeschuetz, 1990
  sapido rb 1632: The Amasis Painter and his World Dietrich von Bothmer, 1985-01-01 The Amasis Painter was one of ancient Greece's greatest vase painters, yet his own name has not been recorded, and he is known today only by the name of the potter whose works he most often decorated. A true individualist in the history of Athenian painting, he produced work distinguished by its delicacy, precision, and wit. When the Amasis Painter began his artistic career around 560 B.C., Attic black-figure vase-painting was already fully established and about to overtake Corinthian pottery in the competition for the Etruscan market. Toward the end of his extraordinarily long career around 515 or even later-the red-figure technique had been invented and was rapidly supplanting black-figure in fashion. By tracing the Amasis Painter's stylistic development from his earliest vases to his latest, this book offers a survey of Attic black-figure technique at the peak of its perfection.The book was prepared to accompany an exhibition held at the Metropolitan Museum of Art, the Toledo Museum of Art, and the Los Angeles County Museum of Art in 1985-1986. The exhibition is the first ever to be devoted to the work of a single artist from ancient Greece, and twenty-two museums and private collectors have lent the vases on display.
  sapido rb 1632: A Numismatic Commentary on Pausanias Friedrich Imhoof-Blumer, Percy Gardner, 1887
  sapido rb 1632: Greek, Etruscan and Roman Bronzes Gisela Marie Augusta Richter, Metropolitan Museum of Art (New York, N.Y.), 1915
  sapido rb 1632: Festivals of Attica Erika Simon, 2002 The festivals of the Athenian sacred calendar constitute a vital key to classical Greek culture and religion. Erika Simon sets out here to explicate those complex and often obscure festivals. By careful marshaling of a variety of proofs from literary, historical, and archaeological sources, she is able to justify some startling conclusions and achieve a comprehensive and truly original synthesis that clarifies, as never before, the probable origins and meanings of the Attic cults.
  sapido rb 1632: Corpus Cultus Cybelae Attidisque (CCCA) Maarten Jozef Vermaseren, 1977
  sapido rb 1632: Sculpture in Stone Museum of Fine Arts, Boston, Mary B. Comstock, Cornelius Clarkson Vermeule, 1976
  sapido rb 1632: The Meidias Painter Lucilla Burn, 1987 As the last great Athenian red-figure vase painters, the Meidias Painter and his followers were known for their depiction of elegant women gracefully assembled. Combining stylistic and thematic analysis, this iconographical study examines the group's subject matter, sources of inspiration, and the relationship of their depicted scenes with life in the late 5th century B.C.
  sapido rb 1632: Herakles in the Art of Classical Greece Rainer Vollkommer, 1988
  sapido rb 1632: The Red-figured Vases of Paestum Arthur Dale Trendall, 1987 .
  sapido rb 1632: Catalogue of the McClean Collection of Greek Coins: Western Europe, Magna Graecia, Sicily Fitzwilliam Museum, Sidney William Grose, 1923
  sapido rb 1632: Greek Sculpture Reinhard Lullies, 1960
  sapido rb 1632: The Red-figured Vases of Lucania, Campania and Sicily. [Illustr.] Suppl. 1 Arthur Dale Trendall, 1970
  sapido rb 1632: Greek Vase Painting Dietrich Von Bothmer, 1987
  sapido rb 1632: A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York Metropolitan Museum of Art (New York, N.Y.) Cesnola collection,
  sapido rb 1632: California Studies in Classical Antiquity , 1975
  sapido rb 1632: Etruscan Vase-painting John Davidson Beazley, 1947
  sapido rb 1632: Engraved Gems John Boardman, 1966
  sapido rb 1632: Siana Cups I and Komast Cups: Plates H. A. G. Brijder, 1983
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