Advertisement
| sight reading syncopation: Modern Reading Text in 4/4 Louis Bellson, Gil Breines, 1963 This book has become a classic in all musicians' libraries for rhythmic analysis and study. Designed to teach syncopation within 4/4 time, the exercises also develop speed and accuracy in sight-reading with uncommon rhythmic figures. A must for all musicians, especially percussionists interested in syncopation. |
| sight reading syncopation: Forward Motion Hal Galper, 2003 |
| sight reading syncopation: Choral Sight Reading Micheál Houlahan, Philip Tacka, 2023-01-31 Choral Sight Reading provides a practical and organic approach to teaching choral singing and sight-reading. The text is grounded in current research from the fields of choral pedagogy, music theory, music perception and cognition. Topics include framing a choral curriculum based on the Kodály concept; launching the academic year for beginning, intermediate, and advanced choirs; building partwork skills; sight-reading; progressive music theory sequences for middle to college level choirs; teaching strategies; choral rehearsal plans as well as samples of how to teach specific repertoire from medieval to contemporary choral composers. This volume includes basic and advanced music theory concepts to develop fluent sight-reading skills for reading standard choral repertoire, providing examples for the process outlined in Chapters 6-8 of Volume 1 (Choral Artistry). This guide provides choral directors with a choral curriculum and choral rehearsal models that place performance, audiation, partwork, music theory, and sight-signing skills at the heart of the choral experience, through a 'sound thinking' approach to teaching that results in greater efficiency in creating independent choral singers with a well-rounded repertoire. |
| sight reading syncopation: Sight Reading: The Rhythm Book Alex Pertout , 2010-10-07 Sight Reading: the Rhythm Book is a graded workbook for instrumentalists and vocalists designed to develop sight reading and rhythmic skills by presenting a course of progressive lessons and studies specifically aimed at these areas. Many different rhythmic groupings and writing styles and clearly presented and analyzed. This book will provide invaluable assistance to all musicians and lead to a greater understanding of the fundamentals of rhythm. Through the development of the counting method employed in this book and the analysis of rhythmic structure-identification of the various notes, rests, groups and signs used-the student will attain greater ease and facility when approaching sight reading material. |
| sight reading syncopation: Odd Time Reading Text Louis Bellson, Gil Breines, 1999-10-25 Now a standard in music education literature, this in-depth study takes the fear out of playing in time signatures other than 4/4. In a methodical manner, this book aids in rounding out any player's rhythmic and reading vocabulary. Perfect for all musicians wanting to play odd times with ease. |
| sight reading syncopation: Double bass sight-reading John Kember, David Stark, 2016-04 (String). 195 carefully graded sight-reading pieces and exercises in a range of musical styles. Includes solos, duets and pieces with piano accompaniment. Suitable for beginning to advanced level students. Both tenor and treble clefs are introduced in later chapters. Many tunes throughout the book have simple accompaniments, either for bass or piano. This is helpful, especially early on, to assure good rhythm and pitch, without playing the exact same tune as the sight reader. American String Teacher |
| sight reading syncopation: The Drummer's Complete Vocabulary as Taught by Alan Dawson John Ramsay, Alan Dawson, 1998-10 Alan Dawson was a legendary drummer and educator, known for his work with the top artists in jazz as well as for his 18-year association with Berklee College of Music. This new text and online audio combination was put together by John Ramsay, a prominent drummer in his own right and a former student of Dawson's. The book contains all the important techniques and concepts that Alan Dawson embraced in his own playing and subsequently taught to his students. The recordings include some remastered audio examples from actual lessons taught by Dawson himself over the years. This is a highly comprehensive textbook from a jazz master. |
| sight reading syncopation: Sight Reading for the Contemporary Guitarist Tom Bruner, 2011-02-24 Up until a few years ago, finding guitar players who could sight read melodic lines was about as rare as sighting a whooping crane. Today, because of widespread study and the use and popularity of the guitar, melodic sight reading has become an essential part of guitar playing. It is now important for a working guitarist to be as proficient at sight reading as any brass or woodwind player. Rhythms in this book are extremely complex, compelling the player to focus on learning the guitar fretboard. |
| sight reading syncopation: Progressive Steps to Syncopation for the Modern Drummer Ted Reed, 2015-10-12 Voted second on Modern Drummer's list of 25 Greatest Drum Books in 1993, Progressive Steps to Syncopation for the Modern Drummer is one of the most versatile and practical works ever written for drums. Created exclusively to address syncopation, it has earned its place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it. |
| sight reading syncopation: David Carr Glover Method for Piano: Sight Reading and Ear Training, Level 3 Gayle Kowalchyk, E. L. Lancaster, David Carr Glover, Sight reading and ear training are two of the most important skills for any musician. Consequently, they should be developed systematically with performance, technical and theoretical skills from the time that keyboard study begins. As new concepts are introduced in the LESSONS book, they are reinforced visually and aurally in SIGHT READING AND EAR TRAINING. These books can be used with equal success in private and group lessons. The reading exercises are based on the premise that students develop secure reading skills by first playing in specific patterns and gradually moving out of these patterns. The recognition of intervals is crucial to the development of good reading habits. In addition, students must be able to quickly identify individual notes and patterns (melodic, harmonic, and rhythmic). |
| sight reading syncopation: Simplified Sight-Reading for Bass Josquin Des Pres, 1997-08-01 Beginner Bass Guitar Instruction |
| sight reading syncopation: Understanding Rhythm Michael Lauren, Whether you are just learning to read music, or you're an established player who wants to supplement your repertoire, this book will help you understand and execute the most common rhythms found in popular music. Drumset players will find this book useful for developing reading and coordination skills. |
| sight reading syncopation: Sight-Reading for Piano Made Easy - Quick and Simple Lessons for the Amateur Pianist Anon, 2016-09-06 “Sight-Reading for Piano Made Easy” is a vintage guide to sight reading for the piano. “Sight reading” refers to reading and performing of a piece of music notation that the performer has not seen before. With concise instructions and many helpful tips, this volume contains simple piano sheet music that is ideal for budding pianists wishing to learn this invaluable skill. Contents include: “Quick Test in Reading Intervals”, “Sixths”, “Sevenths and Octaves”, “Steadily”, “Hold On!”, “Left Hand Plays a Tune”, “Step Lively!”, “Look at the Time!”, “Out and In”, “Imitation and Syncopation”, “Over and Under”, “A Short Rest”, “What Have We Here?”, “Change Places!”, “Do We GO, or Stay?”, “Bigger Steps”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction on the history of the piano. |
| sight reading syncopation: Fantasy Pieces Harald Krebs, 1999 This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of their metrical practices. |
| sight reading syncopation: Rhythmic Training Robert Starer, 1985 (Instructional). A continuation of Basic Rhythmic Training , this collection of progressive rhythmic drills is designed to increase a music student's proficiency in executing and understanding Rhythm. The exercises begin very simply and proceed to more complex meters, beat divisions and polyrhythms. The book can be used as a supplement to any method, or as a drill book for the musician who wishes to solidify and expand his/her rhythmic abilities. |
| sight reading syncopation: Stick Control George Lawrence Stone, 2013-11-06 George Lawrence Stone's Stick Control is the original classic, often called the bible of drumming. In 1993, Modern Drummer magazine named it one of the top 25 drumming books of all-time. In the words of the author, this is the ideal book for improving control, speed, flexibility, touch, rhythm, lightness, delicacy, power, endurance, preciseness of execution, and muscular coordination, with extra attention given to the development of the weak hand. This indispensable book for drummers of all types includes hundreds of basic to advanced rhythms and moves through categories of single-beat combinations, triplets, short roll combinations, flam beats, flam triplets and dotted notes, and short roll progressions. |
| sight reading syncopation: Sight Reading for the Classical Guitar, Level I-III Robert Benedict, 1992-03-06 This book for the classical guitar has been compiled to improve sight reading, an often neglected aspect of musicianship. With the guitar, musical components (scales, chords, arpeggios, etc.) may often be played in various positions. While this is one of the reasons that the instrument produces such colorful and interesting timbres, it also contributes to the difficulties of sight reading. It is important to develop facility in reading, recognizing the notes, as well as the bar positions in which to play them, the fingerings, the rhythmic patterns, and any markings if interpretation (dynamics, phrasing, articulation, etc.). This book provides an orderly and systematic approach to the study of sight reading, based upon standards for sight reading for the classical guitar found in respected schools around the world. |
| sight reading syncopation: The Philosopher’s Touch François Noudelmann, 2012-01-03 Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all of whom were amateur piano players and acute lovers of the medium. Though piano playing was a crucial art for these thinkers, their musings on the subject are largely scant, implicit, or discordant with each philosopher's oeuvre. Noudelmann both recovers and integrates these perspectives, showing that the manner in which these philosophers played, the composers they adored, and the music they chose reveals uncommon insight into their thinking styles and patterns. Noudelmann positions the physical and theoretical practice of music as a dimension underpinning and resonating with Sartre's, Nietzsche's, and Barthes's unique philosophical outlook. By reading their thought against their music, he introduces new critical formulations and reorients their trajectories, adding invaluable richness to these philosophers' lived and embodied experiences. The result heightens the multiple registers of being and the relationship between philosophy and the senses that informed so much of their work. A careful reader of music, Noudelmann maintains an elegant command of the texts under his gaze and appreciates the discursive points of musical and philosophical scholarship they involve, especially with regard to recent research and cutting-edge critique. |
| sight reading syncopation: Progressive Sight Singing Carol J. Krueger, 2007 Designed for beginning Aural Skills courses required of freshmen music majors. This text introduces basic concepts. It provides examples for practice in rhythmic and melodic reading, dictation, audation, musical memory, and error detection. It trains the ear first, teaching students to hear and perform before they read and write. |
| sight reading syncopation: Bass Player's Guide to Looping Janek Gwizdala, 2019-11-26 Bass Player's Guide to Looping: A Comprehensive Method to Pedal Looping on Bass [OVER 2.5 HOURS OF VIDEO INCLUDED]Bass Player's Guide to Looping is the definitive method to mastering the art of live-looping with the electric bass. Join world-renowned bassist Janek Gwizdala as he reveals every single detail of his signal chain--including illustrated pedal settings, tips on effects and gear, and proper looping techniques--giving you an endless array of tools to practice, compose, and perform live as a true artist. Whether you've used a loop pedal for years or just purchased your first one, Bass Player's Guide to Looping will help you to become the best looping bassist you can be.With purchase of this book, you also gain access to over 2.5 hours of video instruction. These videos include in-depth explanations and performances of every concept in the book, bonus footage of techniques used in solo bass performance, and live footage of looping with both a drummer in a duo setting as well as with a live band. |
| sight reading syncopation: Sight Reading for the Classical Guitar, Level IV-V Robert Benedict, 1992-03-06 Sight Reading for Classical Guitar (Level IV-V) is designed for grade school or university level in either private tutoring of class instruction and is intended to be used by guitar students on a daily basis. This volume, containing Levels Four and Five, continues the study of sight reading, providing material suitable for more advanced students. Both books can be used to establish a reading level for students entering a new environment of guitar instruction, whether it be private tuition or class lessons. |
| sight reading syncopation: Odd Meter Duets for All Instruments in Treble Clef Everett Gates, A collection of duets for C Instruments by Everett Gates. |
| sight reading syncopation: Fretboard Basics Arnie Berle, 2020-01-24 A terrific book for the serious guitarist. This comprehensive text contains 92 articles written by Arnie Berle for Guitar Player Magazine. Arnie answers many questions, shows you great approaches to practicing the suggested techniques, and provides the guitarist with motion-saving fingerings. Includes articles on improvisation, blues scales, chords, arpeggios, fingerings, modes, common chord progressions, and much more! Written in standard notation and fretboard diagrams. An encyclopedia of useful guitar information! |
| sight reading syncopation: Rhythms Volume Three Bruce E. Arnold, 2001-04 This book concentrates on thirty second note rhythms exploring nearly every combination of rests and ties. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies are available in the Member's Area of the muse-eek.com website for each exercise. |
| sight reading syncopation: Note Reading Studies for Bass Arnold Evans, 1994 This book was written for bassists who wish to learn to read music as well as for those who wish to sharpen their music reading skills. The studies in the book progress from beginning to professional levels and represent an variety of styles that modern bassists are likely to encounter in real-world musical situations. For those conversant in music's universal language, a whole world of musical styles, ideas, and sounds is always available. This book aims to sharpen the skills of serious student bass players so that they may partake of this endless stream of ideas, information, and inspiration. Standard notation only. None of the exercises in this book contain fingering indications. This omission was made in order to make these exercises useful to players of all types of bass instruments, both electric and acoustic. The author strongly recommends that students work through this book with the supervision of a qualified teacher. If you are a professional musician the author hopes this book will help you stay in top sight- reading form, giving you an edge in a highly competitive market. If you are a novice bassist, this book will help you hone your skills in becoming a skilled professional. |
| sight reading syncopation: Piano Sight-Reading 1 John Kember, 2020-05-18 This book of pieces aims to establish good practice and provide an early introduction to the essential skill of sight-reading. In Part 1 the basic keys of C, G, F and D major and A and D minor are explored while keeping the movement limited to steps, skips and repeated notes in a 5-note range. In Part 2 students are encouraged to identify the key for themselves. Accidentals, dotted notes, simple ties and syncopations occur in the exercises. Intervals of 4ths and 5ths are also included. |
| sight reading syncopation: Developing Musicianship Through Aural Skills Kent D. Cleland, Mary Dobrea-Grindahl, 2013-09-05 A textbook for learning to hear, sing, understand, and use the foundations of music as a part of an integrated curriculum for musicians. It provides you with the musical terms, progressions, resolutions, and devices that you can draw upon as a functional and usable musical vocabulary. |
| sight reading syncopation: Drumset Syncopation Bruce R. Patzer, 2012-09 (Drum Instruction). Drumset Syncopation picks up where beginning drum methods leave off, providing the intermediate drumset player with practical studies that can be applied to real-life playing situations. Built on the syncopated rhythms that form the basis of popular music, the book explores beats and fills in a variety of styles, including: basic rock, funk, bossa nova, samba, reggae, blues, shuffles, country/gospel and jazz. This indispensible book is filled with info that will take you from the practice room to the stage! |
| sight reading syncopation: Progressive Steps to Syncopation for the Modern Drummer Ted Reed, 1996 Voted second on Modern Drummer's list of 25 Greatest Drum Books in 1993, Progressive Steps to Syncopation for the Modern Drummer is one of the most versatile and practical works ever written for drums. Created exclusively to address syncopation, it has earned its place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it. |
| sight reading syncopation: Sight Reading for Guitarists: A Comprehensive Guide Pasquale De Marco, 2025-05-04 **Master the Art of Sight Reading for Guitar: A Comprehensive Guide to Unlocking Your Musical Potential** Embark on a musical journey with Sight Reading for Guitarists: A Comprehensive Guide, your ultimate guide to sight reading for guitar. Whether you're a seasoned pro or a budding musician, this book will equip you with the skills and techniques to transform your playing and unlock the secrets of the fretboard. From the fundamentals of reading musical notation to advanced sight reading strategies, Sight Reading for Guitarists: A Comprehensive Guide covers everything you need to know. Learn to navigate the fretboard with ease, decipher the intricacies of the treble clef, and master the art of reading melodies, riffs, and chords. With a focus on practical application, this book provides a wealth of exercises, practice tips, and real-world examples to help you develop your sight reading abilities. Explore the nuances of different musical genres, from rock and blues to jazz and classical, and gain the confidence to tackle any piece of music with precision. Whether you're preparing for auditions, expanding your repertoire, or simply enhancing your overall musicianship, Sight Reading for Guitarists: A Comprehensive Guide is the ultimate resource for guitarists of all levels. With its comprehensive approach and expert guidance, this book will empower you to unlock your musical potential and elevate your playing to new heights. **Key Features:** * Step-by-step instructions for understanding musical notation * In-depth exploration of the fretboard and guitar anatomy * Practical exercises and strategies for developing sight reading skills * Application to real-world musical scenarios * Coverage of various musical genres and styles Unlock the secrets of sight reading for guitar today with Sight Reading for Guitarists: A Comprehensive Guide! If you like this book, write a review on google books! |
| sight reading syncopation: Advanced Ear - Training and Sight - Singing George a Wedge, 2018-10-28 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| sight reading syncopation: Jazz for Seniors Carl Poole, A continuation of Jazz for Juniors with more difficult rhythms. |
| sight reading syncopation: A Rhythm Sight-Reader Burton Kaplan, 1977-01-01 An innovative self-help system for learning and mastering rhythm basics. Using simple language, the Rhythm Sight-Readers define all basic rhythm values - including syncopation, ties, rests, & time signatures - and teach the student through step-by-step instructions how to sight-read rhythm notation on his instrument. Understanding is doing is the underlying philosophy of this unique method designed to stimulate creativity and musicality. Each book contains numerous rhythm pieces to be played as duets or trios making A Rhythm Sight-Reader invaluable for both private and class instruction. |
| sight reading syncopation: Basic Rhythmic Training Robert Starer, 1986 Begins with elementary rhythmic notation and since it gets progressively more complex, students with previous training will find their place when they encounter their first difficulty. -- foreword. |
| sight reading syncopation: Music reading for bass Wendi Hrehovcsik, 1997 (Musicians Institute Press). A comprehensive source for sight-reading fundamentals, including notes, rhythms, keys, positions, and scale forms. Also teaches reading from chord symbols, following charts, creating walking bass lines, slides, ghost notes, and other techniques. |
| sight reading syncopation: Music for Sight Singing Robert W. Ottman, Nancy Rogers, 2011 ...Developing the mind's ear--the ability to imagine how music sounds without first playing it on an instrument--is essential to any musician and sight singing (in conjunction with ear training and other studies in musicianship) is invaluable in reaching this fundamental goal...[This book has an] abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music...Each chapter methodically introduces elements one at a time, steadily increasing in difficulty while providing a musically meaningful framework around which students can hone their skills...--preface. |
| sight reading syncopation: Universal Method for Saxophone Paul DeVille, 2015-06-17 Commonly referred to as The Saxophone Bible, Paul DeVille's Universal Method for Saxophone is considered the trusted training method for aspiring and serious saxophone players. From how to play your first note to mastering advanced concert pieces, Universal Method for Saxophone offers exercises and advice for every stage of learning, making it both an excellent guide for the saxophonist's musical journey and an indispensable tool for instructors. DeVille's work covers everything a dedicated saxophone student needs to learn to develop mastery. He explains the components of the instrument itself, tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more. As the accomplished saxophonist and author Sam Sadigursky wrote in his review of the top saxophone books of all time (in which he rated Universal Method for Saxophone the number one choice), If you look at the first 20 pages of this 320-page book, it appears to be for beginners, but it quickly moves into some of the best technical and musical workouts that exist in any book. There are etudes by countless composers, slow pieces to develop sound and phrasing, short technical exercises that target the thorny parts of the saxophone mechanism, classical arias, pieces in all twelve keys, and rhythmic and articulation exercises. Universal Method for Saxophone has served generations of saxophone players-including some of the greats-well, and it will continue to be relied upon long into the future. Find out why it sets the standard for saxophone education. |
| sight reading syncopation: Sight to Sound Leon White, 1981 |
| sight reading syncopation: John W. Schaum Piano Course John W. Schaum, 1995-12 Most often a pupil's difficulty is not because of technic deficiency but is due to weak note recognition. Consistent use of these drills will help your student to become a good note reader. |
SIGHT Definition & Meaning - Merriam-Webster
The meaning of SIGHT is something that is seen : spectacle. How to use sight in a sentence. Cite, Sight, and Site
SIGHT | English meaning - Cambridge Dictionary
SIGHT definition: 1. the ability to see: 2. something that is in someone's view: 3. when someone sees something or…. Learn more.
Sight - definition of sight by The Free Dictionary
To perceive with the eyes; get sight of: sighted land after 40 days at sea. 2. To observe through a sight or an optical instrument: sight a target. 3. To adjust the sights of (a rifle, for example). 4. …
SIGHT Definition & Meaning | Dictionary.com
the power or faculty of seeing; perception of objects by use of the eyes; vision. an act, fact, or instance of seeing. an instance of looking briefly; view; glimpse. one's range of vision on some …
sight - Wiktionary, the free dictionary
Jan 5, 2025 · sight (third-person singular simple present sights, present participle sighting, simple past and past participle sighted) To see; to get sight of (something); to register visually.
What does sight mean? - Definitions.net
What does sight mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word sight. This is a darn sight better than what I'm …
Sight - Definition, Meaning & Synonyms | Vocabulary.com
Sight has many different senses. It can mean the range of your vision, as in when you freak out when your little puppy goes out of sight. You can "take in the sights," meaning you're seeing …
sight noun - Definition, pictures, pronunciation and usage ...
Definition of sight noun from the Oxford Advanced Learner's Dictionary. [uncountable] the ability to see synonym eyesight. She has very good sight. The disease has affected her sight. He has …
SIGHT definition and meaning | Collins English Dictionary
The sight of something is the act of seeing it or an occasion on which you see it. A sight is something that you see. The practice of hanging clothes across the street is a common sight in …
Sight Definition & Meaning - YourDictionary
To observe or examine by taking a sight. To catch sight of; see. To take aim or an observation with a sight. To bring into the sights of a rifle, etc.; aim at. To look carefully in a specified …
SIGHT Definition & Meaning - Merriam-Webster
The meaning of SIGHT is something that is seen : spectacle. How to use sight in a sentence. Cite, Sight, and Site
SIGHT | English meaning - Cambridge Dictionary
SIGHT definition: 1. the ability to see: 2. something that is in someone's view: 3. when someone sees something or…. Learn more.
Sight - definition of sight by The Free Dictionary
To perceive with the eyes; get sight of: sighted land after 40 days at sea. 2. To observe through a sight or an optical instrument: sight a target. 3. To adjust the sights of (a rifle, for example). 4. …
SIGHT Definition & Meaning | Dictionary.com
the power or faculty of seeing; perception of objects by use of the eyes; vision. an act, fact, or instance of seeing. an instance of looking briefly; view; glimpse. one's range of vision on some …
sight - Wiktionary, the free dictionary
Jan 5, 2025 · sight (third-person singular simple present sights, present participle sighting, simple past and past participle sighted) To see; to get sight of (something); to register visually.
What does sight mean? - Definitions.net
What does sight mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word sight. This is a darn sight better than what I'm …
Sight - Definition, Meaning & Synonyms | Vocabulary.com
Sight has many different senses. It can mean the range of your vision, as in when you freak out when your little puppy goes out of sight. You can "take in the sights," meaning you're seeing …
sight noun - Definition, pictures, pronunciation and usage ...
Definition of sight noun from the Oxford Advanced Learner's Dictionary. [uncountable] the ability to see synonym eyesight. She has very good sight. The disease has affected her sight. He has …
SIGHT definition and meaning | Collins English Dictionary
The sight of something is the act of seeing it or an occasion on which you see it. A sight is something that you see. The practice of hanging clothes across the street is a common sight in …
Sight Definition & Meaning - YourDictionary
To observe or examine by taking a sight. To catch sight of; see. To take aim or an observation with a sight. To bring into the sights of a rifle, etc.; aim at. To look carefully in a specified …
