Seweryna Szmaglewska Smoke Over Birkenau

  seweryna szmaglewska smoke over birkenau: Smoke Over Birkenau Seweryna Szmaglewska, 2001
  seweryna szmaglewska smoke over birkenau: Smoke Over Birkenau [Illustrated Edition] Seweryna Szmaglewska, 2015-11-06 Includes 204 photos, plans and maps illustrating The Holocaust Arrested by the Gestapo in 1942 for involvement in the resistance, the author spent three years in Birkenau. Severyna Szmaglewska (1916-1992) began writing this book immediately after escaping from an evacuation transport in January 1945, and it is the first account of the Auschwitz-Birkenau camp and an eloquent and important analysis of the individual experience of modern war. It was ready for print before the end of 1945, after several months of feverish work. In February 1946 the International Tribunal in Nuremberg included it in the material making up the charges against the Nazi perpetrators, and called upon the author to give testimony. Since 1945, Smoke over Birkenau has been reprinted frequently and widely translated. Critics, and three generations of readers, praised it for truthfulness, accuracy, and lasting literary merit: as memories of war-time genocide fade with the passage of time, Szmaglewska’s readers are able to stay in touch with extremes of experience which must never be forgotten. “Smoke over Birkenau is not a book about death or hatred,” one critic wrote. “It is a powerful act of the will to live and a profession of the noblest humanism. The victorious idea of life is woven through every page. Maintaining, cultivating, and instilling in oneself the imperative: You must endure! You must live! – a plan carried out unswervingly despite everything.”-Print ed.
  seweryna szmaglewska smoke over birkenau: Smoke Over Birkenau/Seweryna Szmaglewska ; Tr. from the Polish by Jadwiga Rynas Seweryna Szmaglewska, 1947
  seweryna szmaglewska smoke over birkenau: Screening Auschwitz Marek Haltof, 2018-01-15 Screening Auschwitz examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907–1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi concentration and extermination camp complex of Auschwitz-Birkenau. Marek Haltof’s fascinating book offers English-speaking readers a wealth of new materials, mostly from original Polish sources obtained through extensive archival research. With its powerful dramatization of the camp experience, The Last Stage established several quasi-documentary themes easily discernible in later film narratives of the Shoah: dark, realistic images of the camp, a passionate moral appeal, and clear divisions between victims and perpetrators. Jakubowska’s film introduced images that are now archetypal—for example, morning and evening roll calls on the Appelplatz, the arrival of transport trains at Birkenau, the separation of families upon arrival, and tracking shots over the belongings left behind by those who were gassed. These and other images are taken up by a number of subsequent American films, including George Stevens’s The Diary of Anne Frank (1959), Alan Pakula’s Sophie’s Choice (1982), and Steven Spielberg’s Schindler’s List (1993). Haltof discusses the unusual circumstances that surrounded the film's production on location at Auschwitz-Birkenau and summarizes critical debates surrounding the film’s release. The book offers much of interest to film historians and readers interested in the Holocaust.
  seweryna szmaglewska smoke over birkenau: Writing in Witness Eric J. Sundquist, 2018-06-25 Finalist for the 2019 National Jewish Book Award in the Anthologies and Collections Category presented by the Jewish Book Council Silver Winner for Anthologies, 2018 Foreword INDIES Book of the Year Awards Writing in Witness is a broad survey of the most important writing about the Holocaust produced by eyewitnesses at the time and soon after. Whether they intended to spark resistance and undermine Nazi authority, to comfort family and community, to beseech God, or to leave a memorial record for posterity, the writers reflect on the power and limitations of the written word in the face of events often thought to be beyond representation. The diaries, journals, letters, poems, and other works were created across a geography reaching from the Baltics to the Balkans, from the Atlantic coast to the heart of the Soviet Union, and in a wide array of original languages. Along with the readings, Eric J. Sundquist's introductions provide a comprehensive account of the Holocaust as a historical event. Including works by prominent authors such as Primo Levi and Elie Wiesel, as well those little known or anonymous, Writing in Witness provides, in vital and memorable examples, a wide-ranging account of the Holocaust by those who felt the imperative to give written testimony.
  seweryna szmaglewska smoke over birkenau: Psychoanalysis, Historiography, and the Nazi Camps Dan Stone, 2024-07-10 ​In the postwar years, Dutch survivors Eddy de Wind, Louis Micheels, and Elie A. Cohen, who went on to become practicing psychoanalysts, penned accounts of their survival of the Nazi camps. Their sober assessments contrast sharply with those by Bruno Bettelheim and Viktor Frankl, which emphasized decisiveness, 'positive thinking', and resistance, missing the fact that many Holocaust victims with those characteristics or other qualities did not survive. De Wind’s, Micheels’ and Cohen’s accounts are more sober, (self-)critical, and shaped by analytical practice. By analyzing them anew and comparing them with accounts by female doctors who survived Block 10 in Auschwitz, this book argues that their theories of survival accord with contemporary sensibilities in psychoanalysis and Holocaust historiography. Psychoanalytic concepts have changed over time in response to greater understanding of the Holocaust and recent Holocaust historiography makes us more receptive to insights that were unfashionable in the first postwar decades.
  seweryna szmaglewska smoke over birkenau: Watercolours Lidia Ostałowska, 2017-04-17 A many-layered work of historical reportage, Watercolours draws on the real life story of Dina Gottliebova-Babbitt (1923-2009), a Czech-American artist of Jewish ancestry, who was a prisoner at Auschwitz, and whose story came to light in the late 1990s. It was at this time that Gottliebova attempted once more to recover the art she had created in the concentration camp, and which had become the property of the Auschwitz-Birkenau State Museum. The dispute escalated into an international scandal, with the American Department of State and the Polish government becoming involved. Here, journalist Lidia Ostalowska reconstructs Gottliebova's time in the camp, while looking also at broader issues of historical memory, trauma, racism and the relationship between the torturer and the victim. In Gottliebova's case, SS Doctor Josef Mengele took a special interest in her talent, commissioning her to paint portraits (the watercolours of the title) of Roma prisoners. Mengele himself is one of the many characters in this narrative. Ostalowska draws on hundreds of studies and accounts of the hell of the camps, and tells the story of one woman's incarceration and her battle for survival, bringing in many other supporting lives. Before she worked for Mengele, Gottliebova had decorated the children's barracks at Auschwitz with images from the Disney film, Snow White and the Seven Dwarfs. After the war, she worked as an animator for Warner Brothers and married Walt Disney animator Art Babbitt, the man behind many of the world's best-known cartoon characters including Goofy and Dumbo. Gottlibova (under the name Dina Babbitt) lived in California until her death in 2009 at the age of 86.
  seweryna szmaglewska smoke over birkenau: Holocaust Fiction and the Question of Impiety David John Dickson, 2022-10-10 This book discusses the issues underlying contemporary Holocaust fiction. Using Gillian Rose’s theory of Holocaust piety, it argues that, rather than enhancing our understanding of the Holocaust, contemporary fiction has instead become overly focused on gratuitous representations of bodies in pain. The book begins by discussing the locations and imagery which have come to define our understanding of the Holocaust, before then highlighting how this gradual simplification has led to an increasing sense of emotional distance from the historical past. Holocaust fiction, the book argues, attempts to close this emotional and temporal distance by creating an emotional connection to bodies in pain. Using different concepts relating to embodied experience – from Sonia Kruks’ notion of feeling-with to Alison Landsberg’s prosthetic memory – the book analyses several key examples of Holocaust literature and film to establish whether fiction still possesses the capacity to approach the Holocaust impiously.
  seweryna szmaglewska smoke over birkenau: Mengele Gerald L. Posner, John Ware, 2000 Chronicles the life of German physician Josef Mengele, focusing on the barbaric experiments he performed on Jews during the Holocaust.
  seweryna szmaglewska smoke over birkenau: Poetry as Testimony Antony Rowland, 2014-03-26 This book analyzes Holocaust poetry, war poetry, working-class poetry, and 9/11 poetry as forms of testimony. Rowland argues that testamentary poetry requires a different approach to traditional ways of dealing with poems due to the pressure of the metatext (the original, traumatic events), the poems’ demands for the hyper-attentiveness of the reader, and a paradox of identification that often draws the reader towards identifying with the poet’s experience, but then reminds them of its sublimity. He engages with the work of a diverse range of twentieth-century authors and across the literature of several countries, even uncovering new archival material. The study ends with an analysis of the poetry of 9/11, engaging with the idea that it typifies a new era of testimony where global, secondary witnesses react to a proliferation of media images. This book ranges across the literature of several countries, cultures, and historical events in order to stress the large variety of contexts in which poetry has functioned productively as a form of testimony, and to note the importance of the availability of translations to the formation of literary canons.
  seweryna szmaglewska smoke over birkenau: The Agony of Greek Jews, 1940–1945 Steven B. Bowman, 2009-10-07 The Agony of Greek Jews tells the story of modern Greek Jewry as it came under the control of the Kingdom of Greece during the nineteenth and twentieth centuries. In particular, it deals with the vicissitudes of those Jews who held Greek citizenship during the interwar and wartime periods. Individual chapters address the participation of Greek and Palestinian Jews in the 1941 fighting with Italy and Germany, the roles of Jews in the Greek Resistance, aid, and rescue attempts, and the problems faced by Jews who returned from the camps and the mountains in the aftermath of the German retreat. Bowman focuses on the fate of one minority group of Greek citizens during the war and explores various aspects of its relations with the conquerors, the conquered, and concerned bystanders. His book contains new archival material and interviews with survivors. It supersedes much of the general literature on the subject of Greek Jewry.
  seweryna szmaglewska smoke over birkenau: Jewish Responses to Persecution Leah Wolfson, 2015-08-13 With its unique combination of primary sources and historical narrative, this book provides an important new perspective on Holocaust history. Covering the final year of Nazi destruction and the immediate postwar years, it traces the increasingly urgent Jewish struggle for survival, which included armed resistance and organized escape attempts. Shedding light on both the personal and public lives of Jews through letters, diaries, photographs, drawings, speeches, newspapers, and government documents, this book provides compelling insights into a wide range of Jewish experiences during the Holocaust.
  seweryna szmaglewska smoke over birkenau: Soviet Judgment at Nuremberg Francine Hirsch, 2020-04-23 Organized in the immediate aftermath of World War Two by the victorious Allies, the Nuremberg Trials were intended to hold the Nazis to account for their crimes and to restore a sense of justice to a world devastated by violence. As Francine Hirsch reveals in this immersive, gripping, and ground-breaking book, a major piece of the Nuremberg story has routinely been omitted from standard accounts: the part the Soviet Union played in making the trials happen in the first place. Soviet Judgment at Nuremberg offers the first complete picture of the International Military Tribunal (IMT), including the many ironies brought to bear as the Soviets took their place among the countries of the prosecution in late 1945. Everyone knew that Stalin had allied with Hitler before the Nazi invasion of the Soviet Union in 1941. The Molotov-Ribbentrop Pact hung heavy over the courtroom, as did the suspicion that the Soviets had falsified evidence in an attempt to pin one of their own war crimes, the mass killing of Polish officers in the Katyn Forest, on the Nazis. Moreover, key members of the Soviet delegation, including the Soviet judge and chief prosecutor, had played critical roles in Stalin's infamous show trials of the 1930s. For the American prosecutor Robert H. Jackson and his colleagues in the British and French delegations, Soviet participation in the IMT undermined the credibility of the trials and indeed the moral righteousness of the Allied victory. Yet without the Soviets Nuremberg would never have taken place. Soviet jurists conceived of the legal framework that treated war as an international crime, giving the trials a legal basis. The Soviets had borne the brunt of the fighting against Germany, and their almost unimaginable suffering gave them moral authority. They would not be denied a place on the tribunal and moreover were determined to make the most of it. However, little went as the Soviets had planned. Stalin's efforts to steer the trials from afar backfired. Soviet war crimes were exposed in open court. As relations among the four countries of the prosecution foundered, Nuremberg turned from a court of justice to an early front of the Cold War. Hirsch's book provides a front-row seat in the Nuremberg courtroom, while also guiding readers behind the scenes to the meetings in which secrets were shared, strategies mapped, and alliances forged. Soviet Judgment at Nuremberg offers a startlingly new view of the IMT and a fresh perspective on the movement for international human rights that it helped launch.
  seweryna szmaglewska smoke over birkenau: After the Holocaust David Cesarani, Eric J. Sundquist, 2011-09-29 For the last decade scholars have been questioning the idea that the Holocaust was not talked about in any way until well into the 1970s. After the Holocaust: Challenging the Myth of Silence is the first collection of authoritative, original scholarship to expose a serious misreading of the past on which, controversially, the claims for a ‘Holocaust industry’ rest. Taking an international approach this bold new book exposes the myth and opens the way for a sweeping reassessment of Jewish life in the postwar era, a life lived in the pervasive, shared awareness that Jews had narrowly survived a catastrophe that had engulfed humanity as a whole but claimed two-thirds of their number. The chapters include: an overview of the efforts by survivor historians and memoir writers to inform the world of the catastrophe that had befallen the Jews of Europe an evaluation of the work of survivor-historians and memoir writers new light on the Jewish historical commissions and the Jewish documentation centres studies of David Boder, a Russian born psychologist who recorded searing interviews with survivors, and the work of philosophers, social thinkers and theologians theatrical productions by survivors and the first films on the theme made in Hollywood how the Holocaust had an impact on the everyday life of Jews in the USA and a discussion of the different types, and meanings, of ‘silence’. A breakthrough volume in the debate about the ‘Myth of Silence’, this is a must for all students of Holocaust and genocide.
  seweryna szmaglewska smoke over birkenau: The Polish Theatre of the Holocaust Grzegorz Niziolek, 2019-05-30 Grzegorz Niziolek's The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from 1945 to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish soil. The period gave rise to two of the most radical and influential theatrical ideas during work on productions that addressed the subject of the Holocaust – Grotowski's Poor Theatre and Kantor's Theatre of Death - but the author examines a deeper impact in the role that theatre played in the processes of collective disavowal to being a witness to others' suffering. In the first part, the author examines six decades of Polish theatre shaped by the perspective of the Holocaust in which its presence is variously visible or displaced. Particular attention is paid to the various types of distortion and the effect of 'wrong seeing' enacted in the theatre, as well as the traces of affective reception: shock, heightened empathy, indifference. In part two, Niziolek examines a range of theatrical events, including productions by Leon Schiller, Jerzy Grotowski, Tadeusz Kantor, Andrzej Wajda, Krzysztof Warlikowski and Ondrej Spišák. He considers how these productions confronted the experience of bearing witness and were profoundly shaped by the legacy of the Holocaust. The Polish Theatre of the Holocaust reveals how -- by testifying about society's experience of the Holocaust -- theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past.
  seweryna szmaglewska smoke over birkenau: Auschwitz, Poland, and the Politics of Commemoration, 1945–1979 Jonathan Huener, 2003-12-15 Few places in the world carry as heavy a burden of history as Auschwitz. Recognized and remembered as the most prominent site of Nazi crimes, Auschwitz has had tremendous symbolic weight in the postwar world. Auschwitz, Poland, and the Politics of Commemoration is a history of the Auschwitz memorial site in the years of the Polish People's Republic. Since 1945, Auschwitz has functioned as a memorial and museum. Its monuments, exhibitions, and public spaces have attracted politicians, pilgrims, and countless participants in public demonstrations and commemorative events. Jonathan Huener's study begins with the liberation of the camp and traces the history of the State Museum at Auschwitz from its origins immediately after the war until the 1980s, analyzing the landscape, exhibitions, and public events at the site. Based on extensive research and illustrated with archival photographs, Auschwitz, Poland, and the Politics of Commemoration accounts for the development and durability of a Polish commemorative idiom at Auschwitz. Emphasis on Polish national “martyrdom” at Auschwitz, neglect of the Shoah as the most prominent element of the camp's history, political instrumentalization of the grounds and exhibitions—these were some of the more controversial aspects of the camp's postwar landscape. Professor Huener locates these and other public manifestations of memory at Auschwitz in the broad scope of Polish history, in the specific context of postwar Polish politics and culture, and against the background of Polish-Jewish relations. Auschwitz, Poland, and the Politics of Commemoration will be of interest to scholars, students, and general readers of the history of modern Poland and the Holocaust.
  seweryna szmaglewska smoke over birkenau: We Wept Without Tears Gideon Greif, 2005-01-01 The Sonderkommando of Auschwitz-Birkenau consisted primarily of Jewish prisoners forced by the Germans to facilitate the mass extermination. Though never involved in the killing itself, they were compelled to be members of staff of the Nazi death-factory. This book, translated for the first time into English from its original Hebrew, consists of interviews with the very few surviving men who witnessed at first hand the unparalleled horror of the Auschwitz-Birkenau death camp. Some of these men had never spoken of their experiences before.
  seweryna szmaglewska smoke over birkenau: Reading Auschwitz Mary Lagerwey, 1998-10-27 My mind refuses to play its part in the scholarly exercise. I walk around in a daze, remembering occasionally to take a picture. I've heard that many people cry here, but I am too numb to feel. The wind whips through my wool coat. I am very cold, and I imagine what the wind would have felt like for someone here fifty years ago without coat, boots, or gloves. Hours later as I write, I tell myself a story about the day, hoping it is true, and hoping it will make sense of what I did and did not feel. —From the Foreword Most of us learn of Auschwitz and the Holocaust through the writings of Anne Frank and Elie Wiesel. Remarkable as their stories are, they leave many voices of Auschwitz unheard. Mary Lagerwey seeks to complicate our memory of Auschwitz by reading less canonical survivors: Jean Amery, Charlotte Delbo, Fania Fenelon, Szymon Laks, Primo Levi, and Sara Nomberg-Przytyk. She reads for how gender, social class, and ethnicity color their tellings. She asks whether we can—whether we should—make sense of Auschwitz. And throughout, Lagerwey reveals her own role in her research; tells of her own fears and anxieties presenting what she, a non-Jew born after the fall of Nazism, can only know second-hand. For any student of the Holocaust, for anyone trying to make sense of the final solution, Reading Auschwitz represents a powerful struggle with what it means to read and tell stories after Auschwitz.
  seweryna szmaglewska smoke over birkenau: A Rebel in Auschwitz: The True Story of the Resistance Hero who Fought the Nazis from Inside the Camp (Scholastic Focus) Jack Fairweather, 2021-10-19 With exclusive access to previously hidden diaries, family and camp survivor accounts, and recently declassified files, critically acclaimed and award-winning journalist Jack Fairweather brilliantly portrays the remarkable man who volunteered to face the unknown in the name of truth and country. This extraordinary and eye-opening account of the Holocaust invites us all to bear witness. Occupied Warsaw, Summer 1940: Witold Pilecki, a Polish underground operative, accepted a mission to uncover the fate of thousands interned at a new concentration camp, report on Nazi crimes, raise a secret army, and stage an uprising. The name of the camp -- Auschwitz. Over the next two and half years, and under the cruelest of conditions, Pilecki's underground sabotaged facilities, assassinated Nazi officers, and gathered evidence of terrifying abuse and mass murder. But as he pieced together the horrifying Nazi plans to exterminate Europe's Jews, Pilecki realized he would have to risk his men, his life, and his family to warn the West before all was lost. To do so meant attempting the impossible -- but first he would have to escape from Auschwitz itself...
  seweryna szmaglewska smoke over birkenau: Political Ponerology: A Science on the Nature of Evil Adjusted for Political Purposes Andrew M. Lobaczewski, 2013
  seweryna szmaglewska smoke over birkenau: Auschwitz In Retrospect: The Self-Portrait Of Rudolf Hoess, Commander Of Auschwitz Joseph Tenenbaum, 2016-01-18 Joseph Tenenbaum sketches a portrait of the infamous “Commandant of Auschwitz”, Rudolf Hoess. “Rudolf Hoess has killed more people than any man in history, and Auschwitz was the greatest charnel house of all times. There has been no dearth of publications about the place or the person. [...] It seems that after a period of repudiation of the crimes and apologia for them, we are entering an era of memoirs by boastful generals and complacent Nazi small fry, eager to bask in the sun of regained self-confidence and unregenerate Nazi mentality. The Hoess memoirs are an exception to both trends. His revelations are neither apologetic nor an attempt at vindication. The memoirs are indeed a unique literary document, in which the author is trying to explain, first and foremost himself to himself, Hoess to Hoess, and incidentally also to shed light on the most hidden mainsprings of a mind gone criminal.”—From Author’s Preface
  seweryna szmaglewska smoke over birkenau: The Campus Novel , 2019-01-04 The Campus Novel – Regional or Global? presents innovative scholarship in the field of academic fiction. Whereas the campus novel is traditionally considered a product of the Anglo-American world, the present study opens a new perspective: it elucidates the intercultural exchange between the well-established Western canon of British and American academic fiction and its more recent regional response outside the Anglo-American territory.
  seweryna szmaglewska smoke over birkenau: Approaches to Auschwitz Richard L. Rubenstein, John K. Roth, 2003-01-01 Distinctively coauthored by a Christian scholar and a Jewish scholar, this monumental, interdisciplinary study explores the various ways in which the Holocaust has been studied and assesses its continuing significance. The authors develop an analysis of the Holocaust's historical roots, its shattering impact on human civilization, and its decisive importance in determining the fate of the world. This revised edition takes into account developments in Holocaust studies since the first edition was published.
  seweryna szmaglewska smoke over birkenau: Poland of Today , 1946
  seweryna szmaglewska smoke over birkenau: Approaches to Auschwitz, Revised Edition Richard L. Rubenstein, John K. Roth, 2003-08-31 Distinctively coauthored by a Christian scholar and a Jewish scholar, this monumental, interdisciplinary study explores the various ways in which the Holocaust has been studied and assesses its continuing significance. The authors develop an analysis of the Holocaust's historical roots, its shattering impact on human civilization, and its decisive importance in determining the fate of the world. This revised edition takes into account developments in Holocaust studies since the first edition was published.
  seweryna szmaglewska smoke over birkenau: Violent Space Anja Nowak, 2023-11-07 For Nazi Germany, the ghetto was a conceptual tool used to facilitate social and political exclusion and further their anti-Jewish campaign. For the Jews who lived in them, the ghettos became the center of their lives—even though they were also sites of immense suffering. Combining thorough historical research with an interdisciplinary analysis of the relationship between space and violence, Violent Space provides a unique insight into the history and the socio-spatial topography of the Jewish ghetto in German-occupied Warsaw (1939–1943). Using rare archival materials and firsthand accounts, many of which have never been translated into English, Anja Nowak traces out the trauma that the space of the ghetto inflicted on its Jewish inhabitants, and how it alienated, disoriented, and harmed them. While the physical ghetto—its buildings, boundaries, and streets—has been reabsorbed and redefined by modern-day Warsaw's urban structure, Violent Space shows us that its presence still lingers in the narratives of those who were forced into this first phase of the Holocaust.
  seweryna szmaglewska smoke over birkenau: The Jewish Holocaust Marty Bloomberg, Buckley Barry Barrett, 1995-01-01 This expanded edition of the guide to major books in English on the Holocaust is organized into ten subject areas: reference materials, European antisemitism, background materials, the Holocaust years, Jewish resistance
  seweryna szmaglewska smoke over birkenau: Ritual as a Missing Link J. David Knottnerus, 2016-01-08 Up to now, ritual has been under-utilised for studying human behaviour. This book narrows the gap in our understanding of the social causes and consequences of our actions by focusing on the ritualised behaviours that define much of our daily lives. Knottnerus breaks new ground by comprehensively describing structural ritualistic theory. He shows how structural reproduction has occurred throughout the world, how rituals can be strategically used and how power can influence rituals, and how the disruption and reconstitution of ritual is of crucial importance for human beings. This book shows that ritual provides a missing link in sociology and helps us better explain the extreme complexity of human action and social reality.
  seweryna szmaglewska smoke over birkenau: Alma Rose Richard Newman, 2003 Presents the story of a woman who saved the lives of many Jews who were members in her orchestra in Auschwitz.
  seweryna szmaglewska smoke over birkenau: European Pack for Visiting Auschwitz-Birkenau Memorial and Museum Alicja Białecka, 2010-01-01 Taking groups of students To The Auschwitz-Birkenau Memorial and Museum is a heavy responsibility, but it is a major contribution to citizenship if it fosters understanding of what Auschwitz stands for, particularly when the last survivors are at the end of their lives. it comes with certain risks, however. This pack is designed for teachers wishing to organise student visits to authentic places of remembrance, and For The guides, academics and others who work every day with young people at Auschwitz. There is nothing magical about visiting an authentic place of remembrance, and it calls for a carefully thought-out approach. To avoid the risk of inappropriate reactions or the failure to benefit from a large investment in travel and accommodation, considerable preparation and discussion is necessary before the visit and serious reflection afterwards. Teachers must prepare students for a form of learning they may never have met before. This pack offers insights into the complexities of human behaviour so that students can have a better understanding of what it means to be a citizen. How are they concerned by what happened at Auschwitz? is the unprecedented process of exclusion that was practised in the Holocaust still going on in Europe today? in what sense is it different from present-day racism and anti-Semitism? the young people who visit Auschwitz in the next few years will be witnesses of the last witnesses, links in the chain of memory. Their generation will be the last to hear the survivors speaking on the spot. The Council of Europe, The Polish Ministry of Education And The Auschwitz-Birkenau Memorial and Museum are jointly sponsoring this project aimed at preventing crimes against humanity through Holocaust remembrance teaching.
  seweryna szmaglewska smoke over birkenau: Przekładaniec, 2 (2010) vol 24 - English Version ,
  seweryna szmaglewska smoke over birkenau: Pained Screams from Camps Aisling Reid, Valentina Surace, 2024-06-17 Detention camps exceed the juridical concept of punishment and crime. This book comprises two parts: 1. a collected volume that discusses camps not as something of the past, but as a paradigmatic political space in which ordinary law is completely suspended, and 2. an Italian-English parallel text of the war diary of an Italian prisoner during his confinement at the Stalag X-B internment camp near Sandbostel from 1943–1945. 1. The Human Condition of Exception: Collected Essays Edited by Aisling Reid and Valentina Surace Written in Italian and English, the essays collected in this volume explore the issue of camps and suffering from various perspectives, including philosophical inquiry, literary analysis, historical description and legal assessment. As Agamben suggests, the camp embodies the state of exception. A dehumanising camp life will therefore emerge every time such a structure is created. What happens in camps exceeds the juridical concept of punishment, as well as that of crime. Prisoners are faced with a ‘useless’ pain (Levinas) as it is not the expiation of a fault. Prisoners attempt to describe their extreme suffering through their diaries. Their experience, however, cannot be entirely communicated. Even their screams, which express humanity at the extreme limit of its un-power, are silenced. Given the recent popularity of right-wing politics, as well as the centenary of Mussolini’s march on Rome, such research is more urgent than ever. The book will appeal to readers with an interest in philosophy as well as Irish history scholars studying internment during Partition and The Troubles in Northern Ireland. 2. Aldo Quarisa’s Diary: An Italian-English Edition Edited by Aisling Reid and Valentina Surace. Transcribed and with a preface by Galileo Sartor. Translation of the diary by Aisling Reid (Italian-English). In 1943, Aldo Quarisa worked at a military school in Florence, where he taught literature. In October of that year, one month after Italy had surrendered to the Allied forces, the Italians declared war on the Germans. In Florence, the German occupiers responded quickly, by arresting and deporting people with military connections to numerous concentration camps in Austria. Quite suddenly, Aldo was detained and deported through a network of camps, including Benjaminovo and the Stalag X-B internment camp, near the German village of Sandbostel. For two years, he found himself imprisoned alongside other Italians, including the celebrated journalist Giovannino Guareschi, who secretly kept a diary that was later published as his Diario Clandestino 1943–1945 in 1946. Much like Guareschi, Aldo also kept a diary and excerpts are published here in both Italian and English for the first time. The diary describes in unprecedented detail the monotony of camp life, the cruelty of the guards and the prisoners’ struggle to survive. The text is an important document that preserves the memory and voices of all those who suffered during the war and will inevitably be of interest to readers with an interest in World War II.
  seweryna szmaglewska smoke over birkenau: The Holocaust: The Basics Paul Bartrop, 2019-06-26 The Holocaust: The Basics is a concise introduction to the study of this seismic event in mid twentieth-century human history. The book takes an original approach as both a narrative and thematic introduction to the topic, and provides a core foundation for readers embarking upon their own study. It examines a range of perspectives and subjects surrounding the Holocaust, including: the perpetrators of the Holocaust the victims resistance to the Holocaust liberation legacies and survivors' memories of the Holocaust. Suppported by a chronology, glossary, questions for discussion, and boxed case studies that focus the reader's thoughts and develop their appreciation of the subjects considered more broadly, The Holocaust: The Basics is the ideal introduction to this controversial and widely debated topic for both students and the more general reader.
  seweryna szmaglewska smoke over birkenau: Witnessing Witnessing Thomas Trezise, 2014-05-01 Witnessing Witnessing focuses critical attention on those who receive the testimony of Holocaust survivors. Questioning the notion that traumatic experience is intrinsically unspeakable and that the Holocaust thus lies in a quasi-sacred realm beyond history, the book asks whether much current theory does not have the effect of silencing the voices of real historical victims. It thereby challenges widely accepted theoretical views about the representation of trauma in general and the Holocaust in particular as set forth by Giorgio Agamben, Cathy Caruth, Berel Lang, and Dori Laub. It also reconsiders, in the work of Theodor Adorno and Emmanuel Levinas, reflections on ethics and aesthetics after Auschwitz as these pertain to the reception of testimony. Referring at length to videotaped testimony and to texts by Charlotte Delbo, Primo Levi, and Jorge Semprun, the book aims to make these voices heard. In doing so, it clarifies the problems that anyone receiving testimony may encounter and emphasizes the degree to which listening to survivors depends on listening to ourselves and to one another. Witnessing Witnessing seeks to show how, in the situation of address in which Holocaust survivors call upon us, we discover our own tacit assumptions about the nature of community and the very manner in which we practice it.
  seweryna szmaglewska smoke over birkenau: Comparative Central European Holocaust Studies Louise Olga Vasvári, Steven Tötösy de Zepetnek, 2009 The work presented in the volume in fields of the humanities and social sciences is based on 1) the notion of the existence and the describability and analysis of a culture (including, e.g., history, literature, society, the arts, etc.) specific of/to the region designated as Central Europe, 2) the relevance of a field designated as Central European Holocaust studies, and 3) the relevance, in the study of culture, of the comparative and contextual approach designated as comparative cultural studies. Papers in the volume are by scholars working in Holocaust Studies in Australia, Germany, Hungary, Israel, Serbia, the United Kingdom, and the US.
  seweryna szmaglewska smoke over birkenau: Women in the Holocaust Zoë Waxman, 2017-01-26 Despite some pioneering work by scholars, historians still find it hard to listen to the voices of women in the Holocaust. Learning more about the women who both survived and did not survive the Nazi genocide -- through the testimony of the women themselves -- not only increases our understanding of this terrible period in history, but makes us rethink our relationship to the gendered nature of knowledge itself. Women in the Holocaust is about the ways in which socially- and culturally-constructed gender roles were placed under extreme pressure; yet also about the fact that gender continued to operate as an important arbiter of experience. Indeed, paradoxically enough, the extreme conditions of the Holocaust -- even of the death camps -- may have reinforced the importance of gender. Whilst Jewish men and women were both sentenced to death, gender nevertheless operated as a crucial signifier for survival. Pregnant women as well as women accompanied by young children or those deemed incapable of hard labour were sent straight to the gas chambers. The very qualities which made them women were manipulated and exploited by the Nazis as a source of dehumanization. Moreover, women were less likely to survive the camps even if they were not selected for death. Gender in the Holocaust therefore became a matter of life and death.
  seweryna szmaglewska smoke over birkenau: A Train in Winter Caroline Moorehead, 2011-11-01 “How can you do this work if you have a child?” asked her mother. “It is because I have a child that I do it,” replied Cecile. “This is not a world I wish her to grow up in.” On January 24, 1943, 230 women were placed in four cattle trucks on a train in Compiegne, in northeastern France, and the doors bolted shut for the journey to Auschwitz. They were members of the French Resistance, ranging in age from teenagers to the elderly, women who before the war had been doctors, farmers’ wives, secretaries, biochemists, schoolgirls. With immense courage they had taken up arms against a brutal occupying force; now their friendship would give them strength as they experienced unimaginable horrors. Only forty-nine of the Convoi des 31000 would return from the camps in the east; within ten years, a third of these survivors would be dead too, broken by what they had lived through. In this vitally important book, Caroline Moorehead tells the whole story of the 230 women on the train, for the first time. Based on interviews with the few remaining survivors, together with extensive research in French and Polish archives, A Train in Winter is an essential historical document told with the clarity and impact of a great novel. Caroline Moorehead follows the women from the beginning, starting with the disorganized, youthful and high-spirited activists who came together with the Occupation, and chronicling their links with the underground intellectual newspapers and Communist cells that formed soon afterwards. Postering and graffiti grew into sabotage and armed attacks, and the Nazis responded with vicious acts of mass reprisal – which in turn led to the Resistance coalescing and developing. Moorehead chronicles the women’s roles in victories and defeats, their narrow escapes and their capture at the hands of French police eager to assist their Nazi overseers to deport Jews, resisters, Communists and others. Their story moves inevitably through to its horrifying last chapters in Auschwitz: murder, starvation, disease and the desperate struggle to survive. But, as Moorehead notes, even in the most inhuman of places, the women of the Convoi could find moments of human grace in their companionship: “So close did each of the women feel to the others, that to die oneself would be no worse than to see one of the others die.” Uncovering a story that has hitherto never been told, Caroline Moorehead exhibits the skills that have made her an acclaimed biographer and historian. In this book she places the reader utterly in the world of wartime France, casting light on what it was like to experience horrific terrors and face impossible moral dilemmas. Through the sensitive interviews on which the book is based, she tells personal and individual stories of courage, solace and companionship. In this way, A Train in Winter ultimately becomes a valuable memorial to a unique group of heroines, and a testimony to the particular power of women’s friendship even in the worst places on earth.
  seweryna szmaglewska smoke over birkenau: Arrested Mourning Zofia Wóycicka, 2013 Wóycicka reconstructs Polish controversies surrounding the memory and commemoration of Nazi concentration camps in the initial postwar years and describes how these debates were silenced under Stalinism. Using comparisons with other European countries, she explores which phenomena were specific for Poland and which had a broad character.
  seweryna szmaglewska smoke over birkenau: Narratives of Annihilation, Confinement, and Survival Anja Tippner, Anna Artwińska, 2019-05-20 The concept of “camp narratives” rather than “Holocaust narratives” or “Gulag narratives” is based on the assumption that literary accounts of camp experiences share common traits, aesthetically as well as thematically. The book presents readings of camp literature that underscore the similarities between texts about Soviet gulag camps, Nazi camps and about other camp experiences. While literature about Nazi concentration camps still serves as a point of reference for camp narratives in the same way that the Holocaust serves as a point of reference for other genocidal operations, socialist labor and penal camps have become transnational lieux de mémoire in their own right since 1989. This volume intends to provide a theoretical frame as well as an overview of several important European camp literatures and case studies of iconic camp narratives and to take a comparative and transnational perspective on the genre of the camp narrative.
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