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| sayak valencia gore capitalism: Gore Capitalism Sayak Valencia, 2018-04-13 An analysis of contemporary violence as the new commodity of today's hyper-consumerist stage of capitalism. “Death has become the most profitable business in existence.” —from Gore Capitalism Written by the Tijuana activist intellectual Sayak Valencia, Gore Capitalism is a crucial essay that posits a decolonial, feminist philosophical approach to the outbreak of violence in Mexico and, more broadly, across the global regions of the Third World. Valencia argues that violence itself has become a product within hyper-consumerist neoliberal capitalism, and that tortured and mutilated bodies have become commodities to be traded and utilized for profit in an age of impunity and governmental austerity. In a lucid and transgressive voice, Valencia unravels the workings of the politics of death in the context of contemporary networks of hyper-consumption, the ups and downs of capital markets, drug trafficking, narcopower, and the impunity of the neoliberal state. She looks at the global rise of authoritarian governments, the erosion of civil society, the increasing violence against women, the deterioration of human rights, and the transformation of certain cities and regions into depopulated, ghostly settings for war. She offers a trenchant critique of masculinity and gender constructions in Mexico, linking their misogynist force to the booming trade in violence. This book is essential reading for anyone seeking to analyze the new landscapes of war. It provides novel categories that allow us to deconstruct what is happening, while proposing vital epistemological tools developed in the convulsive Third World border space of Tijuana. |
| sayak valencia gore capitalism: Gore Capitalism Sayak Valencia, 2018-04-20 An analysis of contemporary violence as the new commodity of today's hyper-consumerist stage of capitalism. “Death has become the most profitable business in existence.” —from Gore Capitalism Written by the Tijuana activist intellectual Sayak Valencia, Gore Capitalism is a crucial essay that posits a decolonial, feminist philosophical approach to the outbreak of violence in Mexico and, more broadly, across the global regions of the Third World. Valencia argues that violence itself has become a product within hyper-consumerist neoliberal capitalism, and that tortured and mutilated bodies have become commodities to be traded and utilized for profit in an age of impunity and governmental austerity. In a lucid and transgressive voice, Valencia unravels the workings of the politics of death in the context of contemporary networks of hyper-consumption, the ups and downs of capital markets, drug trafficking, narcopower, and the impunity of the neoliberal state. She looks at the global rise of authoritarian governments, the erosion of civil society, the increasing violence against women, the deterioration of human rights, and the transformation of certain cities and regions into depopulated, ghostly settings for war. She offers a trenchant critique of masculinity and gender constructions in Mexico, linking their misogynist force to the booming trade in violence. This book is essential reading for anyone seeking to analyze the new landscapes of war. It provides novel categories that allow us to deconstruct what is happening, while proposing vital epistemological tools developed in the convulsive Third World border space of Tijuana. |
| sayak valencia gore capitalism: Necropower in North America Ariadna Estévez, 2021-06-25 This book discusses and theorizes Achille Mbembe’s necropolitics, the politics of death, in the specific context of North America. It works to characterize and analyze the particularities and relational differences of American and Canadian necropowers vis-à-vis their devices, subjectivities, necroempowered subjects, and production of spaces of death in their geographical and symbolic borderlands with the Third World: the US-Mexico border, indigenous lands, migrant and Black-American neighborhoods, and resource rich geographies. North American necropowers not only profit from death, but also conduct disposable populations to death throughout the region. The volume proposes a postcolonial perspective that characterizes the political power of North America as a necropower—or the sovereign power to make die. Each chapter therefore theorizes and analyzes the specificities of necropower, examining different necropolitics that range from asylum and migration restrictions to the economic exploitation and abandonment of deprived populations and policing of ethnic minorities, in particular Mexican immigrants, indigenous peoples, and African American communities. |
| sayak valencia gore capitalism: Pills, Powder, and Smoke Antony Loewenstein, 2019-12-27 Like the never-ending War on Terror, the drugs war is a multi-billion-dollar industry that won't go down without a fight. Pills, Powder, and Smokeexplains why. The War on Drugs has been official American policy since the 1970s, with the UK, Europe, and much of the world following suit. It is at best a failed policy, according to bestselling author Antony Loewenstein. Its direct results have included mass incarceration in the US, extreme violence in different parts of the world, the backing of dictatorships, and surging drug addiction globally. And now the Trump administration is unleashing diplomatic and military forces against any softening of the conflict. Pills, Powder, and Smokeinvestigates the individuals, officials, activists, victims, DEA agents, and traffickers caught up in this deadly war. Travelling through the UK, the US, Australia, Honduras, the Philippines, and Guinea-Bissau, Loewenstein uncovers the secrets of the drug war, why it's so hard to end, and who is really profiting from it. In reporting on the frontlines across the globe -- from the streets of London's King's Cross to the killing fields of Central America to major cocaine transit routes in West Africa -- Loewenstein reveals how the War on Drugs has become the most deadly war in modern times. |
| sayak valencia gore capitalism: The Strange Non-death of Neo-liberalism Colin Crouch, 2013-04-26 The financial crisis seemed to present a fundamental challenge to neo liberalism, the body of ideas that have constituted the political orthodoxy of most advanced economies in recent decades. Colin Crouch argues in this book that it will shrug off this challenge. The reason is that while neo liberalism seems to be about free markets, in practice it is concerned with the dominance over public life of the giant corporation. This has been intensified, not checked, by the recent financial crisis and acceptance that certain financial corporations are ‘too big to fail'. Although much political debate remains preoccupied with conflicts between the market and the state, the impact of the corporation on both these is today far more important. Several factors have brought us to this situation: The lobbying power of firms whose donations are of growing importance to cash-hungry politicians and parties The weakening of competitive forces by firms large enough to shape and dominate their markets The moral initiative that is grasped by enterprises that devise their own agendas of corporate social responsibility Both democratic politics and the free market are weakened by these processes, but they are largely inevitable and not always malign. Hope for the future, therefore, cannot lie in suppressing them in order to attain either an economy of pure markets or a socialist society. Rather it lies in dragging the giant corporation fully into political controversy. |
| sayak valencia gore capitalism: The Taken Javier Valdez Cárdenas, 2017-01-26 A massive wave of violence has rippled across Mexico over the past decade. In the western state of Sinaloa, the birthplace of modern drug trafficking, ordinary citizens live in constant fear of being “taken”—kidnapped or held against their will by armed men, whether criminals, police, or both. This remarkable collection of firsthand accounts by prize-winning journalist Javier Valdez Cárdenas provides a uniquely human perspective on life in Sinaloa during the drug war. The reality of the Mexican drug war, a conflict fueled by uncertainty and fear, is far more complex than the images conjured in popular imagination. Often missing from news reports is the perspective of ordinary people—migrant workers, schoolteachers, single mothers, businessmen, teenagers, petty criminals, police officers, and local journalists—people whose worlds center not on drugs or illegal activity but on survival and resilience, truth and reconciliation. Building on a rich tradition of testimonial literature, Valdez Cárdenas recounts in gripping detail how people deal not only with the constant threat of physical violence but also with the fear, uncertainty, and guilt that afflict survivors and witnesses. Mexican journalists who dare expose the drug war’s inconvenient political and social realities are censored and smeared, murdered, and “disappeared.” This is precisely why we need to hear from seasoned local reporters like Valdez Cárdenas who write about the places where they live, rely on a network of trusted sources built over decades, and tell the stories behind the headline-grabbing massacres and scandals. In his informative introduction to the volume, translator Everard Meade orients the reader to the broader armed conflict in Mexico and explains the unique role of Sinaloa as its epicenter. Reports on border politics and infamous drug traffickers may obscure the victims’ suffering. The Taken helps ensure that their stories will not be forgotten or suppressed. |
| sayak valencia gore capitalism: Revenge Capitalism Max Haiven, 2020 Capitalism has become a system of economic revenge, meted out against oppressed populations around the globe. |
| sayak valencia gore capitalism: The Authoritarian Public Sphere Alexander Dukalskis, 2017-01-20 Authoritarian regimes craft and disseminate reasons, stories, and explanations for why they are entitled to rule. To shield those legitimating messages from criticism, authoritarian regimes also censor information that they find threatening. While committed opponents of the regime may be violently repressed, this book is about how the authoritarian state keeps the majority of its people quiescent by manipulating the ways in which they talk and think about political processes, the authorities, and political alternatives. Using North Korea, Burma (Myanmar) and China as case studies, this book explains how the authoritarian public sphere shapes political discourse in each context. It also examines three domains of potential subversion of legitimating messages: the shadow markets of North Korea, networks of independent journalists in Burma, and the online sphere in China. In addition to making a theoretical contribution to the study of authoritarianism, the book draws upon unique empirical data from fieldwork conducted in the region, including interviews with North Korean defectors in South Korea, Burmese exiles in Thailand, and Burmese in Myanmar who stayed in the country during the military government. When analyzed alongside state-produced media, speeches, and legislation, the material provides a rich understanding of how autocratic legitimation influences everyday discussions about politics in the authoritarian public sphere. Explaining how autocracies manipulate the ways in which their citizens talk and think about politics, this book will be of interest to students and scholars of Asian politics, comparative politics and authoritarian regimes. |
| sayak valencia gore capitalism: Becoming Abigail Chris Abani, 2006-03-01 Compelling and gorgeously written, this is a coming-of-age novella like no other. Chris Abani explores the depths of loss and exploitation with what can only be described as a knowing tenderness. An extraordinary, necessary book.--Cristina Garcia, author of Dreaming in Cuban Abani's voice brings perspective to every moment, turning pain into a beautiful painterly meditation on loss and aloneness.--Aimee Bender, author of The Girl in the Flammable Skirt Abani's empathy for Abigail's torn life is matched only by his honesty in portraying it. Nothing at all is held back. A harrowing piece of work.--Peter Orner, author of The Esther Stories Tough, spirited, and fiercely independent Abigail is brought as a teenager to London from Nigeria by relatives who attempt to force her into prostitution. She flees, struggling to find herself in the shadow of a strong but dead mother. In spare yet haunting and lyrical prose reminiscent of Marguerite Duras, Abani brings to life a young woman who lives with a strength and inner light that will enlighten and uplift the reader. Chris Abani is a poet and novelist and the author, most recently, of GraceLand, which won the 2005 PEN/Hemingway Prize, a Silver Medal in the California Book Awards, and was a finalist for several other prizes including the Los Angeles Times Book Prize. His other prizes include a PEN Freedom-to-Write Award, a Prince Claus Award, and a Lannan Literary Fellowship. He lives and teaches in California. |
| sayak valencia gore capitalism: Our Word is Our Weapon Subcomandante Marcos, 2011-01-04 In this landmark book, Seven Stories Press presents a powerful collection of literary, philosophical, and political writings of the masked Zapatista spokesperson, Subcomandante Insurgente Marcos. Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico. Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves Zapatistas revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that have passed since their uprising, Marcos has altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths that Marcos has penned since January 1, 1994 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English. Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon. |
| sayak valencia gore capitalism: Do Not Disturb Michela Wrong, 2021-03-30 A powerful investigation into a grisly political murder and the authoritarian regime behind it: Do Not Disturb upends the narrative that Rwanda sold the world after one of the deadliest genocides of the twentieth century. We think we know the story of Africa’s Great Lakes region. Following the Rwandan genocide, an idealistic group of young rebels overthrew the brutal regime in Kigali, ushering in an era of peace and stability that made Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. But the truth was considerably more sinister. Vividly sourcing her story with direct testimony from key participants, Wrong uses the story of the murder of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s assassination. |
| sayak valencia gore capitalism: The Cybernetic Hypothesis Tiqqun, 2020-04-14 An early text from Tiqqun that views cybernetics as a fable of late capitalism, and offers tools for the resistance. The cybernetician's mission is to combat the general entropy that threatens living beings, machines, societies—that is, to create the experimental conditions for a continuous revitalization, to constantly restore the integrity of the whole. —from The Cybernetic Hypothesis This early Tiqqun text has lost none of its pertinence. The Cybernetic Hypothesis presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the teknê of threat reduction, which unfortunately has required the reduction of a disturbing humanity to packets of manageable information. Not so easily done. Not smooth. A matter of civil war, in fact. According to the authors, cybernetics is the latest master fable, welcomed at a certain crisis juncture in late capitalism. And now the interesting question is: Has the guest in the house become the master of the house? The “cybernetic hypothesis” is strategic. Readers of this little book are not likely to be naive. They may be already looking, at least in their heads, for a weapon, for a counter-strategy. Tiqqun here imagines an unbearable disturbance to a System that can take only so much: only so much desertion, only so much destituent gesture, only so much guerilla attack, only so much wickedness and joy. |
| sayak valencia gore capitalism: Disposable Women and Other Myths of Global Capitalism Melissa Wright, 2013-01-11 Everyday, around the world, women who work in the Third World factories of global firms face the idea that they are disposable. Melissa W. Wright explains how this notion proliferates, both within and beyond factory walls, through the telling of a simple story: the myth of the disposable Third World woman. This myth explains how young women workers around the world eventually turn into living forms of waste. Disposable Women and Other Myths of Global Capitalism follows this myth inside the global factories and surrounding cities in northern Mexico and in southern China, illustrating the crucial role the tale plays in maintaining not just the constant flow of global capital, but the present regime of transnational capitalism. The author also investigates how women challenge the story and its meaning for workers in global firms. These innovative responses illustrate how a politics for confronting global capitalism must include the many creative ways that working people resist its dehumanizing effects. |
| sayak valencia gore capitalism: The Colonial Counter-Revolution Sadri Khiari, 2021-09-28 How and when American-style slavery created the racial system, not just in the United States but internationally. We see the hatred we elicit, Islamophobia, Negrophobia; we see police numbers increase, repression spread, mechanisms of control and surveillance strengthened, structures of corruption and cronyism flourish, and bodies of institutionalization, integration, and supervision develop, but we do not see the cause, or one of the causes, which is none other than the threat that we now pose to the white order. --from The Colonial Counter-Revolution Just as Capital produced classes and patriarchy produced genders, colonialism produced race. In The Colonial Counter-Revolution, Sadri Khiari outlines how and when American-style slavery created the racial system, not just in the United States but internationally, and why the development of relationships of equality within the white community favored the crystallization of specifically racial social relations. More than just a response to the dialogue, debate, and trauma of immigration today, this book looks beyond the right/left dichotomy of the issue in politics to the more fundamental political existence of immigrants and Blacks, who must exist politically if they are to exist whatsoever. Race is not biological: race is political. And it is the manifestation of the colonial counter-revolution. In France, that counter-revolution started with General de Gaulle, and continues today, where the anti-colonialist fight of Palestinian Arabs and the anti-racist fight of Arabs and blacks in France have the same adversary: white Western domination. |
| sayak valencia gore capitalism: Campuses of Consent Theresa A. Kulbaga, Leland G. Spencer, 2019 This new book for scholars and university administrators offers a provocative critique of sexual justice language and policy in higher education around the concept of consent. Complicating the idea that consent is plain common sense, Campuses of Consent shows how normative and inaccurate concepts about gender, gender identity, and sexuality erase queer or trans students' experiences and perpetuate narrow, regressive gender norms and individualist frameworks for understanding violence. Theresa A. Kulbaga and Leland G. Spencer prove that consent in higher education cannot be meaningfully separated from larger issues of institutional and structural power and oppression. While sexual assault advocacy campaigns, such as It's On Us, federal legislation from Title IX to the Clery Act, and more recent affirmative-consent measures tend to construct consent in individualist terms, as something given or received by individuals, the authors imagine consent as something that can be constructed systemically and institutionally: in classrooms, campus communication, and shared campus spaces. |
| sayak valencia gore capitalism: "They Take Our Jobs!" Aviva Chomsky, 2018-04-24 Revised and expanded edition of the groundbreaking book which demystifies twenty-one of the most widespread myths and beliefs about immigrants and immigrations. Aviva Chomsky dismantles twenty-one of the most widespread and pernicious myths and beliefs about immigrants and immigration in this incisive book. They Take Our Jobs! challenges the underlying assumptions that fuel misinformed claims about immigrants, radically altering our notions of citizenship, discrimination, and US history. With fresh material including a new introduction, revised timeline, and updated terminology section, this expanded edition is essential reading for anyone who wants to understand how these myths are used to promote aggressive anti-immigrant policies. |
| sayak valencia gore capitalism: Capital Hates Everyone Maurizio Lazzarato, 2021-03-09 Why we must reject the illusory consolations of technology and choose revolution over fascism. We are living in apocalyptic times. In Capital Hates Everyone, famed sociologist Maurice Lazzarato points to a stark choice emerging from the magma of today's world events: fascism or revolution. Fascism now drives the course of democracies as they grow less and less liberal and increasingly subject to the law of capital. Since the 1970s, Lazzarato writes, capital has entered a logic of war. It has become, by the power conferred on it by financialization, a political force intent on destruction. Lazzarato urges us to reject the illusory consolations of a technology-abetted new kind of capitalism and choose revolution over fascism. |
| sayak valencia gore capitalism: The Femicide Machine Sergio Gonzalez Rodriguez, 2012-01-13 An account and analysis of the systematic murder of women and girls in the Mexican border town of Ciudad Juárez. In Ciudad Juarez, a territorial power normalized barbarism. This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves. —from The Femicide Machine Best known to American readers for his cameo appearances as The Journalist in Roberto Bolano's 2666 and as a literary detective in Javier Marías's novel Dark Back of Time, Sergio González Rodríguez is one of Mexico's most important contemporary writers. He is the author of Bones in the Desert, the most definitive work on the murders of women and girls in Juárez, Mexico, as well as The Headless Man, a sharp meditation on the recurrent uses of symbolic violence; Infectious, a novel; and Original Evil, a long essay. The Femicide Machine is the first book by González Rodríguez to appear in English translation. Written especially for Semiotext(e) Intervention series, The Femicide Machine synthesizes González Rodríguez's documentation of the Juárez crimes, his analysis of the unique urban conditions in which they take place, and a discussion of the terror techniques of narco-warfare that have spread to both sides of the border. The result is a gripping polemic. The Femicide Machine probes the anarchic confluence of global capital with corrupt national politics and displaced, transient labor, and introduces the work of one of Mexico's most eminent writers to American readers. |
| sayak valencia gore capitalism: The Iguala 43 Sergio González Rodríguez, Examines the disappearance and presumed murder of forty-three students in Iguala, Mexico, in 2014. |
| sayak valencia gore capitalism: Cruel Modernity Jean Franco, 2013-05-29 In Cruel Modernity, Jean Franco examines the conditions under which extreme cruelty became the instrument of armies, governments, rebels, and rogue groups in Latin America. She seeks to understand how extreme cruelty came to be practiced in many parts of the continent over the last eighty years and how its causes differ from the conditions that brought about the Holocaust, which is generally the atrocity against which the horror of others is measured. In Latin America, torturers and the perpetrators of atrocity were not only trained in cruelty but often provided their own rationales for engaging in it. When draining the sea to eliminate the support for rebel groups gave license to eliminate entire families, the rape, torture, and slaughter of women dramatized festering misogyny and long-standing racial discrimination accounted for high death tolls in Peru and Guatemala. In the drug wars, cruelty has become routine as tortured bodies serve as messages directed to rival gangs. Franco draws on human-rights documents, memoirs, testimonials, novels, and films, as well as photographs and art works, to explore not only cruel acts but the discriminatory thinking that made them possible, their long-term effects, the precariousness of memory, and the pathos of survival. |
| sayak valencia gore capitalism: Desert Blood Alicia Gaspar de Alba, 2005-03-31 It's the summer of 1998 and for five years over a hundred mangled and desecrated bodies have been found dumped in the Chihuahua desert outside of Juárez, México, just across the river from El Paso, Texas. The perpetrators of the ever-rising number of violent deaths target poor young women, terrifying inhabitants on both sides of the border. El Paso native Ivon Villa has returned to her hometown to adopt the baby of Cecilia, a pregnant maquiladora worker in Juárez. When Cecilia turns up strangled and disemboweled in the desert, Ivon is thrown into the churning chaos of abuse and murder. Even as the rapes and killings of girls from the south continue, their tragic stories written in desert blood, a conspiracy covers up the crimes that implicate everyone from the Maquiladora Association to the Border Patrol. When Ivon's younger sister gets kidnapped in Juárez, Ivon knows that it's up to her to find her sister, whatever it takes. Despite the sharp warnings she gets from family, friends, and nervous officials, Ivon's investigation moves her deeper and deeper into the labyrinth of silence. From acclaimed poet and prose-writer Alicia Gaspar de Alba, Desert Blood is a gripping thriller that ponders the effects of patriarchy, gender identity, border culture, transnationalism, and globalization on an international crisis. |
| sayak valencia gore capitalism: The Beast Oscar Martinez, 2014-06-03 An Economist and Financial Times “Best Book of the Year” “Harrowing” true stories from two years of immersion reporting on the migrant trail from Chiapas to Arizona—an “honorable successor to enduring works like George Orwell’s The Road to Wigan Pier” (New York Times) One day a few years ago, 300 migrants were kidnapped between the remote desert towns of Altar, Mexico, and Sasabe, Arizona. A local priest got 120 released, many with broken ankles and other marks of abuse, but the rest vanished. Óscar Martínez, a young writer from El Salvador, was in Altar soon after the abduction, and his account of the migrant disappearances is only one of the harrowing stories he garnered from two years spent traveling up and down the migrant trail from Central America and across the US border. More than a quarter of a million Central Americans make this increasingly dangerous journey each year, and each year as many as 20,000 of them are kidnapped. Martínez writes in powerful, unforgettable prose about clinging to the tops of freight trains; finding respite, work and hardship in shelters and brothels; and riding shotgun with the border patrol. Illustrated with stunning full-color photographs, The Beast is the first book to shed light on the harsh new reality of the migrant trail in the age of the narcotraficantes. |
| sayak valencia gore capitalism: Can the Monster Speak? Paul B. Preciado, 2021-08-03 Paul Preciado's controversial 2019 lecture at the École de la Cause Freudienne annual conference, published in a definitive translation for the first time. In November 2019, Paul Preciado was invited to speak in front of 3,500 psychoanalysts at the École de la Cause Freudienne's annual conference in Paris. Standing in front of the profession for whom he is a mentally ill person suffering from gender dysphoria, Preciado draws inspiration in his lecture from Kafka's Report to an Academy, in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars. Speaking from his own mutant cage, Preciado does not so much criticize the homophobia and transphobia of the founders of psychoanalysis as demonstrate the discipline's complicity with the ideology of sexual difference dating back to the colonial era--an ideology which is today rendered obsolete by technological advances allowing us to alter our bodies and procreate differently. Preciado calls for a radical transformation of psychological and psychoanalytic discourse and practices, arguing for a new epistemology capable of allowing for a multiplicity of living bodies without reducing the body to its sole heterosexual reproductive capability, and without legitimizing hetero-patriarchal and colonial violence. Causing a veritable outcry among the assembly, Preciado was heckled and booed and unable to finish. The lecture, filmed on smartphones, was published online, where fragments were transcribed, translated, and published with no regard for exactitude. With this volume, Can the Monster Speak? is published in a definitive translation for the first time. |
| sayak valencia gore capitalism: Domesticidad en Guerra Beatriz Colomina, 2006 |
| sayak valencia gore capitalism: Gender-Based Violence in Latin American and Iberian Cinemas Rebeca Maseda García, María José Gámez Fuentes, Barbara Zecchi, 2020-05-12 Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation. This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based violence. With essays from diverse cultural backgrounds and institutions, this collection analyzes a wide range of films across Latin America and the Iberian Peninsula. The volume makes use of varied perspectives including feminist, postcolonial, and queer theory to consider such issues as the visual configuration of power and inequality, the objectification and the invisibilization of women’s and LGBTQ subjects’ resistance, the role of female film-makers in transforming hegemonic accounts of violence, and the subversion of common tropes of gendered violence. This will be of significance for students and scholars in Latin American and Iberian studies, as well as in film studies, cultural studies, and gender and queer studies. |
| sayak valencia gore capitalism: Preliminary Materials for a Theory of the Young-Girl Tiqqun, 2012-06-22 A theoretical dissection of capitalism's ultimate form of merchandise: the living spectacle of the Young-Girl. The Young-Girl is not always young; more and more frequently, she is not even female. She is the figure of total integration in a disintegrating social totality. —from Theory of the Young-Girl First published in France in 1999, Preliminary Materials for a Theory of the Young-Girl dissects the impossibility of love under Empire. The Young-Girl is consumer society's total product and model citizen: whatever “type” of Young-Girl she may embody, whether by whim or concerted performance, she can only seduce by consuming. Filled with the language of French women's magazines, rooted in Proust's figure of Albertine and the amusing misery of (teenage) romance in Witold Gombrowicz's Ferdydurke, and informed by Pierre Klossowski's notion of “living currency” and libidinal economy, Preliminary Materials for a Theory of the Young-Girl diagnoses—and makes visible—a phenomenon that is so ubiquitous as to have become transparent. In the years since the book's first publication in French, the worlds of fashion, shopping, seduction plans, makeover projects, and eating disorders have moved beyond the comparatively tame domain of paper magazines into the perpetual accessibility of Internet culture. Here the Young-Girl can seek her own reflection in corporate universals and social media exchanges of “personalities” within the impersonal realm of the marketplace. Tracing consumer society's colonization of youth and sexuality through the Young-Girl's “freedom” (in magazine terms) to do whatever she wants with her body, Tiqqun exposes the rapaciously competitive and psychically ruinous landscape of modern love. |
| sayak valencia gore capitalism: Cultivation and Catastrophe Sonya Posmentier, 2017-06-30 Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- PART 1: CULTIVATION -- 1 Cultivating the New Negro: The Provision Ground in New York -- 2 Cultivating the Nation: The Reterritorialization of Black Poetry at Midcentury -- 3 Cultivating the Caribbean: The Star-Apple Kingdom, Property, and the Plantation -- PART 2: CATASTROPHE -- 4 Continuing Catastrophe: The Flood Blues of Sterling Brown and Bessie Smith -- 5 Collecting Catastrophe: How the Hurricane Roars in Zora Neale Hurston's -- 6 Collecting Culture: Hurricane Gilbert's Lyric Archive -- Coda: Unnatural Catastrophe -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z |
| sayak valencia gore capitalism: Immunodemocracy Donatella Di Cesare, 2021-05-04 A stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Immunodemocracy offers a stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Moving from the ecological question to the rule of experts, from the state of exception to immunitarian democracy, from rule by fear to the contagion of conspiracy theory, from forced distancing to digital control, Donatella Di Cesare examines how existence is already changing--and what its future political effects may be. In her own personal style, the author reconstructs the dramatic phases of what she calls the breathing catastrophe. Coronavirus is a sovereign virus that skirts its way around the walls of patriotism and the sovereignists' imperious frontiers. And it reveals in all its terrible crudeness the immunitarian logic that excludes the weakest and hits the poorest. The Cordon sanitaire of disengagement risks expanding beyond all proportion. The disparity between the protected and the helpless--a challenge to any idea of justice--has never been so blatant. The virus has not introduced, but merely brought out into the open the ruthlessness of the capitalism that is now wrapping us in its devastating spiral, in its compulsive, asphyxial vortex. Is it our final warning? The violent global pandemic shows that it is impossible for us to survive if we don't help each other. We will need to protect ourselves from protection and the specter of absolute immunization. When breathing can no longer be taken for granted, we need to rethink a new way of living together. |
| sayak valencia gore capitalism: The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms Taylor & Francis Group, 2022-07-15 This Companion brings together a team of expert contributors in this critical and innovative volume. This invaluable resource will be of interest to advanced students and academics in the fields of Latin American literature, cultural studies, and comparative literature. |
| sayak valencia gore capitalism: A Feminist Reading of Debt Luci Cavallero, Verónica Gago, 2021-04-20 This book seeks to politicize and collectivise the issue of debt from a feminist perspective. Examining the intimate connection between gender-based violence and exploitation through debt, the authors argue that there is no universal debtor-creditor relationship. Debt cannot be separated from concrete situations because rather than homogenizing differences in gender, race and location, debt exploits these distinctions. This work seeks to expand and deepen our understandings of finance and reproduction, as well as provide useful accounts of how to resist debt from some of those most affected.The book includes five interviews with women from different organizations in Argentina and Brazil. These interviews draw a map of contemporary forms of exploitation, showing how different women are affected by debt, how they connect financial violence to other forms of gender violence, and how they resist the subjugation that debt seeks to impose on them. The book concludes with a series of manifestos coming out of the Argentine feminist movement that demonstrate this feminist reading of debt. |
| sayak valencia gore capitalism: Name of the Dog Elmer Mendoza, 2018-07-10 AS MEXICO'S DRUG WAR DESCENDS INTO CHAOS, A GRISLY WAVE OF KILLINGS IS BEGINNING IN CULIACAN . . . AND DETECTIVE EDGAR LEFTY MENDIETA MUST FIND THE MURDERER. FROM ELMER MENDOZA, THE MASTER OF NARCO-LITERATURE (SACRAMENTO BEE) AND THE MOST IMPORTANT THING THAT'S HAPPENED TO MEXICAN LITERATURE IN THE LAST THIRTY YEARS (SUNDAY TELEGRAPH), COMES A THRILLING NOVEL THAT EXPLORES THE CORRUPT POLITICS AND DARK VIOLENCE OF THE CITY THAT MEXICO'S DRUG KINGPINS CALL HOME. It's Christmas in Culiacan and Detective Edgar Lefty Mendieta can't believe his luck: An old flame has returned with his teenage son he knew nothing about, and he couldn't be happier. But Jason Mendieta wants to follow in his father's footsteps--even as Mexico's drug war descends a slippery slope towards chaos. While Lefty pursues a lunatic who has taken to bumping off dentists with a heavy-calibre pistol, a secret agent infiltrates a meeting of the drug lords and hears Pacific Cartel boss Samantha Valdes implore her underlings to stay out of the war. But an audacious murder provokes Samantha into changing her mind and launching a grisly wave of killings across the country. There will be no quiet family Christmas for our detective, as Samantha persuades Lefty to help her find the killer that pushed everything over the edge. The truth he discovers will underline an old adage: revenge is a dish best served cold. |
| sayak valencia gore capitalism: The Violence of the Image Liam Kennedy, Caitlin Patrick, 2020-09-13 Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict. |
| sayak valencia gore capitalism: World Literature and Dissent Lorna Burns, Katie Muth, 2019 World Literature and Dissent reconsiders the role of dissent in the contemporary aesthetics of globalisation. Bringing together scholars from postcolonial and world literatures, the collection addresses themes of knowledge and the epistemology of ignorance, the rhetoric of innocence and enchantment, translation and global justice, and the aesthetics of revolution. The essays reframe the field of contemporary world literature in relation to dissenting politics and aesthetics, asking how we might theorise a world literature that cultivates radical thought and supports uncompromising resistance to the apparatuses of global inequality, furthers social justice and values human expression. -- |
| sayak valencia gore capitalism: Giving to God Amira Mittermaier, 2019-02-26 Giving to God examines the everyday practices of Islamic giving in post-revolutionary Egypt. From foods prepared in Sufi soup kitchens, to meals distributed by pious volunteers in slums, to almsgiving, these acts are ultimately about giving to God by giving to the poor. Surprisingly, many who practice such giving say that they do not care about the poor, instead framing their actions within a unique non-compassionate ethics of giving. At first, this form of giving may appear deeply selfish, but further consideration reveals that it avoids many of the problems associated with the idea of “charity.” Using the Egyptian uprising in 2011 and its call for social justice as a backdrop, this beautifully crafted ethnography suggests that “giving a man a fish” might ultimately be more revolutionary than “teaching a man to fish.” |
| sayak valencia gore capitalism: Kingdom Cons Yuri Herrera, 2017 In the court of the King, everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the kingdom to its core--Page 4 of cover. |
| sayak valencia gore capitalism: Antigona Gonzalez; Trans. by John Pluecker Sara María Uribe Sánchez, 2016 ANTÍGONA GONZÁLEZ is the story of the search for a body, a specific body, one of the thousands of bodies lost in the war against drug trafficking that began more than a decade ago in Mexico. A woman, Antígona González, attempts to narrate the disappearance of Tadeo, her elder brother. She searches for her brother among the dead. San Fernando, Tamaulipas, appears to be the end of her search.--Provided by publisher. |
| sayak valencia gore capitalism: Writing with Caca LUIS FELIPE. FABRE, 2021-11-30 Luis Felipe Fabre's WRITING WITH CACA essays a lyric investigation of the Mexican modernist writer Salvador Novo. The book centers around an investigation and reclaiming of Los Anales, the original, derogatory nickname given to Novo and his compadres in the modernist group Los Contemporáneos. Through Novo, Fabre conjures a poetics of the anus: It is not in vain that the sphinx and the sphincter share a single etymological origin, he writes. Similar to Robert Duncan's HD Book, Susan Howe's My Emily Dickinson, and Pierre Michon's Rimbaud the Son, Fabre's WRITING WITH CACA is as much biography as auto-biography, and brings to the US an important work by an important contemporary Mexican writer. A page-turner biography of the poet and writer Salvador Novo whose queer shoulder pushed every wall open. In here is Novo's deviant knowledge of what the shit and anus reveal of life, yet resists is sublimation. This book is not for the timid, or maybe it is precisely for them!--CAConrad Luis Felipe Fabre, one of the most exciting and virtuosic Mexican poets of his generation, knows a lot of good shit. He knows a lot about Salvador Novo, the scatalogical Mexican poet of the early 20th century who, according to Octavio Paz, wrote 'not with blood but with caca.' This terrific book (translated with acrobatic brilliance by John Pluecker), is a work of literary history, literary criticism, poetry, and excretory theory that travels from the Aztecs to Sor Juana to the Mexican Revolution and to contemporary times. Fabre makes a compelling argument for the importance of Novo's writing with caca, and for the importance of celebrating writers who are driven by the 'urge to take a crap on all universal literature.'--Daniel Borzutzky Poetry. Literary Nonfiction. |
| sayak valencia gore capitalism: The Enduring Debate David T. Canon, John J. Coleman, Kenneth R. Mayer, 2006 |
| sayak valencia gore capitalism: Extra/Ordinary Maria Elena Buszek, 2011-03-04 Contemporary artists such as Ghada Amer and Clare Twomey have gained international reputations for work that transforms ordinary craft media and processes into extraordinary conceptual art, from Amer’s monumental stitched paintings to Twomey’s large, ceramics-based installations. Despite the amount of attention that curators and gallery owners have paid to these and many other conceptual artists who incorporate craft into their work, few art critics or scholars have explored the historical or conceptual significance of craft in contemporary art. Extra/Ordinary takes up that task. Reflecting on what craft has come to mean in recent decades, artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine-art institutions understand and exhibit craft media, and offer accounts of activist crafting, or craftivism. Some contributors describe generational and institutional changes under way, while others signal new directions for scholarship, considering craft in relation to queer theory, masculinity, and science. Encompassing quilts, ceramics, letterpress books, wallpaper, and textiles, and moving from well-known museums to home workshops and political protests, Extra/Ordinary is an eclectic introduction to the “craft culture” referenced and celebrated by artists promoting new ways of thinking about the role of craft in contemporary art. Contributors. Elissa Auther, Anthea Black, Betty Bright, Nicole Burisch, Maria Elena Buszek, Jo Dahn, M. Anna Fariello, Betsy Greer, Andrew Jackson, Janis Jefferies, Louise Mazanti, Paula Owen, Karin E. Peterson, Lacey Jane Roberts, Kirsty Robertson, Dennis Stevens, Margaret Wertheim |
| sayak valencia gore capitalism: Tastemakers and Tastemaking NIAMH THORNTON, 2021-09 |
Sayak Chakraborty - Wikipedia
Sayak Chakraborty (born 27 September 1994) [1] [5] is a Bengali [6] actor, and YouTuber [7] who works in Bengali cinema. [8] He is known for his portrayal as Krishna in the TV serial …
sayak@ - YouTube
*ゲーム好きでおしゃべりしながら、動画を投稿中*まみむめも、sayak@ですゲームが大好き！プレイ記録をつけるのも大好き！
Sayak Chakraborty - IMDb
Sayak Chakraborty. Second Unit or Assistant Director: Bhooter Bhabishyat. Sayak Chakraborty is an Indian television actor.He known for his 2nd lead role of Lord Krishna in Mahaprabhu Sree …
Sayak Chakraborty - Bengali Actor & YouTuber
Sayak Chakraborty (born 27 September 1994) is a Bengali actor who works in Bengali cinema. He is known for his portrayal as Krishna in the TV serial Mahaprabhu Sri Chaitanya, a …
Sayak Chakraborty Bio: Movie, Age, Height, Weight, Wife, Net …
Nov 12, 2024 · Sayak Chakraborty has proven himself to be a talented actor with a bright future ahead. From his early beginnings to his rise to stardom, Sayak has captured the hearts of …
Sayak Chakraborty (@withlovesayak) • Instagram photos and …
465K Followers, 92 Following, 1,481 Posts - Sayak Chakraborty (@withlovesayak) on Instagram: "*Fashion | Lifestyle *Actor | Vlogger *Kolkata📍 ᴅᴍ ꜰᴏʀ ᴄᴏʟʟᴀʙ 💌"
Sayak Chakraborty - Wikitia
Sep 18, 2020 · Sayak Chakraborty is a Bengali actor known for his role in soap opera Mangal Chandi, which is broadcast on Colors Bangla, a Bengali-language cable television channel in …
Sayak Chakraborty - Simple English Wikipedia, the free …
Sayak Chakraborty (born 27 September 1994) [1] [2] is a Bengali actor and YouTuber [3] who works in Bengali cinema. [4]
Sayak Airport - Wikipedia
Sayak Airport (IATA: IAO, ICAO: RPNS), commonly known as Siargao Airport, is the main airport serving Siargao Island, Philippines. Located in the Municipality of Del Carmen, Surigao del …
Sayak Chakraborty (Actor) Height, Weight, Age, Wife, Biography …
Sayak Chakraborty is a popular Bengali television and film actor. He is best known for playing mythological and historical roles in TV serials like Mahaprabhu Sri Chaitanya and Rani …
Sayak Chakraborty - Wikipedia
Sayak Chakraborty (born 27 September 1994) [1] [5] is a Bengali [6] actor, and YouTuber [7] who works in Bengali cinema. [8] He is known for his portrayal as Krishna in the TV serial …
sayak@ - YouTube
*ゲーム好きでおしゃべりしながら、動画を投稿中*まみむめも、sayak@ですゲームが大好き！プレイ記録をつけるのも大好き！
Sayak Chakraborty - IMDb
Sayak Chakraborty. Second Unit or Assistant Director: Bhooter Bhabishyat. Sayak Chakraborty is an Indian television actor.He known for his 2nd lead role of Lord Krishna in Mahaprabhu Sree …
Sayak Chakraborty - Bengali Actor & YouTuber
Sayak Chakraborty (born 27 September 1994) is a Bengali actor who works in Bengali cinema. He is known for his portrayal as Krishna in the TV serial Mahaprabhu Sri Chaitanya, a …
Sayak Chakraborty Bio: Movie, Age, Height, Weight, Wife, Net …
Nov 12, 2024 · Sayak Chakraborty has proven himself to be a talented actor with a bright future ahead. From his early beginnings to his rise to stardom, Sayak has captured the hearts of …
Sayak Chakraborty (@withlovesayak) • Instagram photos and videos
465K Followers, 92 Following, 1,481 Posts - Sayak Chakraborty (@withlovesayak) on Instagram: "*Fashion | Lifestyle *Actor | Vlogger *Kolkata📍 ᴅᴍ ꜰᴏʀ ᴄᴏʟʟᴀʙ 💌"
Sayak Chakraborty - Wikitia
Sep 18, 2020 · Sayak Chakraborty is a Bengali actor known for his role in soap opera Mangal Chandi, which is broadcast on Colors Bangla, a Bengali-language cable television channel in …
Sayak Chakraborty - Simple English Wikipedia, the free encyclopedia
Sayak Chakraborty (born 27 September 1994) [1] [2] is a Bengali actor and YouTuber [3] who works in Bengali cinema. [4]
Sayak Airport - Wikipedia
Sayak Airport (IATA: IAO, ICAO: RPNS), commonly known as Siargao Airport, is the main airport serving Siargao Island, Philippines. Located in the Municipality of Del Carmen, Surigao del …
Sayak Chakraborty (Actor) Height, Weight, Age, Wife, Biography
Sayak Chakraborty is a popular Bengali television and film actor. He is best known for playing mythological and historical roles in TV serials like Mahaprabhu Sri Chaitanya and Rani …
