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| schoenberg short biography: Schoenberg and His World Walter Frisch, 2012-01-16 As the twentieth century draws to a close, Arnold Schoenberg (1874-1951) is being acknowledged as one of its most significant and multifaceted composers. Schoenberg and His World explores the richness of his genius through commentary and documents. Marilyn McCoy opens the volume with a concise chronology, based on the latest scholarship, of Schoenberg's life and works. Essays by Joseph Auner, Leon Botstein, Reinhold Brinkmann, J. Peter Burkholder, Severine Neff, and Rudolf Stephan examine aspects of his creative output, theoretical writings, relation to earlier music, and the socio-cultural contexts in which he worked. The documentary portions of Schoenberg and His World capture Schoenberg at critical periods of his career: during the first decades of the century, primarily in his native Vienna; from 1926 to 1933, in Berlin; and from 1933 on, in the U.S. Included here is the first complete translation into English of the remarkable Festschrift prepared for the 38-year-old Schoenberg by his pupils in 1912; it presciently explored the diverse talents as a composer, teacher, painter, and theorist for which he was later to be recognized. The Berlin years, when he held one of the most prestigious teaching positions in Europe, are represented by interviews with him and articles about his public lectures. The final portion of the volume, devoted to the theme Schoenberg and America, focuses on how the composer viewed--and was viewed by--the country where he spent his final eighteen years. Sabine Feisst brings together and comments upon sources which, contrary to much received opinion, attest to both the considerable impact that Schoenberg had upon his newly adopted land and his own deep involvement in its musical life. |
| schoenberg short biography: A Schoenberg Reader Joseph Auner, 2008-10-01 Arnold Schoenberg’s close involvement with many of the principal developments of twentieth-century music, most importantly the break with tonality and the creation of twelve-tone composition, generated controversy from the time of his earliest works to the present day. This authoritative new collection of Schoenberg’s essays, letters, literary writings, musical sketches, paintings, and drawings offers fresh insights into the composer’s life, work, and thought. The documents, many previously unpublished or untranslated, reveal the relationships between various aspects of Schoenberg’s activities in composition, music theory, criticism, painting, performance, and teaching. They also show the significance of events in his personal and family life, his evolving Jewish identity, his political concerns, and his close interactions with such figures as Gustav and Alma Mahler, Alban Berg, Wassily Kandinsky, and Thomas Mann. Extensive commentary by Joseph Auner places the documents and materials in context and traces important themes throughout Schoenberg’s career from turn-of-century Vienna to Weimar Berlin to nineteen-fifties Los Angeles. |
| schoenberg short biography: Fundamentals of Musical Composition Arnold Schönberg, 1977 |
| schoenberg short biography: Speechsong Richard Cavell, 2020 Speechsong is a work of imaginative musicology that addresses the engimas of Schoenberg and Gould, of singing and speaking, of Moses und Aron, of technology and being. Its point of departure is Gould's last public performance, given at the Wilshire Ebell Theatre in Los Angeles, where a number of Schoenberg's works were performed during his California exile. It is here, after that last performance, that Gould encounters a spectral Schoenberg in a staged conversation that explores Schoenberg's travails in rethinking the fundamentals of Western music. This first part of Speechsong recalls Schoenberg's operatic masterpiece, Moses und Aron, in which the divinely inspired Moses seeks the help of his brother to relate his vision: Moses speaks and Aron sings. Written as a twelve-tone composition, the opera produces an involution of harmonics that was Schoenberg's response to Richard Wagner's diatribes about synagogue noise. For Gould, Schoenberg's is a formalist revolution; Schoenberg's life, however, suggests that it was a search for personal and political freedom.The second half of Speechsong is a critical essay in twelve moments that re-articulates the staged conversation as an inquiry into the intersections of music and mediation. Gould's turn to the recording studio emerges as a post-humanist inquiry into recorded music as a repudiation of the virtuoso tradition and a liberation from unitary notions of selfhood. Schoenberg's exodus from musical tradition likewise takes his twelve-tone invention beyond musical performance, where it emerges, along with Gould's soundscapes, as a prototype of acoustic installations by artists such as Stephen Prina and Cory Arcangel. In these works, music abandons the concert hall and the exigencies of harmony for an acoustic space that embraces at once the recordings of Gould and the performances of Schoenberg that have found their home on the internet. Richard Cavell has written extensively on Marshall McLuhan and on media theory generally. He is the co-founder of the Media Studies program at the University of British Columbia and the curator of the website Spectres of McLuhan. Speechsong, his second critical performance piece, was preceded by Marinetti Dines with the High Command (2014). |
| schoenberg short biography: Structural Functions of Harmony Arnold Schoenberg, Leonard Stein, 1969 This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality. |
| schoenberg short biography: Schoenberg Hans Heinz Stuckenschmidt, 2018-01-01 The first complete study of one of the most important and controversial musicians of our time, Stuckenschmidt's book discusses all Schoenberg's works, some of them in great detail; it describes Schoenberg's relationship to his forerunners, contemporaries and successors not only in terms of music and the other arts, but also in connection with his social and psychological background.Many biographical details are revealed for the first time in this book; there had previously been no authoritative account of the last thirty years of Schoenberg's life. This book is thus both a biography of unique interest and a critical study. |
| schoenberg short biography: Style and Idea Arnold Schoenberg, 1984 One of the most influential collections of music ever published, Style and Idea includes Schoenberg’s writings about himself and his music as well as studies of many other composers and reflections on art and society. |
| schoenberg short biography: The Atonal Music of Arnold Schoenberg, 1908-1923 Bryan R. Simms, 2000 Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work. |
| schoenberg short biography: The Lives of the Great Composers Harold C. Schonberg, 1981-01-01 Biographies of the important composers from Monteverdi and Bach to Bartok and Webern are designed to show the history of music. |
| schoenberg short biography: Five orchestral pieces, op. 16 Arnold Schoenberg, 1999-01-01 Possessing a soloistic texture and variations in instrumental color defined by Grove's as chamber music for full orchestra, this 1909 work demonstrates the composer's daring explorations in music that renounces motivic connections and tonality. Includes bar-numbered movements and ample margins at the bottom of each page for notes and analysis. |
| schoenberg short biography: Forbidden Music Michael Haas, 2013-06-18 Offers a study of the Jewish composers and musicians banned by the Third Reich, and describes the consequences for music around the world. |
| schoenberg short biography: Beethoven, A Life Jan Caeyers, 2020-09-08 The authoritative Beethoven biography, endorsed by and produced in close collaboration with the Beethoven-Haus Bonn, is timed for the 250th anniversary of Beethoven's birth. With unprecedented access to the archives at the Beethoven House in Bonn, renowned Beethoven conductor and scholar Jan Caeyers expertly weaves together a deeply human and complex image of Beethoven—his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the “immortal beloved,” and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven’s music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist. Demonstrating an impressive command of the vast scholarship on this iconic composer, Caeyers brings Beethoven’s world alive with elegant prose, memorable musical descriptions, and vivid depictions of Bonn and Vienna—the cities where Beethoven produced and performed his works. Caeyers explores how Beethoven’s career was impacted by the historical and philosophical shifts taking place in the music world, and conversely, how his own trajectory changed the course of the music industry. Equal parts absorbing cultural history and lively biography, Beethoven, A Life paints a complex portrait of the musical genius who redefined the musical style of his day and went on to become one of the great pillars of Western art music. |
| schoenberg short biography: Arnold Schoenberg Letters Arnold Schoenberg, 1987-01-01 Background notes about each stage of his life and career, accompany Schoenberg's letters to artists, intellectuals, and fellow composers |
| schoenberg short biography: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| schoenberg short biography: Schoenberg's Atonal Music Jack Boss, 2021-08-12 Award-winning author Jack Boss returns with the 'prequel' to Schoenberg's Twelve-Tone Music (Cambridge, 2014) demonstrating that the term 'atonal' is meaningful in describing Schoenberg's music from 1908 to 1921. This book shows how Schoenberg's atonal music can be understood in terms of successions of pitch and rhythmic motives and pitch-class sets that flesh out the large frameworks of 'musical idea' and 'basic image'. It also explains how tonality, after losing its structural role in Schoenberg's music after 1908, begins to re-appear not long after as an occasional expressive device. Like its predecessor, Schoenberg's Atonal Music contains close readings of representative works, including the Op. 11 and Op. 19 Piano Pieces, the Op. 15 George-Lieder, the monodrama Erwartung, and Pierrot lunaire. These analyses are illustrated by richly detailed musical examples, revealing the underlying logic of some of Schoenberg's most difficult pieces of music. |
| schoenberg short biography: Grażyna Bacewicz, Her Life and Works Judith Rosen, 1984 |
| schoenberg short biography: Arnold Schoenberg Mark Berry, 2019-04-11 The most radical and divisive composer of the twentieth century, Arnold Schoenberg remains a hero to many, and a villain to many others. In this refreshingly balanced biography, Mark Berry tells the story of Schoenberg’s remarkable life and work, situating his tale within the wider symphony of nineteenth- and twentieth-century history. Born in the Jewish quarter of his beloved Vienna, Schoenberg left Austria for his early career in Berlin as a leading light of Weimar culture, before being forced to flee in the dead of night from Hitler’s Third Reich. He found himself in the United States, settling in Los Angeles, where he would inspire composers from George Gershwin to John Cage. Introducing all of Schoenberg’s major musical works, from his very first compositions, such as the String Quartet in D Major, to his invention of the twelve-tone method, Berry explores how Schoenberg’s revolutionary approach to musical composition incorporated Wagnerian late Romanticism and the brave new worlds of atonality and serialism. Essential reading for anyone interested in the music and history of the twentieth century, this book makes clear Schoenberg changed the history of music forever. |
| schoenberg short biography: Arnold Schoenberg Charles Rosen, 1996-09 In this lucid, revealing book, award-winning pianist and scholar Charles Rosen sheds light on the elusive music of Arnold Schoenberg and his challenge to conventional musical forms. Rosen argues that Schoenberg's music, with its atonality and dissonance, possesses a rare balance of form and emotion, making it, according to Rosen, the most expressive music ever written. Concise and accessible, this book will appeal to fans, non-fans, and scholars of Schoenberg, and to those who have yet to be introduced to the works of one of the greatest composers of the twentieth century. Arnold Schoenberg is one of the most brilliant monographs ever to be published on any composer, let alone the most difficult master of the present age. . . . Indispensable to anyone seeking to understand the crucial musical ideas of the first three decades.—Robert Craft, New York Review of Books What Mr. Rosen does far better than one could reasonably expect in so concise a book is not only elucidate Schoenberg's composing techniques and artistic philosophy but to place them in history.—Donal Henahan, New York Times Book Review For the novice and the knowledgeable, Mr. Rosen's book is very important reading, either as an introduction to the master or as a stimulus to rethinking our opinions of him. Mr. Rosen's accomplishment is enviable.—Joel Sachs, Musical Quarterly |
| schoenberg short biography: Schoenberg Hans Heinz Stuckenschmidt, 2014-04-29 Many biographical details are revealed for the first time in this book; there had previously been no authoritative account of the last thirty years of Schoenberg's life. This book is thus both a biography of unique interest and a critical study. |
| schoenberg short biography: Begin Again Kenneth Silverman, 2012-07-11 A man of extraordinary and seemingly limitless talents—musician, inventor, composer, poet, and even amateur mycologist—John Cage became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. Silverman begins with Cage’s childhood in interwar Los Angeles and his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of his creativity. Cage continued his studies in the United States with the seminal modern composer Arnold Schoenberg, and he soon began the experiments with sound and percussion instruments that would develop into his signature work with prepared piano, radio static, random noise, and silence. Cage’s unorthodox methods still influence artists in a wide range of genres and media. Silverman concurrently follows Cage’s rich personal life, from his early marriage to his lifelong personal and professional partnership with choreographer Merce Cunningham, as well as his friendships over the years with other composers, artists, philosophers, and writers. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. !--?xml:namespace prefix = o ns = urn:schemas-microsoft-com:office:office /-- |
| schoenberg short biography: Dictionary of World Biography: The 20th century, O-Z Frank Northen Magill, Christina J. Moose, Alison Aves, 1999-11 Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography. |
| schoenberg short biography: Mr. Capone Robert Schoenberg, 1993-09-30 All I ever did was to sell beer and whiskey to our best people. All I ever did was to supply a demand that was pretty popular. Why, the very guys that make my trade good are the ones that yell the loudest about me. Some of the leading judges use the stuff. When I sell liquor, it's called bootlegging. When my patrons serve it on silver trays on Lake Shore Drive, it's called hospitality. -- Al Capone |
| schoenberg short biography: Great Pianists Harold C. Schonberg, 1987 Surveys the careers and personalities of the great pianists from Clementi and Mozart to the present day. |
| schoenberg short biography: The Early Works of Arnold Schoenberg, 1893-1908 Walter Frisch, 1997-01-01 Between 1893 and 1908, composer Arnold Schoenberg created many genuine masterworks in the genres of Lieder, chamber music and symphonic music. Here is the first full-scale account of Schoenberg's rich repertory of early tonal works. 139 music examples. 2 illustrations. |
| schoenberg short biography: The Music Division Library of Congress, 1972 |
| schoenberg short biography: Mingus Speaks John Goodman, 2013-05-20 Charles Mingus is among jazz’s greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer’s spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race. Augmented with interviews and commentary by ten close associates—including Mingus’s wife Sue, Teo Macero, George Wein, and Sy Johnson—Mingus Speaks provides a wealth of new perspectives on the musician’s life and career. As a writer for Playboy, John F. Goodman reviewed Mingus’s comeback concert in 1972 and went on to achieve an intimacy with the composer that brings a relaxed and candid tone to the ensuing interviews. Much of what Mingus shares shows him in a new light: his personality, his passions and sense of humor, and his thoughts on music. The conversations are wide-ranging, shedding fresh light on important milestones in Mingus’s life such as the publication of his memoir, Beneath the Underdog, the famous Tijuana episodes, his relationships, and the jazz business. |
| schoenberg short biography: Facing the Music Harold C. Schonberg, 1981 A selection of the Pulitzer Prize-winning critic's writings on music and music criticism, composers, contemporary music, singers and vocal music, musicians, pianists, conductors and performance practice. |
| schoenberg short biography: Gabriel Faure Jessica Duchen, 2000-01-05 A comprehensive overview of the life and career of French composer. |
| schoenberg short biography: Alma Rose Richard Newman, 2003 Presents the story of a woman who saved the lives of many Jews who were members in her orchestra in Auschwitz. |
| schoenberg short biography: Composers of the Nazi Era Michael H. Kater, 1999-12-23 How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? Composers of the Nazi Era is the final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), which won the Wallace K. Ferguson Prize of the Canadian Historical Association. Here, historian Michael H. Kater provides a detailed study of the often interrelated careers of eight prominent German composers who lived and worked amid the dictatorship of the Third Reich, or were driven into exile by it: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this may be discerned from their music. After chapters discussing the circumstances of each composer individually, Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned. The final chapter also extends the discussion beyond the end of World War II to examine how the composers reacted to the new and fragile democracy in Germany. |
| schoenberg short biography: Schoenberg Remembered Dika Newlin, 1980 During the period covered by these diaries ... I have confied myself, in the main, to those daily entries which are directly or indirectly concerned with Schoenberg.--Foreword. |
| schoenberg short biography: The Doctor Faustus Dossier E. Randol Schoenberg, 2018-06-08 Arnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann’s novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters in this essential volume are complemented by diary entries, related articles, and other primary source materials, as well as an introduction by German studies scholar Adrian Daub that contextualizes the impact these two great artists had on twentieth-century thought and culture. |
| schoenberg short biography: Schoenberg's New World Sabine Feisst, 2017-01-01 Arnold Schoenberg was a polarizing figure in twentieth century music, and his works and ideas have had considerable and lasting impact on Western musical life. A refugee from Nazi Europe, he spent an important part of his creative life in the United States (1933-1951), where he produced a rich variety of works and distinguished himself as an influential teacher. However, while his European career has received much scholarly attention, surprisingly little has been written about the genesis and context of his works composed in America, his interactions with Americans and other émigrés, and the substantial, complex, and fascinating performance and reception history of his music in this country. Author Sabine Feisst illuminates Schoenberg's legacy and sheds a corrective light on a variety of myths about his sojourn. Looking at the first American performances of his works and the dissemination of his ideas among American composers in the 1910s, 1920s and early 1930s, she convincingly debunks the myths surrounding Schoenberg's alleged isolation in the US. Whereas most previous accounts of his time in the US have portrayed him as unwilling to adapt to American culture, this book presents a more nuanced picture, revealing a Schoenberg who came to terms with his various national identities in his life and work. Feisst dispels lingering negative impressions about Schoenberg's teaching style by focusing on his methods themselves as well as on his powerful influence on such well-known students as John Cage, Lou Harrison, and Dika Newlin. Schoenberg's influence is not limited to those who followed immediately in his footsteps-a wide range of composers, from Stravinsky adherents to experimentalists to jazz and film composers, were equally indebted to Schoenberg, as were key figures in music theory like Milton Babbitt and David Lewin. In sum, Schoenberg's New World contributes to a new understanding of one of the most important pioneers of musical modernism. |
| schoenberg short biography: The Biography Book Daniel S. Burt, 2001-02-28 From Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals. |
| schoenberg short biography: Theory of Harmony Arnold Schoenberg, 1978 |
| schoenberg short biography: Gustav Holst Michael Short, 2014 |
| schoenberg short biography: Fourth string quartet, op. 37 Arnold Schoenberg, 1939 |
| schoenberg short biography: Richard Gerstl Diethard Leopold, 2016 The art academy failed to recognise his talent; he rejected the contemporary art scene in Vienna; and his visionary work was largely neglected during his lifetime: the painter Richard Gerstl (1883-1908), whose creative period lasted for just four intensive years, is regarded today as one of the most important representatives of Austrian Expressionism for his portraits and landscapes. With his early pictures Self-Portrait against a Blue Background and The Sisters Karoline and Pauline Frey Richard Gerstl began to create an oeuvre which was well ahead of his times and which made him one of the pioneers of Abstract Expressionism. In 1906 Gerstl met the musician Arnold Schönberg. He embarked upon an affair with the latter's wife Mathilde, who briefly left her husband but then returned to him in 1908. Gerstl not only lost his lover but was also socially isolated; he committed suicide during that same year. His work sank into oblivion |
| schoenberg short biography: Arnold Schoenberg Mark Berry, 2019-04-15 The most radical and divisive composer of the twentieth century, Arnold Schoenberg remains a hero to many, and a villain to many others. In this refreshingly balanced biography, Mark Berry tells the story of Schoenberg’s remarkable life and work, situating his tale within the wider symphony of nineteenth- and twentieth-century history. Born in the Jewish quarter of his beloved Vienna, Schoenberg left Austria for his early career in Berlin as a leading light of Weimar culture, before being forced to flee in the dead of night from Hitler’s Third Reich. He found himself in the United States, settling in Los Angeles, where he would inspire composers from George Gershwin to John Cage. Introducing all of Schoenberg’s major musical works, from his very first compositions, such as the String Quartet in D Major, to his invention of the twelve-tone method, Berry explores how Schoenberg’s revolutionary approach to musical composition incorporated Wagnerian late Romanticism and the brave new worlds of atonality and serialism. Essential reading for anyone interested in the music and history of the twentieth century, this book makes clear Schoenberg changed the history of music forever. |
| schoenberg short biography: Schoenberg: a Critical Biography Willi Reich, 1971 |
Arnold Schoenberg - Wikipedia
Arnold Schoenberg or Schönberg [a] (13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer.
Arnold Schoenberg | Biography, Compositions, & Facts | Britannica
Jun 2, 2025 · Arnold Schoenberg, Austrian-American composer who created new methods of musical composition involving atonality, namely serialism and the 12-tone row. He was also …
Category:Schoenberg, Arnold - IMSLP
Arnold Schoenberg (13 September 1874 — 13 July 1951) Alternative Names/Transliterations: Arnold Franz Walter Schoenberg, Arnold Schönberg, Шёнберг, Арнольд (rus), (ar) أرنولد …
Schoenberg, Arnold - Encyclopedia.com
SCHOENBERG, ARNOLD (1874–1951), composer, teacher, and theorist; discoverer of the "method of composition with twelve tones related to one another" as he himself described it. …
Who was Arnold Schönberg? — Google Arts & Culture
Arnold Schoenberg at the University of Southern California (1935) by University of Southern CaliforniaArnold Schönberg Center. Employers Bankhaus Werner & Co. (Vienna, 1891–1895) …
Arnold Schoenberg | New Music Works
ARNOLD SCHOENBERG (13 September 1874 – 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, …
Arnold Schoenberg Biography, Facts, Videos, and Works
Arnold Schoenberg was one of the most influential composers and music theorists of the 20th century. Schoenberg’s works represent a significant transition in Western classical music, …
Arnold Schoenberg summary | Britannica
Arnold Schoenberg, (born Sept. 13, 1874, Vienna, Austro-Hungarian Empire—died July 13, 1951, Los Angeles, Calif., U.S.), Austrian-born U.S. composer. He was raised as a Catholic by his …
Lew Schoenberg Obituary (03/09/1941 - 04/16/2025) - Portland, …
Jun 9, 2025 · Lew Schoenberg, who died after a long illness on April 16, was born March 9, 1941 in Brooklyn, NY to George and Etta Schoenberg. He ran track at Erasmus High School in …
Arnold Schoenberg (1874-1951) | Schoenblog.com
Arnold Schoenberg (1874-1951), considered the father of modern music, was the greatest and most influential composer of his generation. He was born in Vienna on September 13, 1874 to …
Arnold Schoenberg - Wikipedia
Arnold Schoenberg or Schönberg [a] (13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer.
Arnold Schoenberg | Biography, Compositions, & Facts | Britannica
Jun 2, 2025 · Arnold Schoenberg, Austrian-American composer who created new methods of musical composition involving atonality, namely serialism and the 12-tone row. He was also …
Category:Schoenberg, Arnold - IMSLP
Arnold Schoenberg (13 September 1874 — 13 July 1951) Alternative Names/Transliterations: Arnold Franz Walter Schoenberg, Arnold Schönberg, Шёнберг, Арнольд (rus), (ar) أرنولد …
Schoenberg, Arnold - Encyclopedia.com
SCHOENBERG, ARNOLD (1874–1951), composer, teacher, and theorist; discoverer of the "method of composition with twelve tones related to one another" as he himself described it. …
Who was Arnold Schönberg? — Google Arts & Culture
Arnold Schoenberg at the University of Southern California (1935) by University of Southern CaliforniaArnold Schönberg Center. Employers Bankhaus Werner & Co. (Vienna, 1891–1895) …
Arnold Schoenberg | New Music Works
ARNOLD SCHOENBERG (13 September 1874 – 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, …
Arnold Schoenberg Biography, Facts, Videos, and Works
Arnold Schoenberg was one of the most influential composers and music theorists of the 20th century. Schoenberg’s works represent a significant transition in Western classical music, …
Arnold Schoenberg summary | Britannica
Arnold Schoenberg, (born Sept. 13, 1874, Vienna, Austro-Hungarian Empire—died July 13, 1951, Los Angeles, Calif., U.S.), Austrian-born U.S. composer. He was raised as a Catholic by his …
Lew Schoenberg Obituary (03/09/1941 - 04/16/2025) - Portland, …
Jun 9, 2025 · Lew Schoenberg, who died after a long illness on April 16, was born March 9, 1941 in Brooklyn, NY to George and Etta Schoenberg. He ran track at Erasmus High School in …
Arnold Schoenberg (1874-1951) | Schoenblog.com
Arnold Schoenberg (1874-1951), considered the father of modern music, was the greatest and most influential composer of his generation. He was born in Vienna on September 13, 1874 to …
