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| sarumino: Basho and the Dao Peipei Qiu, 2005-07-31 Although haiku is well known throughout the world, few outside Japan are familiar with its precursor, haikai (comic linked verse). Fewer still are aware of the role played by the Chinese Daoist classics in turning haikai into a respected literary art form. Bashō and the Dao examines the haikai poets’ adaptation of Daoist classics, particularly the Zhuangzi, in the seventeenth century and the eventual transformation of haikai from frivolous verse to high poetry. The author analyzes haikai’s encounter with the Zhuangzi through its intertextual relations with the works of Bashō and other major haikai poets, and also the nature and characteristics of haikai that sustained the Zhuangzi’s relevance to haikai poetic construction. She demonstrates how the haikai poets’ interest in this Daoist work was rooted in the intersection of deconstructing and reconstructing the classical Japanese poetic tradition. Well versed in both Chinese and Japanese scholarship, Qiu explores the significance of Daoist ideas in Bashō’s and others’ conceptions of haikai. Her method involves an extensive hermeneutic reading of haikai texts, an in-depth analysis of the connection between Chinese and Japanese poetic terminology, and a comparison of Daoist traits in both traditions. The result is a penetrating study of key ideas that have been instrumental in defining and rediscovering the poetic essence of haikai verse. Bashō and the Dao adds to an increasingly vibrant area of academic inquiry—the complex literary and cultural relations between Japan and China in the early modern era. Researchers and students of East Asian literature, philosophy, and cultural criticism will find this book a valuable contribution to cross-cultural literary studies and comparative aesthetics. |
| sarumino: Basho and His Interpreters Makoto Ueda, 1991 This book has a dual purpose. The first is to present in a new English translation 255 representative hokku (or haiku) poems of Matsuo Basho (1644-94), the Japanese poet who is generally considered the most influential figure in the history of the genre. The second is to make available in English a wide spectrum of Japanese critical commentary on the poems over the last three hundred years. |
| sarumino: A History of Japanese Literature Shūichi Katō, 1997 A new simplified edition translated by Don Sanderson. The original three-volume work, first published in 1979, has been revised specially as a single volume paperback which concentrates on the development of Japanese literature. |
| sarumino: National Union Catalog , 1981 |
| sarumino: Dawn to the West Donald Keene, 1998 |
| sarumino: Subject Catalog Library of Congress, |
| sarumino: The Princeton Companion to Classical Japanese Literature Earl Miner, Robert E. Morrell, Hiroko Odagiri, 2020-09-01 The description for this book, The Princeton Companion to Classical Japanese Literature, will be forthcoming. |
| sarumino: Basho?s Linked Verse Kazumitsu Ito, 2025-01-11 This book was the culmination of over 10 years of dedicated effort. Especially, it presents a comprehensive translation of Basho's linked verse, encompassing 576 poems across 16 volumes, along with the results of my research on linked verses using statistical methods. There had been no complete English translation of all the 576 poems in 16 volumes. An introduction is provided for those encountering Basho's linked verses for the first time. The notes section elucidates difficult Japanese words, cultural nuances, and references to classical literature. |
| sarumino: Library of Congress Catalogs Library of Congress, 1978 |
| sarumino: Destiny, the Inward Quest, Temporality and Life Anna-Teresa Tymieniecka, 2011-04-20 “There is no greater gift to man than to understand nothing of his fate”, declares poet-philosopher Paul Valery. And yet the searching human being seeks ceaselessly to disentangle the networks of experiences, desires, inward promptings, personal ambitions, and elevated strivings which directed his/her life-course within changing circumstances in order to discover his sense of life. Literature seeks in numerous channels of insight the dominant threads of “the sense of life”, “the inward quest”, “the frames of experience” in reaching the inward sources of what we call ‘destiny’ inspired by experience and temporality which carry it on. This unusual collection reveals the deeper generative elements which form sense of life stretching between destiny and doom. They escape attention in their metamorphic transformations of the inexorable, irreversibility of time which undergoes different interpretations in the phases examining our life. Our key to life has to be ever discovered anew. |
| sarumino: The Penguin Book of Japanese Verse Anthony Thwaite, 2009-09-03 Poetry remains a living part of the culture of Japan today. The clichés of everyday speech are often to be traced to famous ancient poems, and the traditional forms of poetry are widely known and loved. The congenial attitude comes from a poetical history of about a millennium and a half. This classic collection of verse therefore contains poetry from the earliest, primitive period, through the Nara, Heian, Kamakura, Muromachi and Edo periods, ending with modern poetry from 1868 onwards, including the rising poets Tamura Ryuichi and Tanikawa Shuntaro. |
| sarumino: Far Beyond the Field Makoto Ueda, 2003 Far Beyond the Field is a first-of-its-kind anthology of haiku by Japanese women, collecting translations of four hundred haiku written by twenty poets from the seventeenth century to the present. By arranging the poems chronologically, Makoto Ueda has created an overview of the way in which this enigmatic seventeen-syllable form has been used and experimented with during different eras. At the same time, the reader is admitted to the often marginalized world of female experience in Japan, revealing voices every bit as rich and colorful, and perhaps even more lyrical and erotic, than those found in male haiku. Listen, for instance, to Chiyojo, who worked in what has been long thought of as the dark age of haiku during the eighteenth century, but who composed exquisitely fine poems tracing the smallest workings of nature. Or Katsuro Nobuko, who wrote powerfully erotic poems when she was widowed after only two years of marriage. And here, too, is a voice from today, Mayuzumi Madoka, whose meditations on romantic love represent a fresh new approach to haiku. |
| sarumino: Los 7 poetas del Haikú Juan Manuel Cuartas Restrepo, 2005 |
| sarumino: Traces of Dreams Haruo Shirane, 1998 Basho (1644-94) is perhaps the best known Japanese poet in both Japan and the West, and this book establishes the ground for badly needed critical discussion of this critical figure by placing the works of Basho and his disciples in the context of broader social change. |
| sarumino: The Journal of the Association of Teachers of Japanese Association of Teachers of Japanese (U.S.), 2000 |
| sarumino: Origin Cid Corman, 1963 |
| sarumino: A Sheep's Song Shûichi Katô, 1999-05-03 This critically acclaimed autobiography was an instant bestseller in Japan, where it has gone through more than forty printings since its first publication. Cultural critic, literary historian, novelist, poet, and physician, Kato Shuichi reconstructs his dramatic spiritual and intellectual journey from the militarist era of prewar Japan to the dynamic postwar landscapes of Japan and Europe. This fluid translation of A Sheep's Song captures Kato's unique voice and brings his insightful interpretation of modern Japan and its tumultuous relations with the outside world to English-speaking readers for the first time. Kato describes his youthful interest in the natural sciences as well as in Japanese and Western literatures—from the Man'yoshu to Akutagawa Ryunosuke, Baudelaire, Valéry, and Proust. Turning to the rise of Japanese fascism in the late 1930s, he recalls his rebellion against the jingoistic political atmosphere of the time. The chapters on the war and its aftermath include experiences of Hiroshima shortly after the bombing and the often tragicomic encounters between the defeated Japanese nation and the American Occupation forces. Throughout, memories of his wide-ranging literary career and broad experiences in Europe as a student, traveler, and cultural observer are punctuated by his unique perspectives on the relation between imagination, art, and politics. A postscript written especially for the English-language edition discusses the Vietnam War, the subsequent transformation of Japan, the cultures and societies of Europe, the United States, and China, and the collapse of the Soviet Union. |
| sarumino: Japanische Chrestomathie Bruno Lewin, 1965 |
| sarumino: K.B.S. Bibliographical Register of Important Works Written in Japanese on Japan and the Far East Kokusai Bunka Shinokai, 1942 |
| sarumino: K.B.S. Bibliographical Register of Important Works Written in Japanese on Japan and the Far East Published During the Year ... Kokusai Bunka Shinkōkai, 1942 |
| sarumino: Japanese Women Poets: An Anthology Hiroaki Sato, 2014-12-18 Throughout history, Japanese women have excelled in poetry - from the folk songs of the Kojiki (Record of Ancient Matters) compiled in 712 and the court poetry of the 9th to the 14th centuries, on through the age of haikai and kanshi to the 19th century, into the contemporary period when books of women's poems have created a sensation.This anthology presents examples of the work of more than 100 Japanese women poets, arranged chronologically, and of all the major verse forms: choka, tanka, haikai (haiku), kanshi (verse written in Chinese), and free verse. The poems describe not just seasonal changes and the vagaries of love - which form the thematic core of traditional Japanese poetry - but also the devastations of war, childbirth, conflicts between child-rearing and work, experiences as refugees, experiences as non-Japanese residents in Japan, and more.Sections of poetry open with headnotes, and the editor has provided explanations of terms and references for those unfamiliar with the Japanese language. Other useful tools include a glossary of poetic terms, a chronology, and a bibliography that points the reader toward other works by and about these poets. There is no comparable collection available in English.Students and anyone who appreciates poetry and Japanese culture will treasure this magnificent anthology. Editor and translator Hiroaki Sato is a past winner of the PEN America translator prize and the Japan-United States Friendship Commission's 1999 literary translation award. |
| sarumino: Literature Criticism from 1400 to 1800 , 2001 |
| sarumino: Subject Catalog, 1975 Library of Congress, 1975 |
| sarumino: The Penguin Book of Haiku Adam L. Kern, 2018-05-31 'A revelation' Sunday Times, Books of the Year 2018 The first Penguin anthology of Japanese haiku, in vivid new translations by Adam L. Kern. Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running three lines long in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form. Adam L. Kern's new translations are accompanied here by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period. |
| sarumino: A History of Japanese Literature Shuichi Kato, Don Sanderson, 2013-04-15 A new simplified edition translated by Don Sanderson. The original three-volume work, first published in 1979, has been revised specially as a single volume paperback which concentrates on the development of Japanese literature. |
| sarumino: Monumenta Nipponica , 1982 Includes section Reviews. |
| sarumino: Monographic Series Library of Congress, 1978 |
| sarumino: Origin; Second Series , 1971 |
| sarumino: Subject Catalog, 1977 Library of Congress, 1977 |
| sarumino: Poetry Criticism Cumulative Title Index 08 , 2008-05 |
| sarumino: World Within Walls Donald Keene, 1999 The Tokugawa family held the shogunate from 1603 to 1867, ruling Japan and keeping the island nation isolated from the rest of the world for more than 250 years. Donald Keene looks within the walls of isolation and meticulously chronicles the period's vast literary output, providing both lay readers and scholars with the definitive history of premodern Japanese literature. World Within Walls spans the age in which Japanese literature began to reach a popular audience--as opposed to the elite aristocratic readers to whom it had previously been confined. Keene comprehensively treats each of the new, popular genres that arose, including haiku, Kabuki, and the witty, urbane prose of the newly ascendant merchant class. |
| sarumino: The Library Catalogs of the Hoover Institution on War, Revolution, and Peace, Stanford University: Catalog of the Japanese Collection Hoover Institution on War, Revolution, and Peace, 1969 |
| sarumino: Éléments de bibliographie japonaise : ouvrages traduits du japonais, études en langues occidentales Francine Hérail, 1985-12-31T23:00:00+01:00 Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine. |
| sarumino: Subject Catalog, 1981 Library of Congress, 1981 |
| sarumino: La Sente des Contrées secrètes Matsuo Bashô, 2019-06-06 Oku no Hosomichi, ou, dans une traduction imagée, La Sente des Contrées secrète, a été publié en 1689. Il s’agit l’ultime journal de voyage de Matsuo Bashô, maître incontesté du haïku, ces courtes poésies de trois vers, si caractéristiques de la culture japonaise. En effet, au retour de ses pérégrinations à travers son archipel qu’il appréciait tant, Bashô décrivait chaque étape et y incluait un haïku qui cristallisait ses émotions. Dans cet ouvrage, Jean Marc Chounavelle a complété sa traduction par un commentaire accompagnant chaque élégie. Son objectif est d’éclairer le lecteur sur la subtilité des métaphores, et lui permettre d’appréhender et d’apprécier les savantes allégories, allusions ou évocations littéraires, ainsi que les réminiscences ou références historiques qu’a aimé utiliser le poète et qui enrichissent son oeuvre. |
| sarumino: Reading Japanese Haikai Poetry Herbert H. Jonsson, 2015-12-22 In Reading Japanese Haikai Poetry Herbert Jonsson makes an inquiry into the multitude ways in which Japanese linked haikai poetry has been read and understood. A number of poems composed by the eighteenth-century master Yosa Buson are analyzed in great detail. Although closely related to the popular haiku, haikai is often regarded as difficult for non-specialists, but this study offers the reader a wealth of explanations, displaying the varied perspectives available. The first part of the book consists of a thorough investigation of how these poems have been interpreted in the Japanese commentary tradition. The second concluding part offers an innovative study of the poetics of scent (nioizuke), essential for understanding the creative force of this poetry. |
| sarumino: Das blaue Glühen des Rittersporn-- Andreas Wittbrodt, 2005 |
| sarumino: Nachrichten Gesellschaft für Natur- und Völkerkunde Ostasiens, 1964 |
| sarumino: Matsuo Bash?’s Poetic Spaces E. Kerkham, 2006-12-11 Haikai is an art that parodies and often subverts its linguistic, generic, and personal predecessors, and its intersections include imaginative links to the rest of Japanese literature and culture. This collection of essays explores certain neglected aspects of this haikaimaster's literary and philosophical contributions. |
| sarumino: Wind Chimes , |
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