Russian Piano Makers

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  russian piano makers: Piano Makers in Russia in the Nineteenth Century Anne Swartz, 2014-08-01 This book is a detailed study of the history of the piano in Russian society from its beginnings with the European entrepreneurs who settled in St. Petersburg in 1810, through Russian-owned family firms. The themes in this book range from the role of women as patrons and performers, to the economic transformation that benefited Russian piano manufacturers.
  russian piano makers: Men, Women and Pianos Arthur Loesser, 2012-04-27 A renowned concert pianist traces the instrument's design, manufacture, and music in a delightful piano's eye-view of the social history of Western Europe and the United States from the 16th to the 20th centuries.
  russian piano makers: The Lost Pianos of Siberia Sophy Roberts, 2020-02-06 A SUNDAY TIMES BEST PAPERBACK OF 2021 * Shortlisted for the 2021 Stanford Dolman Travel Book of the Year prize * A critically-acclaimed Sunday Times, Spectator and Independent Book of 2020 * Now with colour photography by Michael Turek 'Richly absorbing... An impressive exploration of Siberia's terrifying past.' Guardian 'Evocative and wonderfully original.' Colin Thubron __________ Siberia's expansive history is traditionally one of exiles, bitter cold and suffering. Yet there is another tale to tell. Dotted throughout this remote and beautiful landscape are pianos created during the boom years of the nineteenth century. They tell the story of how, ever since entering Russian culture under the influence of Catherine the Great, piano music has run through the country like blood. How these pianos made the journey into this snow-bound wilderness in the first place is remarkable. That they might be capable of making music in such a hostile landscape feels like a miracle. The Lost Pianos of Siberia is an absorbing story about a piano hunt - a quixotic quest through two centuries of Russian history and eight time zones stretching across an eleventh of the world's land surface. It reveals not only an unexpected musical legacy, but profound and brave humanity in the last place on earth you might expect to find it. __________ What readers are saying about The Lost Pianos of Siberia: ***** 'You know a book's good when, on finishing it, you just want to start again.' ***** 'Beautifully written, full of compelling anecdotes celebrating Siberia's extraordinary history.' ***** 'The most unusual and intelligent way to tell a travel story.'
  russian piano makers: The Lost Pianos of Siberia Sophy Roberts, 2020-08-04 This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux
  russian piano makers: The Piano Makers David Wainwright, 1975
  russian piano makers: Makers of the Piano: 1820-1860 Martha Novak Clinkscale, 1993 This book continues the overview of early pianos begun in Clinkscale's Makers of the Piano 1700-1820 (OUP, 1993). Although a few of the biographies overlap, the majority of the makers are completely new. Approximately 2,400 makers and manufacturers and about 2,200 pianos are listed. Of this total, about 645 are English, the majority of whom were active in London; more than 200 of the London makers have not been discussed in previous publications.
  russian piano makers: Serfdom, Society, and the Arts in Imperial Russia Richard Stites, 2008-10-01 Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860s. Examining the role of arts and artists in society’s value system, Richard Stites explores this shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and ex-serfs created or performed. Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theaters to the imperial stages. Stites’s richly detailed book offers new perspectives on the origins of Russia’s nineteenth-century artistic prowess.
  russian piano makers: The Soviet Century Karl Schlögel, 2024-09-24 An encyclopedic and richly detailed history of everyday life in the Soviet Union The Soviet Union is gone, but its ghostly traces remain, not least in the material vestiges left behind in its turbulent wake. What was it really like to live in the USSR? What did it look, feel, smell, and sound like? In The Soviet Century, Karl Schlögel, one of the world’s leading historians of the Soviet Union, presents a spellbinding epic that brings to life the everyday world of a unique lost civilization. A museum of—and travel guide to—the Soviet past, The Soviet Century explores in evocative detail both the largest and smallest aspects of life in the USSR, from the Gulag, the planned economy, the railway system, and the steel city of Magnitogorsk to cookbooks, military medals, prison camp tattoos, and the ubiquitous perfume Red Moscow. The book examines iconic aspects of Soviet life, including long queues outside shops, cramped communal apartments, parades, and the Lenin mausoleum, as well as less famous but important parts of the USSR, including the Great Soviet Encyclopedia, the voice of Radio Moscow, graffiti, and even the typical toilet, which became a pervasive social and cultural topic. Throughout, the book shows how Soviet life simultaneously combined utopian fantasies, humdrum routine, and a pervasive terror symbolized by the Lubyanka, then as now the headquarters of the secret police. Drawing on Schlögel’s decades of travel in the Soviet and post-Soviet world, and featuring more than eighty illustrations, The Soviet Century is vivid, immediate, and grounded in firsthand encounters with the places and objects it describes. The result is an unforgettable account of the Soviet Century.
  russian piano makers: Chopin Studies 2 John Rink, Jim Samson, 2006-12-14 'A book that no serious student should be without... refreshingly sane.' Jeremy Siepmann, Classical Music 'An immensely valuable and well-researched book.' Stephen Haylett, BBC Music Magazine 'Intermittently engrossing...' Susan Bradshaw, Musical Times.
  russian piano makers: Goodbye Russia Fiona Maddocks, 2024-01-02 The moving story of Rachmaninoff's years in exile and the composition of his last great work, set against a cataclysmic backdrop of two world wars and personal tragedy. In 1940, Sergei Rachmaninoff, living in exile in America, broke his creative silence and composed a swan song to his Russian homeland—his iconic “Symphonic Dances.” What happened in those final haunted years and how did he come to write his farewell masterpiece? Rachmaninoff left Petrograd (now St. Petersburg) in 1917 during the throes of the Russian Revolution. He was forty-four years old, at the peak of his powers as composer-conductor-performer, moving in elite Tsarist circles, as well as running the family estate, his refuge and solace. He had already written the music which, today, has made him one of the most popular composers of all time: the second and third Piano Concertos and two symphonies. The story of his years in exile in America and Switzerland has only been told in passing. Reeling from the trauma of a life in upheaval, he wrote almost no music and quickly had to reinvent himself as a fêted virtuoso pianist, building up untold wealth and meeting the stars—from Walt Disney and Charlie Chaplin to his Russian contemporaries and polar opposites, Prokofiev and Stravinsky. Yet the melancholy of leaving his homeland never lifted. Using a wide range of sources, including important newly translated texts, Fiona Maddocks’s immensely readable book conjures impressions of this enigmatic figure, his friends and the world he encountered. It explores his life as an emigré artist and how he clung to an Old Russia which no longer existed. That forging of past and present meets in his Symphonic Dances (1940), his last composition, written on Long Island shortly before his death in Beverly Hills, surrounded by a close-knit circle of exiles. Goodbye Russia is a moving and prismatic look at Rachmaninoff and his iconic final work.
  russian piano makers: The Atlantic Monthly , 1867
  russian piano makers: Atlantic Monthly , 1867
  russian piano makers: The Piano Robert Palmieri, 2004-06-01 The Encyclopedia of the Piano was selected in its first edition as a Choice Outstanding Book and remains a fascinating and unparalleled reference work. The instrument has been at the center of music history with even composers of large symphonic work asserting that they do not write anything without sketching it out first on a piano; its limitations and expressive capacity have done much to shape the contours of the western musical idiom. Within the scope of this user-friendly guide is everything from the acoustics and construction of the piano to the history of the companies that have built them. The piano-lover might also be surprised to find an entry for Thomas Jefferson, and will no doubt read intently the passages about the changing history of the piano's place in the home. Uniformly well-written and authoritative, this guide will channel anyone's love for the instrument, through social, intellectual, art history and beyond into the electronic age.
  russian piano makers: Music Trade Review , 1879
  russian piano makers: Musical Opinion and Music Trade Review , 1909
  russian piano makers: Historical Dictionary of Romantic Music John Michael Cooper, 2024-02-12 Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music.
  russian piano makers: Iron Age , 1914
  russian piano makers: Pianos and Their Makers Alfred Dolge, 1911
  russian piano makers: Musical News , 1893
  russian piano makers: The Iron Age , 1914
  russian piano makers: MTR; Music Trades Review , 1894
  russian piano makers: Kelly's Directory of Merchants, Manufacturers and Shippers , 1897
  russian piano makers: The New Grove Dictionary of Music and Musicians: Baxter to Borosini Stanley Sadie, 2001
  russian piano makers: Piano and Radio Magazine , 1923
  russian piano makers: Music Trade Indicator , 1928
  russian piano makers: Watson's Weekly Art Journal , 1899
  russian piano makers: Evenings with Horowitz David Dubal, 2004 (Book). Evenings with Horowitz details a special friendship between two musicians. The book is a vivid account of their mutual passion for music and the piano. It reflects the struggles and triumphs of Vladimir Horowitz, a flaming genius who was also insecure and fearful of old age and the loss of his powers. In his conversations with the author, the Maestro reveals the agony and the ecstasy of a pianist's career and his love and awe for the great composers whose music he played. Dubal, broadcaster, concert pianist, and faculty member at Juilliard, draws upon his knowledgeable background to produce a fascinating portrait of the brilliant and electrifying pianist Vladimir Horowitz ... Discussions ensued on repertoire, stylistic interpretations, tastes of audiences, other famous pianists, favored composers, and even such non-musical topics as care of animals, modern-day presidents, and American youth. Dubal provides a rare and intimate glimpse of Horowitz and illustrates the precariousness of accommodating the temperament of a genius. Library Journal
  russian piano makers: The new Grove dictionary of music and musicians : [in twenty-nine volumes]. 3. Baxter to Borosini Stanley Sadie, John Tyrrell, 2001
  russian piano makers: Freunds Musical Weekly , 1896
  russian piano makers: Commercial Reports Received at the Foreign Office from Her Majesty's Consuls Great Britain. Foreign Office, 1886
  russian piano makers: Piano and Organ Workers' Official Journal , 1904
  russian piano makers: Piano, Organ & Musical Instrument Workers Official Journal , 1904
  russian piano makers: Music Trades , 1918
  russian piano makers: Commerce Reports , 1918
  russian piano makers: Commerce Reports United States. Bureau of Foreign and Domestic Commerce, 1929
  russian piano makers: A Guide to Scholarly Resources on the Russian Empire and the Soviet Union in the New York Metropolitan Area Robert A. Karlowich, 2019-07-12 Identifies collections held by public and university libraries, historical societies, and other institutions, as well as private collections, with material relating to any subject and historical period, and to the widest geographical area under imperial or Soviet rule. Includes movements for example
  russian piano makers: Ottorino Respighi: His Life and Times Michael Webb, 2019-06-25 This is the first English language biography of Ottorino Respighi, the most performed Italian composer of the twentieth century. Best known for his so-called Roman trilogy, (Fountains of Rome, Pines of Rome and Roman Festivals), this book documents the story of his rise to fame and offers a fascinating insight into the active lifestyle of an internationally renowned musician, who made an important contribution to the revival of interest in early music. It also takes a closer look at Respighi’s associations with eminent figures such as Arturo Toscanini, Serge Diaghilev, Gabriele D’Annunzio and even Albert Einstein which make his story deeply engaging and take us beyond the realms of music into a world of Russian émigrés, wealthy patrons and Nobel Prize winners, while also documenting some of the early effects of fascism on art and culture.
  russian piano makers: Musical Courier and Review of Recorded Music , 1915
  russian piano makers: The Musician , 1905
  russian piano makers: Companies , 1914
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Russia, [b] or the Russian Federation, [c] is a country spanning Eastern Europe and North Asia. It is the largest country in the world, and extends …

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3 days ago · Russia, country that stretches over a vast expanse of eastern Europe and northern Asia. Once the preeminent republic of the Union of …

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Russian is an Eastern Slavic language spoken mainly in Russia and many other countries by about 260 million people, 150 million of whom are …

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Russia (Russian: Россия, romanized:Rossiya, [rɐˈsʲijə]), or the Russian Federation, [b][16] is a country spanning Eastern Europe and North …

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3 days ago · Russian forces have been trying to capture Chasiv Yar for two years, since the nearby city of Bakhmut fell in the spring of 2023. So long as …