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| short zulu folktales: Favorite African Folktales Nelson Mandela, 2004-11-23 Favorite African Folktales is a landmark work that gathers many of Africa's most cherished folktales-stories from an oral heritage that predates Ovid and Aesop-in one extraordinary volume. Nelson Mandela has selected these thirty-two tales, many of them translated from their original tongues, with the specific hope that Africa's oldest stories, as well as a few new ones, will be perpetuated by future generations and appreciated by children and adults throughout the world. Book jacket. |
| short zulu folktales: Nelson Mandela's Favorite African Folktales Nelson Mandela, 2002 Mandela, the Nobel Laureate for Peace, has selected 32 African stories for this extraordinary new book, an anthology that presents Africa's oldest folk tales to the children of the world. Full color. |
| short zulu folktales: The Fictional 100 Lucy Pollard-Gott, 2010 Some of the most influential and interesting people in the world are fictional. Sherlock Holmes, Huck Finn, Pinocchio, Anna Karenina, Genji, and Superman, to name a few, may not have walked the Earth (or flown, in Superman's case), but they certainly stride through our lives. They influence us personally: as childhood friends, catalysts to our dreams, or even fantasy lovers. Peruvian author and presidential candidate Mario Vargas Llosa, for one, confessed to a lifelong passion for Flaubert's Madame Bovary. Characters can change the world. Witness the impact of Solzhenitsyn's Ivan Denisovich, in exposing the conditions of the Soviet Gulag, or Harriet Beecher Stowe's Uncle Tom, in arousing anti-slavery feeling in America. Words such as quixotic, oedipal, and herculean show how fictional characters permeate our language. This list of the Fictional 100 ranks the most influential fictional persons in world literature and legend, from all time periods and from all over the world, ranging from Shakespeare's Hamlet [1] to Toni Morrison's Beloved [100]. By tracing characters' varied incarnations in literature, art, music, and film, we gain a sense of their shape-shifting potential in the culture at large. Although not of flesh and blood, fictional characters have a life and history of their own. Meet these diverse and fascinating people. From the brash Hercules to the troubled Holden Caulfield, from the menacing plots of Medea to the misguided schemes of Don Quixote, The Fictional 100 runs the gamut of heroes and villains, young and old, saints and sinners. Ponder them, fall in love with them, learn from their stories the varieties of human experience--let them live in you. |
| short zulu folktales: Folk-tales of Angola Chatelain, 1894 |
| short zulu folktales: Tales from Africa , 2000 In this book of tales from Africa there are stories about an evil-hearted shark, an extremely cunning hare, a very greedy spider, and the strongest man in the world. There are also answers to such questions as why the crab has no head, why the sun and moon live in the sky, and why flies buzz. Drawn from all parts of Africa, these stories illustrate the fierce sense of justice inherent in African peoples, their powers of patience and endurance, and their supreme ability as story-tellers. |
| short zulu folktales: Folk-tales of Angola Héli Chatelain, 1894 |
| short zulu folktales: An Introduction to the African Prose Narrative Lokangaka Losambe, 2004 This collection of essays introduces students of African literature to the heritage of the African prose narrative, starting from its oral base and covering its linguistic and cultural diversity. The book brings together essays on both the classics and the relatively new works in all subgenres of the African prose narrative, including the traditional epic, the novel, the short story and the autobiography. The chapters are arranged according to the respective thematic paradigms under which the discussed works fall. |
| short zulu folktales: Imbila's Tale Desaray Mnyandu, 2021-06-10 All the animals on the savanna are excited to finally get a tail. Imbila is excited too! Read as this adorable, and sometimes mischievous little creature tries to get a tail without leaving the comfort of his warm rock. |
| short zulu folktales: West African Folk Tales Hugh Vernon-Jackson, 2012-03-15 Collection of traditional folk tales introduces a host of interesting people and unusual animals — among them The Cricket and the Toad, The Tortoise and His Broken Shell, and The Boy in the Drum. |
| short zulu folktales: Short Stories From Africa Ali Abdael, 2023-12-10 Journey to the heart of Africa with Short Stories From Africa: 40 Folktales of the Motherland from The Diaspora, a captivating collection that brings the rich tapestry of African folklore right to your fingertips. This book is a celebration of African culture, spanning the entire continent from the vibrant West to the majestic South, the ancient North to the lively East. Crafted for Africans in the diaspora, this collection serves as a luminous thread connecting them to their ancestral heritage. Each folktale is a window into the diverse ways of life, beliefs, and traditions that pulse through the continent, offering readers a chance to immerse themselves in the wisdom and spirit of Africa. Why This Book Is Special: A Pan-African Treasure: Experience a diverse range of stories from every region of Africa, each tale a testament to the continent's rich storytelling tradition. Cultural Richness: These folktales offer a vibrant glimpse into the daily life, moral values, and cultural practices that define African communities. Lessons to Cherish: After each story, insightful lessons bring to light the deeper meanings and teachings inherent in African folklore. Bridging Worlds: For Africans living far from their native lands, this book is a reconnecting link to their roots, offering comfort, identity, and a sense of belonging. Short Stories From Africa is more than a book—it's a heritage journey. It invites readers of all backgrounds, especially those from the diaspora, to explore the enchanting world of African folklore and to carry the legacy of these tales into the future. Whether you're seeking a connection to your African roots or are eager to explore the folktales of this vibrant continent, this book promises to be a valuable addition to your library. Embark on this mesmerizing journey with 'Short Stories From Africa: 40 Folktales of the Motherland from The Diaspora'. Discover the stories that have shaped a culture and let them inspire you. Available now. |
| short zulu folktales: Caribbean Poetry, Folktales, and Short Stories Ophelia A. Powell-Torres & Victor M. T, 2008-02-13 This book is written to bring laughter, humor, and enthusiasm into the lives of all people and at the same time learn about the Caribbean Islands, the culture and family values. |
| short zulu folktales: It's Jamela! Niki Daly, 2019 Niki Daly's spunky little heroine was first introduced in Jamela's Dress in 1999 and has been a firm favourite ever sinceÍl delighting young and old alike. Who can forget Gogo and Mama's little chicken from Yebo, Jamela!, destined for the cooking pot but adopted as Jamela's pet? A girl like many others, Jamela dreams of pretty dresses and shoes and is worried and scared when Mama announces they are moving house. Jamela is unforgettable!--Publisher's description. |
| short zulu folktales: Jabu and the Lion Tanya Munshi, 2014-01-02 Jabu is a young Zulu cowherd who happens to love his job-taking care of his father's cattle. In fact, no one else in his village is as tactful and hardworking as he is. One fine day, when Bhubesi, the lion who has been causing havoc in the village gets caught in a trap, Jabu frees him even though instinct warns him not to. And soon he realises that an act of kindness need not always be repaid in kind. |
| short zulu folktales: Oral Literature in Africa Ruth Finnegan, 2012-09 Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, drum language and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website. |
| short zulu folktales: Myths and Legends of the Bantu Alice Werner, 1968 First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company. |
| short zulu folktales: Native Fairy Tales of South Africa Ethel L. McPherson, 1919 |
| short zulu folktales: Aesop's Fables Aesop, 1994 A collection of animal fables told by the Greek slave Aesop. |
| short zulu folktales: Folk Stories from Southern Nigeria, West Africa Elphinstone Dayrell, 1969-01-01 MANY years ago a book on the Folk-Tales of the Eskimo was published, and the editor of The Academy (Dr. Appleton) told one of his minions to send it to me for revision. By mischance it was sent to an eminent expert in Political Economy, who, never suspecting any error, took the book for the text of an interesting essay on the economics of the blameless Hyperboreans. Mr. Dayrell's Folk Stories from Southern Nigeria appeal to the anthropologist within me, no less than to the lover of what children and older people call Fairy Tales. The stories are full of mentions of strange institutions, as well as of rare adventures. I may be permitted to offer some running notes and comments on this mass of African curiosities from the crowded lumber-room of the native mind. I. The Tortoise with a Pretty Daughter.--The story, like the tales of the dark native tribes of Australia, rises from that state of fancy by which man draws (at least for purposes of fiction) no line between himself and the lower animals. Why should not the fair heroine, Adet, daughter of the tortoise, be the daughter of human parents? The tale would be none the less interesting, and a good deal more credible to the mature intelligence. But the ancient fashion of animal parentage is presented. It may have originated, like the stories of the Australians, at a time when men were totemists, when every person had a bestial or vegetable family-name, and when, to account for these hereditary names, stories of descent from a supernatural, bestial, primeval race were invented. In the fables of the world, speaking animals, human in all but outward aspect, are the characters. The fashion is universal among savages; it descends to the Buddha's jataka, or parables, to sop and La Fontaine. There could be no such fashion if fables had originated among civilised human beings. The polity of the people who tell this story seems to be despotic. The king makes a law that any girl prettier than the prince's fifty wives shall be put to death, with her parents. Who is to be the Paris, and give the fatal apple to the most fair? Obviously the prince is the Paris. He falls in love with Miss Tortoise, guided to her as he is by the bird who is entranced with her beauty. In this tribe, as in Homer's time, the lover offers a bride-price to the father of the girl. In Homer cattle are the current medium; in Nigeria pieces of cloth and brass rods are (or were) the currency. Observe the queen's interest in an affair of true love. Though she knows that her son's life is endangered by his honourable passion, she adds to the bride-price out of her privy purse. It is a long courting; four years pass, while pretty Adet is ower young to marry yet. The king is very angry when the news of this breach of the royal marriage Act first comes to his ears. He summons the whole of his subjects, his throne, a stone, is set out in the market-place, and Adet is brought before him. He sees and is conquered. |
| short zulu folktales: A Classification of Incidents in Certain Collections of African Folk-tales Hortense Esther Braden, 1926 |
| short zulu folktales: Things Fall Apart Chinua Achebe, 1994-09-01 “A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities. |
| short zulu folktales: The New Century of South African Short Stories Michael J. F. Chapman, 2004 |
| short zulu folktales: Colloquial Zulu Sandra Sanneh, Mary Hammond-Bloem, 2021-05-27 Colloquial Zulu is an easy-to-use and up-to-date guide to the Zulu language. Specially written for self-study or class use, the course offers you a step-by-step approach to written and spoken Zulu. No prior knowledge of the language is required. What makes Colloquial Zulu your best choice in language learning? It’s interactive – it has lots of exercises for regular practice. It’s clear – it has concise grammar notes. It’s practical – it has useful vocabulary and a pronunciation guide . It’s complete – it includes an answer key and reference section. Whether you’re a business traveller or you work for an NGO, whether you’re studying to teach or are looking forward to a holiday – if you’d like to get up and running with Zulu, this rewarding course will take you from complete beginner to confidently putting your language skills to use in a wide range of everyday situations. This course is also ideal for an institution-based setting with its clear language pedagogy, cultural information and notes. Accompanying audio material, recorded by native speakers, is available free online at www.routledge.com/cw/colloquials. The audio material will help develop your listening and pronunciation skills. |
| short zulu folktales: Why Mosquitoes Buzz in People's Ears Verna Aardema, 1992-08-15 In this Caldecott Medal winner, Mosquito tells a story that causes a jungle disaster. Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece. -Booklist, starred review. Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977. |
| short zulu folktales: African Stars Veit Erlmann, 1991-09-24 In recent years black South African music and dance have become ever more popular in the West, where they are now widely celebrated as expressions of opposition to discrimination and repression. Less well known is the rich history of these arts, which were shaped by several generations of black artists and performers whose struggles, visions, and aspirations did not differ fundamentally from those of their present-day counterparts. In five detailed case studies Veit Erlmann digs deep to expose the roots of the most important of these performance traditions. He relates the early history of isicathamiya, the a cappella vocal style made famous by Ladysmith Black Mambazo. In two chapters on Durban between the World Wars he charts the evolution of Zulu music and dance, studying in depth the transformation of ingoma, a dance form popular among migrant workers since the 1930s. He goes on to record the colorful life and influential work of Reuben T. Caluza, South Africa's first black ragtime composer. And Erlmann's reconstruction of the 1890s concert tours of an Afro-American vocal group, Orpheus M. McAdoo and the Virginia Jubilee Singers, documents the earliest link between the African and American performance traditions. Numerous eyewitness reports, musicians' personal testimonies, and song texts enrich Erlmann's narratives and demonstrate that black performance evolved in response to the growing economic and racial segmentation of South African society. Early ragtime, ingoma, and isicathamiya enabled the black urban population to comment on their precarious social position and to symbolically construct a secure space within a rapidly changing political world. Today, South African workers, artists, and youth continue to build upon this performance tradition in their struggle for freedom and democracy. The early performers portrayed by Erlmann were guiding lights—African stars—by which the present and future course of South Africa is being determined. |
| short zulu folktales: Behind the Back of the Mountain Verna Aardema, 1973 Ten folk legends from southern Africa include Hottentot, Zulu, and Bantu tales. |
| short zulu folktales: Two Zulu Poets: Mazisi Kunene and BW Vilakazi Okoro, Dike, 2016-06-14 In Two Zulu Poets, Dike Okoro brings to our attention the sparkling wealth of African poetry in indigenous languages. Modern African poets and scholars owe so much to the pioneering efforts of these two South African poets. Dr. Okoro has surely, in this bilingual edition of two Zulu poets, unearthed invaluable gems of poetry. Tanure Ojaide, Frank Porter Graham Professor of Africana Studies, The University of North Carolina at Charlotte “Mazisi Kunene is simply one of Africa greatest poets.” N'gugi wa Thiong'o, University of California Irvine, CA, USA “There is a direct line of continuity between Benedict Wallet Vilakazi and Mazisi Kunene concerning the fundamental issue that African literature should be written in the African languages by New African intellectuals”, The Historical Figures of the New African Movement. Ntongela Masilela, PhD, Professor Emeritus of Creative Studies |
| short zulu folktales: The Zebra's Stripes and Other African Animal Tales , 2004 Traditional tales retold engagingly and complemented with lively illustrations and fun facts about African animals. |
| short zulu folktales: Amal’ezulu Benedict Wallet Vilakazi, 2021-10-01 Amal’ezulu (Zulu Horizons), published in 1945 in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press, was the second volume of poetry produced by the renowned Zulu author B.W. Vilakazi. It was written during the ten years he spent living in Johannesburg, in ‘exile’ from his birthplace, KwaZulu-Natal. The poems in this collection represent a turning point in Vilakazi’s life; they express yearnings for the beloved land, animals and ancestral spirits of his rural home, as well as expressions of deep disillusionment with the urban life he encountered in the ‘City of Gold’, and in particular the suffering of the black miners who brought this gold to the surface but never experienced the benefits of the wealth it produced for the mine owners. Vilakazi was deeply conscious of the subhuman system that held these miners in its grip, and gave voice to their suffering in many of the poems in the collection, in particular the now famous poem ‘Ezinkomponi’ (‘On the mine compounds’). Renowned as the father of Nguni literature, Vilakazi was both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry). In these poems he assumes the role of the voice of the voiceless, and gives poignant expression to the stoic endurance of those caught up in the brutalities of capitalist exploitation of African labour, and the appalling injustices of the migrant labour system. |
| short zulu folktales: The Year the Gypsies Came Linzi Glass, 2015-06-16 Set in apartheid South Africa, this powerful and lyrically written novel is Linzi Glass's debut. As twelve-year-old Emily Iris explains it, her mother and father have always been eager to take in travelers and vagabonds, relying on the presence of outsiders to ease the tension between them. Emily has her gentle older sister, Sarah, and Buza, the old Zulu nightwatchman, for company and comfort. But her parents' continuing discontent leads them to welcome some peculiar strangers. One spring, a family of wanderers-a wildlife photographer, his wife, and two boys-comes to stay, and their strange, compelling, and dangerous presence will leave the Iris family infinitely changed. |
| short zulu folktales: Yorba Legends B. A. M. I. Ogumefu, |
| short zulu folktales: The Creation of the Zulu Kingdom, 1815–1828 Elizabeth A. Eldredge, 2014-10-30 This scholarly account traces the emergence of the Zulu Kingdom in South Africa in the early nineteenth century, under the rule of the ambitious and iconic King Shaka. In contrast to recent literary analyses of myths of Shaka, this book uses the richness of Zulu oral traditions and a comprehensive body of written sources to provide a compelling narrative and analysis of the events and people of the era of Shaka's rule. The oral traditions portray Shaka as rewarding courage and loyalty, and punishing failure; as ordering the targeted killing of his own subjects, both warriors and civilians, to ensure compliance to his rule; and as arrogant and shrewd, but kind to the poor and the mentally disabled. The rich and diverse oral traditions, transmitted from generation to generation, reveal the important roles and fates of men and women, royal and subject, from the perspectives of those who experienced Shaka's rule and the dramatic emergence of the Zulu Kingdom. |
| short zulu folktales: The Complete Grimm's Fairy Tales Jacob Grimm, 2018-01-06 Once upon a time in a fairy tale world, There were magical mirrors and golden slippers;Castles and fields and mountains of glass,Houses of bread and windows of sugar.Frogs transformed into handsome Princes,And big bad wolves into innocent grandmothers.There were evil queens and wicked stepmothers;Sweethearts, true brides, and secret lovers. In the same fairy world, A poor boy has found a golden key and an iron chest, and We must wait until he has quite unlocked it and opened the lid . . . A classic collection of timeless folk tales by Grimm Brothers, Grimm' s Fairy Tales are not only enchanting, mysterious, and amusing, but also frightening and intriguing. Delighting children and adults alike, these tales have undergone several adaptations over the decades. This edition with black-and-white illustrations is a translation by Margaret Hunt. |
| short zulu folktales: The Tortoise and the Hare Aesop, 2011 A boastful hare meets his match in this attractive retelling of Aesop's famed tale. |
| short zulu folktales: African Icons Tracey Baptiste, 2021-10-19 “In African Icons, Baptiste engages in the hard work of unveiling the myths about the African continent to young readers . . . This is a great beginner’s guide to pre-colonial Africa.” —Ibram X. Kendi, National Book Award-winning author of Stamped from the Beginning and How to Be an Antiracist Meet ten real-life kings, queens, inventors, scholars, and visionaries who lived in Africa thousands of years ago and changed the world. Black history began long ago with the many cultures and people of the African continent. Through portraits of ten heroic figures, author Tracey Baptiste takes readers on a journey across Africa to meet some of the great leaders and thinkers whose vision built a continent and shaped the world. Illustrator Hillary D. Wilson’s brilliant portraits accompany each profile, along with vivid, information-filled landscapes, maps, and graphics for readers to pore over and return to again and again. |
| short zulu folktales: The South African Short Story in English, 1920-2010 Marta Fossati, 2024-09-12 Through detailed close readings alongside investigations into the history of print culture, Marta Fossati traces the development of the South African short story in English from the late 1920s to the first decade of the twenty-first century. She examines a selection of short stories by important Black South African writers (Rolfes and Herbert Dhlomo, Peter Abrahams, Can Themba, Alex La Guma, Mtutuzeli Matshoba, Ahmed Essop, and Zoë Wicomb) with an alertness to the dialogue between ethics and aesthetics performed by these texts. This new history of Black short fiction problematises and interrogates the often-polarised readings of Black literature in South Africa that can be torn between notions of literariness, protest, and journalism. Due to material constraints, short fiction in South Africa circulated first and foremost through local print media, which Fossati analyses in detail to show the cross-fertilisation between journalism and the short story. While rooted in the South African context, the short stories considered also hold a translocal dimension, allowing us to explore the ethical and aesthetic practice of intertextuality. These are writings that complicate the aesthetics/ethics binary, generic classifications, and the categories of the literary and the political. Theoretically eclectic in its approach, although largely underpinned by a narratological analysis, The South African Short Story in English, 1920-2010: When Aesthetics Meets Ethics offers a fresh perspective on the South African short story in English, spotlighting several hitherto marginalised figures in South African literary studies. |
| short zulu folktales: A treasury of African folklore Harold Courlander, 1975 |
| short zulu folktales: Looking for a Rain God and Other Short Stories from Africa Ian Gordon, 1995 A collection of short stories from Africa covering a range of subjects, from the conflict between traditional and new ways of life and values, to the role of women in society. The main introduction provides a background for discussion, as well as ideas for students to use in their own writing. |
| short zulu folktales: Australian Legendary Tales K. Langloh Parker, 2018-04-05 Reproduction of the original: Australian Legendary Tales by K. Langloh Parker |
| short zulu folktales: Why The Sky Is Far Away Mary-Joan Gerson, 1995-04-01 The sky was once so close to the Earth that people cut parts of it to eat, but their waste and greed caused the sky to move far away. |
| short zulu folktales: South-African Folk-Tales James A. Honey, 2022-08-10 James A. Honey's 'South-African Folk-Tales' emerges as a colorful mosaic of storytelling, capturing the rich oral tradition of South Africa. It is an anthology of narratives that serves as a vibrant testament to the cultural heritage of the region. Honey's curation reflects a deep affection for the land of his birth, presenting a diverse array of stories ranging from Dutch-influenced fables to multiple iterations of bushmen tales. His prose exudes simplicity yet effectively evokes the natural landscape and societal norms of the indigenous and colonial inhabitants, making the collection an informal but significant contribution to the annals of South African literature and its broader literary canon. A native of the sunbathed expanses of South Africa, Honey compiled these tales out of love rather than academic pursuit. His background and personal connection to the stories add an authentic layer to the compilation, bridging the gap between past and present. The selection of folktales, which balance the mystical with the commonplace, serve not only as entertainment but also offer insight into the values, fears, and humor that permeate the South African ethos, undoubtedly steered by Honey's intimate knowledge of the region's diverse communities. 'Recommendation to the reader: 'South-African Folk-Tales' by James A. Honey is a heartfelt invitation to explore the narrative soul of a country as complex as it is beautiful. The book is highly recommended for those seeking to immerse themselves in the world of traditional African storytelling and for anyone interested in the societal undercurrents that shape folklore. Honey's compilation is an enchanting journey bound to enchant, educate, and resonate with readers who appreciate the art of oral history and the subtleties embedded in its practice. |
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SHORT Definition & Meaning - Merriam-Webster
He is short for his age. the shortest day of the year Life's too short to worry about the past. The movie was very short. You have done a lot in a short space of time. a short burst of speed I've …
Short note 7 Little Words - 7LittleWordsAnswers.com
4 days ago · Since you already solved the clue Short note which had the answer QUAVER, you can simply go back at the main post to check the other daily crossword clues. You can do so …
SHORT | English meaning - Cambridge Dictionary
SHORT definition: 1. small in length, distance, or height: 2. used to say that a name is used as a shorter form of…. Learn more.
Short - definition of short by The Free Dictionary
short - primarily temporal sense; indicating or being or seeming to be limited in duration; "a short life"; "a short flight"; "a short holiday"; "a short story"; "only a few short months"
short - definition and meaning - Wordnik
noun Linguistics A short syllable, vowel, or consonant. noun A brief film; a short subject. noun A size of clothing less long than the average for that size. noun Short trousers extending to the …
short - WordReference.com Dictionary of English
short /ʃɔrt/ adj., -er, -est, adv., n., v. having little length or height: the shortest boy in class. extending only a little way: a short path. brief: a short time. abrupt: surprised by his short reply. …
