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sex murder art the films of jörg buttgereit: Sex Murder Art David Kerekes, 1994 The Films Of Jorg Buttgereit |
sex murder art the films of jörg buttgereit: Cult Epics Nico B, 2018-01-31 Celebrating the 25th anniversary of Cult Epics – the controversial arthouse, horror and erotica video label – this commemorative hardcover book covers essential releases from filmmakers such as Tinto Brass, Fernando Arrabal, Radley Metzger, Walerian Borowcyzk, Jean Genet, Abel Ferrara, George Barry, Rene Daalder, Agusti Villaronga, Jorg Buttgereit, Gerald Kargl, Nico B, Irving Klaw, and pinup legend Bettie Page. Includes in-depth reviews of films, interviews, and essays on directors by film critics Nathaniel Thompson, Mark R. Hasan, Michael den Boer, Ian Jane, Stephen Thrower, Marcus Stiglegger, Heather Drain and others – fully illustrated in color with rare photos, poster art, and memorabilia. |
sex murder art the films of jörg buttgereit: The Pleasure and Pain of Cult Horror Films Bartłomiej Paszylk, 2009-06-08 The horror genre harbors a number of films too bold or bizarre to succeed with mainstream audiences, but offering unique, startling and often groundbreaking qualities that have won them an enduring following. Beginning with Victor Sjostrom's The Phantom Carriage in 1921, this book tracks the evolution and influence of underground cult horror over the ensuing decades, closing with William Winckler's Frankenstein vs. the Creature from Blood Cove in 2005. It discusses the features that define a cult film, trends and recurring symbols, and changing iconography within the genre through insightful analysis of 88 movies. Included are works by popular directors who got their start with cult horror films, including Oliver Stone, David Cronenberg and Peter Jackson. |
sex murder art the films of jörg buttgereit: Deathtripping Jack Sargeant, 2007-12-01 This exhaustive study focuses on the New York filmmakers that coalesced around the radical manifesto espoused by downtown filmmaker Nick Zedd: “none shall emerge unscathed.” Placing their work within the wider alternative film and downtown post-punk scenes, Deathtripping offers detailed analyses of the movement’s films alongside interviews with the filmmakers and their collaborators, including Richard Kern, Nick Zedd, Tommy Turner, Beth B, Joe Coleman, and Lydia Lunch. Also discussed are seminal influences such as the Kuchar brothers, Jack Smith, and Andy Warhol as well as the history of underground and trash cinema. |
sex murder art the films of jörg buttgereit: Hardcore Horror Cinema in the 21st Century James Aston, 2018-09-04 The first of its kind, this study examines the exemplars of hardcore horror--Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Valentine's vomit gore films. The author begins with a definition and critical overview of this marginalized subgenre before exploring its key aesthetic convention, the pursuit of realist horror. Production practices, exhibition and marketing strategies are discussed in an in-depth interview with filmmaker Shane Ryan. Audience reception is covered with a focus on fan interaction via the Internet. |
sex murder art the films of jörg buttgereit: From the Arthouse to the Grindhouse John Cline, Robert G. Weiner, 2010-07-17 This collection of essays represents key contributions to 'transgression cinema:' overlooked, forgotten, or under-analyzed movies that walk the fine line between 'arthouse' and 'grindhouse' film. |
sex murder art the films of jörg buttgereit: German Film. Volume 9: 1980-1989 Deutsche Kinemathek – Museum für Film und Fernsehen, 2024-10-23 This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film. The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images. |
sex murder art the films of jörg buttgereit: The wounds of nations Linnie Blake, 2013-07-19 The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American remakes to the post-Thatcherite masculinity horror of the UK and the resurgence of 'hillbilly' horror in the period following September 11th 2001. In each case, it is argued, horror cinema forces us to look again at the wounds inflicted on individuals, families, communities and nations by traumatic events such as genocide and war, terrorist outrage and seismic political change, wounds that are all too often concealed beneath ideologically expedient discourses of national cohesion. By proffering a radical critique of the nation-state and the ideologies of identity it promulgates, horror cinema is seen to offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times. |
sex murder art the films of jörg buttgereit: Light Motives Randall Halle, Margaret McCarthy, 2003 Light Motives undertakes a long overdue critical reassessment of German popular cinema, challenging the traditional view of German film history and offering new ways to think about popular cinema in general. |
sex murder art the films of jörg buttgereit: Snuff Neil Jackson, Shaun Kimber, Johnny Walker, Thomas Joseph Watson, 2016-01-28 Brings together scholars from film and media studies for the definitive academic study of 'real death' on screen - from horror cinema, to pornography, to online 'shock videos'-- |
sex murder art the films of jörg buttgereit: Offbeat (Revised & Updated) Julian Upton, 2022-04-07 For years there has been consensus about the merits of Britain’s ‘cult films’ — Peeping Tom, Witchfinder General, The Italian Job — but what of The Mark, Unearthly Stranger, The Strange Affair and The Squeeze? Revisionist critics wax lyrical over Get Carter and The Wicker Man, but what of Sitting Target, Quest for Love and The Black Panther? OFFBEAT redresses this imbalance by exploring Britain’s obscurities, curiosities and forgotten gems — from the buoyant leap in film production in the late fifties to the dying days of popular domestic cinema in the early eighties. Featuring essays, interviews and in-depth reviews, OFFBEAT provides an exhaustive, enlightening and entertaining guide through a host of neglected cinematic trends and episodes, including: • The last great British B-movies • ‘Anti-swinging sixties’ films • Sexploitation — from Yellow Teddy Bears to Emmanuelle in Soho • The British rock ‘n roll movie • CIA-funded British cartoons • Asylums in British cinema • The Children’s Film Foundation • The demise of the short as supporting feature • Val Guest, Sidney Hayers and the forgotten journeyman of British film • Swashbucklers, crime thrillers and other non-horror Hammers Now updated with more than 150 pages of new reviews and essays, featuring: • The Beatles in Colour! • The History of the AA Certificate • Ken Russell’s 1980s Films • Iris Murdoch’s A Severed Head • Curating Offbeat films in the Digital Age And much more! |
sex murder art the films of jörg buttgereit: Headpress Guide to the Counter Culture Temple Drake, 2004 An indispensable sampling of the vast assortment of publications which exist as an adjunct to the mainstream press, or which promote themes and ideas that may be defined as pop culture, alternative, underground or subversive. Updated and revised from the pages of the critically acclaimed Headpress journal, this is an enlightened and entertaining guide to the counter culture - including everything from cult film, music, comics and cutting-edge fiction, by way of its books and zines, with contact information accompanying each review. |
sex murder art the films of jörg buttgereit: When Highbrow Meets Lowbrow Peter Swirski, Tero Eljas Vanhanen, 2017-06-27 This book examines nobrow, a cultural formation that intertwines art and entertainment into an identifiable creative force. In our eclectic and culturally turbocharged world, the binary of highbrow vs. lowbrow is incapable of doing justice to the complexity and artistry of cultural production. Until now, the historical power, aesthetic complexity, and social significance of nobrow “artertainment” have escaped analysis. This book rectifies this oversight. Smart, funny, and iconoclastic, it scrutinizes the many faces of nobrow, throwing surprising light on the hazards and rewards of traffic between high entertainment and genre art. |
sex murder art the films of jörg buttgereit: killing for culture David Kerekes, David Slater, 2016-06-03 Unlike images of sex, which were clandestine and screened only in private, images of death were made public from the onset of cinema. The father of the modern age, Thomas Edison, fed the appetite for this material with staged executions on film. Little over a century later the executions are real and the world is aghast at brutalities freely available online at the click of a button. Some of these films are created by lone individuals using shaky camera phones: Luka Magnotta, for instance, and the teenagers known as the Dnipropetrovsk maniacs. Others are shot on high definition equipment and professionally edited by organized groups, such as the militant extremists ISIS. KILLING FOR CULTURE explores these images of death and violence, and the human obsession with looking — and not looking — at them. Beginning with the mythology of the so-called ‘snuff’ film and its evolution through popular culture, this book traces death and the artifice of death in the ‘mondo’ documentaries that emerged in the 1960s, and later the faux snuff pornography that found an audience through Necrobabes and similar websites. However, it is when videos depicting the murders of Daniel Pearl and Nick Berg surfaced in the 2000s that an era of genuine atrocity commenced, one that has irrevocably changed the way in which we function as a society. |
sex murder art the films of jörg buttgereit: The A to Z of Horror Cinema Peter Hutchings, 2009-09-02 The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles. |
sex murder art the films of jörg buttgereit: Historical Dictionary of Horror Cinema Peter Hutchings, 2017-11-22 The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. |
sex murder art the films of jörg buttgereit: Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film Laura Wilson, 2015-07-28 Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film explores 'physical spectatorship': the representation of mutilation on the screen and the physical responses this evokes. The book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship. |
sex murder art the films of jörg buttgereit: Are You In The House Alone? Amanda Reyes, 2017-04-05 Beginning in the 1960s through its heyday in the 1970s and beyond, the telefilm remains an important cultural artefact masquerading as disposable entertainment. Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues—drugs, prostitution, sexual violence and justice—albeit in a cosy domestic environment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics alike. It looks at many of the films, the networks and names behind them, and also specific genres—everything from Stephen King adaptations to superheroes to true-life dramas. So, kickback and crack open the TV guide once more for the event that is the Movie of the Week! |
sex murder art the films of jörg buttgereit: Serial Killer Cinema Robert Cettl, 2007-10-18 The release of Silence of the Lambs in 1991, which swept the major Academy Awards categories, legitimized the serial killer movie, a genre that dates back as far as the silent era. From Absence of the Good to Zodiac Killer, this reference work allows a detailed study of the development of the serial killer film as a distinct genre with its own character types, narrative patterns and styles. An introduction outlines the historical evolution of this film genre and covers the whole range of cinematic interpretations from the response to Jack the Ripper and other real life serial killers through the late 1960s to the current state of the genre. Arranged alphabetically by title, the filmography covers over 500 feature films and select television movies. Each entry contains a listing of the film’s main credits, a synopsis of the film, a summary of the film’s respective merits and a discussion of how they fit into the themes and structures outlined in the introduction. Only films that portray the serial killer as a repeat, pattern killer, and directly or by suggestion reveal the killer’s aberrant sexual motivations or their craving for manipulation, domination, and control (with subsequent desires to punish women or society) are included. |
sex murder art the films of jörg buttgereit: Nekromantik Linnie Blake, 2007 |
sex murder art the films of jörg buttgereit: Headpress , 1999 |
sex murder art the films of jörg buttgereit: Critical Vision David Kerekes, David Slater, 1995 Random Essays & Tracts Concerning Sex, Religion and Death |
sex murder art the films of jörg buttgereit: Creeping Flesh David Kerekes, 2003 Horror and fantasy cinema from around the world with a distinctive retro sensibility, Creeping Flesh focuses upon obscure and vilified horror movies, the discovery of lost films, and an appreciation of exploitation. Contents include: An interview with Alan Birkinshaw, director of the surreal drug and schoolgirl opus, Killer's Moon; The forgotten inspiration for The Wicker Man, and Robin Hardy's disastrous follow-up The Fantasist; The lifting of the ban on Ray Brady's controversial Boy Meets Girl; Bill Landis and Michelle Clifford on the seminal film zine Sleazoid Express, and the grindhouse theaters of old Times Square; plus an overview of BBC television fantasy of the '70s, now gaining cult popularity on both sides of the Atlantic. |
sex murder art the films of jörg buttgereit: Film – An International Bibliography Malte Hagener, Michael Töteberg, 2016-12-16 Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia. |
sex murder art the films of jörg buttgereit: Car Crash Culture M. Brottman, 2016-04-30 A morbidly fascinating and articulate collection of essays, this book explores the grim underside of America's cult of the automobile and the disturbing, frequently conspiratorial, speculations that arise whenever the car becomes the cause or the site of human death. Through analysis of fatal celebrity car accidents and other examples of death by automobile, as well as through personal memoir and forensic reports, cultural critics ponder our very human fascination with the car crash. Topics include the roles and experiences of passengers and bystanders, car crash conspiracy theories, the automobile as a site of murder, studies of car crash cinema, and psychological interpretations of the notion of the 'accident.' The book features original essays by such underground icons as Kenneth Anger and Adam Parfrey. |
sex murder art the films of jörg buttgereit: Killing for Culture David Kerekes, David Slater, 1995 |
sex murder art the films of jörg buttgereit: Rapid Eye Simon Dwyer, 1993 |
sex murder art the films of jörg buttgereit: Caligari's Heirs Steffen Hantke, 2007 Most critical work on the horror film in Germany has been devoted to the period of the Weimar Republic and the classics it has produced, including Robert Wiene's The Cabinet of Dr. Caligari (1920) and F.W. Murnau's Nosferatu (1922). Postwar German horror film, however, has received little critical attention. Caligari's Heirs: The German Cinema of Fear after 1945 is a collection of essays that corrects this oversight by providing intelligent critical analyses of a variety of German horror films from the early postwar years to the present day. Following an introduction that discusses the development of critical discourse on postwar German horror film, these essays focus on four particular aspects of the genre: the immediate postwar years and the long shadow of Weimar cinema that falls over them; the dialogue between the German Autorenfilm and horror cinema; the influence of commercial American cinema on German horror films; and contemporary splatter films that have received more critical attention than any other postwar German horror films. To round out the picture of this genre in the context of a specific national tradition, the book also includes three interviews with contemporary German horror film directors working in both cinema and television. Though the book takes on a wide field of discussion-German horror film over a period of roughly fifty years-it does so by providing case studies. The essays in this collection discuss either an individual film or director, or they take on larger historical issues: from the discussion of the Nazi past in the postwar years to the heavy toll of German reunification. In its broad approach, Caligari's Heirs has something to offer to three distinct audiences: the horror film fan, the reader interested in German cinema in general, and the reader interested in discovering a national culture through its popular culture. |
sex murder art the films of jörg buttgereit: 100 Cult Films Ernest Mathijs, Xavier Mendik, 2019-07-25 Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner's replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe. Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Café Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world's most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesús Franco, Lloyd Kaufman, Harry Kümel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show. |
sex murder art the films of jörg buttgereit: Funhouse David Kerekes, 2002 A gothic, blood curdling edition of the world's greatest journal of sex, religion and death. Incisive and cutting edge essays from the world of underground film, fanaticism, crime, sex, art, trash and sleaze. Contents include; A visit to the reclusive director of 70s seminal obscure horror movie Last house on Dead End Street, interview with Tom Robbins whose book 'Another Roadside Attraction' Elvis was reputed to be reading when he died, and Laurence O'Toole, author of 'Pornucopia' on set with gonzo pornmaker Buttman. Illustrated with 20 black and white illustrations. |
sex murder art the films of jörg buttgereit: BFI Film and Television Handbook 2001 Eddie Dyja, 2000-12-01 No Marketing Blurb |
sex murder art the films of jörg buttgereit: Maximum Rocknroll , 1995 |
sex murder art the films of jörg buttgereit: Midnight Mavericks Gene Gregorits, 2007 Features the most eclectic assortment of artists ever gathered between two covers. From angry stand-up comedians and cutting-edge exploitation filmmakers to hardcore crime novelists and controversial cartoonists, this book casts a bright light on underground culture. Featuring 50 artists whose work is significant in its purity and uncompromising attitude, this is a vital study of contemporary Western culture. The bonus CD included makes this package irresistible and features tracks from many well-known, influential bands. |
sex murder art the films of jörg buttgereit: The BFI Companion to Horror British Film Institute, 1996 A handbook of horror cinema |
sex murder art the films of jörg buttgereit: House of Psychotic Women Kier-La Janisse, 2015-01-09 Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. HOUSE OF PSYCHOTIC WOMEN is an examination of these characters through a daringly personal autobiographical lens. Anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and a celebration of female madness, both onscreen and off. This critically-acclaimed publication is packed with rare images that combine with family photos and artifacts to form a titillating sensory overload, with a filmography that traverses the acclaimed and the obscure in equal measure. Films covered include The Entity, Paranormal Activity, Singapore Sling, 3 Women, Toys Are Not for Children, Repulsion, Let’s Scare Jessica to Death, The Haunting of Julia, Secret Ceremony, Cutting Moments, Out of the Blue, Mademoiselle, The Piano Teacher, Possession, Antichrist and hundreds more. Prior to this ebook edition, Kier-La's highly acclaimed book has already been issued twice in hardcover and twice in paperback, garnering extensive press coverage. Endorsement including the following: “God, this woman can write, with a voice and intellect that’s so new. The truth in the most deadly unique way I’ve ever read.” – Ralph Bakshi, director of ‘Fritz the Cat’, ‘Heavy Traffic’, ‘Lord of the Rings’, etc. “Fascinating, engaging and lucidly written: an extraordinary blend of deeply researched academic analysis and revealing memoir.” – Iain Banks, author of ‘The Wasp Factory’ |
sex murder art the films of jörg buttgereit: Alternative Europe Ernest Mathijs, Xavier Mendik, 2004 Whether defined by comic excesses, cult horrors, or surreal vampire experimentations, trash and exploitation cinema represents the alternative face of European film. Although extremely popular with post-war audiences, these historically significant traditions of 'Eurotrash' have often been ridiculed or ignored by an established film criticism eager to define 'legitimate' European cinema as either avant-garde or socially realist. Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 investigates these previously under-explored national traditions of film culture, with essays and festival reports uncovering the social and cultural trends and tensions within a wide range of European exploitation movies. The volume considers such engaging and challenging topics as Russian, Belgian and Italian horror cinema, Gothic musclemen movies, Nazi 'sexploitation' cycles, German erotic cinema and 1970s European 'rogue cop' thrillers. Alternative Europe also includes interviews with trash directors and icons such as Brian Yuzna, J'rg Buttgereit and Giovanni Lombardo Radice. |
sex murder art the films of jörg buttgereit: Geschichte des deutschen Films Wolfgang Jacobsen, Anton Kaes, Hans Helmut Prinzler, 2016-10-28 Internationales Standardwerk der Filmgeschichtsschreibung. Von ausgewählten Filmen und ihren Regisseuren bis zum Autorenfilm berichtet der Band über alle wichtigen filmgeschichtlichen Epochen. Vorgestellt werden auch die charakteristischen Genres, Ideen, Motive, die politische Dimension des Films und die Rolle des Publikums. Eine Chronik erschließt die Daten zum deutschen Film, eine Bibliografie nennt weiterführende Literatur. Mit zahlreichen Abbildungen von über einhundert Jahren deutscher Filmgeschichte. |
sex murder art the films of jörg buttgereit: The British National Bibliography Arthur James Wells, 1995 |
sex murder art the films of jörg buttgereit: Xerox Ferox John Szpunar, 2013-10-08 A scene that influenced generations of writers, filmmakers and fans, XEROX FEROX is the first book to cover the horror film fanzine and the culture it spawned. From Famous Monsters of Filmland to Fangoria and everything in between, XEROX FEROX is much more than a book about monster magazines. It examines the home-grown DIY fanzines that dared to dig deeper than the slick and shiny newsstand mags ever would... or indeed even could. The titles are as lurid as the films that they covered. Gore Gazette. Deep Red. Sleazoid Express. Before message boards, before blogs, before the Internet itself, the fanzine reigned as the chief source of news and information for horror fans worldwide. Often printed on the cheap and sold for the price of postage, madcap and irreverent mags like Slimetime, Subhuman and Shock Xpress travelled the globe, creating a thriving network of fans and professionals alike. XEROX FEROX traces the rise of the horror film fanzine, from the Famous Monster-starved kids of the 1960s to the splatter-crazed gorehounds that followed. Featuring in-depth interviews with fifty writers, editors, and industry pros, XEROX FEROX is the final word on an era that changed the world of fandom forever. |
sex murder art the films of jörg buttgereit: The Bloodiest Thing That Ever Happened In Front Of A Camera Stephen Milligen, 2017-04-06 How porno chic became porno hell. In the early 1970s, outrageous claims were made of a new blood-spattered cinematic extreme. This was the legend of the ‘snuff movie’, which promoted the inhuman notion that a woman had been murdered to satisfy the sexual appetite of a jaded public. The story was produced by a kind of madness incarnate, but it reflected the desperation of America in cultural turmoil. ‘Snuff’ was a backlash against the naïve liberalism of the counterculture, embraced by people who preferred to believe the worst about their society. Once unleashed the concept was embraced and manipulated by the tabloid media and a variety of political and social crusaders, each using it to further their own cause. Brutal, evil, ghastly beyond belief, snuff became an iconic urban legend. This book is the true, startling and hideously exploitative history of that legend and how it was created. SNUFF—THE BLOODIEST THING THAT EVER HAPPENED IN FRONT OF A CAMERA! |
Sexual health - World Health Organization (WHO)
May 28, 2025 · access to comprehensive, good-quality information about sex and sexuality; knowledge about the risks they may face and their vulnerability to adverse consequences of …
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May 13, 2025 · The World Health Organization defines sexual health as a state of physical, emotional, mental and social well-being related to sexuality; it is not merely the absence of …
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Apr 29, 2025 · Abstaining from sex during treatment gives the vaginal flora time to return to normal. If you are taking metronidazole for other reasons, such as for an abdominal, bone, …
K Y Jelly Lubricant: Uses, Application, Side Effects - Drugs.com
May 21, 2025 · KY jelly is a water-based, personal lubricant that is usually used for sexual intercourse or masturbation. Unlike petroleum or oil-based lubricants, it does not react with …
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Dec 10, 2024 · Sildenafil is used to treat erectile dysfunction and pulmonary arterial hypertension. Includes sildenafil side effects, interactions and indications.
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Jul 25, 2023 · Sildenafil (Viagra brand) increases blood flow to the penis following sexual stimulation. It does this by blocking the enzyme responsible for the breakdown of cGMP. …
How long should I wait to have sex after using Premarin Vaginal …
Mar 23, 2015 · It is recommended that you avoid exposing your sexual partner to vaginal estrogen cream by not having sex right after application. Your partner may absorb estrogen through his …
Gender and health - World Health Organization (WHO)
May 6, 2025 · Gender and sex are related to but different from gender identity. Gender identity refers to a person’s deeply felt, internal and individual experience of gender, which may or …
Sexually transmitted infections (STIs) - World Health Organization …
May 29, 2025 · Some populations with the highest rates of STIs – such as sex workers, men who have sex with men, people who inject drugs, prison inmates, mobile populations and …
Why does Cialis take at least 12-14 hours to work? - Drugs.com
Nov 13, 2024 · Eroxon is a topical gel that may be applied to the head of the penis immediately before sexual intercourse. Studies show that 65% of men who used it achieved an erection …
Sexual health - World Health Organization (WHO)
May 28, 2025 · access to comprehensive, good-quality information about sex and sexuality; knowledge about the risks they may face and their vulnerability to adverse consequences of …
Sexual and reproductive health and rights - World Health …
May 13, 2025 · The World Health Organization defines sexual health as a state of physical, emotional, mental and social well-being related to sexuality; it is not merely the absence of …
Can you have sex while taking metronidazole? - Drugs.com
Apr 29, 2025 · Abstaining from sex during treatment gives the vaginal flora time to return to normal. If you are taking metronidazole for other reasons, such as for an abdominal, bone, …
K Y Jelly Lubricant: Uses, Application, Side Effects - Drugs.com
May 21, 2025 · KY jelly is a water-based, personal lubricant that is usually used for sexual intercourse or masturbation. Unlike petroleum or oil-based lubricants, it does not react with …
Sildenafil: Usage, Dosage & Side Effects - Drugs.com
Dec 10, 2024 · Sildenafil is used to treat erectile dysfunction and pulmonary arterial hypertension. Includes sildenafil side effects, interactions and indications.
Sildenafil Patient Tips: 7 things you should know - Drugs.com
Jul 25, 2023 · Sildenafil (Viagra brand) increases blood flow to the penis following sexual stimulation. It does this by blocking the enzyme responsible for the breakdown of cGMP. cGMP …
How long should I wait to have sex after using Premarin Vaginal …
Mar 23, 2015 · It is recommended that you avoid exposing your sexual partner to vaginal estrogen cream by not having sex right after application. Your partner may absorb estrogen through his …
Gender and health - World Health Organization (WHO)
May 6, 2025 · Gender and sex are related to but different from gender identity. Gender identity refers to a person’s deeply felt, internal and individual experience of gender, which may or may …
Sexually transmitted infections (STIs) - World Health Organization …
May 29, 2025 · Some populations with the highest rates of STIs – such as sex workers, men who have sex with men, people who inject drugs, prison inmates, mobile populations and …
Why does Cialis take at least 12-14 hours to work? - Drugs.com
Nov 13, 2024 · Eroxon is a topical gel that may be applied to the head of the penis immediately before sexual intercourse. Studies show that 65% of men who used it achieved an erection …