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| santa federico gamboa: Santa Federico Gamboa, 2010 This enduring classic of Mexican literature traces the path to ruination of a country girl, Santa, who moves to Mexico City after she is impregnated and abandoned by her lover and subsequently shunned by her family. Once in the city, Santa turns to prostitution and soon gains prominence as Mexico City's most sought-after courtesan. Despite the opportunities afforded by her success, including the chance to quit prostitution, Santa is propelled by her personal demons toward her ultimate downfall. This evocative novel--justly famous for its vividly detailed depiction of the cityscape and the city's customs, social interactions, and political activities--assumed singular importance in Mexican popular culture after its original publication in 1903. The book inspired Mexico's first talkie and several other film adaptations, a music score, a radio series, a television soap opera, and a pornographic comic book. Naturalist writer Federico Gamboa, who was also a lawyer and politician, reveals much about Mexican mores and culture at the start of the twentieth century and beyond, from expectations regarding gender roles to the myth of the corrupting and decadent city. In describing how Santa is at the mercy of social problems beyond her control, Gamboa provides a rich historical portrayal of widespread conditions in the years leading to the Mexican Revolution. |
| santa federico gamboa: Santa Federico Gamboa, 2010-08-05 This enduring classic of Mexican literature traces the path to ruination of a country girl, Santa, who moves to Mexico City after she is impregnated and abandoned by her lover and subsequently shunned by her family. Once in the city, Santa turns to prostitution and soon gains prominence as Mexico City's most sought-after courtesan. Despite the opportunities afforded by her success, including the chance to quit prostitution, Santa is propelled by her personal demons toward her ultimate downfall. This evocative novel—justly famous for its vividly detailed depiction of the cityscape and the city's customs, social interactions, and political activities—assumed singular importance in Mexican popular culture after its original publication in 1903. The book inspired Mexico's first talkie and several other film adaptations, a music score, a radio series, a television soap opera, and a pornographic comic book. Naturalist writer Federico Gamboa, who was also a lawyer and politician, reveals much about Mexican mores and culture at the start of the twentieth century and beyond, from expectations regarding gender roles to the myth of the corrupting and decadent city. In describing how Santa is at the mercy of social problems beyond her control, Gamboa provides a rich historical portrayal of widespread conditions in the years leading to the Mexican Revolution. |
| santa federico gamboa: The Palgrave Encyclopedia of Urban Literary Studies Jeremy Tambling, 2022-10-29 This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field. |
| santa federico gamboa: The Spanish American Novel John S. Brushwood, 2014-07-03 In The Spanish American Novel, John S. Brushwood analyzes the twentieth-century Spanish American novel as an artistic expression of social reality. In relating the generic history of the novel to extraliterary events in Spanish America, he shows how twentieth-century fiction sets forth the essence of such phenomena as the first Perón regime, the Mexican Revolution, the Che Guevara legend, indigenismo, and the strongman political type. In essence, he views the novel as art rather than as document, but not as art alienated from society. The discussion is organized chronologically, opening with the turn of the century and focusing on novels from 1900 to 1915 that exemplify various aspects of the nineteenth-century literary inheritance. Brushwood then highlights the avant-garde fiction (influenced by Proust and Joyce) of the 1920s as a precursory movement to the “new” Latin American novel, a phenomenon that came into its own during the 1940s. He then examines the “boom” in Spanish American fiction, the period of extensive international recognition of certain works, which he dates from 1962 or 1963. In each era considered, the development of the novel is placed in dual perspective. One view—that of particularly significant novels in light of others published during the same year—is a cross section of the genre at one particular moment. The second view—that of a panorama of novels published in intervals between significant moments in the history of the novel—is more general and selective in the number of books discussed. Combining the historical with the analytical approach, the author proposes that the experience of a novel in which reality has been transformed into art is essential to our understanding of that reality. |
| santa federico gamboa: The Killing Zone Stephen G. Rabe, 2016 The Killing Zone: The United States Wages Cold War in Latin America, Second Edition, is a comprehensive yet concise analysis of U.S. policies in Latin America during the Cold War. Author Stephen G. Rabe, a leading authority in the field, argues that the sense of joy and accomplishment that accompanied the end of the Cold War, the liberation of Eastern Europe, and the collapse of the Soviet Union must be tempered by the realization that Latin Americans paid a ghastly price during the Cold War. Dictatorship, authoritarianism, the methodical abuse of human rights, and campaigns of state terrorism characterized life in Latin America between 1945 and 1989. Countries such as Argentina, Brazil, Chile, El Salvador, and Guatemala endured appalling levels of political violence. The U.S. repeatedly intervened in the internal affairs of Latin American nations in the name of anticommunism, destabilizing constitutional governments and aiding and abetting those who murdered and tortured. Rabe supplements his strong, provocative historical narrative with stories about the fates of ordinary Latin Americans, an extensive chronology, a series of evocative photographs, and an annotated bibliography. |
| santa federico gamboa: Heroes of the Borderlands Christopher Conway, 2019-12-15 Few genres were as popular and as enduring in twentieth-century Mexico as the Western. Christopher Conway’s lavishly illustrated Heroes of the Borderlands tells the surprising story of the Mexican Western for the first time, exploring how Mexican authors and artists reimagined US film and comic book Westerns to address Mexican politics and culture. Broad in scope, accessible in style, and multidisciplinary in approach, this study examines a variety of Western films and comics, defines their political messaging, and shows how popular Mexican music reinforced their themes. Conway shows how the Mexican Western responds to historical and cultural topics like the trauma of the Conquest, mestizaje, misogyny, the Cult of Santa Muerte, and anti-Americanism. Full of memorable movie stills, posters, lobby cards, comic book covers, and period advertising, Heroes of the Borderlands redefines our understanding of Mexican popular culture by uncovering a vibrant genre that has been hiding in plain sight. |
| santa federico gamboa: Readings from Modern Mexican Authors Frederick Starr, 1904 |
| santa federico gamboa: Figures of Enchantment Zulfikar Ghose, 2017-05-12 No matter how many times he did his sums, Filipe Gamboa's salary never amounted to his daydream. He would always want more than he possessed. He longed for a great fortune not only for a luxury apartment and a Mercedes Benz but also to ensure his daughter, Mariana, had the best possible future with the best possible education. His misfortune is to be passed over at work, and then arrested at a political demonstration. After which he is put in a small boat and abandoned in the ocean . . . But when death seems inevitable, another world beckons. New lives can be swapped for old, and Gamboa on his mysterious island sanctuary can create an illusion that the intervening years have not passed, and that his idea of the past is merely a foreknowledge of the future. With poetic insight and surreal logic Zulfikar Ghose depicts a universe where individuals are inextricably bound by the perversities of fate, able only to dream escape. |
| santa federico gamboa: In Years Gone by Manuel G. Gonzales, Cynthia M. Gonzales, 2000 An interdisciplinary anthology covering diverse aspects of the Mexican-American experience in the United States.--Amazon.com viewed November 12, 2020. |
| santa federico gamboa: Refried Elvis Eric Zolov, 1999-07-05 This book traces the history of rock 'n' roll in Mexico and the rise of the native countercultural movement La Onda (the wave). This story frames the most significant crisis of Mexico's postrevolution period: the student-led protests in 1968 and the government-orchestrated massacre that put an end to the movement.--BOOKJACKET. |
| santa federico gamboa: No One Will See Me Cry Cristina Rivera Garza, 2003 Winner of the Mexico National Novel Prize, Sor Juana In s de la Cruz Prize, and IMPACT Prize Joaquin Buitrago, a photographer in the Castaneda Insane Asylum, believes a patient is a prostitute he knew years earlier. His obsession in confirming Matilde's identity leads him to explore the clinics records, and her tragic history. He discovers that she was a peasant adopted by a doctor uncle. She led a calm life until C stulo, a young revolutionary chased by the authorities, finds shelter in her home. Matilde's eyes are opened to the social upheaval will lead her to break with her uncle and hide out with Diamantina Vicari. Diamantina's death devastates Matilde so much that she wanders about, completely lost, doing all kinds of jobs, including prostitution. As the photographer discovers more details, he becomes convinced that he and Matilde should live together. Ultimately, as they face defeat in a repressive society, they search to establish in the rubble an uncertain future that will somehow restore their freedom. |
| santa federico gamboa: Home Reading Service Fabio Morábito, 2021-11-16 In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad forms of violence bred by drug trafficking. At first, Eduardo seems unable to connect. He movingly reads the words of Dostoyevsky, Henry James, Daphne du Maurier, and more, but doesn’t truly understand them. His eccentric listeners—including two brothers, one mute, who moves his lips while the other acts as ventriloquist; deaf parents raising children they don’t know are hearing; and a beautiful, wheelchair-bound mezzo soprano—sense his detachment. Then Eduardo comes across a poem his father had copied by the Mexican poet Isabel Fraire, and it affects him as no literature has before. Through these fascinating characters, like the practical, quick-witted Celeste, who intuitively grasps poetry even though she never learned to read, Fabio Morábito shows how art can help us rediscover meaning in a corrupt, unequal society. |
| santa federico gamboa: Our Word is Our Weapon Subcomandante Marcos, 2011-01-04 In this landmark book, Seven Stories Press presents a powerful collection of literary, philosophical, and political writings of the masked Zapatista spokesperson, Subcomandante Insurgente Marcos. Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico. Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves Zapatistas revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that have passed since their uprising, Marcos has altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths that Marcos has penned since January 1, 1994 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English. Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon. |
| santa federico gamboa: Saline and Alkaline Soils in Latin America Edith Taleisnik, Raúl S. Lavado, 2020-09-26 This book provides the first comprehensive overview of saline and alkaline soils in Latin America, known for having one of the most extensive surface of salt-affected soils in the world. It is organized along two main axes: soils and vegetation. The book discusses the occurrence of such soils in the region, focusing mainly in management strategies for their sustainable use, and it presents accounts of natural vegetation and crops in the various environments of the region. Social impacts of such conditions and ongoing projects to overcome them are considered. Likewise, the book highlights physiological mechanisms that are responsible for the negative effects these soils exert on crops and forest resources and determine vegetation distribution in them. Plant breeding challenges and new perspectives for such environments are discussed. Technologies such as irrigation and drainage are included. The readership includes soil and plant scientists, as well as policy makers. |
| santa federico gamboa: Santa Federico Gamboa, 2013-09 Desde su publicacion, en 1903 -curiosamente en Barcelona-, Santa se convirtio en un exito rotundo entre los lectores mexicanos, tanto como para considerarse una de esas novelas que marcan un jalon en la literatura y en la mentalidad de una nacion. Y tanto nos da ahora que su exito se debiera a la destreza de su autor por trasladar a Mexico los postulados realistas de Zola, o por su acierto en la eleccion del ambiente y de su protagonista, una joven arrojada por la desventura a un burdel, donde quedara atrapada por una sordida tragedia, porque su valor literario y su denuncia de un tiempo y unos prejuicios permanecen en sus paginas incolumes. Por lo demas, resulto una novela tan ineludible en la vida mexicana que la primera pelicula hablada fue, precisamente, una adaptacion cinematografica de Santa. |
| santa federico gamboa: The Family Tree Margo Glantz, 1991 Publisher's description: At the heart of this... Mexican novel lies the search for a family history. Using ancestral recollections, flashbacks through history, and personal memory, the author traces her family roots from pre-Revolutionary Russia to contemporary Mexico. Margo Glantz's Mexico is a mysterious world-- a cultural carnival where Flash Gordon crosses paths with Columbus: a Mexico of Diego Rivera, Leon Trotsky and Frida Kahlo, hijacked by Dracula and King Kong, filled with the aromas of a kosher bakery and the echoes of jokes, some corny, some not. |
| santa federico gamboa: The Bride of Amman Fadi Zaghmout, 2015-07-21 The Bride of Amman, a huge and controversial bestseller when first published in Arabic, takes a sharp-eyed look at the intersecting lives of four women and one gay man in Jordan's historic capital, Amman-a city deeply imbued with its nation's traditions and taboos. When Rana finds herself not only falling for a man of the wrong faith, but also getting into trouble with him, where can they go to escape? Can Hayat's secret liaisons really suppress the memories of her abusive father? When Ali is pressured by society's homophobia into a fake heterosexual marriage, how long can he maintain the illusion? And when spinsterhood and divorce spell social catastrophe, is living a lie truly the best option for Leila? What must she do to avoid reaching her 'expiry date' at the age thirty like her sister Salma, Jordan's secret blogger and a self-confessed spinster with a plot up her sleeve to defy her city's prejudices? These five young lives come together and come apart in ways that are distinctly modern yet as unique and timeless as Amman itself. |
| santa federico gamboa: Melodrama Unbound Christine Gledhill, Linda Williams, 2018-02-27 Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama speaks to fundamental aspects of modern life and feeling. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. |
| santa federico gamboa: Mexico at the World's Fairs Mauricio Tenorio-Trillo, 2024-06-12 This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. |
| santa federico gamboa: Christopher Unborn Carlos Fuentes, 2013-05-14 This inspired novel, Christopher Unborn, is narrated by the as yet unborn first child to be born on October 12, 1992, the five hundredth anniversary of Columbus's discovery of America; his conception and birth bracket the novel. A playfully savage masterpiece by Carlos Fuentes. |
| santa federico gamboa: World Literature, Cosmopolitanism, Globality Gesine Müller, Mariano Siskind, 2019-10-21 From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature. |
| santa federico gamboa: The Last Children of Tokyo Yōko Tawada, 2018 A dreamlike story of filial love and glimmering hope, set in a future where the old live almost-forever and children's lives are all too brief. |
| santa federico gamboa: Unfolding the City Anne Lambright, Elisabeth Guerrero, 2007 The city is not only built of towers of steel and glass; it is a product of culture. It plays an especially important role in Latin America, where urban areas hold a near-monopoly on resources and are home to an expanding population. The essays in this collection assert that women's views of the city are unique and revealing. For the first time, Unfolding the City addresses issues of gender and the urban in literature--particularly lesser-known works of literature--written by Latin American women from Mexico City, Santiago, and Buenos Aires. The contributors propose new mappings of urban space; interpret race and class dynamics; and describe Latin American urban centers in the context of globalization. Contributors: Debra A. Castillo, Cornell U; Sandra Messinger Cypess, U of Maryl∧ Guillermo Irizarry, U of Massachusetts, Amherst; Naomi Lindstrom, U of Texas, Austin; Jacqueline Loss, U of Connecticut; Dorothy E. Mosby, Mount Holyoke Colle≥ Angel Rivera, Worcester Polytechnic Institute; Lidia Santos, Yale U; Marcy Schwartz, Rutgers U; Daniel Noemi Voionmaa, U of Michigan; Gareth Williams, U of Michigan. Anne Lambright is associate professor of modern languages and literature at Trinity College in Hartford, Connecticut. Elisabeth Guerrero is associate professor of Spanish at Bucknell University. |
| santa federico gamboa: Born in Blood and Fire John Charles Chasteen, 2016 The companion reader to the most readable, highly regarded, and affordable history of Latin America for our times. |
| santa federico gamboa: FEM Magda Carneci, 2021-06-08 This modern classic of global feminist literature, the only novel by one of Romania's most heralded poets, styled as a long letter addressed to the man who is about to leave her, a woman meanders through a cosmic retelling of her life from childhood to adulthood with visionary language and visceral, detail. Like a contemporary Scheherazade, she spins tales to hold him captivated, from the small incidents of their lives together to the intimate narrative of her relationship to womanhood. Through a dreamlike thread of strange images and passing characters, her stories invite the reader into a fantastical vision of love, loss, and femininity. |
| santa federico gamboa: The Contemporáneos Group Salvador A. Oropesa, 2010-01-01 In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a group of writers whose status as outsiders (sophisticated urbanites, gay men, women) gave them not just a different perspective, but a different gaze, a new way of viewing the diverse Mexicos that exist within Mexican society. In this book, Salvador Oropesa offers original readings of the works of five Contemporáneos—Salvador Novo, Xavier Villaurrutia, Agustín Lazo, Guadalupe Marín, and Jorge Cuesta—and their efforts to create a Mexican literature that was international, attuned to the realities of modern Mexico, and flexible enough to speak to the masses as well as the elites. Oropesa discusses Novo and Villaurrutia in relation to neo-baroque literature and satiric poetry, showing how these inherently subversive genres provided the means of expressing difference and otherness that they needed as gay men. He explores the theatrical works of Lazo, Villaurrutia's partner, who offered new representations of the closet and of Mexican history from an emerging middle-class viewpoint. Oropesa also looks at women's participation in the Contemporáneos through Guadalupe Marín, the sometime wife of Diego Rivera and Jorge Cuesta, whose novels present women's struggles to have a view and a voice of their own. He concludes the book with Novo's self-transformation from intellectual into celebrity, which fulfilled the Contemporáneos' desire to merge high and popular culture and create a space where those on the margins could move to the center. |
| santa federico gamboa: The Bishop's Utopia Emily Berquist Soule, 2014-04-23 In December 1788, in the northern Peruvian city of Trujillo, fifty-one-year-old Spanish Bishop Baltasar Jaime Martínez Compañón stood surrounded by twenty-four large wooden crates, each numbered and marked with its final destination of Madrid. The crates contained carefully preserved zoological, botanical, and mineral specimens collected from Trujillo's steamy rainforests, agricultural valleys, rocky sierra, and coastal desert. To accompany this collection, the Bishop had also commissioned from Indian artisans nine volumes of hand-painted images portraying the people, plants, and animals of Trujillo. He imagined that the collection and the watercolors not only would contribute to his quest to study the native cultures of Northern Peru but also would supply valuable information for his plans to transform Trujillo into an orderly, profitable slice of the Spanish Empire. Based on intensive archival research in Peru, Spain, and Colombia and the unique visual data of more than a thousand extraordinary watercolors, The Bishop's Utopia recreates the intellectual, cultural, and political universe of the Spanish Atlantic world in the late eighteenth century. Emily Berquist Soule recounts the reform agenda of Martínez Compañón—including the construction of new towns, improvement of the mining industry, and promotion of indigenous education—and positions it within broader imperial debates; unlike many of his Enlightenment contemporaries, who elevated fellow Europeans above native peoples, Martínez Compañón saw Peruvian Indians as intelligent, productive subjects of the Spanish Crown. The Bishop's Utopia seamlessly weaves cultural history, natural history, colonial politics, and art into a cinematic retelling of the Bishop's life and work. |
| santa federico gamboa: Agustin Lara Andrew Grant Wood, 2014-06-13 Few Mexican musicians in the twentieth century achieved as much notoriety or had such an international impact as the popular singer and songwriter Agustín Lara (1897-1970). Widely known as el flaco de oro (the Golden Skinny), this remarkably thin fellow was prolific across the genres of bolero, ballad, and folk. His most beloved Granada, a song so enduring that it has been covered by the likes of Mario Lanza, Frank Sinatra, and Placido Domingo, is today a standard in the vocal repertory. However, there exists very little biographical literature on Lara in English. In Agustín Lara: A Cultural Biography, author Andrew Wood's informed and informative placement of Lara's work in a broader cultural context presents a rich and comprehensive reading of the life of this significant musical figure. Lara's career as a media celebrity as well as musician provides an excellent window on Mexican society in the mid-twentieth century and on popular culture in Latin America. Wood also delves into Lara's music itself, bringing to light how the composer's work unites a number of important currents in Latin music of his day, particularly the bolero. With close musicological focus and in-depth cultural analysis riding alongside the biographical narrative, Agustin Lara: A Cultural Biography is a welcome read to aficionados and performers of Latin American musics, as well as a valuable addition to the study of modern Mexican music and Latin American popular culture as a whole. |
| santa federico gamboa: The Murders of Moisés Ville Javier Sinay, 2022-02-08 Award-winning journalist Javier Sinay investigates a series of murders from the nineteenth century, unearthing the complex history and legacy of Moisés Ville, the Jerusalem of South America, and his personal connection to a little-known period of Jewish history in Argentina. In 2009, journalist Javier Sinay discovered an article from 1947, written by his great-grandfather Mijl Hacohen Sinay, detailing twenty-two murders that had occurred in Moisés Ville at the end of the nineteenth century. What starts out as an investigation into these murders turns into a deeper exploration of the history of Moisés Ville, one of the first Jewish agricultural communities in Argentina, and Sinay's own connection to this historically thriving Jewish epicenter. Seeking refuge from the pogroms of Czarist Russia, a group of Jewish immigrants founded Moisés Ville in the late 1880s. Like their town's prophetic namesake, these immigrants fled one form of persecution only to encounter a different set of hardships: exploitative land prices, starvation, illness, language barriers, and a series of murders perpetrated by roving gauchos who preyed upon their vulnerability. Sinay, though a descendant of these immigrants, is unfamiliar with this turbulent history, and his research into the spate of violence plunges him into his family's past and their link to Moisés Ville. He combs through libraries and archives in search of documents about the murders and hires a book detective to track down issues ofDer Viderkol, the first Yiddish newspaper in Argentina started by his great-grandfather. He even enrolls in Yiddish classes so he can read the newspaper and other contemporaneous records for himself. Through interviews with his family members, current residents of Moisés Ville, historians, and archivists, Sinay compiles moving portraits of the victims of these heinous murders and reveals the fascinating and complex history of the town once known as the Jerusalem of South America. |
| santa federico gamboa: Labyrinth Burhan Sönmez, 2019-11-19 Notable International Crime Novel of the Year – Crime Reads / Lit Hub From a prize-winning Turkish novelist, a heady, political tale of one man’s search for identity and meaning in Istanbul after the loss of his memory. A blues singer, Boratin, attempts suicide by jumping off the Bosphorus Bridge, but opens his eyes in the hospital. He has lost his memory, and can't recall why he wished to end his life. He remembers only things that are unrelated to himself, but confuses their timing. He knows that the Ottoman Empire fell, and that the last sultan died, but has no idea when. His mind falters when remembering civilizations, while life, like a labyrinth, leads him down different paths. From the confusion of his social and individual memory, he is faced with two questions. Does physical recognition provide a sense of identity? Which is more liberating for a man, or a society: knowing the past, or forgetting it? Embroidered with Borgesian micro-stories, Labyrinth flows smoothly on the surface while traversing sharp bends beneath the current. |
| santa federico gamboa: Night Prayers Santiago Gamboa, 2016-03-01 Two Colombian siblings struggle to reunite as the clock ticks down in this emotional thriller from an author praised for his “masterful suspense” (Publishers Weekly). As a boy, Manuel was a dreamer, a lover of literature, and a tagger. His sister, Juana, made a promise to do everything in her power to protect him from the drug- and violence-infested streets of Bogotá. She decided to take him as far from Colombia as possible, and in order to raise the money to do so, she went to work as a high-priced escort and entered into contact with the dangerous world of corrupt politicians—and when things spun out of control she was forced to flee, leaving her beloved brother behind. Now Manuel, a philosophy student, has been arrested in Bangkok and accused of drug trafficking. Unless he enters a guilty plea he will almost certainly be sentenced to death. But it is not this prospect that weighs most heavily on him—it is the longing for his sister, Juana, whom he hasn’t seen for years. Before he dies he wants nothing more than to be with her again. Finally, one man learns of Manuel’s situation and decides to find Juana—now married to a rich man in Tokyo—and reunite the siblings. But it is a feat that may be beyond his power . . . With the style that has earned him a reputation as one of “the most important Colombian writers” (Manuel Vázquez Montalbán), Santiago Gamboa presents a compelling and moving story about the mean streets of Bogotá, the sordid bordellos of Thailand, and a love between siblings that knows no end. |
| santa federico gamboa: Gronk Max Benavidez, Steve La Ponsie, 2007 Gronk was born in 1954 in the barrios of East Los Angeles. An autodidact by circumstance, he began his career as an urban muralist who had to look up the word “mural” to know whether he could paint one. Over time, he has grown into an international figure who has created grand sets for operas and computerized animation for panoramic screens. In this sweeping examination of Gronk's oeuvre, Max Benavidez elucidates how the artist can cross genres, sexual categories, and ethnic barriers, yet still remain true to himself. From street murals to mail art, from large-scale action painting to performance art and operatic set design, Gronk has made a lasting mark on the Chicano art movement, the punk scene, gay art, and the cultural world stage. As a founder of the East L.A. avant-garde art collective Asco (Spanish for nausea), Gronk and his contemporaries responded to Hollywood's rejection of Chicanos by creating a conceptual countercinema, the No Movie, that incorporated Hollywood imagery and style even as it wickedly dissected the banality and biases of the mass media. In collaborations with Cyclona, Mundo Meza, Jerry Dreva, and Tomata DuPlenty, Gronk challenged the limits of sexuality, gender norms, and taste. What Benavidez ultimately reveals is Gronk's uncanny power to reinvent himself and his art, moving through one vivid artistic and subcultural scene to another. Add large doses of Gronk's wit, irony, and talent and you have the story of his major contribution not only to Chicano art but to late twentieth-century culture. Max Benavidez is a writer, independent scholar, essayist for the Los Angeles Times, and a consultant to a wide range of cultural and academic institutions. |
| santa federico gamboa: Grammatical Approaches to Language Processing Katy Carlson, Charles Clifton, Jr., Janet Dean Fodor, 2019-01-28 This book contains papers that were written to honor Professor Lyn Frazier on the occasion of her retirement from the University of Massachusetts Amherst. Some were presented at the Lynschrift on May 19-20, 2018; others were written especially for this volume. The papers report original research on, or research-based theoretical analyses of, several of the domains that Professor Frazier contributed to during her career. The volume begins with a brief overview of Professor Frazier’s research contributions and an appreciation of the contributions she has made to the field of psycholinguistics and to her students and colleagues. The next several chapters discuss the roles that prosody plays in language processing, and the volume continues with chapters on the topic that established Professor Frazier as a major psycholinguistic theorist, syntactic processing. The volume then explores the roles semantics and pragmatics play in language comprehension, and concludes with reports of applications and extensions of research on language processing. All chapters were contributed by current and former students and colleagues of Professor Frazier in gratitude for the impact she has had on their lives and careers. |
| santa federico gamboa: About Trees Katie Holten, 2016 About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings. |
| santa federico gamboa: Charles Darwin, the Copley Medal, and the Rise of Naturalism, 1862-1864, Second Edition Marsha Driscoll, Elizabeth E. Dunn, Dann Siems, B. Kamran Swanson, 2024-10-11 The 1859 publication of Charles Darwin's On the Origin of Species evoked a spectrum of responses, from fervent endorsement to vehement opposition, because of the theory of natural selection's implications for Western theological and cultural orthodoxy. During the 1860 Oxford gathering of the British Association for the Advancement of Science, Thomas Huxley and Samuel Wilberforce engaged in a riveting and widely publicized debate, dissecting the merits and drawbacks of Darwin's theory. Their clash ignited a multifaceted discourse that reverberated through the intellectual circles of Victorian Britain, culminating in the Royal Society's deliberations over whether to bestow upon Darwin the esteemed Copley Medal, its highest honor. In this second edition of Charles Darwin, the Copley Medal, and the Rise of Naturalism, 1861–1864, students engage in debates within the Royal Society that navigate the tension between natural and teleological views. The student roles delve into topics like inductive reasoning, science in industrial society, social reform, and women's rights, all centered around the Copley deliberations and the societal impact of Darwin's evolutionary theory. |
| santa federico gamboa: Mud Sweeter Than Honey Margo Rejmer, 2022-11-10 |
| santa federico gamboa: The Greenwood Encyclopedia of Latino Literature Nicolás Kanellos, 2008-08-30 Surveys the vast landscape of Latino literature from the colonial era to the present. Aiming to be as broad and inclusive as possible, the encyclopedia covers all of native North American Latino literature as well as that created by authors originating in virtually every country of Spanish America and Spain. Entries cover writers, genres, ethnic and national literatures, movements, historical topics and events, themes, concepts, associations and organizations, and publishers and magazines. |
| santa federico gamboa: Verbal Behavior Burrhus Frederic Skinner, 1957 |
| santa federico gamboa: The Twentieth-Century Spanish American Novel Raymond Leslie Williams, 2009-07-21 A Choice Magazine Outstanding Academic Book Spanish American novels of the Boom period (1962-1967) attracted a world readership to Latin American literature, but Latin American writers had already been engaging in the modernist experiments of their North American and European counterparts since the turn of the twentieth century. Indeed, the desire to be modern is a constant preoccupation in twentieth-century Spanish American literature and thus a very useful lens through which to view the century's novels. In this pathfinding study, Raymond L. Williams offers the first complete analytical and critical overview of the Spanish American novel throughout the entire twentieth century. Using the desire to be modern as his organizing principle, he divides the century's novels into five periods and discusses the differing forms that the modern took in each era. For each period, Williams begins with a broad overview of many novels, literary contexts, and some cultural debates, followed by new readings of both canonical and significant non-canonical novels. A special feature of this book is its emphasis on women writers and other previously ignored and/or marginalized authors, including experimental and gay writers. Williams also clarifies the legacy of the Boom, the Postboom, and the Postmodern as he introduces new writers and new novelistic trends of the 1990s. |
| santa federico gamboa: Dictionary of Accepted Ideas Gustave Flaubert, 1968 Jacques Barzun's masterful translation proves that Flaubert's Dictionary of Accepted Ideas--an acid catalogue of the clichés of 19th-century France--is as relevant today as ever. |
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Santa Claus - Wikipedia
Santa Claus (also known as Saint Nicholas, Saint Nick, Father Christmas, Kris Kringle or Santa) is a legendary figure [1] originating in Western Christian culture who is said to bring gifts during …
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