Shasekishu

  shasekishu: Sand and Pebbles Mujū Ichien, Robert E. Morrell, 1985-08-30 Sand and Pebbles presents the first complete English rendering of Shasekishū--the classic, popular Buddhist Tale Literature (<i>setsuwa</i>). This collection of instructive, yet often humorous, anecdotes appeared in the late thirteenth century, within decades of the first stirrings of the revolutionary movements of Kamakura Buddhism. Shasekishū's author, Mujū Ichien (1226-1312), lived in a rural temple apart from the centers of political and literary activity, and his stories reflect the customs, attitudes and lifestyles of the commoners. In Sand and Pebbles, complete translations of Book One and other significant narrative parts are supplemented by summaries of the remaining (especially didactic) material and by excerpts from Mujū's later work. Introduced by a historical sketch of the period, this work also contains a biography of Mujū. Illustrations, charts, a chronology, glossary of terms, notes, an extensive bibliography and an index guide the reader into a seldom seen corner of old Japan. Mujū and his writings will interest students of literature as well as scholars of Japanese religion, especially Buddhism. Anthropologists and sociologists will discover details of Kamakura life and thought unrecorded in the official chronicles of the age.
  shasekishu: The Pacific World , 1995
  shasekishu: The Politics of Reclusion Kendall H. Brown, 1997-01-01 The Chinese themes of the Four Graybeards of Mt. Shang and the Seven Sages of the Bamboo Grove figure prominently in the art of Momoyama-period Japan (ca. 1575-1625). Kendall Brown proposes that the dense and multivalent implications of aesthetic reclusion central to these paintings made them appropriate for patrons of all classes - the military, who were presently in power, the aristocracy, who had lost power, and the Buddhist priesthood, who forsook power. These paintings, and their attendant messages, thus serve as dynamic cultural agents that elucidate the fundamental paradigms of early modern Japanese society. Unlike traditional art history studies, which emphasize the style and history of art objects, The Politics of Reclusion sets out to reconstruct the possible historical context for the interpretive reception and use of Chinese hermit themes within a specific period of Japanese art. In emphasizing the political dimension of aesthetic reclusion, it introduces into the field of Japanese art history a discussion of the politics of aesthetics that characterizes recent work in the field of Japanese literature. By embedding the paintings within the contexts of politics, philosophy, religion, and even gender, this study restores the reflexive relations between the paintings and their culture and, as such, is one of the first extensive intellectual and social histories of Japanese art in a Western language. It is one that will appeal not only to students of art but to those interested in Japanese literature, history, and philosophy.
  shasekishu: Young East , 1985
  shasekishu: Zen Sanctuary of Purple Robes Sachiko Kaneko Morrell, Robert E. Morrell, 2012-02-01 Zen Sanctuary of Purple Robes examines the affairs of Rinzai Zen's Tōkeiji Convent, founded in 1285 by nun Kakusan Shidō after the death of her husband, Hōjō Tokimune. It traces the convent's history through seven centuries, including the early nuns' Zen practice; Abbess Yōdō's imperial lineage with nuns in purple robes; Hideyori's seven-year-old daughter—later to become the convent's twentieth abbess, Tenshu—spared by Tokugawa Ieyasu at the Battle for Osaka Castle; Tōkeiji as divorce temple during the mid-Edo period and a favorite topic of senryu satirical verse; the convent's gradual decline as a functioning nunnery but its continued survival during the early Meiji persecution of Buddhism; and its current prosperity. The work includes translations, charts, illustrations, bibliographies, and indices. Beyond such historical details, the authors emphasize the convent's inclusivist Rinzai Zen practice in tandem with the nearby Engakuji Temple. The rationale for this inclusivism is the continuing acceptance of the doctrine of Skillful Means (hōben) as expressed in the Lotus Sutra—a notion repudiated or radically reinterpreted by most of the Kamakura reformers. In support of this contention, the authors include a complete translation of the Mirror for Women by Kakusan's contemporary, Mujū Ichien.
  shasekishu: Religion and National Identity in the Japanese Context Hiroshi Kubota, Klaus J. Antoni, Johann Nawrocki, Michael Wachutka, 2002 This book focuses upon the relationship between religion and socio-cultural or socio-political aspects in the history of religions in Japan. Religious and ideological justifications in the course of forming a political and national identity, and the mutual relation between political, national and cultural issues can be noticed in every region of the world before the onset of secularization processes, but also in modern nation-states today. In Japan as well, just like in most modern societies, political, cultural and religious elements are closely interrelated. In a comparative approach the sixteen papers in this volume elucidate the intellectual undercurrent in Japanese history of putting positive perspectives on national achievements and cultural-religious uniqueness into service of establishing and refurbishing a national identity.
  shasekishu: Representative Translations and Summaries from the Shasekishū with Commentary and Critical Introduction Robert E. Morrell, 1968
  shasekishu: Traditional Japanese Literature Haruo Shirane, 2012-09-25 Haruo Shirane's critically acclaimed Traditional Japanese Literature: An Anthology, Beginnings to 1600, contains key examples of both high and low styles of poetry, drama, prose fiction, and essays. For this abridged edition, Shirane retains substantial excerpts from such masterworks as The Tale of Genji, The Tales of the Heike, The Pillow Book, the Man'yoshu, and the Kokinshu. He preserves his comprehensive survey of secular and religious anecdotes (setsuwa) as well as classical poems with extensive commentary. He features no drama; selections from influential war epics; and notable essays on poetry, fiction, history, and religion. Texts are interwoven to bring into focus common themes, styles, and allusions while inviting comparison and debate. The result is a rich encounter with ancient and medieval Japanese culture and history. Each text and genre is enhanced by extensive introductions that provide sociopolitical and cultural context. The anthology is organized by period, genre, and topic—an instructor-friendly structure—and a comprehensive bibliography guides readers toward further study. Praise for Traditional Japanese Literature: An Anthology, Beginnings to 1600 Haruo Shirane has done a splendid job at this herculean task.—Joshua Mostow, University of British Columbia A comprehensive and innovative anthology.... All of the introductions are excellent.—Journal of Asian Studies One of those impressive, erudite, must-have titles for anyone interested in Asian literature.—Bloomsbury Review An anthology that comprises superb translations of an exceptionally wide range of texts.... Highly recommended.—Choice A wealth of material.—Monumenta Nipponica
  shasekishu: Medieval Japanese Writers Steven D. Carter, 1999 Essays on some of the most prominent writers of Japan's medieval period, covering the twelfth through sixteenth centuries. Includes discussion of various genres, including: short prose works called companion tales; theatrical forms; fictional tales of all varieties and poetry. During this period literacy expanded to include military clans, and cultural centers appeared complete with libraries and meeting halls, as literacy expanded to other classes.
  shasekishu: The World of Nichiren's Writings, vol. 1 Daisaku Ikeda, 2023-01-01 In these insightful discussions, Daisaku Ikeda explores from a variety of angles the life, times, and teachings of Nichiren Daishonin as described in his writings. We learn how Nichiren' s actions— from his vows at an early age to bring happiness to the people through his fearlessness in face of life-threatening persecutions— can become a model for us today. And the humanistic interpretations of key Buddhist concepts bring new clarity to ideas such as “ attaining Buddhahood in this lifetime” and “ establishing the correct teaching for the peace of the land.” More than just history and theory, the inspiration offered here aims to provide a deeper understanding of how to put into daily practice Nichiren's philosophy of hope and victory.
  shasekishu: Japanese Tales Royall Tyler, 2012-08-22 Two hundred and twenty tales from medieval Japan—tales that welcome us into a fabulous faraway world populated by saints, scoundrels, ghosts, magical healers, and a vast assortment of deities and demons. Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese civilization. They ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished culture. With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library
  shasekishu: Death and the Afterlife in Japanese Buddhism Jacqueline I. Stone, Mariko Namba Walter, 2008-08-20 For more than a thousand years, Buddhism has dominated Japanese death rituals and concepts of the afterlife. The nine essays in this volume, ranging chronologically from the tenth century to the present, bring to light both continuity and change in death practices over time. They also explore the interrelated issues of how Buddhist death rites have addressed individual concerns about the afterlife while also filling social and institutional needs and how Buddhist death-related practices have assimilated and refigured elements from other traditions, bringing together disparate, even conflicting, ideas about the dead, their postmortem fate, and what constitutes normative Buddhist practice. The idea that death, ritually managed, can mediate an escape from deluded rebirth is treated in the first two essays. Sarah Horton traces the development in Heian Japan (794–1185) of images depicting the Buddha Amida descending to welcome devotees at the moment of death, while Jacqueline Stone analyzes the crucial role of monks who attended the dying as religious guides. Even while stressing themes of impermanence and non-attachment, Buddhist death rites worked to encourage the maintenance of emotional bonds with the deceased and, in so doing, helped structure the social world of the living. This theme is explored in the next four essays. Brian Ruppert examines the roles of relic worship in strengthening family lineage and political power; Mark Blum investigates the controversial issue of religious suicide to rejoin one’s teacher in the Pure Land; and Hank Glassman analyzes how late medieval rites for women who died in pregnancy and childbirth both reflected and helped shape changing gender norms. The rise of standardized funerals in Japan’s early modern period forms the subject of the chapter by Duncan Williams, who shows how the Soto Zen sect took the lead in establishing itself in rural communities by incorporating local religious culture into its death rites. The final three chapters deal with contemporary funerary and mortuary practices and the controversies surrounding them. Mariko Walter uncovers a deep structure informing Japanese Buddhist funerals across sectarian lines—a structure whose meaning, she argues, persists despite competition from a thriving secular funeral industry. Stephen Covell examines debates over the practice of conferring posthumous Buddhist names on the deceased and the threat posed to traditional Buddhist temples by changing ideas about funerals and the afterlife. Finally, George Tanabe shows how contemporary Buddhist sectarian intellectuals attempt to resolve conflicts between normative doctrine and on-the-ground funerary practice, and concludes that human affection for the deceased will always win out over the demands of orthodoxy. Death and the Afterlife in Japanese Buddhism constitutes a major step toward understanding how Buddhism in Japan has forged and retained its hold on death-related thought and practice, providing one of the most detailed and comprehensive accounts of the topic to date. Contributors: Mark L. Blum, Stephen G. Covell, Hank Glassman, Sarah Johanna Horton, Brian O. Ruppert, Jacqueline I. Stone, George J. Tanabe, Jr., Mariko Namba Walter, Duncan Ryuken Williams.
  shasekishu: The Demon at Agi Bridge and Other Japanese Tales Haruo Shirane, 2011 Haruo Shirane and Burton Watson, renowned translators and scholars, introduce English-speaking readers to the vivid tradition of early and medieval Japanese folktales. These dramatic and often amusing stories offer a major view of the foundations of Japanese culture.
  shasekishu: The Sea and the Sacred in Japan Fabio Rambelli, 2018-07-12 The Sea and the Sacred in Japan is the first book to focus on the role of the sea in Japanese religions. While many leading Shinto deities tend to be understood today as unrelated to the sea, and mountains are considered the privileged sites of sacredness, this book provides new ways to understand Japanese religious culture and history. Scholars from North America, Japan and Europe explore the sea and the sacred in relation to history, culture, politics, geography, worldviews and cosmology, space and borders, and ritual practices and doctrines. Examples include Japanese indigenous conceptualizations of the sea from the Middle Ages to the 20th century; ancient sea myths and rituals; sea deities and sea cults; the role of the sea in Buddhist cosmology; and the international dimension of Japanese Buddhism and its maritime imaginary.
  shasekishu: Transformations and Transfer of Tantra in Asia and Beyond István Keul, 2012-01-27 The essays in this volume, written by specialists working in the field of tantric studies, attempt to trace processes of transformation and transfer that occurred in the history of tantra from around the seventh century and up to the present. The volume gathers contributions on South Asia, Tibet, China, Mongolia, Japan, North America, and Western Europe by scholars from various academic disciplines, who present ongoing research and encourage discussion on significant themes in the growing field of tantric studies. In addition to the extensive geographical and temporal range, the chapters of the volume cover a wide thematic area, which includes modern Bengali tantric practitioners, tantric ritual in medieval China, the South Asian cults of the mother goddesses, the way of Buddhism into Mongolia, and countercultural echoes of contemporary tantric studies.
  shasekishu: Japanese History & Culture from Ancient to Modern Times John W. Dower, 1986
  shasekishu: Monumenta Nipponica , 2008 Includes section Reviews.
  shasekishu: Buddhas and Kami in Japan Fabio Rambelli, Mark Teeuwen, 2003-08-29 This volume offers a multidisciplinary approach to the combinatory tradition that dominated premodern and early modern Japanese religion, known as honji suijaku (originals and their traces). It questions received, simplified accounts of the interactions between Shinto and Japanese Buddhism, and presents a more dynamic and variegated religious world, one in which the deities' Buddhist originals and local traces did not constitute one-to-one associations, but complex combinations of multiple deities based on semiotic operations, doctrines, myths, and legends. The book's essays, all based on specific case studies, discuss the honji suijaku paradigm from a number of different perspectives, always integrating historical and doctrinal analysis with interpretive insights.
  shasekishu: 日英仏教語辭典 稲垣久雄, 1988
  shasekishu: Tengu Haruko Nishioka Wakabayashi, 1995
  shasekishu: Representative Translations and Summaries from the Shasekishū with Commentary and Critical Introduction Robert E. Morrell, 1968
  shasekishu: 日本文学. 語学研究英語文献要覧 Yasuhiro Yoshizaki, 1979
  shasekishu: East Asian Literatures , 2006 This volume discusses the past, present and future perspectives of literature in Japan, China and South Korea and its interface with India. Since this being a largely unexplored area, an attempt has been made to present a true picture of the literature and cultural milieu of the East Asian countries to the readers through well researched, thought-provoking and enlightening papers contributed by eminent scholars from India, Japan, China and Korea. It is a historical fact that India maintained strong cultural ties with East Asian countries directly or indirectly through religion and culture since ancient times. This cultural bond has become all the more significant and meaningful in this age of information technology and globalization. In this context, literature has a great role to play. To be precise, it is only through literature that this existing bond of cultural affinity among India and East Asian countries could be nurtured and strengthened. This book gives a vivid picture of the state of the past and present literary trends in Japan, China and South Korea, the influence of Indian literary trends and thought on their literatures, and the general perception and assimilation of East Asian literatures in India. This book would be a unique and comprehensive reference material for teachers, researchers, students, writers, and literary critics of Indian and East Asian literatures.
  shasekishu: Itineraries of Power Terry Kawashima, 2020-05-11 Movements—of people and groups, through travel, migration, exile, and diaspora—are central to understanding both local and global power relationships. But what of more literary moves: textual techniques such as distinct patterns of narrative flow, abrupt leaps between genres, and poetic figures that flatten geographical distance? This book examines what happens when both types of tropes—literal traversals and literary shifts—coexist. Itineraries of Power examines prose narratives and poetry of the mid-Heian to medieval eras (900–1400) that conspicuously feature tropes of movement. Terry Kawashima argues that the appearance of a character’s physical motion, alongside literary techniques identified with motion, is a textual signpost in a story, urging readers to focus on how the work conceptualizes relations of power and claims to authority. From the gendered intersection of register shifts in narrative and physical displacement in the Heian period, to a dizzying tale of travel retold multiple times in a single medieval text, the motion in these works gestures toward internal conflicts and alternatives to existing structures of power. The book concludes that texts crucially concerned with such tropes of movement suggest that power is always simultaneously manufactured and dismantled from within.
  shasekishu: Visions of Awakening Space and Time Taigen Dan Leighton, 2008-12-31 As a religion concerned with universal liberation, Zen grew out of a Buddhist worldview very different from the currently prevalent scientific materialism. Indeed, says Taigen Dan Leighton, Zen cannot be fully understood outside of a worldview that sees reality itself as a vital, dynamic agent of awareness and healing. In this book, Leighton explicates that worldview through the writings of the Zen master Eihei Dōgen (1200-1253), considered the founder of the Japanese Sōtō Zen tradition, which currently enjoys increasing popularity in the West. The Lotus Sutra, arguably the most important Buddhist scripture in East Asia, contains a famous story about bodhisattvas (enlightening beings) who emerge from under the earth to preserve and expound the Lotus teaching in the distant future. The story reveals that the Buddha only appears to pass away, but actually has been practicing, and will continue to do so, over an inconceivably long life span. Leighton traces commentaries on the Lotus Sutra from a range of key East Asian Buddhist thinkers, including Daosheng, Zhiyi, Zhanran, Saigyo, Myōe, Nichiren, Hakuin, and Ryōkan. But his main focus is Eihei Dōgen, the 13th century Japanese Sōtō Zen founder who imported Zen from China, and whose profuse, provocative, and poetic writings are important to the modern expansion of Buddhism to the West. Dōgen's use of this sutra expresses the critical role of Mahayana vision and imagination as the context of Zen teaching, and his interpretations of this story furthermore reveal his dynamic worldview of the earth, space, and time themselves as vital agents of spiritual awakening. Leighton argues that Dōgen uses the images and metaphors in this story to express his own religious worldview, in which earth, space, and time are lively agents in the bodhisattva project. Broader awareness of Dōgen's worldview and its implications, says Leighton, can illuminate the possibilities for contemporary approaches to primary Mahayana concepts and practices.
  shasekishu: Verhandelingen der Koninklijke Nederlandse Akademie van Wetenschappen, Afd. Letterkunde , 1913
  shasekishu: Discourse and Ideology in Medieval Japanese Buddhism Richard K. Payne, Taigen Dan Leighton, 2006-04-18 The medieval period of Japanese religious history is commonly known as one in which there was a radical transformation of the religious culture. This book suggests an alternate approach to understanding the dynamics of that transformation. One main topic of analysis focuses on what Buddhism - its practices and doctrines, its traditions and institutions - meant for medieval Japanese peoples themselves. This is achieved by using the notions of discourse and ideology and juxtaposing various topics on shared linguistic practices and discursive worlds of medieval Japanese Buddhism. Collating contributions from outstanding scholars in the field of Buddhist Studies, the editors have created an important work that builds on preliminary work on rethinking the importance and meaning of Kamakura Buddhism published recently in English, and adds greatly to the debate.
  shasekishu: Zen Buddhist Rhetoric in China, Korea, and Japan Christoph Anderl, 2011-11-25 Through a diachronic and comparative approach this book offers a comprehensive study of Zen Buddhist linguistic and rhetoric devices in China, Korea, and Japan. It draws a vivid picture of the complexity of Zen Buddhist literary production in interaction with doctrinal and ritual issues, as well as in response to the sociopolitical contexts.
  shasekishu: The Invention of Religion in Japan Jason Ananda Josephson, 2012-10-03 A study of how Japan once had no concept of “religion,” and what happened when officials were confronted by American Commodore Perry in 1853. Throughout its long history, Japan had no concept of what we call “religion.” There was no corresponding Japanese word, nor anything close to its meaning. But when American warships appeared off the coast of Japan in 1853 and forced the Japanese government to sign treaties demanding, among other things, freedom of religion, the country had to contend with this Western idea. In this book, Jason Ananda Josephson reveals how Japanese officials invented religion in Japan and traces the sweeping intellectual, legal, and cultural changes that followed. More than a tale of oppression or hegemony, Josephson’s account demonstrates that the process of articulating religion offered the Japanese state a valuable opportunity. In addition to carving out space for belief in Christianity and certain forms of Buddhism, Japanese officials excluded Shinto from the category. Instead, they enshrined it as a national ideology while relegating the popular practices of indigenous shamans and female mediums to the category of “superstitions” —and thus beyond the sphere of tolerance. Josephson argues that the invention of religion in Japan was a politically charged, boundary-drawing exercise that not only extensively reclassified the inherited materials of Buddhism, Confucianism, and Shinto to lasting effect, but also reshaped, in subtle but significant ways, our own formulation of the concept of religion today. This ambitious and wide-ranging book contributes an important perspective to broader debates on the nature of religion, the secular, science, and superstition. Praise for The Invention of Religion in Japan “The Invention of Religion in Japan is truly revolutionary. Original, well researched, and engrossing, it overturns basic assumptions in the study of Japanese thought, religion, science, and history. . . . This book will absolutely reshape the field.” —Sarah Thal, University of Wisconsin-Madison “Written with remarkable clarity, this book makes an excellent contribution to the study of the interface of traditional Japanese religions and politics. Highly recommended.” —Choice “The range of Japanese primary sources consulted in his book is prodigious, as is his familiarity and usage of multidisciplinary theoretical works. . . . Josephson’s book is erudite, informative, and interesting. It should be a worthwhile read for Japan scholars as well as scholars and students interested in religious studies theory and history.” —H-Shukyo
  shasekishu: Sources of Japanese Tradition Wm. Theodore De Bary, Carol Gluck, Arthur Tiedemann, 2002-04-10 Sources of Japanese Tradition is a best-selling classic, unrivaled for its wide selection of source readings on history, society, politics, education, philosophy, and religion in the Land of the Rising Sun. In this long-awaited second edition, the editors have revised or retranslated most of the texts in the original 1958 edition, and added a great many selections not included or translated before. They have also restructured volume 1 to span the period from the early Japanese chronicles to the end of the sixteenth century. New additions include: * readings on early and medieval Shinto and on the tea ceremony, * readings on state Buddhism and Chinese political thought influential in Japan, and * sections on women's education, medieval innovations in the uses of history, and laws and precepts of the medieval warrior houses. Together, the selections shed light on the development of Japanese civilization in its own terms, without reference to Western parallels, and will continue to assist generations of students and lay readers in understanding Japanese culture.
  shasekishu: Miracles of Book and Body Charlotte Eubanks, 2011-01-01 Miracles of Book and Body is the first book to explore the intersection of two key genres of sacred literature in medieval Japan: sutras, or sacred Buddhist texts, and setsuwa, or explanatory tales, used in sermons and collected in written compilations. For most of East Asia, Buddhist sutras were written in classical Chinese and inaccessible to many devotees. How, then, did such devotees access these texts? Charlotte D. Eubanks argues that the medieval genre of explanatory tales illuminates the link between human body (devotee) and sacred text (sutra). Her highly original approach to understanding Buddhist textuality focuses on the sensual aspects of religious experience and also looks beyond Japan to explore pre-modern book history, practices of preaching, miracles of reading, and the Mahayana Buddhist cult of the book.
  shasekishu: Transactions Asiatic Society of Japan, 1907 List of transactions, v. 1-41 in v. 41.
  shasekishu: Military Thought of Asia Kaushik Roy, 2020-11-04 Military Thought of Asia challenges the assertion that the generation of rational secular ideas about the conduct of warfare is the preserve of the West, by analysing the history of ideas of warfare in Asia from the ancient period to the present. The volume takes a transcontinental and comparative approach to provide a broad overview of the evolution of military thought in Asia. The military traditions and theories which have emerged in different parts of Eurasia throughout history are products of geopolitics and unique to the different regions. The book considers the systematic and tight representation of ideas by famous figures including Kautlya and Sun Tzu. At the same time, it also highlights publications on military affairs by small men like mid-ranking officers and scattered ideas regarding the origin, nature and societal impact of organised violence present in miscellaneous sources like coins, inscriptions, paintings and fictional literature. In so doing, the book fills a historiographical gap in scholarship on military thought, which marginalises Asia to the part of cameo, and historicises the evolution of theory and the praxis of warfare. The volume shows that the ‘East’ has a long unbroken tradition of conceptualising war and its place in society from the Classical Era to the Information Age. It is essential reading for those interested in the evolution of military thought throughout history, particularly in Asia.
  shasekishu: Confucian Values and Popular Zen Janine Anderson Sawada, 2020-12-31 Although East Asian religion is commonly characterized as syncretic, the historical interaction of Buddhist, Confucian, and other traditions is often neglected by scholars of mainstream religious thought. In this thought-provoking study, Janine Sawada moves beyond conventional approaches to the history of Japanese religion by analyzing the ways in which Neo-Confucianism and Zen formed a popular synthesis in early modern Japan. She shows how Shingaku, a teaching founded by merchant Ishida Baigan, blossomed after his death into a widespread religious movement that selectively combined ideas and practices from these traditions. Drawing on new research into original Shingaku sources, Sawada challenges the view that the teaching was a facile merchant ethic by illuminating the importance of Shingaku mystical experience and its intimate relation to moral cultivation in the program developed by Baigan's successor, Teshima Toan. This book also suggests the need for an approach to the history of Japanese education that accounts for the informal transmission of ideas as well as institutional schooling. Shingaku contributed to the development of Japanese education by effectively disseminating moral and religious knowledge on a large scale to the less-educated sectors of Tokugawa society. Sawada interprets the popularity of the movement as part of a general trend in early modern Japan in which ordinary people sought forms of learning that could be pursued in the context of daily life.
  shasekishu: Sand and Pebbles Robert E. Morrell, 1985-08-30 Sand and Pebbles presents the first complete English rendering of Shasekishū--the classic, popular Buddhist Tale Literature (setsuwa). This collection of instructive, yet often humorous, anecdotes appeared in the late thirteenth century, within decades of the first stirrings of the revolutionary movements of Kamakura Buddhism. Shasekishū's author, Mujū Ichien (1226-1312), lived in a rural temple apart from the centers of political and literary activity, and his stories reflect the customs, attitudes and lifestyles of the commoners. In Sand and Pebbles, complete translations of Book One and other significant narrative parts are supplemented by summaries of the remaining (especially didactic) material and by excerpts from Mujū's later work. Introduced by a historical sketch of the period, this work also contains a biography of Mujū. Illustrations, charts, a chronology, glossary of terms, notes, an extensive bibliography and an index guide the reader into a seldom seen corner of old Japan. Mujū and his writings will interest students of literature as well as scholars of Japanese religion, especially Buddhism. Anthropologists and sociologists will discover details of Kamakura life and thought unrecorded in the official chronicles of the age.
  shasekishu: A History of Writing in Japan Christopher Seeley, 2023-11-20 This book deals chronologically with the history of writing in Japan, a subject which spans a period of 2,000 years, beginning with the transmission of writing from China in about the first or second century AD, and concluding with the use of written Japanese with computers. Topics dealt with include the adoption of Chinese writing and its subsequent adaptation in Japan, forms of writing employed in works such as the Kojiki and Man'yoshu, development of the kana syllabaries, evolution of mixed character-kana orthography, historical kana usage, the rise of literacy during the Edo period, and the main changes that have taken place in written Japanese in the modern period (ca. 1868 onwards). This is the first full-length work in a European language to provide the Western reader with an overall account of the subject concerned, based on extensive examination of both primary and secondary materials.
  shasekishu: Hokkeji and the Reemergence of Female Monastic Orders in Premodern Japan Lori R. Meeks, 2010-04-30 Hokkeji, an ancient Nara temple that once stood at the apex of a state convent network established by Queen-Consort Komyo (701–760), possesses a history that in some ways is bigger than itself. Its development is emblematic of larger patterns in the history of female monasticism in Japan. In Hokkeji and the Reemergence of Female Monastic Orders in Premodern Japan, Lori Meeks explores the revival of Japan’s most famous convent, an institution that had endured some four hundred years of decline following its establishment. With the help of the Ritsu (Vinaya)-revivalist priest Eison (1201–1290), privately professed women who had taken up residence at Hokkeji succeeded in reestablishing a nuns’ ordination lineage in Japan. Meeks considers a broad range of issues surrounding women’s engagement with Buddhism during a time when their status within the tradition was undergoing significant change. The thirteenth century brought women greater opportunities for ordination and institutional leadership, but it also saw the spread of increasingly androcentric Buddhist doctrine. Hokkeji explores these contradictions. In addition to addressing the socio-cultural, economic, and ritual life of the convent, Hokkeji examines how women interpreted, used, and talked past canonical Buddhist doctrines, which posited women’s bodies as unfit for buddhahood and the salvation of women to be unattainable without the mediation of male priests. Texts associated with Hokkeji, Meeks argues, suggest that nuns there pursued a spiritual life untroubled by the so-called soteriological obstacles of womanhood. With little concern for the alleged karmic defilements of their gender, the female community at Hokkeji practiced Buddhism in ways resembling male priests: they performed regular liturgies, offered memorial and other priestly services to local lay believers, and promoted their temple as a center for devotional practice. What distinguished Hokkeji nuns from their male counterparts was that many of their daily practices focused on the veneration of a female deity, their founder Queen-Consort Komyo, whom they regarded as a manifestation of the bodhisattva Kannon. Hokkeji rejects the commonly accepted notion that women simply internalized orthodox Buddhist discourses meant to discourage female practice and offers new perspectives on the religious lives of women in premodern Japan. Its attention to the relationship between doctrine and socio-cultural practice produces a fuller view of Buddhism as it was practiced on the ground, outside the rarefied world of Buddhist scholasticism.
  shasekishu: Carmen Blacker - Collected Writings Carmen Blacker, 2013-11-05 This volume of the Collected Writings of Modern Western Scholars on Japan brings together the work of Carmen Blacker, who wrote extensively on religion, myth and folklore.
  shasekishu: Holy Tears Kimberley Christine Patton, John Stratton Hawley, 2018-06-26 What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed? Is it universal? Is it spontaneous? Does God ever cry? Is religious weeping altered by sexual or social roles? Is it, perhaps, at once scripted and spontaneous, private and communal? Is it, indeed, divine? The grief occasioned by 9/11 and violence in Afghanistan, Iraq, Israel, and elsewhere offers a poignant context for this fascinating and richly detailed book. Holy Tears concludes with a compelling meditation on the theology of weeping that emerged from pastoral responses to 9/11, as described in the editors' interview with Reverend Betsee Parker, who became head chaplain for the Office of the Chief Medical Examiner of New York City and leader of the multifaith chaplaincy team at Ground Zero. The contributors are Diane Apostolos-Cappadona, Amy Bard, Herbert Basser, Santha Bhattacharji, William Chittick, Gary Ebersole, M. David Eckel, John Hawley, Gay Lynch, Jacob Olúpqnà (with Solá Ajíbádé), Betsee Parker, Kimberley Patton, Nehemia Polen, Kay Read, and Kallistos Ware.
  shasekishu: The Fox's Craft in Japanese Religion and Culture Michael Bathgate, 2004-03-01 For more than a millennium, the fox has been a ubiquitous figure at the margins of the Japanese collective imagination. In the writings of the nobility and the motifs of popular literature, the fox is known as a shapeshifter, able to assume various forms in order to deceive others. Focusing on recurring themes of transformation and duplicity in folklore, theology, and court and village practice, The Fox's Craft explores the meanings and uses of shapeshifter fox imagery in Japanese history. Michael Bathgate finds that the shapeshifting powers of the fox make it a surprisingly fundamental symbol in the discourse of elite and folk alike, and a key component in formulations of marriage and human identity, religious knowledge, and the power of money. The symbol of the shapeshifter fox thus provides a vantage point from which to understand the social practice of signification.
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