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| sherezada nightclub: Histoire de La Havane Emmanuel Vincenot, 2016-02-10 Fondée au début du xvie siècle, La Havane s’est très vite imposée comme une cité stratégique, vivant du passage des flottes, du travail des esclaves et du commerce du sucre et du tabac. Sa désignation comme capitale de Cuba en 1607, l’envol de la production de sucre après la révolution haïtienne de 1791, la fin de la présence coloniale espagnole en 1898 et les occupations militaires du début du xxe siècle comptent parmi les événements clés qui marquent son devenir.Avec l’entrée en scène de Fidel Castro et du Che, en 1959, commence à se construire le mythe de la ville révolutionnaire, bouillonnante, généreuse et effrontée. Quelques décennies plus tard, la fièvre retombée, La Havane devient un musée à ciel ouvert des espoirs déçus, que les touristes visitent à bord de pittoresques voitures hors d’âge. La normalisation des relations diplomatiques amorcée en 2015 va-t-elle inaugurer une nouvelle ère ?Emmanuel Vincenot nous propose une histoire formidablement vivante de cette ville au destin tumultueux, lié à celui de l’Europe, de l’Afrique et de l’Amérique. Parce que La Havane n’a jamais cessé d’inspirer les voyageurs et les artistes, son livre fait aussi la part belle aux représentations visuelles de la cité, des premières gravures aux visions cinématographiques contemporaines. Un portrait kaléidoscopique qui donne à comprendre cette ville complexe, lieu d’insouciance et de douleur, de nostalgie et d’utopie, de renaissance et de perdition. Emmanuel Vincenot est agrégé d’espagnol et maître de conférences en civilisation latino-américaine. Il enseigne à l’université Paris-Est Marne-la-Vallée et à Sciences Po Paris. |
| sherezada nightclub: Caribbean Islands Sarah Cameron, 2003 Covering one world's most exciting tropical destinations, Footprint guides offer everything discerning travelers need to get the most out of their trip. |
| sherezada nightclub: Footprint Caribbean Islands Handbook 2003 Sarah Cameron, 2002 Footprint Caribbean Islands Handbook is fully updated with the best information on almost every island in the Caribbean. The individual flavors of each island are captured along with practical advice and accessible recommendations, and this edition contains a double-page, full-color front map illustrating the highlights of the countries. Over 120 island and town maps. |
| sherezada nightclub: Caribbean Islands Handbook , 2004 |
| sherezada nightclub: Birnbaum's Mexico 1994 Alexandra M. Birnbaum, 1993-11 Maps driving routes to Mexico's most magnificent sites. |
| sherezada nightclub: Birnbaum's Mexico, 1996 Alexandra M. Birnbaum, 1995-08 Beginning with tips on how to plan and budget the trip and a summary of everything the travelers needs to know before arriving in Mexico, this comprehensive guide contains all the information travelers need to plan and enjoy their vacation. Features easy-to-read, detailed maps and provides the best driving and walking routes to the heart of Mexico and the popular attractions. |
| sherezada nightclub: Cuentos cortos en yo personal Enrique A. Meitin, 2011-07-18 Todo lo que les narro en Cuentos Cortos en yo personal es ficción. Sin embargo, si algunas de mis amistades creen verse reflejadas en algo, solo en algo... identificados con algunos de mis personajes les aclaro que no ha sido mi intención y les pido encarecidamente que me disculpen. No obstante, si sus acciones ---quiero decir la de mis personajes---, le parecen muy cercanas a sus propias realidades, que a su apreciación y junto a mi les tocó vivir, les pido disculpas nuevamente, pero si continúan pensando que son ellos mismos quienes están presentes en los mismos, tengan entonces en cuenta, que no es más que el resultado de lo que para mi significan. Pues a pesar de las décadas transcurridas, ocupan un lugar importante en los recuerdos que en mi mente se sujetan de aquellos hermosos años de niño y de adolescente, sitial que nunca han abandonado ni abandonaran jamás... |
| sherezada nightclub: Encyclopedia of Latin American Popular Music George Torres, 2013-03-27 This comprehensive survey examines Latin American music, focusing on popular—as opposed to folk or art—music and containing more than 200 entries on the concepts and terminology, ensembles, and instruments that the genre comprises. The rich and soulful character of Latin American culture is expressed most vividly in the sounds and expressions of its musical heritage. While other scholars have attempted to define and interpret this body of work, no other resource has provided such a detailed view of the topic, covering everything from the mambo and unique music instruments to the biographies of famous Latino musicians. Encyclopedia of Latin American Popular Music delivers scholarly, authoritative, and accessible information on the subject, and is the only single-volume reference in English that is devoted to an encyclopedic study of the popular music in this genre. This comprehensive text—organized alphabetically—contains roughly 200 entries and includes a chronology, discussion of themes in Latin American music, and 37 biographical sidebars of significant musicians and performers. The depth and scope of the book's coverage will benefit music courses, as well as studies in Latin American history, multicultural perspectives, and popular culture. |
| sherezada nightclub: Mea Cuba Guillermo Cabrena Infante, 1995-10-31 Quirky, unpredictable, often hilarious, Infante's book tells us much about the effect of the Cuban revolution on Cuban literature. - Publishers Weekly With bitter irony, the author tells a story sadly repeated during this century. A dictatorship that silences the intellectuals, a regime that lies and kills, and a propaganda war that has yet to end. One of the best compilations of documents on recent Cuban history. |
| sherezada nightclub: Information Services Latin America , 1997 |
| sherezada nightclub: Malambo Lucía Charún-Illescas, 2023-08-24 A powerful historical novel set in Peru in the sixteenth and seventeenth centuries. In Malambo . . . the Rimac proudly rubs elbows with the freedmen, the cimarrons, and smuggled slaves. . . It runs united to the other subterranean springs underneath Blanket Street, Weavers Lane, and under Jewish Street . . . and Swordmaker's Lanes. The Rimac shapes the narrative of this compelling historical novel that probes the brutal clash of ethnicity, religion, and class in sixteenth- and seventeenth-century Peru. Set against the backdrop of Spanish colonialism and the Spanish Inquisition in the New World, Malambo peels back the layers of Peru's society to focus on the subtle connections among indigenous peoples-- Africans, Jews, Christians, and others--whose cultural fusion pervades Latin American history and culture. At the heart of the novel is Tomason, an African artist living along the Rimac who paints religious murals for the church and his colonial masters. The intermingling of his Yoruba heritage with his life in a Spanish colony transforms him into a griot figure who unearths the deeper truths of his painful and complex experience by sharing it. Other memorable characters' stories intertwine with Tomason's tale, developing a narrative that powerfully reflects on the themes of dislocation and enslavement. Malambo is an unforgettable work that explores the origins of the Afro-Hispanic experience and offers a profound meditation on the forces of history. |
| sherezada nightclub: Cuban Underground Hip Hop Tanya L. Saunders, 2015-11-30 This book is a part of the Latin American and Caribbean Arts and Culture publication initiative, funded by a grant from the Andrew W. Mellon Foundation. |
| sherezada nightclub: The Long, Lingering Shadow Robert J. Cottrol, 2013-02-01 Students of American history know of the law’s critical role in systematizing a racial hierarchy in the United States. Showing that this history is best appreciated in a comparative perspective, The Long, Lingering Shadow looks at the parallel legal histories of race relations in the United States, Brazil, and Spanish America. Robert J. Cottrol takes the reader on a journey from the origins of New World slavery in colonial Latin America to current debates and litigation over affirmative action in Brazil and the United States, as well as contemporary struggles against racial discrimination and Afro-Latin invisibility in the Spanish-speaking nations of the hemisphere. Ranging across such topics as slavery, emancipation, scientific racism, immigration policies, racial classifications, and legal processes, Cottrol unravels a complex odyssey. By the eve of the Civil War, the U.S. slave system was rooted in a legal and cultural foundation of racial exclusion unmatched in the Western Hemisphere. That system’s legacy was later echoed in Jim Crow, the practice of legally mandated segregation. Jim Crow in turn caused leading Latin Americans to regard their nations as models of racial equality because their laws did not mandate racial discrimination— a belief that masked very real patterns of racism throughout the Americas. And yet, Cottrol says, if the United States has had a history of more-rigid racial exclusion, since the Second World War it has also had a more thorough civil rights revolution, with significant legal victories over racial discrimination. Cottrol explores this remarkable transformation and shows how it is now inspiring civil rights activists throughout the Americas. |
| sherezada nightclub: La música entre Cuba y Espańa María Teresa Linares, Faustino Núñez, 1998 |
| sherezada nightclub: The African Presence in Santo Domingo Carlos Andujar, 2012-06-01 Throughout its long and often tumultuous history, “La Hispanola” has taken on various cultural identities to meet the expectations—and especially the demands—of those who governed it. The island shared by the Dominican Republic and Haiti saw its first great shift with the arrival of Spanish colonists, who eliminated the indigenous population and established a pattern of indifference or hostility to diversity there. This enlightening book explores the Dominican Republic through the lens of its African descendants, beginning with the rise of the black slave trade in fifteenth- and sixteenth-century West Africa, and continuing on to slavery as it existed on the island. An engaging history that vividly details black life in the Dominican Republic, the book investigates the slave rebellions and evaluates the numerous contributions of black slaves to Dominican culture. |
| sherezada nightclub: Document Poem Aída Cartagena Portalatín, 1995 This documentary poem about the history of the Dominican Republic focuses on the active role of [women] in history. The narrator traces the continuous exploitation of the nation beginning with Columbus. [poetry][caribbean][multi-cultural] |
| sherezada nightclub: Encuentro de la cultura cubana , 2000 |
| sherezada nightclub: Kino. A History of the Russian and Soviet Film Jay Leyda, 1960 |
| sherezada nightclub: Women and Trafficking Simona Zavratnik Zimic, 2004 |
| sherezada nightclub: Feminine Endings Susan Mcclary, 2002-07-24 A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. . . . this is a major book . . . [McClary's] achievement borders on the miraculous. The Village VoiceNo one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals. ChoiceFeminine Endings, a provocative 'sexual politics' of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClary's] book presents. All music-lovers should read it, and cheer. The Women's Review of BooksMcClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity.-The New York Review of Books |
| sherezada nightclub: Literary Bondage William Luis, 2014-05-23 In the nineteenth century, the Cuban economy rested on the twin pillars of sugar and slaves. Slavery was abolished in 1886, but, one hundred years later, Cuban authors were still writing antislavery narratives. William Luis explores this seeming paradox in his groundbreaking study Literary Bondage, asking why this literary genre has remained a viable means of expression. Applying Foucault's theory of counter-discourse to a vast body of antislavery literature, Luis shows how these narratives have always served to undermine the foundations of slavery, to protest the marginalized status of blacks in Cuban society, and to rewrite the canon of acceptable history and literature. He finds that emancipation did not end the need for such counter-discourse and reveals how the antislavery narrative continues to provide a forum for voices that have been silenced by the dominant culture. In addition to such well-known works as Cecilia Valdés, The Kingdom of This World, and The Autobiography of a Runaway Slave, Luis draws on many literary works outside the familiar canon, including Romualdo, uno de tantos, Aponte, SofíaLa familia Unzúazu, El negrero, and Los guerrilleros negros. This comprehensive coverage raises important questions about the process of canon-formation and brings to light Cuba's rich heritage of Afro-Latin literature and culture. |
| sherezada nightclub: In the Name of Salome Julia Alvarez, 2000-06-09 Original and illuminating.—The New York Times Book Review In her most ambitious work since In the Time of Butterflies, Julia Alvarez tells the story of a woman whose poetry inspired one Caribbean revolution and of her daughter whose dedication to teaching strengthened another. Camila Henriquez Urena is about to retire from her longtime job teaching Spanish at Vassar College. Only now as she sorts through family papers does she begin to know the woman behind the legend of her mother, the revered Salome Urena, who died when Camila was three. In stark contrast to Salome, who became the Dominican Republic's national poet at the age of seventeen, Camila has spent most of her life trying not to offend anybody. Her mother dedicated her life to educating young women to give them voice in their turbulent new nation; Camila has spent her life quietly and anonymously teaching the Spanish pluperfect to upper-class American girls with no notion of revolution, no knowledge of Salome Urena. Now, in 1960, Camila must choose a final destination for herself. Where will she spend the rest of her days? News of the revolution in Cuba mirrors her own internal upheaval. In the process of deciding her future, Camila uncovers the truth of her mother's tragic personal life and, finally, finds a place for her own passion and commitment. Julia Alvarez has won a large and devoted audience by brilliantly illuminating the history of modern Caribbean America through the personal stories of its people. As a Latina, as a poet and novelist, and as a university professor, Julia Alvarez brings her own experience to this exquisite story. Julia Alvarez’s new novel, Afterlife, is available now. |
| sherezada nightclub: Drums Under My Skin Luz Argentina Chiriboga, 1996 |
| sherezada nightclub: American Mixed Race Naomi Zack, 1995 This exciting multidisciplinary collection brings together twenty-two original essays by scholars on the cutting edge of racial theory, who address both the American concept of race and the specific problems experienced by those who do not fit neatly into the boxes society requires them to check. |
| sherezada nightclub: Mulattas and Mestizas Suzanne Bost, 2005 In this broadly conceived exploration of how people represent identity in the Americas, Suzanne Bost argues that mixture has been central to the definition of race in the United States, Mexico, and the Caribbean since the nineteenth century. Her study is particularly relevant in an era that promotes mixed-race musicians, actors, sports heroes, and supermodels as icons of a new America. Bost challenges the popular media's notion that a new millennium has ushered in a radical transformation of American ethnicity; in fact, this paradigm of the changing face of America extends throughout American history. Working from literary and historical accounts of mulattas, mestizas, and creoles, Bost analyzes a tradition, dating from the nineteenth century, of theorizing identity in terms of racial and sexual mixture. By examining racial politics in Mexico and the United States; racially mixed female characters in Anglo-American, African American, and Latina narratives; and ideas of mixture in the Caribbean, she ultimately reveals how the fascination with mixture often corresponds to racial segregation, sciences of purity, and white supremacy. The racism at the foundation of many nineteenth-century writings encourages Bost to examine more closely the subtexts of contemporary writings on the browning of America. Original and ambitious in scope, Mulattas and Mestizas measures contemporary representations of mixed-race identity in the United States against the history of mixed-race identity in the Americas. It warns us to be cautious of the current, millennial celebration of mixture in popular culture and identity studies, which may, contrary to all appearances, mask persistent racism and nostalgia for purity. |
| sherezada nightclub: Green Cane and Juicy Flotsam Carmen C. Esteves, 1991 Perhaps the most salient feature of the stories collected here is their presentation of the multiplicity of voices of Caribbean women: Parable II, No Dust is Allowed in This House, of Nuns and Punishment, Reminds us of the accomplishments of Caribbean women and promise of their writing. |
| sherezada nightclub: Black Rhythms of Peru Heidi Feldman, 2023-02-28 Winner of the IASPM's Woody Guthrie Award (2007) In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate—and to some extent recreate—Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the Black Pacific, a marginalized group of African diasporic communities along Latin America's Pacific coast. Feldman's ethnography of remembering traces the memory projects of charismatic Afro-Peruvian revival artists and companies, including José Durand, Nicomedes and Victoria Santa Cruz, and Perú Negro, culminating with Susana Baca's entry onto the global world music stage in the 1990s. Readers will learn how Afro-Peruvian music and dance genres, although recreated in the revival to symbolize the ancient and forgotten past, express competing modern beliefs regarding what constitutes Black Rhythms of Peru. |
| sherezada nightclub: In the Vortex of the Cyclone Excilia Saldaña, 2019 The first-ever bilingual anthology by the Afro-Cuban poet Excilia Saldana contains a wide-ranging selection of her work, from lullabies to an erotic letter, from lengthy autobiographical poems to quiet reflections on her Caribbean island as the inspiration for her writing. Known in Cuba as a poet, essayist, translator, and professor, Saldana won the prestigious Nicholas Guillen Award for Distinction in Poetry in 1998 and the La Rosa Blanca Prize for La Noche, a children's book, in 1989. Before her death in 1999, most of her work had appeared in Spanish exclusively in Cuba with only scattered translations. This collection emphasizes her construction of a personal and poetic autobiography to reveal the identity of one of the best Afro-Caribbean poets of the twentieth century. |
| sherezada nightclub: Writes of Passage Guillermo Cabrera Infante, 1993-01 Fifteen stories about Cuba by a writer whonotes in the prologue: None, for sure went to jail forimitating Hemingway. I did. |
| sherezada nightclub: A Tale of Two Cities Jesse Hoffnung-Garskof, 2018-06-05 In the second half of the twentieth century Dominicans became New York City's largest, and poorest, new immigrant group. They toiled in garment factories and small groceries, and as taxi drivers, janitors, hospital workers, and nannies. By 1990, one of every ten Dominicans lived in New York. A Tale of Two Cities tells the fascinating story of this emblematic migration from Latin America to the United States. Jesse Hoffnung-Garskof chronicles not only how New York itself was forever transformed by Dominican settlement but also how Dominicans' lives in New York profoundly affected life in the Dominican Republic. A Tale of Two Cities is unique in offering a simultaneous, richly detailed social and cultural history of two cities bound intimately by migration. It explores how the history of burgeoning shantytowns in Santo Domingo--the capital of a rural country that had endured a century of intense U.S. intervention and was in the throes of a fitful modernization--evolved in an uneven dialogue with the culture and politics of New York's Dominican ethnic enclaves, and vice versa. In doing so it offers a new window on the lopsided history of U.S.-Latin American relations. What emerges is a unique fusion of Caribbean, Latin American, and U.S. history that very much reflects the complex global world we live in today. |
| sherezada nightclub: Twenty-First Century Latin American Narrative and Postmodern Feminism Gina Ponce de Leon, 2014-06-26 The authors of Twenty-First Century Latin American Narrative and Postmodern Feminism argue that, while the more traditional feminists of the 20th century did not recognize in their theoretical and literary work the diversity of women’s experiences, current Latin American post-feminist and post-modern writers are proposing a transgressive new social order, resulting in a more significant cultural resistance to the society they represent. The authors included in this volume show that the narrative of the writers analyzed here is not limited to recognizing issues focused on gender or even sexuality, but also explores the female aspiration of a dignified life and overcoming the dominant structures in their social, political and cultural dimension. The complex female situation of this millennium has become the primary quandary while searching for new forms to represent women in literature. In Twenty-First Century Latin American Narrative and Postmodern Feminism, the authors confront this dilemma in a sharp, sophisticated and harmonious way, offering a critical text that will be of interest for both specialists and general readers interested in Latin American literature and culture of the recent years. |
| sherezada nightclub: Afro-Uruguayan Literature Marvin A. Lewis, 2003 This is a continuing process to which the written record holds the key. It has been common knowledge among literary historians that Afro-Uruguayans published a number of periodicals beginning as early as 1872. It is only now, however, with recent discoveries in the National Library in Montevideo that the extent of this production has become evident. It is primarily through these periodicals, the focus here, that much of the cultural legacy of Afro-Uruguayans can be reconstructed.--BOOK JACKET. |
| sherezada nightclub: New World Adams Daryl Cumber Dance, 2008 In this updated collection of interviews with 22 of the most important writers of the English-speaking Caribbean, matters of relevant biography, social and political context, the writer’s attitudes toward language, and his or her agenda as a Caribbean person are explored. Providing more than just a valuable sourcebook for readers of West Indian writing, these interviews are probing, combative, reflective, and absorbing. The writers interviewed include Michael Anthony, Louise Bennett, Jan Carew, Martin Carter, Denis Williams, Austin Clarke, Neville Dawes, Wilson Harris, John Hearne, C. L. R. James, Ismith Khan, George Lamming, Earl Lovelace, Tony McNeil, Pam Mordecai, Velma Pollard, Mervyn Morris, Orlando Patterson, Vic Reid, Dennis Scott, Sam Selvon, Michael Thelwell, Derek Walcott, and Sylvia Wynter. |
| sherezada nightclub: Afro-Argentine Discourse Marvin A. Lewis, 1996 In Afro-Argentine Discourse, Marvin A. Lewis attempts to write blacks back into the literary history of Argentina by treating in depth, for the first time, the written expression of Argentines of African descent during the late nineteenth and early twentieth centuries. Because their contributions are overlooked or minimized in most literary histories, it is often assumed that blacks had little or no part in the development of Argentine literature. Through original archival research, Lewis corrects this erroneous assumption by examining texts never before made available to the academic community. Afro-Argentine Discourse investigates a new dimension of the black experience in the Americas and will stir much interest and debate regarding the black presence in Argentina. |
| sherezada nightclub: Making Multiracials Kimberly McClain DaCosta, 2007 Making Multiracials explains how a social movement emerged around mixed race identity in the 1990s and how it made multiracial a recognizable racial category in the United States. |
| sherezada nightclub: Place, Language, and Identity in Afro-Costa Rican Literature Dorothy E. Mosby, 2003 With the current growth of interest in Afro-Hispanic and Afro-Latin American cultural and literary studies, this book will be essential for courses in Latin American and Caribbean literature, comparative studies, diaspora studies, history, cultural studies, and the literature of migration.--BOOK JACKET. |
| sherezada nightclub: Havana Nocturne T. J. English, 2008-06-03 In modern-day Havana, the remnants of the glamorous past are everywhere—the old hotel-casinos, vintage American cars, and flickering neon signs speak of a bygone era that is widely familiar and often romanticized, but little understood. In Havana Nocturne, T. J. English offers a riveting, multifaceted true tale of organized crime, political corruption, roaring nightlife, revolution, and international conflict that interweaves the dual stories of the Mob in Havana and the event that would overshadow it, the Cuban Revolution. As the Cuban people labored under a violently repressive regime throughout the 1950s, Mob leaders Meyer Lansky and Charles Lucky Luciano turned their eye to Havana. To them, Cuba was the ultimate dream, the greatest hope for the future of the American Mob in the post-Prohibition years of intensified government crackdowns. But when it came time to make their move, it was Lansky, the brilliant Jewish mobster, who reigned supreme. Having cultivated strong ties with the Cuban government and in particular the brutal dictator Fulgencio Batista, Lansky brought key mobsters to Havana to put his ambitious business plans in motion. Before long, the Mob, with Batista's corrupt government in its pocket, owned the biggest luxury hotels and casinos in Havana, launching an unprecedented tourism boom complete with the most lavish entertainment, the world's biggest celebrities, the most beautiful women, and gambling galore. But their dreams collided with those of Fidel Castro, Che Guevara, and others who would lead the country's disenfranchised to overthrow their corrupt government and its foreign partners—an epic cultural battle that English captures in all its sexy, decadent, ugly glory. Bringing together long-buried historical information with English's own research in Havana—including interviews with the era's key survivors—Havana Nocturne takes readers back to Cuba in the years when it was a veritable devil's playground for mob leaders. English deftly weaves together the parallel stories of the Havana Mob—featuring notorious criminals such as Santo Trafficante Jr. and Albert Anastasia—and Castro's 26th of July Movement in a riveting, up-close look at how the Mob nearly attained its biggest dream in Havana—and how Fidel Castro trumped it all with the Cuban Revolution. |
| sherezada nightclub: Unfolding the City Anne Lambright, Elisabeth Guerrero, 2007 The city is not only built of towers of steel and glass; it is a product of culture. It plays an especially important role in Latin America, where urban areas hold a near-monopoly on resources and are home to an expanding population. The essays in this collection assert that women's views of the city are unique and revealing. For the first time, Unfolding the City addresses issues of gender and the urban in literature--particularly lesser-known works of literature--written by Latin American women from Mexico City, Santiago, and Buenos Aires. The contributors propose new mappings of urban space; interpret race and class dynamics; and describe Latin American urban centers in the context of globalization. Contributors: Debra A. Castillo, Cornell U; Sandra Messinger Cypess, U of Maryl∧ Guillermo Irizarry, U of Massachusetts, Amherst; Naomi Lindstrom, U of Texas, Austin; Jacqueline Loss, U of Connecticut; Dorothy E. Mosby, Mount Holyoke Colle≥ Angel Rivera, Worcester Polytechnic Institute; Lidia Santos, Yale U; Marcy Schwartz, Rutgers U; Daniel Noemi Voionmaa, U of Michigan; Gareth Williams, U of Michigan. Anne Lambright is associate professor of modern languages and literature at Trinity College in Hartford, Connecticut. Elisabeth Guerrero is associate professor of Spanish at Bucknell University. |
| sherezada nightclub: Circuits of Visibility Radha Sarma Hegde, 2011 This title explores transnational media environments as a way to understand the gendered constructions and contradictions that support globalization, with special emphasis on women and a global feminist perspective. |
| sherezada nightclub: The Paper Bag Principle Audrey Elisa Kerr, 2006 The Paper Bag Principle: Class, Colorism, and Rumor in the Case of Black Washington, D.C. considers the function of oral history in shaping community dynamics among African American residents of the nation's capitol. The only attempt to document rumor and legends relating to complexion in black communities, The Paper Bag Principle looks at the divide that has existed between the black elite and the black folk. The Paper Bag Principle focuses on three objectives: to record lore related to the paper bag principle (the set of attitudes that granted blacks with light skin higher status in black communities); to investigate the impact that this principle has had on the development of black community consciousness; and to link this material to power that results from proximity to whiteness. The Paper Bag Principle is sure to appeal to scholars and historians interested in African American studies, cultural studies, oral history, folklore, and ethnic and urban studies. |
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