Advertisement
| sherazade leila sebbar: Sherazade Leïla Sebbar, 1999 Sherazade is seventeen, Algerian, and a run-away in Paris. She is haunted by her Algerian past; she searchs for her true identity in Arab books but is caught between worlds -- Africa and Europe, her parents' and her own, colony and capital... |
| sherazade leila sebbar: Sherazade Leïla Sebbar, 1991 Sherazade is seventeen, Algerian, and a run-away in Paris. She is haunted by her Algerian past; she searchs for her true identity in Arab books but is caught between worlds -- Africa and Europe, her parents' and her own, colony and capital... |
| sherazade leila sebbar: The Seine was Red Leïla Sebbar, 2008 Toward the end of the Algerian war, the FLN, an Algerian nationalist party, organised a demonstration in Paris to oppose a curfew imposed upon Algerians in France. The protest was brutally suppressed by the Paris police. This incident provides an intimate look at the history of violence between France and Algeria. |
| sherazade leila sebbar: Half a Life V. S. Naipaul, 2012-03-15 One of the finest living writers in the English language, V. S. Naipaul gives us a tale as wholly unexpected as it is affecting, his first novel since the exultantly acclaimed A Way in the World, published seven years ago. Half a Life is the story of Willie Chandran, whose father, heeding the call of Mahatma Gandhi, turned his back on his brahmin heritage and married a woman of low caste—a disastrous union he would live to regret, as he would the children that issued from it. When Willie reaches manhood, his flight from the travails of his mixed birth takes him from India to London, where, in the shabby haunts of immigrants and literary bohemians of the 1950s, he contrives a new identity. This is what happens as he tries to defeat self-doubt in sexual adventures and in the struggle to become a writer—strivings that bring him to the brink of exhaustion, from which he is rescued, to his amazement, only by the love of a good woman. And this is what happens when he returns with her—carried along, really—to her home in Africa, to live, until the last doomed days of colonialism, yet another life not his own. In a luminous narrative that takes us across three continents, Naipaul explores his great theme of inheritance with an intimacy and directness unsurpassed in his extraordinary body of work. And even as he lays bare the bitter comical ironies of assumed identities, he gives us a poignant spectacle of the enervation peculiar to a borrowed life. In one man’s determined refusal of what he has been given to be, Naipaul reveals the way of all our experience. As Willie comes to see, “Everything goes on a bias. The world should stop, but it goes on.” A masterpiece of economy and emotional nuance, Half a Life is an indelible feat of the imagination. |
| sherazade leila sebbar: Operation Massacre Rodolfo Walsh, 2013-08-27 1956. Argentina has just lost its charismatic president Juán Perón in a military coup, and terror reigns across the land. June 1956: eighteen people are reported dead in a failed Peronist uprising. December 1956: sometime journalist, crime fiction writer, studiedly unpoliticized chess aficionado Rodolfo Walsh learns by chance that one of the executed civilians from a separate, secret execution in June, is alive. He hears that there may be more than one survivor and believes this unbelievable story on the spot. And right there, the monumental classic Operation Massacre is born. Walsh made it his mission to find not only the survivors but widows, orphans, political refugees, fugitives, alleged informers, and anonymous heroes, in order to determine what happened that night, sending him on a journey that took over the rest of his life. Originally published in 1957, Operation Massacre thoroughly and breathlessly recounts the night of the execution and its fallout. |
| sherazade leila sebbar: Blue White Red Alain Mabanckou, 2013-02-21 “Mabanckou dazzles with technical dexterity and emotional depth” in his debut novel, winner of the Grand Prix Littéraire de l’Afrique Noire (Publishers Weekly, starred review). This tale of wild adventure reveals the dashed hopes of Africans living between worlds. When Moki returns to his village from France wearing designer clothes and affecting all the manners of a Frenchman, Massala-Massala, who lives the life of a humble peanut farmer after giving up his studies, begins to dream of following in Moki’s footsteps. Together, the two take wing for Paris, where Massala-Massala finds himself a part of an underworld of out-of-work undocumented immigrants. After a botched attempt to sell metro passes purchased with a stolen checkbook, he winds up in jail and is deported. Blue White Red is a novel of postcolonial Africa where young people born into poverty dream of making it big in the cities of their former colonial masters. Alain Mabanckou’s searing commentary on the lives of Africans in France is cut with the parody of African villagers who boast of a son in the country of Digol. Praise for Alain Mabanckou and Blue White Red “Mabanckou counts as one of the most successful voices of young African literature.” —Internationales Literaturfestival Berlin “The African Beckett.” —The Economist “Blue White Red stands at the beginning of the author’s remarkable and multifaceted career as a novelist, essayist and poet . . . this debut novel shows much of his style and substance in remarkable ways . . . Dundy’s translation is excellent.” —Africa Book Club “Mabanckou’s provocative novel probes the many facets of the ‘migration adventure.’” —Booklist |
| sherazade leila sebbar: Sitt Marie Rose Etel Adnan, 1989 This is the story of a woman abducted by militiamen during the Civil War in Lebanon and executed. It reveals the tribal mentality which makes the Middle East a dangerous powerhouse. It constitutes a new narrative form and is already a classic of war literature.--Back cover. |
| sherazade leila sebbar: Silence on the Shores Le la Sebbar, 2000-01-01 Silence on the Shores depicts the final day in the life of a Maghrebian immigrant in France. Having crossed the Mediterranean to the other shore as a young man to find work, he ultimately remained in France, married a French woman, and broke the promise he made to his mother to return home one day. Aware that death is drawing close, he fears experiencing the ultimate form of exile: dying alone, with no fellow Muslim at his side to whisper the customary prayer for the dead in his ear. Le la Sebbar?s minimalist style deftly and powerfully conveys the simplicity of everyday life on both shores of the Mediterranean. Interweaving several monologues, she examines multiple facets of exile and the role of memory in easing its pain. |
| sherazade leila sebbar: A True Novel Minae Mizumura, 2013-11-12 A remaking of Emily Brontë’s Wuthering Heights set in postwar Japan A True Novel begins in New York in the 1960s, where we meet Taro, a relentlessly ambitious Japanese immigrant trying to make his fortune. Flashbacks and multilayered stories reveal his life: an impoverished upbringing as an orphan, his eventual rise to wealth and success—despite racial and class prejudice—and an obsession with a girl from an affluent family that has haunted him all his life. A True Novel then widens into an examination of Japan’s westernization and the emergence of a middle class. The winner of Japan’s prestigious Yomiuri Literature Prize, Mizumura has written a beautiful novel, with love at its core, that reveals, above all, the power of storytelling. |
| sherazade leila sebbar: Things Fall Apart Chinua Achebe, 2013-04-25 One of the BBC's '100 Novels That Shaped Our World' A worldwide bestseller and the first part of Achebe's African Trilogy, Things Fall Apart is the compelling story of one man's battle to protect his community against the forces of change Okonkwo is the greatest wrestler and warrior alive, and his fame spreads throughout West Africa like a bush-fire in the harmattan. But when he accidentally kills a clansman, things begin to fall apart. Then Okonkwo returns from exile to find missionaries and colonial governors have arrived in the village. With his world thrown radically off-balance he can only hurtle towards tragedy. First published in 1958, Chinua Achebe's stark, coolly ironic novel reshaped both African and world literature, and has sold over ten million copies in forty-five languages. This arresting parable of a proud but powerless man witnessing the ruin of his people begins Achebe's landmark trilogy of works chronicling the fate of one African community, continued in Arrow of God and No Longer at Ease. 'His courage and generosity are made manifest in the work' Toni Morrison 'The writer in whose company the prison walls fell down' Nelson Mandela 'A great book, that bespeaks a great, brave, kind, human spirit' John Updike With an Introduction by Biyi Bandele |
| sherazade leila sebbar: Contemporary Arab Women Writers Anastasia Valassopoulos, 2008-03-10 This book engages with contemporary Arab women writers from Egypt, Palestine, Lebanon and Algeria. In spite of Edward Said’s groundbreaking reappraisal of the uneven relationship between the West and the Arab world in Orientalism, there has been little postcolonial criticism of Arab writing. Anastasia Valassopoulos raises the profile of Arab women writers by examining how they negotiate contexts and experiences that have come to be identified with postcoloniality such as the preoccupation with Western feminism, political conflict and war, the social effects of non-conformity and female empowerment, and the negotiation of influential cultural discourses such as orientalism. Contemporary Arab Women Writers revitalizes theoretical concepts associated with feminism, gender studies and cultural studies, and explores how art history, popular culture, translation studies, psychoanalysis and news media all offer productive ways to associate with Arab women’s writing that work beyond a limiting socio-historical context. Discussing the writings of authors including Ahdaf Soueif, Nawal El Saadawi, Leila Sebbar, Liana Badr and Hanan Al-Shaykh, this book represents a new direction in postcolonial literary criticism that transcends constrictive monothematic approaches. |
| sherazade leila sebbar: The Arab of the Future 3 Riad Sattouf, 2018-08-07 In the third installment of the acclaimed series, the Sattouf family begins to implode under the pressure of Hafez al-Assad's regime and the suffocation of their rural Syrian village. The Arab of the Future is the widely acclaimed, internationally bestselling graphic memoir that tells the story of Riad Sattouf’s peripatetic childhood in the Middle East. In the first volume, which covers the years 1978–1984, his family moves between rural France, Libya, and Syria, where they eventually settle in his father’s native village of Ter Maaleh, near Homs. The second volume recounts young Riad’s first year attending school in Syria (1984–1985), where he dedicates himself to becoming a true Syrian in the country of Hafez al-Assad. In this third volume, (1985–1987), Riad’s mother, fed up with the grinding reality of daily life in the village, decides she cannot take it any longer. When she resolves to move back to France, young Riad sees his father torn between his wife’s aspirations and the weight of family traditions. |
| sherazade leila sebbar: Red Plenty Francis Spufford, 2012-02-14 Spufford cunningly maps out a literary genre of his own . . . Freewheeling and fabulous. —The Times (London) Strange as it may seem, the gray, oppressive USSR was founded on a fairy tale. It was built on the twentieth-century magic called the planned economy, which was going to gush forth an abundance of good things that the lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan and every Lada would be better engineered than a Porsche. It's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending. Red Plenty is history, it's fiction, it's as ambitious as Sputnik, as uncompromising as an Aeroflot flight attendant, and as different from what you were expecting as a glass of Soviet champagne. |
| sherazade leila sebbar: The Patience Stone Atiq Rahimi, 2009 In Persian folklore, Syngue Sabour is the name of a magical black stone, a patience stone, which absorbs the plight of those who confide in it. It is believed that the day it explodes, after having received too much hardship and pain, will be the day of the Apocalypse. But here, the Syngue Sabour is not a stone but rather a man lying brain-dead with a bullet lodged in his neck. His wife is with him, sitting by his side. But she resents him for having sacrificed her to the war, for never being able to resist the call to arms, for wanting to be a hero, and in the end, after all was said and done, for being incapacitated in a small skirmish. |
| sherazade leila sebbar: Transfigurations of the Maghreb Winifred Woodhull, 1993 Recent years have seen growing interest in the politics, history, and literature of the postcolonial world. In the case of the Maghreb, scholars have examined the consequences of decolonization for both North Africans and Maghrebian immigrant communities now living in France, and international attention is currently focused on the rise of fundamentalism in Algeria and the implications of this for France and Algeria's domestic and foreign policies. Transfigurations of the Maghreb, which emphasizes the intersections of literature and politics, the local and the global, is at once a timely addition to contemporary debates about the Maghreb and a valuable contribution to the field of postcolonial studies in general. Transfigurations of the Maghreb addresses the question of gender in the context of postcolonial studies by examining the ways in which gender is inscribed in texts written about the Maghreb since the 1950s by both French and Maghrebian authors. -- from http://www.jstor.org (June 23, 2014). |
| sherazade leila sebbar: Writing Postcolonial France Fiona Barclay, 2011-09-16 This book examines the way in which France has failed to come to terms with the end of its empire, and is now haunted by the legacy of its colonial relationship with North Africa. It examines the form assumed by the ghosts of the past in fiction from a range of genres (travel writing, detective fiction, life writing, historical fiction, women's writing) produced within metropolitan France, and assesses whether moments of haunting may in fact open up possibilities for a renewed relational structure of cultural memory. By viewing metropolitan France through the prism of its relationship with its former colonies in North Africa, the book maps the complexities of contemporary France, demonstrating an emerging postcoloniality within France itself. |
| sherazade leila sebbar: Pillars of Salt Fadia Faqir, 1998-03-30 Pillars of Salt is the story of two women confined in a mental hospital in Jordan during and after the British Mandate. After initial tensions they become friends and share their life stories. |
| sherazade leila sebbar: Arabic as a Secret Song Leïla Sebbar, 2015-06-17 The celebrated and highly versatile writer Leïla Sebbar was born in French colonial Algeria but has lived nearly her entire adult life in France, where she is recognized as a major voice on the penetrating effects of colonialism in contemporary society. The dramatic contrast between her past and present is the subject of the nine autobiographical essays collected in this volume. Written between 1978 and 2006, they trace a journey that began in Aflou, Algeria, where her father ran a schoolhouse, and continued to France, where Sebbar traveled, alone, as a graduate student before eventually realizing her powerful creative vision. The pieces collected in this book capture an array of experiences, sensations, and sentiments surrounding the French colonial presence in Algeria and offer an intimate and prismatic reflection on Sebbar’s bicultural upbringing as the child of an Algerian father and French mother. Sebbar paints an unflinching portrait of her original disconnection from her father’s Arabic language and culture, depicting her struggle to revive a cultural heritage that her family had deliberately obscured and to convey the vibrant yet muted Arabic of her father and of Algeria. Looking back from numerous vantage points throughout her life, she presents the complicated and divisive dynamics of being raised between two shores--the colonized and the colonizer. CARAF Books: Caribbean and African Literature Translated from French |
| sherazade leila sebbar: An Algerian Childhood Leïla Sebbar, 2001 These autobiographical tales are essential reading for all who are fascinated by world politics and history, taken with postcolonial literature, or simply on the hunt for a read that will carry them through the familiarities of childhood and into experiences far beyond their own.--BOOK JACKET. |
| sherazade leila sebbar: Concrete Island J. G. Ballard, 2014-07-15 A wealthy architect becomes a modern-day Robinson Crusoe in this chilling, twisted novel by the author of Empire of the Sun and High-Rise. Robert Maitland, a thirty-five-year-old architect, is driving home from his London offices when a blowout sends his speeding Jaguar hurtling out of control. After smashing through a temporary barrier, he finds himself dazed and disoriented on a traffic island below three converging motorways. But when he tries to climb the embankment or flag down a passing car for help, it proves impossible—and he finds himself imprisoned on the concrete island. Maitland must survive using only what he can find in his crashed car. As in all J.G. Ballard’s best work, Concrete Island provides an unnerving study of our modern lives and world. With his alienating, “Ballardian” view of normal events, this is a unique novel from one of the twentieth century’s finest writers. Praise for Concrete Island “A vision in both style and substance. The literary equivalent of Salvador Dalí or Max Ernst.” —The Washington Post Book World “This is the excellent stuff of classic castaway adventure, stiffened here by contemporary overtones that call into question social values.” —San Francisco Chronicle |
| sherazade leila sebbar: High-Rise: A Novel J. G. Ballard, 2012-04-16 Class war erupts in a luxurious high-rise apartment building. |
| sherazade leila sebbar: The Poor Man's Son Mouloud Feraoun, 2005 Like the autobiographical hero of this, his classic first novel, Mouloud Feraoun grew up in the rugged Kabyle region of French-controlled Algeria, where the prospects for most Muslim Berber men were limited to shepherding or emigrating to France for factory work. While Feraoun escaped such a fate by excelling in the colonial school system—as a student and, later, as a teacher at the École Normale—he remained firmly rooted in Kabyle culture. This dual perspective only enhanced his view, often brutally, of the ravages on his country by poverty, colonial rule, and a world war that descended on Algeria like a great storm. This embattled society, and Feraoun’s unique position within it, became the raw material for The Poor Man’s Son . Originally published in 1950, the novel was reissued in 1954, when its style was fixed to remove colloquial mannerisms and tenses. Perhaps more importantly, an entire section was omitted, significantly altering the conclusion and, indeed, the whole thrust of the book. Nonetheless, it is this version by which the book is known to this day in French. Based on the original 1950 text, this new translation is notable not only for bringing Feraoun’s classic to an English-speaking audience but also for presenting the book in its entirety for the first time in fifty years. A direct response to Albert Camus’ call for Algerians to tell the world their story, The Poor Man’s Son remains after half a century the definitive map of the Kabyle soul. |
| sherazade leila sebbar: ADUA IGIABA SCEGO, 2019-06-06 |
| sherazade leila sebbar: Borrowed Forms Kathryn Lachman, 2014 A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations. |
| sherazade leila sebbar: Hawksmoor Peter Ackroyd, 2013 'There is no Light without Darknesse and no Substance without Shaddowe.' So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . . Cover art by: Barn'whether the book addresses graffiti explicitly, evoke a city from the past, or are considered cult classics, the novels all share the quality - like street art - of speaking to their time.' Guardian Gallery |
| sherazade leila sebbar: Women’s writing in contemporary France Gill Rye, Michael Worton, 2018-07-30 This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The 1990s witnessed an explosion in women’s writing in France, with a particularly exciting new generation of writer’s coming to the fore, such as Christine Angot, Marie Darrieussecq and Regine Detambel. Other authors such as Paule Constant, Sylvie Germain, Marie Redonnet and Leila Sebbar, who had begun publishing in the 1980s, claimed their mainstream status in the 1990s with new texts. The book provides an up-to-date introduction to an analysis of new women’s writing in contemporary France, including both new writers of the 1990s and their more established counter-parts. The editors’ incisive introduction situates these authors and their texts at the centre of the current trends and issues concerning French literary production today, whilst fifteen original essays focus on individual writers. The volume includes specialist bibliographies on each writer, incorporating English translations, major interviews, and key critical studies. Quotations are given in both French and English throughout. An invaluable study resource, this book is written in a clear and accessible style and will be of interest to the general reader as well as to students of all levels, to teachers of a wide range of courses on French culture, and to specialist researchers of French and Francophone literature. |
| sherazade leila sebbar: Dune Song Anissa M. Bouziane, 2020-09-30 “I came to the Sahara to be buried.” After witnessing the collapse of the World Trade Center, Jeehan Nathaar leaves her New York life with her sense of identity fractured and her American dream destroyed. She returns to Morocco to make her home with a family that’s not her own. Healed by their kindness but caught up in their troubles, Jeehan struggles to move beyond the pain and confusion of September 11th. On this desiccated landscape, thousands of miles from Ground Zero, the Dune sings of death, love, and forgiveness. |
| sherazade leila sebbar: After Orientalism , 2016-08-09 How does Edward Said’s Orientalism speak to us today? What relevance did and does it have politically and intellectually? How and in what modes does Orientalism engage with new, intersecting fields of inquiry? At the occasion of the twenty-fifth anniversary of Orientalism these questions shape the essays collected in the present volume. The “after” of the title does not only guide the contributions in a look on past discussions, but specifically points at future research as well. Orientalism’s critical entanglements are thus connected to productive looks; these productive looks make us read differently, but only after we recognize our struggle with the dominant notions that we live by, that divide and unite us. More specifically, this volume addresses three fields of research enabling productive looks: visual culture; the body, sexuality and the performative; and national identities, modernity and gender. All articles, weaving delicate, new analytical and theoretical textures, maintain vital links with at least two of the fields mentioned. Orientalism’s role as a cultural catalyst is gauged in the analysis of materials such as Iranian film, 16th and 17th century Venetian representations of “the Turk,” Barthes’ take on Japanese culture, modern Arab travel narratives, Palestinian popular culture, photography on and of the Maghreb, Japanese queer and gay culture, the 19th century Illustrated London News, theories on migration and exile, postcolonial cinema, and Hanan al-Shaykh’s and Mai Ghoussoub’s writing on civil war in Lebanon. Authors include: Karina Eileraas, Belgin Turan Özkaya, Joshua Paul Dale, John Potvin, Mark McLelland, Tina Sherwell, Nasrin Rahimieh, Stephen Morton, Anastasia Vallasopoulos, Suha Kudsieh and Kate McInturff. |
| sherazade leila sebbar: Far from Madina Assia Djebar, 1994 Evocation of the dreams and suffering of women in early Islam. |
| sherazade leila sebbar: Arab, Muslim, Woman Lindsey Moore, 2008-05-14 Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience? Lindsey Moore’s groundbreaking book demonstrates ways in which women appropriate textual and visual modes of representation, often in cross-fertilizing ways, in challenges to Orientalist/colonialist, nationalist, Islamist, and ‘multicultural’ paradigms. She provides an accessible but theoretically-informed analysis by foregrounding tropes of vision, visibility and voice; post-nationalist melancholia and mother/daughter narratives; transformations of ‘homes and harems’; and border crossings in time, space, language, and media. In doing so, Moore moves beyond notions of speaking or looking ‘back’ to encompass a diverse feminist poetics and politics and to emphasize ethical forms of representation and reception. Aran, Muslim, Woman is distinctive in the eclectic body of work that it brings together. Discussing Algeria, Egypt, Jordan, Lebanon, Morocco, the Palestinian territories, and Tunisia, as well as postcolonial Europe, Moore argues for better integration of Arab Muslim contexts in the postcolonial canon. In a book for readers interested in women's studies, history, literature, and visual media, we encounter work by Assia Djebar, Mona Hatoum, Fatima Mernissi, Ahlam Mosteghanemi, Nawal el Saadawi, Leila Sebbar, Zineb Sedira, Ahdaf Soueif, Moufida Tlatli, Fadwa Tuqan, and many other women. |
| sherazade leila sebbar: Mansi Tayeb Salih, 2020-04-27 Tayeb Salih is internationally known for his classic novel Season of Migration to the North. With humour, wit and erudite poetic insights, Salih shows another side in this affectionate memoir of his exuberant and irrepressible friend Mansi Yousif Bastawrous, sometimes known as Michael Joseph and sometimes as Ahmed Mansi Yousif. Playing Hardy to Salih's Laurel Mansi takes centre stage among memorable 20th-century arts and political figures, including Samuel Beckett, Margot Fonteyn, Omar Sharif, Arnold Toynbee, Richard Crossman and even the Queen, but always with Salih's poet Master al-Mutanabbi ready with an adroit comment. Mansi casts fresh light on the experiences and attitudes of a key generation of emigré and exiled Arab writers, thinkers and activists in the West - Boyd Tonkin |
| sherazade leila sebbar: Dreams Of Trespass Fatima Mernissi, 1995-09-04 This wonderful and enchanting memoir tells the revelatory true story of one Muslim girl's life in her family's French Moroccan harem, set against the backdrop of World War II (The New York Times Book Review). I was born in a harem in 1940 in Fez, Morocco... So begins Fatima Mernissi in this illuminating narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass, Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth -- women who, without access to the world outside, recreated it from sheer imagination. A beautifully written account of a girl confronting the mysteries of time and place, gender and sex, Dreams of Trespass illuminates what it was like to be a modern Muslim woman in a place steeped in tradition. |
| sherazade leila sebbar: Algeria Martin Evans, John Phillips, 2008-01-14 After liberating itself from French colonial rule in one of the twentieth century's most brutal wars of independence, Algeria became a standard-bearer for the non-aligned movement. By the 1990s, however, its revolutionary political model had collapsed, degenerating into a savage conflict between the military and Islamist guerillas that killed some 200,000 citizens. In this lucid and gripping account, Martin Evans and John Phillips explore Algeria's recent and very bloody history, demonstrating how the high hopes of independence turned into anger as young Algerians grew increasingly alienated. Unemployed, frustrated by the corrupt military regime, and excluded by the West, the post-independence generation needed new heroes, and some found them in Osama bin Laden and the rising Islamist movement. Evans and Phillips trace the complex roots of this alienation, arguing that Algeria's predicament-political instability, pressing economic and social problems, bad governance, a disenfranchised youth-is emblematic of an arc of insecurity stretching from Morocco to Indonesia. Looking back at the pre-colonial and colonial periods, they place Algeria's complex present into historical context, demonstrating how successive governments have manipulated the past for their own ends. The result is a fractured society with a complicated and bitter relationship with the Western powers-and an increasing tendency to export terrorism to France, America, and beyond. |
| sherazade leila sebbar: The Art of Forgetting Ahlem Mosteghanemi, 2011-11-07 An elegant and warm-hearted meditation on love, damage, survival, and restoration from an exhilarating stylist. |
| sherazade leila sebbar: Colonial Trauma Karima Lazali, 2021-01-22 Colonial Trauma is a path-breaking account of the psychosocial effects of colonial domination. Following the work of Frantz Fanon, Lazali draws on historical materials as well as her own clinical experience as a psychoanalyst to shed new light on the ways in which the history of colonization leaves its traces on contemporary postcolonial selves. Lazali found that many of her patients experienced difficulties that can only be explained as the effects of “colonial trauma” dating from the French colonization of Algeria and the postcolonial period. Many French feel weighed down by a colonial history that they are aware of but which they have not experienced directly. Many Algerians are traumatized by the way that the French colonial state imposed new names on people and the land, thereby severing the links with community, history, and genealogy and contributing to feelings of loss, abandonment, and injustice. Only by reconstructing this history and uncovering its consequences can we understand the impact of colonization and give individuals the tools to come to terms with their past. By demonstrating the power of psychoanalysis to illuminate the subjective dimension of colonial domination, this book will be of great interest to anyone concerned with the long-term consequences of colonization and its aftermath. |
| sherazade leila sebbar: Hope and Other Dangerous Pursuits Laila Lalami, 2005-01-01 Set in modern-day Morocco, the story of four vastly different Moroccans who illegally cross the Strait of Gibraltar in an inflatable boat headed for Spain chronicles the circumstances that drive them to risk their lives and the rewards that may or may not prove to be worth the danger. |
| sherazade leila sebbar: All that's Left to You Ghassan Kanafani, 2005-07-06 It should come as no surprise to learn that Palestinian writers themselves have been in the forefront of those who have addressed themselves to the tragedy of their own people, and in a variety of genres and styles… While all these writers display a sense of commitment to the cause of their people, there is one author who, in the words of the Egyptian writer, Yusuf Idris, has taken this cause to the utmost limit of martyrdom: Ghassan Kanafani. From the introduction by Roger Allen All That's Left to You presents the vivid story of twenty-four hours in the real and remembered lives of a brother and sister living in Gaza and separated from their family. The desert and time emerge as characters as Kanafani speaks through the desert, the brother, and the sister to build the powerful rhythm of the narrative. The Palestinian attachment to land and family, and the sorrow over their loss, are symbolized by the young man's unremitting anger and shame over his sister's sexual disgrace. This collection of stories provides evidence to the English-reading public of Kanafani's position within modern Arabic literature. Not only was he committed to portraying the miseries and aspirations of his people, the Palestinians, in whose cause he died, but he was also an innovator within the extensive world of Arabic fiction. |
| sherazade leila sebbar: New Arabian Nights Robert Louis Stevenson, 1895 |
| sherazade leila sebbar: I Hid My Voice Parinoush Saniee, 2016-08-04 This is the story, based on fact, of a boy who couldn't speak until the age of seven. Now twenty, he describes the events of his life. Four-year-old Shahaab has not started talking. The family doctor believes there is no cause for concern; nevertheless, Shahaab is ridiculed by others who call him 'dumb'. Young Shahaab doesn't understand what the word means and thinks it is a compliment, until one day his cousin plays a trick on him to prove to everyone that the boy truly is the neighbourhood idiot. When his mother recounts the incident to her husband, Shahaab is crushed to learn that his father also thinks the boy's speech impediment indicates that his son is an idiot and thus brings shame on the family. Shahaab soon recognizes that his father's love and esteem is concentrated on his older brother, Arash, and his younger sister, Shadee. In his innocent and deeply hurt child's mind, he begins to believe that the 'good' and 'intelligent' children like his older brother are their fathers' sons. On the other hand, children like him who are 'clumsy' and 'problematic' are their mothers' sons. From that moment on, his world, which he thought was filled with beauty and kindness, suddenly turns harsh, full of anger and insult. He begins to lash out, taking childish revenge on those around him, encouraged by his two imaginary friends, Esi and Bibi. No one in the family can understand Shahaab's wild behaviour except his maternal grandmother, who seems to possess the understanding and the kindness he so desperately craves. Their growing bond leads to a deep friendship in which Shahaab is able to experience some happiness and finally find his voice. |
| sherazade leila sebbar: Woman's Body, Woman's Word Fedwa Malti-Douglas, 2019-01-15 Woman's voice and body are closely entwined in the Arabo-Islamic tradition, argues Fedwa Malti-Douglas in this pioneering book. Spanning the ninth through twentieth centuries and covering a wide range of texts—from courtly anectdote to mystical and philosophical treatises, from works of geography to autobiography—this study reveals how woman's access to literary speech has remained mediated through her body. Malti-Douglas first analyzes classical texts (both well-known works like The Thousand and One Nights and others still ignored in the West) in which the female voice, often associated with wit or trickery of a sexual nature, is subordinated to the male scriptor. Showing how early Arabo-Islamic discourse continues to influence contemporary Arabic writing, she maintains that today feminist writers of novels, short stories, and autobiography must work through this tradition, even if they subvert or reject it in the end. Whereas woman in the classical period speaks through the body, woman in the modern period often turns corporeality into a literary weapon to achieve power over discourse. Fedwa Malti-Douglas is Professor of Arabic and Comparative Literature at the University of Texas, Austin. Her books include Structures of Avarice: The Bukhala' in Medieval Arabic Literature (Leiden) and Blindness and Autobiography: Al-Ayyam of Taha Husayn (Princeton). Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
Scheherazade - Wikipedia
Scheherazade (/ ʃəˌhɛrəˈzɑːd, - də /) [1] is a major character and the storyteller in the frame narrative of the Middle Eastern collection of tales known as the One Thousand and One Nights.
Rimsky-Korsakov: Scheherazade - op.35 - Simply Stunning …
NEW 2019: Dvorak New World Symphony: • Dvořák: The Symphony No. 9 "From the New ... Daphnis et Chloe. • Ravel: Daphnis et Chloé, Suite No. 2 (Sta... NEW! Amazing and Stunning …
Scheherazade - Simple English Wikipedia, the free encyclopedia
Scene for the ballet Scheherazade, by Bakst Scene for the ballet Scheherazade, by Bakst Scheherazade/Shahrzad (on Persian) is a legendary Persian queen who is the storyteller in …
Who was Sheherazade? - Women'n Art
Aug 12, 2020 · Scheherazade is a major character of the Middle Eastern collection of tales known as the One Thousand and One Nights. She was storyteller. The name Scheherazade derives …
Scheherazade: the story of a storyteller - Art UK
Jan 23, 2018 · Much like the Brothers Grimm stories in Europe, One Thousand and One Nights is a collection of tales told in Asia. Originating from around the Middle East, these are stories …
Scheherazade’s Tales: The Enduring Stories of the Arabian Nights
Do you ever wonder about the captivating power of stories? At the heart of one of the most famous collections of tales, One Thousand and One Nights, is Scheherazade. This legendary …
Scheherazade | Arabian Nights Wiki | Fandom
Scheherazade or Shahrazad is a legendary Persian queen and the storyteller of One Thousand and One Nights. In Sir Richard F. Burton's translation of The Nights, Shahrazad was described …
Who is Scheherazade? (with picture) - PublicPeople
May 23, 2024 · Scheherazade, sometimes spelled Scheherazadea, Shahrazad, or Shahrzād, was a Persian queen and the narrator of all but the main story in The Arabian Nights, also called …
The Story of Scheherazade and the Arabian Nights Story
Mar 3, 2024 · Scheherazade, a clever and courageous woman, uses her storytelling skills to save her own life and the lives of others in the Arabian Nights.
Scheherazade - (World Literature I) - Fiveable
Scheherazade is a legendary figure and the storyteller in 'The Arabian Nights', a collection of Middle Eastern folk tales. She is known for her intelligence and resourcefulness, as she …
Scheherazade - Wikipedia
Scheherazade (/ ʃəˌhɛrəˈzɑːd, - də /) [1] is a major character and the storyteller in the frame narrative of the Middle Eastern collection of tales known as the One Thousand and One Nights.
Rimsky-Korsakov: Scheherazade - op.35 - Simply Stunning …
NEW 2019: Dvorak New World Symphony: • Dvořák: The Symphony No. 9 "From the New ... Daphnis et Chloe. • Ravel: Daphnis et Chloé, Suite No. 2 (Sta... NEW! Amazing and Stunning …
Scheherazade - Simple English Wikipedia, the free encyclopedia
Scene for the ballet Scheherazade, by Bakst Scene for the ballet Scheherazade, by Bakst Scheherazade/Shahrzad (on Persian) is a legendary Persian queen who is the storyteller in …
Who was Sheherazade? - Women'n Art
Aug 12, 2020 · Scheherazade is a major character of the Middle Eastern collection of tales known as the One Thousand and One Nights. She was storyteller. The name Scheherazade derives …
Scheherazade: the story of a storyteller - Art UK
Jan 23, 2018 · Much like the Brothers Grimm stories in Europe, One Thousand and One Nights is a collection of tales told in Asia. Originating from around the Middle East, these are stories …
Scheherazade’s Tales: The Enduring Stories of the Arabian Nights
Do you ever wonder about the captivating power of stories? At the heart of one of the most famous collections of tales, One Thousand and One Nights, is Scheherazade. This legendary …
Scheherazade | Arabian Nights Wiki | Fandom
Scheherazade or Shahrazad is a legendary Persian queen and the storyteller of One Thousand and One Nights. In Sir Richard F. Burton's translation of The Nights, Shahrazad was described …
Who is Scheherazade? (with picture) - PublicPeople
May 23, 2024 · Scheherazade, sometimes spelled Scheherazadea, Shahrazad, or Shahrzād, was a Persian queen and the narrator of all but the main story in The Arabian Nights, also called …
The Story of Scheherazade and the Arabian Nights Story
Mar 3, 2024 · Scheherazade, a clever and courageous woman, uses her storytelling skills to save her own life and the lives of others in the Arabian Nights.
Scheherazade - (World Literature I) - Fiveable
Scheherazade is a legendary figure and the storyteller in 'The Arabian Nights', a collection of Middle Eastern folk tales. She is known for her intelligence and resourcefulness, as she …
