Advertisement
| rene girard violence and the sacred: Violence and the Sacred René Girard, 1979 His fascinating and ambitious book provides a fully developed theory of violence as the 'heart and secret soul' of the sacred. Girard's fertile, combative mind links myth to prophetic writing, primitive religions to classical tragedy. |
| rene girard violence and the sacred: Can We Survive Our Origins? Pierpaolo Antonello, Paul Gifford, 2015-01-01 Are religions intrinsically violent (as is strenuously argued by the ‘new atheists’)? Or, as Girard argues, have they been functionally rational instruments developed to manage and cope with the intrinsically violent runaway dynamic that characterizes human social organization in all periods of human history? Is violence decreasing in this time of secular modernity post-Christendom (as argued by Steven Pinker and others)? Or are we, rather, at increased and even apocalyptic risk from our enhanced powers of action and our decreased socio-symbolic protections? Rene Girard’s mimetic theory has been slowly but progressively recognized as one of the most striking breakthrough contributions to twentieth-century critical thinking in fundamental anthropology: in particular for its power to model and explain violent sacralities, ancient and modern. The present volume sets this power of explanation in an evolutionary and Darwinian frame. It asks: How far do cultural mechanisms of controlling violence, which allowed humankind to cross the threshold of hominization—i.e., to survive and develop in its evolutionary emergence—still represent today a default setting that threatens to destroy us? Can we transcend them and escape their field of gravity? Should we look to—or should we look beyond—Darwinian survival? What—and where (if anywhere)—is salvation? |
| rene girard violence and the sacred: Things Hidden Since the Foundation of the World René Girard, Jean-Michel Oughourlian, Guy Lefort, 1987 This is the single fullest summation of the ideas of one of the most eminent and controversial cultural theorists of our time. |
| rene girard violence and the sacred: For René Girard Sandor Goodhart, Jorgen Jorgensen, Tom Ryba, James Williams, 2012-01-01 In his explorations of the relations between the sacred and violence, René Girard has hit upon the origin of culture—the way culture began, the way it continues to organize itself. The way communities of human beings structure themselves in a manner that is different from that of other species on the planet. Like Albert Einstein, Sigmund Freud, Émile Durkheim, Martin Buber, or others who have changed the way we think in the humanities or in the human sciences, Girard has put forth a set of ideas that have altered our perceptions of the world in which we function. We will never be able to think the same way again about mimetic desire, about the scapegoat mechanism, and about the role of Jewish and Christian scripture in explaining sacrifice, violence, and the crises from which our culture has been born. The contributions fall into roughly four areas of interpretive work: religion and religious study; literary study; the philosophy of social science; and psychological studies. The essays presented here are offered as essays in the older French sense of attempts (essayer) or trials of ideas, as indeed Girard has tried out ideas with us. With a conscious echo of Montaigne, then, this hommage volume is titled Essays in Friendship and in Truth. |
| rene girard violence and the sacred: Rene Girard Chris Fleming, 2004-09-03 In recent years there has been a renewed interest in the work of Rene Girard, thought by many to be one of the most important, if controversial, cultural theorists of the twentieth century. Girard's work is extraordinarily innovative and wide-ranging, cutting across central concerns in philosophy, psychoanalysis, literary theory, anthropology, theology, and sociology. In this much-needed introduction, Chris Fleming traces the development of Girard's thought over forty years, describing the context in which he worked and his influence on a number of disciplines. He unpacks the hypotheses at the centre of Girard's thought - mimetic desire, surrogate victimage and scapegoating, myth, ritual, and the sacred - and provides an assessment of Girard's place in the contemporary academy. Comprehensive and clearly written, this book constitutes an excellent overview of Girard's work and is essential reading for students and researchers in continental philosophy, theology, literary studies, French studies, and cultural studies. |
| rene girard violence and the sacred: René Girard's Mimetic Theory Wolfgang Palaver, 2013-01-01 A systematic introduction into the mimetic theory of the French-American literary theorist and philosophical anthropologist René Girard, this essential text explains its three main pillars (mimetic desire, the scapegoat mechanism, and the Biblical “difference”) with the help of examples from literature and philosophy. This book also offers an overview of René Girard’s life and work, showing how much mimetic theory results from existential and spiritual insights into one’s own mimetic entanglements. Furthermore it examines the broader implications of Girard’s theories, from the mimetic aspect of sovereignty and wars to the relationship between the scapegoat mechanism and the question of capital punishment. Mimetic theory is placed within the context of current cultural and political debates like the relationship between religion and modernity, terrorism, the death penalty, and gender issues. Drawing textual examples from European literature (Cervantes, Shakespeare, Goethe, Kleist, Stendhal, Storm, Flaubert, Dostoevsky, Proust) and philosophy (Plato, Camus, Sartre, Lévi-Strauss, Derrida, Vattimo), Palaver uses mimetic theory to explore the themes they present. A highly accessible book, this text is complemented by bibliographical references to Girard’s widespread work and secondary literature on mimetic theory and its applications, comprising a valuable bibliographical archive that provides the reader with an overview of the development and discussion of mimetic theory until the present day. |
| rene girard violence and the sacred: Mimesis and Atonement Michael Kirwan, Sheelah Treflé Hidden, 2016-12-15 How are we to best understand the statement of faith that Jesus Christ lived, died and rose again 'for us and for salvation?' This question has animated Christian thought for two millennia: it has also bitterly divided believers, not least in Reformation and post-Reformation disputes about atonement, justification, sanctification and sacrifice. René Girard's Violence and the Sacred (1972) made startling connections between religion, violence and culture. His work has enlivened the theological and philosophical debate once again, especially the question of whether and how we are to understand Christ's death as a 'sacrifice'. Mimesis and Atonement brings together philosophers from Catholic, Evangelical, Orthodox, and Jewish backgrounds to examine the continued significance of Girard's work. They do so in the light of new developments, such as the controversial 'new scholarship' on Paul. |
| rene girard violence and the sacred: The Girard Reader René Girard, 1996 Rene Girard, the author of groundbreaking scholarly books such as Violence and the Sacred and Things Hidden Since the Foundation of the World, has long been an intellectual cause celebre in Europe. Although he has studied and taught in the United States since the 1940s, he is now -- in his 70's -- finding his lifework praised and taught in academic and religious circles throughout the country.The Girard Reader brings that work to a broader audience. It includes major excerpts from Girard's books and articles which cover all aspects of his theories on violence, religion, and culture. These views cut across theology, biblical studies, anthropology, psychology, and literature. The book concludes with a conversation between Rene Girard and editor James G. Williams that brings new focus to his Christian vision and breathtaking ouevre. |
| rene girard violence and the sacred: I See Satan Fall Like Lightning Ren Girard, 2001-01-01 Rene Girard holds up the gospels as mirrors that reveal our broken humanity, and shows that they also reflect a new reality that can make us whole. Like Simone Weil, Girard looks at the Bible as a map of human behavior, and sees Jesus Christ as the turning point leading to new life. The title echoes Jesus' words: I saw Satan falling like lightning from heaven. Girard persuades us that even as our world grows increasingly violent the power of the Christ-event is so great that the evils of scapegoating and sacrifice are being defeated even now. A new community, God's nonviolent kingdom, is being realized -- even now. |
| rene girard violence and the sacred: Empire of Sacrifice Jon Pahl, 2010-01-05 It is widely recognized that American culture is both exceptionally religious and exceptionally violent. Americans participate in religious communities in high numbers, yet American citizens also own guns at rates far beyond those of citizens in other industrialized nations. Since 9/11, United States scholars have understandably discussed religious violence in terms of terrorist acts, a focus that follows United States policy. Yet, according to Jon Pahl, to identify religious violence only with terrorism fails to address the long history of American violence rooted in religion throughout the country’s history. In essence, Americans have found ways to consider blessed some very brutal attitudes and behaviors both domestically and globally. In Empire of Sacrifice, Pahl explains how both of these distinctive features of American culture work together by exploring how constructions along the lines of age, race, and gender have operated to centralize cultural power across American civil or cultural religions in ways that don’t always appear to be religious at all. Pahl traces the development of these forms of systemic violence throughout American history, using evidence from popular culture, including movies such as Rebel without a Cause and Reefer Madness and works of literature such as The Narrative of the Life of Frederick Douglass and The Handmaid's Tale, to illuminate historical events. Throughout, Pahl focuses an intense light on the complex and durable interactions between religion and violence in American history, from Puritan Boston to George W. Bush’s Baghdad. |
| rene girard violence and the sacred: How We Became Human Pierpaolo Antonello, Paul Gifford, 2015-10-01 From his groundbreaking Violence and the Sacred and Things Hidden since the Foundation of the World, René Girard’s mimetic theory is presented as elucidating “the origins of culture.” He posits that archaic religion (or “the sacred”), particularly in its dynamics of sacrifice and ritual, is a neglected and major key to unlocking the enigma of “how we became human.” French philosopher of science Michel Serres states that Girard’s theory provides a Darwinian theory of culture because it “proposes a dynamic, shows an evolution and gives a universal explanation.” This major claim has, however, remained underscrutinized by scholars working on Girard’s theory, and it is mostly overlooked within the natural and social sciences. Joining disciplinary worlds, this book aims to explore this ambitious claim, invoking viewpoints as diverse as evolutionary culture theory, cultural anthropology, archaeology, cognitive psychology, ethology, and philosophy. The contributors provide major evidence in favor of Girard’s hypothesis. Equally, Girard’s theory is presented as having the potential to become for the human and social sciences something akin to the integrating framework that present-day biological science owes to Darwin—something compatible with it and complementary to it in accounting for the still remarkably little understood phenomenon of human emergence. |
| rene girard violence and the sacred: Sacred Violence Robert Hamerton-Kelly, 1992 |
| rene girard violence and the sacred: Philosophy's Violent Sacred Duane Armitage, 2021 This book critiques the postmodernism and Continental philosophy of Heidegger and Nietzche through the lens of the mimetic theory of Rene Girard-- |
| rene girard violence and the sacred: Cannibalism Eli Sagan, 1993 |
| rene girard violence and the sacred: Mimesis and Sacrifice Marcia Pally, 2019-10-17 Central to identity, personal responsibility, economic systems, theology, and the political and military imaginaries, the practice of sacrifice has inspired, disturbed, and abused. Mimesis and Sacrifice brings together scholars from the humanities, military, business, and social sciences to examine the role that sacrifice plays in different present-day settings, from economics to gender relations. Inspired by Rene Girard's work, chapters explore (i) the extent to which the social character of human living makes us mimetic, (ii) whether mimesis necessarily leads to competitive aggression, (iii) whether aggression must be defused by aggressive sacrificial rituals-and whether all sacrifice has this aim, and (iv) the role of the “second lesson of the cross” (as Girard called it), the lesson of self-giving for others, in addressing present societal problems. By investigating sacrifice across this span of arenas and questions yet within one volume, Mimesis and Sacrifice presents a new appreciation of its influence and consequences in the world today, contributing not only to mimetic theory but to greater understanding of which societal arrangement enable us to live well together and what hobbles that goal. |
| rene girard violence and the sacred: Law in American Meetinghouses Jeffrey Thomas Perry, 2022-02-08 A revealing look at the changing role of churches in the decades after the American Revolution. Most Americans today would not think of their local church as a site for arbitration and would probably be hesitant to bring their property disputes, moral failings, or personal squabbles to their kin and neighbors for judgment. But from the Revolutionary Era through the mid-nineteenth century, many Protestants imbued local churches with immense authority. Through their ritual practice of discipline, churches insisted that brethren refrain from suing each other before infidels at local courts and claimed jurisdiction over a range of disputes: not only moral issues such as swearing, drunkenness, and adultery but also matters more typically considered to be under the purview of common law and courts of equity, including disputes over trespass, land, probate, slave warranty, and theft. In Law in American Meetinghouses, Jeffrey Thomas Perry explores the ways that ordinary Americans—Black and white, enslaved and free—understood and created law in their local communities, uncovering a vibrant marketplace of authority in which church meetinghouses played a central role in maintaining their neighborhoods' social peace. Churches were once prominent sites for the creation of local law and in this period were a primary arena in which civil and religious authority collided and shaped one another. When church discipline failed, the wronged parties often pushed back, and their responses highlight the various forces that ultimately hindered that venue's ability to effectively arbitrate disputes between members. Relying primarily on a deep reading of church records and civil case files, Perry examines how legal transformations, an expanding market economy, and religious controversy led churchgoers to reimagine their congregations' authority. By the 1830s, unable to resolve doctrinal quibbles within the fellowship, church factions turned to state courts to secure control over their meetinghouses, often demanding that judges wade into messy ecclesiastical disputes. Tracking changes in disciplinary rigor in Kentucky Baptist churches from that state's frontier period through 1845, and looking beyond statutes and court decrees, Law in American Meetinghouses is a fresh take on church-state relations. Ultimately, it highlights an oft-forgotten way that Americans subtly repositioned religious institutions alongside state authority. |
| rene girard violence and the sacred: Christianity, Truth, and Weakening Faith Gianni Vattimo, Rene Girard, 2010-02-15 The debate over the place of religion in secular, democratic societies dominates philosophical and intellectual discourse. These arguments often polarize around simplistic reductions, making efforts at reconciliation impossible. Yet more rational stances do exist, positions that broker a peace between relativism and religion in people's public, private, and ethical lives. Christianity, Truth, and Weakening Faith advances just such a dialogue, featuring the collaboration of two major philosophers known for their progressive approach to this issue. Seeking unity over difference, Gianni Vattimo and Ren Girard turn to Max Weber, Eric Auerbach, and Marcel Gauchet, among others, in their exploration of truth and liberty, relativism and faith, and the tensions of a world filled with new forms of religiously inspired violence. Vattimo and Girard ultimately conclude that secularism and the involvement (or lack thereof) of religion in governance are, in essence, produced by Christianity. In other words, Christianity is the religion of the exit from religion, and democracy, civil rights, the free market, and individual freedoms are all facilitated by Christian culture. Through an exchange that is both intimate and enlightening, Vattimo and Girard share their unparalleled insight into the relationships among religion, modernity, and the role of Christianity, especially as it exists in our multicultural world. |
| rene girard violence and the sacred: A Theatre of Envy René Girard, 2000 In this groundbreaking work a foremost literary and cultural critic turns to the major figure in English literature William Shakespeare and proposes a dramatic new way of reading and performing his works. The key to A Theatre of Envy is René Girards's original expression and application of what he calls Mimetic Theory. For Girard, people desire according to the desires of others. He sees this as fundamental to the human condition and works out its implications in a most convincing and ultimately, easily comprehensible way. Bringing his insights to bear on Shakespeare, Girard reveals the previously overlooked coherence of problem plays like Troilus and Cressida and makes a convincing argument for elevating A Midsummer Night's Dream from the status of entertaining chaotic comedy to a profound and original commentary on the human condition. Shakespeare transforms the crude literary form of revenge tragedy into a profound and prophetic unmasking of violence - even more relevant today than in his time. Throughout this impressively sustained reading of Shakespeare, Girard's prose is sophisticated enough for the academic as well as being accessible to the general reader. Anyone interested in literature, anthropology, psychology and particularly, theology as relevant to the overriding contemporary problems of violence in all its forms will want to read this challenging book. All those involved in theatrical productions and performance will find A Theatre of Envy full of exciting and practical ideas. 'In its enormous breathtaking scope, (René Girard's work) suggests...the projects of those 19th century intellectual giants (Hegel, Marx, Nietzsche and Freud) who still cast such long shadows today. By contrast, contemporary criticism seems paltry and fainthearted.' Comparative Literature René Girard was born in Avignon, read cultural history in Paris and in 1947 went to the USA where he has for the last 50 years held a number of prestigious academic posts. He has written more than half a dozen books, best known of which are, Violence and the Sacred, The Scapegoat, and Things Hidden Since the Foundation of the World, he has also been featured in many interviews and magazine articles. His Martin D'Arcy Lecture - Victims, Violence and Christianity - delivered in Oxford in November 1997, aroused the enthusiastic interest of a wide variety of British experts in many fields as well as those involved in the wider and increasingly significant world of contemporary spirituality in all its popular and peremptory expressions. While not giving a naive answer René Girard does provide a profound and practical way to unmask violence not only in Shakespeare's world, but in our own. |
| rene girard violence and the sacred: Divinity and Experience : The Religion of the Dinka Godfrey Lienhardt, 1961-01-01 |
| rene girard violence and the sacred: Wandering God Morris Berman, 2000-02-17 Presents an analysis of the nomadic consciousness of our ancestors, and the forces --religious and political --that overwhelmed it during the Neolithic era, and considers its revival in the twentieth century. |
| rene girard violence and the sacred: Anorexia and Mimetic Desire René Girard, 2013-10-01 René Girard shows that all desires are contagious—and the desire to be thin is no exception. In this compelling new book, Girard ties the anorexia epidemic to what he calls mimetic desire: a desire imitated from a model. Girard has long argued that, far from being spontaneous, our most intimate desires are copied from what we see around us. In a culture obsessed with thinness, the rise of eating disorders should be no surprise. When everyone is trying to slim down, Girard asks, how can we convince anorexic patients to have a healthy outlook on eating? Mixing theoretical sophistication with irreverent common sense, Girard denounces a “culture of anorexia” and takes apart the competitive impulse that fuels the game of conspicuous non-consumption. He shows that showing off a slim physique is not enough—the real aim is to be skinnier than one’s rivals. In the race to lose the most weight, the winners are bound to be thinner and thinner. Taken to extremes, this tendency to escalation can only lead to tragic results. Featuring a foreword by neuropsychiatrist Jean-Michel Oughourlian and an introductory essay by anthropologist Mark R. Anspach, the volume concludes with an illuminating conversation between René Girard, Mark R. Anspach, and Laurence Tacou. |
| rene girard violence and the sacred: Deceit, Desire, and the Novel René Girard, 1976-04 Examines the novel based on an altruistic hero who dies, through a description of five novelists. |
| rene girard violence and the sacred: Fooling with the Amish Dirk Eitzen, 2022-09-13 Using Amish Mafia as a window into the interplay between the real and the imagined, this book dissects the peculiar appeals and potential dangers of deception in reality TV and popular entertainment. When Amish Mafia was released in 2012, viewers were fascinated by the stories of this secret group of Amish and Mennonite enforcers who used threats, extortion, and violence to keep members of the Amish community in line—and to line their own pockets. While some of the stories were based loosely on actual events, the group itself was a complete fabrication. Its members were played by ex-Amish and ex-Mennonite young adults acting out scenarios concocted by the show's producers. What is most extraordinary about Amish Mafia is that, even though it was fictional, it was cleverly constructed to appear real. Discovery Channel, which aired it, assiduously maintained that it was real; whole episodes were devoted to proving that it was real; and many viewers (including smart reality TV fans) were fooled into believing it was real. In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip. This helps to explain the workings not just of this and other reality TV shows but also of other forms of media fakery, including fake news. The book winds through numerous fascinating case studies of media fakery, from P. T. Barnum's famous humbugs of the nineteenth century to recent TV news scandals. It examines the social and emotional appeals of other forms of entertaining fakery, including professional wrestling and supermarket tabloids. It explains how and why conventions of contrivance evolved in reality TV as well as the ethics of media fakery. And, for readers interested in the Amish, it tells how the ex-Amish stars of Amish Mafia got involved in the show and the impact that involvement had on their lives. |
| rene girard violence and the sacred: Situating Poetry Joshua Logan Wall, 2022-10-11 A retelling of American modernism through the lines of solidarity and division within and among ethnic and religious identities found in poetry. What happens if we approach the reading and writing of poetry not as an individual act, but as a public one? Answering this question challenges common assumptions about modern poetry and requires that we explore the important questions that define genre: Where is this poem situated, and how did it get there? Joshua Logan Wall's Situating Poetry studies five poets of the New York literary scene rarely considered together: James Weldon Johnson, Charles Reznikoff, Lola Ridge, Louis Zukofsky, and Robert Hayden. Charting their works and careers from 1910–1940, Wall illustrates how these politically marginalized writers from drastically different religious backgrounds wrestled with their status as American outsiders. These poets produced a secularized version of America in which poetry, rather than God, governed individual obligations to one another across multiethnic barriers. Adopting a multiethnic and pluralist approach, Wall argues that each of these poets—two Black, two Jewish, and one Irish-American anarchist—shares a desire to create more truly democratic communities through art and through the covenantal publics created by their poems despite otherwise sitting uncomfortably, at best, within a more standard literary history. In this unique account of American modernist poetics, religious pluralism creates a lens through which to consider the bounds of solidarity and division within and among ethnic identities and their corresponding literatures. |
| rene girard violence and the sacred: Mimetic Theory and Film Paolo Diego Bubbio, Chris Fleming, Scott Cowdell, Joel Hodge, 2020-08-20 The interdisciplinary French-American thinker René Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of René Girard's first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et vérité romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l'art, Girard asserted that the novel may be an “outmoded” form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of vérité filmique? In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable “Girardian aesthetics.” One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a “Girardian aesthetic”? Each of the contributors addresses these questions through the analysis of a film. |
| rene girard violence and the sacred: Mimesis, Desire, and the Novel Pierpaolo Antonello, Heather Webb, 2015-10-01 Fifty years after its publication in English, René Girard’s Deceit, Desire, and the Novel (1965) has never ceased to fascinate, challenge, inspire, and sometimes irritate, literary scholars. It has become one of the great classics of literary criticism, and the notion of triangular desire is now part of the theoretical parlance among critics and students. It also represents the genetic starting point for what has become one of the most encompassing, challenging, and far-reaching theories conceived in the humanities in the last century: mimetic theory. This book provides a forum for new generations of scholars and critics to reassess, challenge, and expand the theoretical and hermeneutical reach of key issues brought forward by Girard’s book, including literary knowledge, realism and representation, imitation and the anxiety of influence, metaphysical desire, deviated transcendence, literature and religious experience, individualism and modernity, and death and resurrection. It also provides a more extensive and detailed historical understanding of the representation of desire, imitation, and rivalry within European and world literature, from Dante to Proust and from Dickens to Jonathan Littell. |
| rene girard violence and the sacred: Violent Origins Walter Burkert, René Girard, Jonathan Smith, 1988-11-01 Burkert, Girard, and Smith hold important and contradictory theories about the nature and origin of ritual sacrifice, and the role violence plays in religion and culture. These papers and conversations derive from a conference that pursued the possibility and utility of a general theory of religion and culture, especially one based on violence. The special value of this volume is the conversations as such—the real record of working scholars engaged with one another's theories, as they make and meet challenges, and move and maneuver. Girard and Burkert present different versions of the same conviction: that a single theory can account for ritual and its social function, a theory that posits original acts of group violence. Smith sharply questions both the possibility and the utility of such a general theory. Among the highlights of this stimulating interchange of ideas is a searching criticism of Girard's theory of generative scapegoating, which he answers with clarity and conviction, and a challenging of Burkert's theory of the origin of sacrifice in the hunt by Smith's argument, posed as a jeu d'esprit, that sacrifice originates with the domestication of animals. |
| rene girard violence and the sacred: Proust René Girard, 2003-01 |
| rene girard violence and the sacred: Violence and the Sacred René Girard, 1977 This brilliant study of good and evil examines the presence of ritual violence in sacred ceremony. |
| rene girard violence and the sacred: Violence and the Sacred, Epz Edition Girard, 2006-01-01 |
| rene girard violence and the sacred: The Scapegoat René Girard, 1989-08 In 'The Scapegoat', the author audaciously turns to classical mythology, medieval narrative, and the New Testament to explore the scenes behind 'texts of persecution, ' documents that recount collective violence from the standpoint of the persecutor. |
| rene girard violence and the sacred: escape from evil ernest becker, 1975 |
| rene girard violence and the sacred: Yeats' Sorrow of Love Through the Years Roman Jakobson, Stephen Rudy, 1977 |
| rene girard violence and the sacred: René Girard, Unlikely Apologist Grant Kaplan, 2016-08-20 Since the late 1970s, theologians have been attempting to integrate mimetic theory into different fields of theology, yet a distrust of mimetic theory persists in some theological camps. In René Girard, Unlikely Apologist: Mimetic Theory and Fundamental Theology, Grant Kaplan brings mimetic theory into conversation with theology both to elucidate the relevance of mimetic theory for the discipline of fundamental theology and to understand the work of René Girard within a theological framework. Rather than focus on Christology or atonement theory as the locus of interaction between Girard and theology, Kaplan centers his discussion on the apologetic quality of mimetic theory and the impact of mimetic theory on fundamental theology, the subdiscipline that grew to replace apologetics. His book explores the relation between Girard and fundamental theology in several keys. In one, it understands mimetic theory as a heuristic device that allows theological narratives and positions to become more intelligible and, by so doing, makes theology more persuasive. In another key, Kaplan shows how mimetic theory, when placed in dialogue with particular theologians, can advance theological discussion in areas where mimetic theory has seldom been invoked. On this level the book performs a dialogue with theology that both revisits earlier theological efforts and also demonstrates how mimetic theory brings valuable dimensions to questions of fundamental theology. |
| rene girard violence and the sacred: The Father in Primitive Psychology Bronislaw Malinowski, 2014-04-10 This vintage text contains Bronislaw Malinowski's seminal treatise, The Father in Primitive Psychology. It is an analysis of the relationship of society and psychology in tribal communities, and explores ideas of sex and procreation, kinship, myth, social organisation, and more. This fascinating text will appeal to those with a keen interest in psychology, and it would make for a great addition to collections of allied literature. The chapters of this book include: Kinship and Descent in a Matrilineal Society, The Male and Female Organism and the Sexual Impulse in Native Belief, Reincarnation and the Way to Life from the Spirit World, The Ignorance of Physiological Paternity, Words and Deeds in Testimony, etcetera. Bronislaw Kasper Malinowski (1884 - 1942) was a Polish anthropologist, commonly hailed as one of the most influential of the twentieth-century. This volume is being republished now in an affordable, modern edition, complete with a specially commissioned new biography of the author. |
| rene girard violence and the sacred: Sacred Fury Charles Selengut, 2017-01-12 Updated throughout, the third edition of the acclaimed Sacred Fury explores violence in world religion. Featuring new material on violence in Buddhism and Hinduism, the rise of ISIS, “lone wolf terrorists,” and more, this is an essential text for understanding the connections between religion and violence both historically and today. |
| rene girard violence and the sacred: Covenant & Conversation , 2010 |
| rene girard violence and the sacred: Radical Sacrifice Terry Eagleton, 2018-04-30 A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social order The modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacrifice has long been misunderstood. Pursuing the complex lineage of sacrifice in a lyrical discourse, Eagleton focuses on the Old and New Testaments, offering a virtuosic analysis of the crucifixion, while drawing together a host of philosophers, theologians, and texts—from Hegel, Nietzsche, and Derrida to the Aeneid and The Wings of the Dove. Brilliant meditations on death and eros, Shakespeare and St. Paul, irony and hybridity explore the meaning of sacrifice in modernity, casting off misperceptions of barbarity to reconnect the radical idea to politics and revolution. |
| rene girard violence and the sacred: The Myth of Religious Violence William T Cavanaugh, 2009-09-03 Cavanaugh challenges conventional wisdom by examining how the twin categories of religion and the secular are constructed. He examines how timeless and transcultural categories of 'religion and 'the secular' are used in arguments that religion causes violence. |
| rene girard violence and the sacred: Compassion Or Apocalypse? James Warren, 2013-05-31 Ren Girard s thesis that culture and religion arose from an original act of scapegoating murder gained international scholarly attention in the early seventies with his publication in France of Violence and the Sacred. A few years later, with Things Hidden Since the Foundation of the World, Girard made it clear that his basic insights derived of all places from the Bible. Those insights are finally escaping the confines of academia, and coming to the awareness of a broader, theologically minded public. Many people are beginning to find in Girard answers to troublesome questions such as: Is God violent? Is there a necessary relationship between violence and religion? Why are there so many violent stories in the Bible? Why did Jesus have to die? Are we living in the end times? In clear, understandable prose, Compassion or Apocalypse shows how the Girardian perspective answers such questions, making Girard s mimetic theory and its application to biblical interpretation available to those who have little or no familiarity with Girard s work. To read the Bible from a Girardian point of view is to discover the radical message of God s nonviolent love in its historical wrestling with human violence, and its immanent confrontation with the gathering human apocalypse. , |
René
Coat Collection 2025 -Specially Made To Order-Into the Blue. View More
New Arrivals - re. Ne
【大人百花春号掲載】 Pearl Pierced Earrings with Flower ¥ 29,000（税込31,900）
Dress - rene.ne.jp
品番 5526110 カラー ホワイト、グリシーヌパープル、ブラック 素材 表地:ポリエステル99%、ポリウレタン1% 裏地:ポリエステル100%
Rash-guard Jacket - rene.ne.jp
品番 5527021 カラー ホワイト、ブラック 素材 表地:ナイロン86%、ポリウレタン14% 別生地:ポリエステル100% 裏地:ポリエステル100%
Dress - re. Ne
【オンライン先行】 Rash-guard Dress ¥ 45,000（税込49,500） Sold Out
Striped Dress - rene.ne.jp
品番 6526630 カラー ブルーストライプ、ブラックストライプ 素材 表地:レーヨン79%、ナイロン21% オーガン:ポリエステル100%
René
品番 5526081 カラー ピンクストライプ、グレージュストライプ 素材 表地:ポリエステル100%、ポケット袋布、ポリエステル100%
Knit Cardigan - rene.ne.jp
着心地抜群の、ルネの定番素材「ピークス」。 素材自身がもつ絹のように上品な光沢を、フラットに滑らかに編み上げた ...
Super Light Knit - rene.ne.jp
品番 6522160 カラー ルージュクリュ、ネイビー、ブラック 素材 ニット:ポリエステル100% 機能 手洗い可
Dress - rene.ne.jp
品番 6526220 カラー シアーブラック 素材 表地:綿100% 裏地:ポリエステル100% 機能 生地/イタリー製
René
Coat Collection 2025 -Specially Made To Order-Into the Blue. View More
New Arrivals - re. Ne
【大人百花春号掲載】 Pearl Pierced Earrings with Flower ¥ 29,000（税込31,900）
Dress - rene.ne.jp
品番 5526110 カラー ホワイト、グリシーヌパープル、ブラック 素材 表地:ポリエステル99%、ポリウレタン1% 裏地:ポリエステル100%
Rash-guard Jacket - rene.ne.jp
品番 5527021 カラー ホワイト、ブラック 素材 表地:ナイロン86%、ポリウレタン14% 別生地:ポリエステル100% 裏地:ポリエステル100%
Dress - re. Ne
【オンライン先行】 Rash-guard Dress ¥ 45,000（税込49,500） Sold Out
