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| rene daumal poems: René Daumal Kathleen Ferrick Rosenblatt, 1999-02-25 Demonstrates how Rene Daumal, author of Mount Analogue, (a study of Hindu philosophy and poetics) and the teaching of G. I. Gurdjieff combined with Daumal's early surrealist tendencies in determining the quality of his writing. |
| rene daumal poems: Le Contre-ciel René Daumal, 2005-01-01 LE CONTRE-CIEL is a powerful and transcendent collection of poetry. Rene Daumal presents, in the form of easily digestible verse, a stirring and provocative meditation on life, death, and the afterlife. LE CONTRE-CIEL ('The Counter-Heaven') marked the start of one of the most daring and inventive careers in all of French literature. Written when its author was only twenty-two, it was honoured with the prestigious Prix Jacques Doucet, awarded by the reigning triumvirate of French letters, Andre Gide, Paul Valery, and Jean Giraudoux. LE CONTRE-CIEL is an exploration of, among other things, death as a beginning to life rather than end, a means of shedding superficial identity and experiencing understanding and awareness - concepts that Daumal later developed in his two great prose masterpieces, A Night of Serious Drinking and the posthumously published Mount Analogue. |
| rene daumal poems: Mount Analogue René Daumal, 1986-05 In this novel/allegory the narrator/author sets sail in the yacht Impossible to search for Mount Analogue, the geographically located, albeit hidden, peak that reaches inexorably toward heaven. Daumal's symbolic mountain represents a way to truth that cannot not exist, and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality. In this novel/allegory the narrator/author sets sail in the yacht Impossible to search for Mount Analogue, the geographically located, albeit hidden, peak that reaches inexorably toward heaven. Daumal's symbolic mountain represents a way to truth that cannot not exist, and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality. |
| rene daumal poems: Black Mirror Roger Gilbert-Lecomte, 1991 Poetry. Bilingual edition translated from the French by David Rattray. Roger Gilbert-Lecomte (1907-1943) is considered one of the eminent poets of the Surrealist period. The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With Rene Daumal he was the founder of the literary movement and magazine Le Grand Jeu, the essence of which he defined as the impersonal instant of eternity in emptiness. The glimpse of eternity in the void, writes Rattray in the Introduction, was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a 'metaphysics of absence.' Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work. |
| rene daumal poems: Le Contre-ciel Rene Daumal, 2005-03-01 The author of Mount Analogue explores an uncharted path to the authentic self in this enlightening volume of poetic meditations. For Rene Daumal, true living can only be experienced after the facade of self-identity has been stripped away through a kind of metaphysical suicide. As he states in the second poem of this collection, “The individual mind attains its absolute through successive negations. I am that which thinks, not that which is thought.” In Le Contre-Ciel, Daumal invites his readers to venture with him on this Existential journey. Through philosophically contemplative poems, he acts as both chronicler and guide to the process of regeneration-through-negation in pursuit of genuine self-knowledge. |
| rene daumal poems: You've Always Been Wrong Renä Daumal, 1995-01-01 You've Always Been Wrong is a collection of prose and poetic works by the French writer Reni Daumal (1908-1944). A fitful interloper among the Surrealists, Daumal rejected all forms of dogmatic thought, whether religious, philosophical, aesthetic, or political. Much like the Surrealists (and French theorists of more recent decades), Daumal saw in the strict forms and certainties of traditional metaphysics a type of thought that enslaves people even as it pretends to liberate them. These cadavers of thought, Daumal wrote with youthful bravado, must be met with storms of doubt, blasphemes, and kerosene for the temples. Daumal tied Surrealism with mystical traditions. A devoted student of Eastern religions, philosophy, and literature, he combined his skepticism about Western metaphysics with a mystic's effort to maintain intense wakefulness to the present moment and to the irreducible particularity of all objects and experience. Such wakefulness, according to Daumal, leads inevitably to an overwhelming (and redemptive) vision of the absurd. Daumal's important place in French culture of the late 1920s and 1930s has been assured by both his writings and his role as cofounder of the avant-garde journal Le Grand Jeu. Written between 1928 and 1930, You've Always Been Wrong reveals Daumal's thought as it was coalescing around the rejection of Western metaphysics and the countervailing allure of Eastern mysticism. Thomas Vosteen's nuanced translation provides English-language readers with a provocative introduction to this iconoclastic author. Thomas Vosteen has taught French language and literature for over twenty-five years, during which time he has also served as a freelance interpreterfor the U.S. Department of State. He is currently an assistant professor of French at Eastern Michigan University. |
| rene daumal poems: Antonin Artaud Antonin Artaud, 1988-10-10 Artaud remains one of the significant and influential theorists of modern theatre.—Gerald Rabkin, Rutgers University |
| rene daumal poems: Le Contre-Ciel René Daumal, 1990 René Daumal's Le Contre-Ciel is a collection of poems about death, not a death that ends life but a death that begins it. For this early 20th century French poet-philosopher, Life, in its most dynamic sense, can only be experienced after the facade of self identity has been systematically negated through a kind of metaphysical suicide. In Le Contre-Ciel, Daumal invites us, his readers, to go through this process of regeneration-through-negation with him in order to revive in ourselves a knowledge and understanding of our primordial sources. |
| rene daumal poems: Black Mountain. an Interdisciplinary Experiment 1933 - 1957 Eugen Blume, Gabriele Knapstein, Matilda Felix, Brenda Danilowitz, Catherine Nichols, Arnold Dreyblatt, Annette Jael Lehmann, 2019-05 From Josef Albers and John Cage to Charles Olson and Robert Rauschenberg, the teachers and students of Black Mountain shaped postwar culture Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching methods designed to encourage personal initiative as well as the social competence of the individual. Visual arts, economics, physics, dance, architecture and music were all taught on an equal footing, and teachers and students lived together in a democratically organized community. The second director of the school was Josef Albers, and John Cage, Merce Cunningham, Buckminster Fuller, Walter Gropius, Franz Kline and Charles Olson were among its teachers. As a result, the college played a foundational role in the development of a range of avant-garde practices, and exerted an enormous influence on the development of the arts in the second half of the 20th century. Briefly out of print and quickly becoming a sought-after book, this gloriously designed and illustrated volume was first published for the exhibition An Interdisciplinary Experiment, 1933-1957, held at the Nationalgalerie im Hamburger Bahnhof in Berlin. It remains unrivaled for its sympathetic design and fulsome documentation. A profusion of archival materials--including photographs of classes in progress and college housing with its Albers-designed furniture, and page spreads from college bulletins and issues of Robert Creeley's Black Mountain Review--is presented alongside contemporary essays. Happily back in print, Black Mountain: An Interdisciplinary Experiment 1933-1957traces the key moments in the history of this legendary school. |
| rene daumal poems: Eecchhooeess Norman H. Pritchard, 2021-02-23 EECCHHOOEESS is Norman H. Pritchard's second and final book, originally published in 1971 by New York University Press, and now reissued by DABA. |
| rene daumal poems: Poems for the Millennium, Volume One Jerome Rothenberg, Pierre Joris, Jeffrey Cane Robinson, University of California Press, 1995-11-24 Global anthology of twentieth-century poetry--Back cover. |
| rene daumal poems: A Nomad Poetics Pierre Joris, 2003-11-05 In his first collection of critical essays, Joris maps the success and limitations of contemporary avant-garde poetics. This investigation leads him to envision a 'nomadic poetics' as a strategy for new poetic work, for translation and, fundamentally, for an ethics of early 21st century life. |
| rene daumal poems: The Book L Louise Landes-Levi, 2010 Poetry. Louise Landis-Levi's pure intentions, and her uncompromising, heroic effort to realize the true nature of mind, make her poems a continuous stream of wisdom John Giorno. |
| rene daumal poems: International Who's Who in Poetry 2005 Europa Publications, 2004-08-02 The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents:* Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes. |
| rene daumal poems: Ardor Roberto Calasso, 2014-11-18 In a meditation on the wisdom of the Vedas, Roberto Calasso's Ardor brings ritual and sacrifice to bear on the modern world In this revelatory volume, Roberto Calasso, whom The Paris Review has called a literary institution, explores the ancient texts known as the Vedas. Little is known about the Vedic people, who lived more than three thousand years ago in northern India: They left behind almost no objects, images, or ruins. They created no empires. Even the soma, the likely hallucinogenic plant that appears at the center of some of their rituals, has not been identified with any certainty. Only a Parthenon of words remains: verses and formulations suggesting a daring understanding of life. If the Vedic people had been asked why they did not build cities, writes Calasso, they could have replied: we did not seek power, but rapture. This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that defines the Vedas. Often at odds with modern thought, these texts illuminate the nature of consciousness more vividly than anything else has managed to till now. Following the hundred paths of the Satapatha Brahmana, an impressive exegesis of Vedic ritual, Ardor indicates that it may be possible to reach what is closest by passing through that which is most remote, as the whole of Vedic India was an attempt to think further. |
| rene daumal poems: The Spiritual Journey of Alejandro Jodorowsky Alejandro Jodorowsky, 2008-05-27 Jodorowsky’s memoirs of his experiences with Master Takata and the group of wisewomen--magiciennes--who influenced his spiritual growth • Reveals Jodorowsky turning the same unsparing spiritual vision seen in El Topo to his own spiritual quest • Shows how the author’s spiritual insight and progress was catalyzed repeatedly by wisewoman shamans and healers In 1970, John Lennon introduced to the world Alejandro Jodorowsky and the movie, El Topo, that he wrote, starred in, and directed. The movie and its author instantly became a counterculture icon. The New York Times said the film “demands to be seen,” and Newsweek called it “An Extraordinary Movie!” But that was only the beginning of the story and the controversy of El Topo, and the journey of its brilliant creator. His spiritual quest began with the Japanese master Ejo Takata, the man who introduced him to the practice of meditation, Zen Buddhism, and the wisdom of the koans. Yet in this autobiographical account of his spiritual journey, Jodorowsky reveals that it was a small group of wisewomen, far removed from the world of Buddhism, who initiated him and taught him how to put the wisdom he had learned from his master into practice. At the direction of Takata, Jodorowsky became a student of the surrealist painter Leonora Carrington, thus beginning a journey in which vital spiritual lessons were transmitted to him by various women who were masters of their particular crafts. These women included Doña Magdalena, who taught him “initiatic” or spiritual massage; the powerful Mexican actress known as La Tigresa (the “tigress”); and Reyna D’Assia, daughter of the famed spiritual teacher G. I. Gurdjieff. Other important wisewomen on Jodorowsky’s spiritual path include María Sabina, the priestess of the sacred mushrooms; the healer Pachita; and the Chilean singer Violeta Parra. The teachings of these women enabled him to discard the emotional armor that was hindering his advancement on the path of spiritual awareness and enlightenment. |
| rene daumal poems: Ecuador Henri Michaux, 2001 Poet Henri Michaux boarded a ship for Ecuador in 1927 as a man who knows neither how to travel nor how to keep a journal. The result is a work of pointed observation and sensual, even hallucinogenic, poetry and prose. |
| rene daumal poems: Paris Peasant Aragon, 1994 Paris Peasant (1926) is one of the central works of Surrealism. Unconventional in form and fiercely modern, Aragon uses the city of Paris as a framework interlacing text with the city's ephemera: cafe menus, maps, monument inscriptions, newspaper cuttings and the lives of its citizens. No one could have been a more astute detector of the unwanted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city...' Andre Breton' |
| rene daumal poems: The Chieko Poems Kōtarō Takamura, 2007 The major influence and subject of Takamura's work was Naganuma Cheiko, an early member of the feminist movement Seitosha. They were married in 1914 and modelled their relationship on sexual equality. In 1931, Cheiko began to show signs of schizophrenia and, in 1932, she attempted suicide. She was institutionalised in 1935 and died there of tuberculosis in 1938. The poems in this volume are touching portraits of his wife and their life together from the time of their courtship until some years after her death. |
| rene daumal poems: Coma Crossing Roger Gilbert-Lecomte, 2019-11-22 From Schism [2] Press In France, the poetry of Roger Gilbert-Lecomte has long received the major press attention it deserves. Now, thanks to David Ball's fine translation, English readers can experience its fractured eloquence in full, from wry early sketches and experiments with prose poetry, to the stark, skeletal verse for which he is best known. Gilbert-Lecomte's adult life was spent gazing, wilfully, into the abyss. In his poetry, the voice that dominates is cold, ancient, and inhuman. It is the hum of the abyss gazing back. Dennis Duncan, University College London, Author of Theory of the Great Game and The Oulipo and Modern Thought While a handful of other translations of Roger Gilbert-Lecomte's poetry exist, David Ball's Coma Crossing is likely to be the one whose pages we'll be absorbed in for some time to come. Gilbert-Lecomte was one of those peripheral poets who went against the Surrealist tide to carve his own psychic path; René Daumal was one of his comrades in their effort called Le Grand Jeu (The Great Game). Now, because of Ball's expertise as a thinker and translator, we will have to pay attention to Gilbert-Lecomte at last. Bill Zavatsky, author of Theories of Rain and Other Poems, and co-translator of Earthlight: Poems of André Breton |
| rene daumal poems: Forces in Modern & Postmodern Poetry Albert Cook, 2008 Forces in Modern and Postmodern Poetry examines the works of classic authors in the modern and postmodern literary tradition, including Stéphane Mallarmé, Wallace Stevens, Samuel Beckett, Gertrude Stein, Charles Olson, Paul Celan, Ezra Pound, William Carlos Williams, Louis Zukofsky, and John Ashbery, all from a comparative perspective. The concepts, modern and postmodern, are not used to provide definitive answers but to raise questions concerning the status of representation, issues of the self, and the use of imagery and musical invention. The wide range of the study is matched by the richly detailed analysis of specific poetic texts from an author noted for the scope and acuity of his attention to modern poetry in all its varied forms. |
| rene daumal poems: Modern Love Constance DeJong, 2017 This is a facsimile edition of Modern Love, which was originally published by Standard Editions in 1977. An earlier version of the text appeared in serial form as Books I-V of the Complete Works of Constance De Jong, published by TVRT and Mirror Press from 1975-1976 --Colophon. |
| rene daumal poems: Erotic Love Poems from India , 2019-01-15 The poets of classical India regarded love as the first and deepest of passions. Translator and scholar Andrew Schelling perfectly encapsulates the history and passion of eighth-century India in this collection. “A single stanza of the poet Amaru,” declared a ninth-century poetry critic, “may provide the taste of love equal to what’s found in whole volumes.” Graceful and yet remarkably playful, intensely passionate, and at times hinting of divine transcendence, the poems translated here offer poignant glimpses into the many faces of erotic love. This collection, known in Sanskrit as the Amarushataka (“One Hundred Poems of Amaru”), was compiled in the eighth century and remains to this day one of India’s finest collections of love poetry. Legend connects the poetry’s authorship to King Amaru of Kashmir, while present-day scholars generally consider it an anthology of the verses of many poets. |
| rene daumal poems: On a Spaceship with Beelzebub David Kherdian, 1998-03 David Kherdian tells the uncompromising inside story of his time in the Gurdjieff Work. He describes his interaction with the hierarchy of various groups involved in the Work and tells the story of his own awakening. Kherdian offers a brutally honest account of the confrontations that arise in the spiritual process. |
| rene daumal poems: White Piano Nicole Brossard, 2013-03-22 White Piano holds an acute sense of what poetry is, its danger. . . . Brossard knows well that 'life is only good for living' and that living is incarnated in the material of language, that sounds, those carriers of sense, can propel it in front of the world.—Le Devoir Between the verbs quivering and streaming, White Piano unfolds its variations like musical scores. Pronouns and persons, poetry and prose: White Piano, superbly translated from the French, narrates a constellation of questions and offers a language that cultivates its own craters of fire and savoir-vie. Nicole Brossard is one of North America's foremost practitioners of innovative writing. |
| rene daumal poems: Verdant Jeffery Beam, 2022-02-14 Verdant recounts a mid-life passage within a shadowed natural landscape of intense physical and spiritual longing, a sacred quest through heartbreak, suffering, grief and regret, to a joyful ecstatic reunion with the Beloved Divine. |
| rene daumal poems: Who's who in Twentieth-century World Poetry Mark Willhardt, Alan Michael Parker, 2002 Global in perspective, this comprehensive volume provides biographical information on the greatest poets of the 20th century and critical accounts of their work. It features 900 entries by 75 international contributors. |
| rene daumal poems: City of Memory and Other Poems Jose Emilio Pacheco, 1997-04 The leading poet of his generation, Jose Emilio Pacheco is one of Mexico's most esteemed and beloved writers. City of Memory and Other Poems presents two of his finest poetry collections, accompanied by beautifully rendered translations. The first, City of Memory, touches on Pacheco's major literary obsessions: the destructive effects of time; the essential egotism and cruelty of the natural world, with humankind at its violent center; and the capacity of the human spirit to achieve transcendence. The second, I watch the Earth, is an emotional catharsis, the poet's mediation on the tragic earthquake that devastated his native Mexico City in 1985. Together, these poems paint a vivid picture of the noble beauty and uncontrollable tragedy that is Mexico-and the world-today. Jose Emilio Pacheco is the winner of the Jose Asuncion Silva Award for the best book of poetry to appear in Spanish from 1990 to 1995. Novelist, poet, essayist, and translator, he lives in Mexico City. Cynthia Steele is the author of Politics, Gender and the Mexican Novel, 1968-1988, Beyond the Pyramid and the translator of Underground River and Other Stories by Ines Arredondo. David Lauer is a poet and translator who lives in Chihuahua, Mexico. |
| rene daumal poems: The Random House Book of 20th Century French Poetry Paul Auster, 1984-01-12 During the 20th Century, France was home to many of the world’s greatest poets. This collection highlights some of the very best verse that came out of a country and century defined by war and liberation. • “Indispensable . . . a book that everyone interested in modern poetry should have close to hand, a source of renewable delights and discoveries, a book that will long claim our attention.”—Peter Brooks, The New York Times Book Review “One of the freshest and most exciting books of poetry to appear in a long while . . . Paul Auster has provided the best possible point of entry into this century's most influential body of poetry.”—Geoffrey O'Brien, The Village Voice |
| rene daumal poems: Journey to Mount Tamalpais, 2nd Edition Etel Adnan, 2021 Originally published in 1986, Journey to Mount Tamalpais is at once a love letter and a deep study in prose and drawings of and to a mountain, a landscape, a geological presence, a place. With a career spanning decades, genres, and nations, Etel Adnan's contributions to the fields of poetry, painting, philosophy, and journalism are indelible. In Journey to Mount Tamalpais, her alchemical command of language is enhanced by the use of painting and drawing as exploratory tools to express that which lies beyond the reach of the written word. This volume remains one of her most beloved works and a stunning example of her marriage of the visual and literary arts. A prose essay written with the lyricism and precision of a master poet, Journey to Mount Tamalpais documents Adnan's encounter with the Mountain, as both its witness and its collaborator. This expanded second edition includes an afterword by Omar Berrada and nine new drawings by the author-- |
| rene daumal poems: The Princeton Encyclopedia of Poetry and Poetics Stephen Cushman, Clare Cavanagh, Jahan Ramazani, Paul Rouzer, 2012-08-26 The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time |
| rene daumal poems: Cloud-hidden, Whereabouts Unknown Alan Watts, 2011-10-19 Over the course of nineteen essays, Alan Watts (a spiritual polymatch, the first and possibly greatest —Deepak Chopra) ruminates on the philosophy of nature, ecology, aesthetics, religion, and metaphysics. Assembled in the form of a “mountain journal,” written during a retreat in the foothills of Mount Tamalpais, CA, Cloud-Hidden, Whereabouts Unknown is Watts’s meditation on the art of feeling out and following the watercourse way of nature, known in Chinese as the Tao. Embracing a form of contemplative meditation that allows us to stop analyzing our experiences and start living in to them, the book explores themes such as the natural world, established religion, race relations, karma and reincarnation, astrology and tantric yoga, the nature of ecstasy, and much more. |
| rene daumal poems: Erotic Love Poems from India Amaru, 2004 A single stanza of the poet Amaru, declared a ninth-century poetry critic, may provide the taste of love equal to what's found in whole volumes. Graceful and yet remarkably playful, intensely passionate, and at times hinting of divine transcendence, the poems translated here offer poignant glimpses into the many faces of erotic love. This collection, known in Sanskrit as the Amarushataka (One Hundred Poems of Amaru), was compiled in the eighth century and remains to this day one of India's finest collections of love poetry. It has never been fully translated into English poetry before. Legend connects the poetry's authorship to King Amaru of Kashmir, while present-day scholars generally consider it an anthology of the verses of many poets. Poet and translator Andrew Schelling's artful translations render the ancient verses with freshness and immediacy. Schelling's compelling introduction and afterword offer musings on the colorful background and history of the original Sanskrit text. |
| rene daumal poems: Poems for the Millennium Jerome Rothenberg, Pierre Joris, 1895 |
| rene daumal poems: Revolutions of the Heart Yahia Lababidi, 2020-03-31 Revolutions of the Heart is a genre-bending book where literature, social activism, and mysticism intersect. In this follow-up to Lababidi's first essay collection, Trial by Ink: From Nietzsche to Bellydancing (2010), the author is undergoing an inner change, as is the world around him. The multifaceted meditations in Revolutions—essays, poems, aphorisms, conversations, and even fiction—explore the edifying power of art, Islamophobia and its antidotes, the Egyptian Revolution and its aftermath, American popular culture, and much else in our complex modern world. A series of rich conversations with Lababidi, and his various provocative interlocutors, shed more intimate light on the subjects under discussion. At times serious, playful, and seriously playful, these exuberant exchanges chart the personal evolution of Lababidi from angst-ridden existentialist thinker, besotted with the life of the mind, to someone chastened, drawn to Sufism and seeking to surrender before the primacy of spiritual life. On a political level, as the work of an immigrant and Muslim (living in Trump's divided America and our wounded world), Revolutions is a book of hope and healing, arguing for nuance and compassion, as it attempts to present art as a form of cultural diplomacy and tool for transformation. |
| rene daumal poems: Who's Who in Twentieth Century World Poetry Alan Parker, Mark Willhardt, 2005-12-05 Publicity Title Foreword by Andrew Motion, Poet Laureate 900 entries by 75 international contributors, all experts in their field Covers both canonical and lesser known, contemporary poets Very broad range of coverage, taking in poets from all over the world The only book of its kind to look at non-English language poets in such detail |
| rene daumal poems: The Brimstone Boat Will Alexander, 2011-10-26 Yet the voice of Will Alexander, who here commemorates Lamantia in his pluperfect poem The Brimstone Boat, rose hardly more than a quarter century later... In this automatistically extended poem, we are witness to the passage of energies from the older to the younger poet, as Alexander charts Lamantia's life and writings across a Renaissance globe... It is here as well that Alexander succeeds Lamantia, who died in 2005, as America's greatest living surrealist poet--as the new poet at the helm on the brimstone boat, on a voyage of 'perpetual exploration.'--ANDREW JORON The volume starts off with the 81 pages of the title poem, then 14 pages for three shorter poems, followed by 19 pages devoted to a glossary, then 50 pages for the content of four essays, and finally 3 pages of post-notes. On the cover, the frontispiece, and the end page, are three works by the American surrealist Marie Wilson; also included are eight pencil drawings by Will Alexander and two large photographs of Lamantia and Alexander. |
| rene daumal poems: The Yale Anthology of Twentieth-century French Poetry Mary Ann Caws, 2004-01-01 An influential social thinker, the late Richard Harvey Brown was professor of sociology at the University of Maryland and the author of Toward a Democratic Science: Scientific Narration and Civic Communication, published by Yale University Press. |
| rene daumal poems: Chameleon Charlotte Van den Broeck, 2020 After first making her mark as a compelling performer, Belgian poet Charlotte Van den Broeck was acclaimed as one of Europe's most innovative and original new voices in poetry. Her first English translation combines her debut volume Chameleon (2015) with its sequel Nachtroer (2017), its title the name of all-night shop in Antwerp where she lives. |
| rene daumal poems: Modern Poetry in Translation , 1993 |
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