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| regal cinemas sheffield: Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65 Sam Manning, 2020-03-31 Cinema-going was the most popular commercial leisure activity in the first half of the twentieth century, peaking in 1946 with 1.6 billion recorded admissions. Though ‘going to the pictures’ remained a popular pastime, the transition to peacetime altered citizens’ leisure habits. During the 1950s increased affluence, the growth of television ownership and the diversification of leisure led to rapid declines in attendance. Cinema attendances fell in all regions, but the speed, nature and extent of decline varied widely across the United Kingdom. By linking national developments to detailed case studies of Belfast and Sheffield, this book adds nuance to our understanding of regional variations in film exhibition, audience habits and cinema-going experiences during a period of profound social and cultural change. Drawing on a wide range of quantitative and qualitative sources, Cinema and Cinema-Going conveys the diverse nature of this important industry, and the significance of place as a determinant of film attendance in post-war Britain. |
| regal cinemas sheffield: Kinematograph Year Book , 1953 |
| regal cinemas sheffield: The Beatles Ticket to read Alessandro Spronelli, 2025-03-07 Every Beatles fan would have loved to be at all of their legendary concerts, to experience the thrill of a live performance, and hear their unforgettable songs in person. Unfortunately, this dream is impossible for most of us, as their performances took place in a time long past, and their concerts were so numerous and spread all over the world. So, I thought to myself: why not collect the tickets from those concerts? But then I realized that this idea too was a bit unachievable. However, collecting their pictures—those tangible memories—seemed possible. They allow you to breathe the same air that those who attended once felt. And so, despite the challenges, I embarked on the journey of gathering images that allow us to relive, even if only through a book, the magic of the Beatles on stage. ---------------------------Ogni fan dei Beatles avrebbe voluto essere presente a tutti i loro leggendari concerti, per vivere l'emozione di una performance dal vivo e sentire le loro indimenticabili canzoni di persona. Così, mi sono detto: perché non collezionare i biglietti di quei concerti? Impossibile! Tuttavia, raccogliere le loro foto—memorie tangibili di quei momenti- sembrava possibile. E così, nonostante le difficoltà, ho intrapreso il viaggio di raccogliere immagini che ci permettano di rivivere, anche solo attraverso un libro, la magia dei Beatles sul palco. |
| regal cinemas sheffield: The P.R. Gazette ... , 1928 |
| regal cinemas sheffield: My Spring Jean A. Stockdale, 2013-04-01 An unusual memoir contrasting the lives of Royals, with an ordinary working class Sheffield family.An aristocratic lady and a girl from Sheffield are born into large families at the height of the British Empire, where grand houses had elephant foot stools, cutlery with ivory handles, tiger skin rugs and Imperial Leather soap. In the north, horse and carts with ‘rag and bone’ men shout, “Any old irons.”The northern girl wears ‘hand me down’ clothes and lives in a ‘two up, two down’, back to back house. The lady wears fine clothes and lives in grand homes. Both women experience turmoil and sadness in the First World War, and they both marry in 1923.This book is about the parallel life stories of an extraordinary Royal lady and an ordinary woman as they go through life changing upheavals and the fear of a second World War. They both have daughters in the same year – one was destined to be Queen and the other was to become the author’s mother.Jean A Stockdale began by writing poetry before moving onto write the stories that lay behind each poem. My Spring is her look at the past through the unusual lens of her own northern family background and contrasting it with the Royal Family. |
| regal cinemas sheffield: Flight , 1931 |
| regal cinemas sheffield: Cinemas in Britain Richard Gray, 1996 To celebrate 100 years of the cinema in Britain, this book looks at the history of cinema building from the nineteenth century to the present day. Through a detailed architectural history it also evokes the magic of movie-going. |
| regal cinemas sheffield: Kinematograph and Television Year Book , 1971 |
| regal cinemas sheffield: Cinema Preview , 1957 |
| regal cinemas sheffield: Kine weekly , 1943 |
| regal cinemas sheffield: Day Kenneth Goldsmith, 2003 Poetry. I am spending my 39th year practicing uncreativity. On Friday, September 1, 2000, I began retyping the day's NEW YORK TIMES word for word, letter for letter, from the upper left hand corner to the lower right hand corner, page by page. With these words, Kenneth Goldsmith embarked upon a project which he termed uncreative writing, that is: uncreativity as a constraint-based process; uncreativity as a creative practice. By typing page upon page, making no distinction between article, editorial and advertisement, disregarding all typographic and graphical treatments, Goldsmith levels the daily newspaper. DAY is a monument to the ephemeral, comprised of yesterday's news, a fleeting moment concretized, captured, then reframed into the discourse of literature. When I reach 40, I hope to have cleansed myself of all creativity-Kenneth Goldsmith. |
| regal cinemas sheffield: A Beatles Miscellany John Van der Kiste, 2017-05-14 |
| regal cinemas sheffield: The Word , 1943 |
| regal cinemas sheffield: The Furnishing World , 1937 |
| regal cinemas sheffield: Handbook and Register of Members , 1936 |
| regal cinemas sheffield: The Ideal Kinema & Studio , 1954 |
| regal cinemas sheffield: The Daily Film Renter and Moving Picture News , 1950 |
| regal cinemas sheffield: Life After Dark Dave Haslam, 2015-08-13 Nightclubs and music venues are often the source of a lifetime's music taste, best friends and vivid memories. They can define a town, a city or a generation, and breed scenes and bands that change music history. In Life After DarkDave Haslam reveals and celebrates a definitive history of significant venues and great nights out. Writing with passion and authority, he takes us from vice-ridden Victorian dance halls to acid house and beyond; through the jazz decades of luxurious ballrooms to mods in basement dives and the venues that nurtured the Beatles, the Stones, Northern Soul and the Sex Pistols; from psychedelic light shows to high street discos; from the Roxy to the Hacienda; from the Krays to the Slits; and from reggae sound systems to rave nights in Stoke. In a journey to dozens of towns and cities, taking in hundreds of unforgettable stories on the way, Haslam explores the sleaziness, the changing fashions, the moral panics and the cultural and commercial history of nightlife. He interviews clubbers and venue owners, as well as DJs and musicians; he meets one of the gangsters who nearly destroyed Manchester's nightlife and discusses Goth clubs in Leeds with David Peace. |
| regal cinemas sheffield: The Corporate Directory of US Public Companies 1995 Elizabeth Walsh, 2016-06-11 This valuable and accessible work provides comprehensive information on America's top public companies, listing over 10,000 publicly traded companies from the New York, NASDAQ and OTC exchanges. All companies have assets of more than $5 million and are filed with the SEC. Each entry describes business activity, 5 year sales, income, earnings per share, assets and liabilities. Senior employees, major shareholders and directors are also named. The seven indices give an unrivalled access to the information. |
| regal cinemas sheffield: Index of Trademarks Issued from the United States Patent and Trademark Office , 1997 |
| regal cinemas sheffield: Dobson's Theatre Year-book , 1948 |
| regal cinemas sheffield: Road to the Dales Gervase Phinn, 2010-03-25 A unique look into the childhood experiences of Gervase Phinn in Road to the Dales. Gervase tells of a life full of happiness, conversation, music and books shared with his three siblings, mother and father. This book is a snapshot of growing up in Yorkshire in the 1950s - reminisce with Gervase, and share in his personal journey - of school days and holidays as well as his tentative steps into the adult world. Devour numerous uproarious stories including the incident involving a broken greenhouse, crashing his brother's newly restored bike as well as secrets about his first dates, adventures at summer camp, family trips to Blackpool and many other captivating tales. With a wicked ear for the comical, and a sharp eye for detail, Road to the Dales visits poignant moments, significant events and precious memories from a boy called Gervase Phinn. Gervase Phinn is an author and educator from Rotherham who, after teaching for fourteen years in a variety of schools, moved to North Yorkshire to be a school inspector. He has written autobiographies, novels, plays, collections of poetry and stories, as well as a number of books about education. He holds five fellowships, honorary doctorates from Hull, Leicester and Sheffield Hallam universities, and is a patron of a number of children's charities and organizations. He is married with four adult children. His books include The Other Side of the Dale, Over Hill and Dale, Head Over Heels in the Dales,The Heart of the Dales, Up and Down in the Dales and Trouble at the Little Village School. |
| regal cinemas sheffield: Popular Filmgoing in 1930s Britain John Sedgwick, 2000 In the 1930s there were close to a billion annual admissions to the cinema in Britain and it was by far the most popular paid-for leisure activity. This book is an exploration of that popularity. John Sedgwick has developed the POPSTAT index, a methodology based on exhibition records which allows identification of the most popular films and the leading stars of the period, and provides a series of tables which will serve as standard points of reference for all scholars and specialists working in the field of 1930s cinema. The book establishes similarities and differences between national and regional tastes through detailed case study analysis of cinemagoing in Bolton and Brighton, and offers an analysis of genre development. It also reveals that although Hollywood continued to dominate the British market, films emanating from British studios proved markedly popular with domestic audiences. |
| regal cinemas sheffield: The London Gazette , 1921 |
| regal cinemas sheffield: International Motion Picture Almanac , 1948 |
| regal cinemas sheffield: Encyclopedia of Appalachia Rudy Abramson, Jean Haskell, 2006 The Encyclopedia details subjects traditionally associated with Appalachia - folklore, handcrafts, mountain music, food, and coal mining - but goes far beyond regional stereotypes to treat such wide-ranging topics as the aerospace industry, Native American foodways, ethnic diversity in the coalfields, education reform, linguistic variation, and the contested notion of what it means to be Appalachian, both inside and outside the region. Researched and developed by the Center for Appalachian Studies and Services at East Tennessee State University, this 1,864-page compendium includes all thirteen states that constitute the northern, central, and southern subregions of Appalachia - from New York to Mississippi. With entries on everything from Adventists to zinc mining, the Encyclopedia of Appalachia is a one-stop guide to all things Appalachian.--BOOK JACKET. |
| regal cinemas sheffield: Winchester's Screen Encyclopedia Maud M. Miller, 1948 |
| regal cinemas sheffield: The History of Live Music in Britain, Volume I: 1950-1967 Simon Frith, Matt Brennan, Emma Webster, 2016-03-09 The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history. |
| regal cinemas sheffield: The Cinematograph Times , 1935 |
| regal cinemas sheffield: Motion Picture Herald , 1954 |
| regal cinemas sheffield: The Electrical Review , 1938 |
| regal cinemas sheffield: Reel Change Richard Wallace, Jon Burrows, 2022-08-16 Ten years ago, a technological revolution swept through cinemas around the world, as analogue projectors were replaced with digital equipment. It was not just the plastic medium of film that was removed from projection boxes during this transformation; most cinemas took this opportunity to also evict the human projectionists who were hitherto in charge of screenings. Projectionists had been hidden from the sight of audiences for most of the history of photographic moving image projection, and their redundancies went largely unnoticed and unremarked upon. This book focuses attention on what has been happening behind film spectators' heads for the past 130 years, and attempts to write the history of cinema in Britain from the perspective of its habitually overlooked and undervalued projectionists, beginning in the silent era and continuing to the present day. Drawing upon extensive archival research and lengthy interviews with former projectionists, it documents the key facets and challenges of their work, and how these evolved in response to previous waves of significant technological change. It evaluates how projectionists helped to design and maintain key aesthetic characteristics of the 20th century big screen experience. It shows how the institution of cinema in Britain has been historically underpinned by the harsh exploitation of projectionists by many employers, detailing inadequate wage levels and poor working conditions that formerly provoked government investigation, and explaining why these problems were never successfully ameliorated by trade unions. It also charts in depth the recent fateful transition to digital projection, delineating how and why projectionists were so swiftly and ruthlessly consigned to the past, and assessing whether this form of entertainment should be considered diminished by their super session. |
| regal cinemas sheffield: Hoover's Handbooks Index, 2002 Hoover's, 2002-04 Profiles of major U.S. private enterprises. |
| regal cinemas sheffield: Motion Picture Almanac , 1997 |
| regal cinemas sheffield: Hoover's Handbook of Private Companies, 2002 Hoover's, Incorporated, 2002 Profiles of major U.S. private enterprises. |
| regal cinemas sheffield: Films and Filming , 1957 |
| regal cinemas sheffield: Directory of Corporate Affiliations , 2001 Described as Who owns whom, the family tree of every major corporation in America, the directory is indexed by name (parent and subsidiary), geographic location, Standard Industrial Classification (SIC) Code, and corporate responsibility. |
| regal cinemas sheffield: Focus on Film , 1974 |
| regal cinemas sheffield: Business Phone Book USA , 2000 |
| regal cinemas sheffield: European Architecture in the Twentieth Century: The era of functionalism, 1924-1933 Arnold Whittick, 1953 |
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