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| robert schumann clara wieck johannes brahms: Letters of Clara Schumann and Johannes Brahms, 1853-1896 Clara Schumann, 1927 |
| robert schumann clara wieck johannes brahms: Clara Schumann Nancy B. Reich, 2001-06-28 This absorbing and award-winning biography tells the story of the tragedies and triumphs of Clara Wieck Schumann (1819-1896)--at once artist, composer, editor, teacher, wife, and mother of eight children. |
| robert schumann clara wieck johannes brahms: The Schumanns and Johannes Brahms Eugenie Schumann, 1927 |
| robert schumann clara wieck johannes brahms: The Music Division Library of Congress, 1972 |
| robert schumann clara wieck johannes brahms: Schumann Peter F. Ostwald, 1985 After obtaining access to long-sought-after archival material about the final years of Robert Schumann, Lise Deschamps Ostwald, the author's widow, is finally able to detail the composer's last years at the mental institution in Endenich, fulfilling her husband's original intent Schumann is a remarkable piece of work...Soberly and objectively, it unearths information that no previous Schumann researcher--in English at least--has come near duplicating.--Harold C. Schonberg, The New York Times Book Review Peter Ostwald, a San Francisco psychiatrist who is also a trained musician, has dug deeply...and applied his professional knowledge to the fashioning of a fascinating, perceptive psychobiography of the nineteenth-century Romantic master.--Arthur Hepner, Boston Globe Ostwald...offers new insights into one about whom the musical world has never ceased wondering.--Robert Commanday, San Francisco Chronicle --Book Jacket. |
| robert schumann clara wieck johannes brahms: Schumann Judith Chernaik, 2018-09-18 Drawing on previously unpublished sources, this groundbreaking biography of Robert Schumann sheds new light on the great composer’s life and work. With the rigorous research of a scholar and the eloquent prose of a novelist, Judith Chernaik takes us into Schumann’s nineteenth-century Romantic milieu, where he wore many “masks” that gave voice to each corner of his soul. The son of a book publisher, he infused his pieces with literary ideas. He was passionately original but worshipped the past: Bach and Beethoven, Shakespeare and Byron. He believed in artistic freedom but struggled with constraints of form. His courtship and marriage to the brilliant pianist Clara Wieck—against her father’s wishes—is one of the great musical love stories of all time. Chernaik freshly explores his troubled relations with fellow composers Mendelssohn and Chopin, and the full medical diary—long withheld—from the Endenich asylum where he spent his final years enables her to look anew at the mystery of his early death. By turns tragic and transcendent, Schumann shows how this extraordinary artist turned his tumultuous life into music that speaks directly—and timelessly—to the heart. |
| robert schumann clara wieck johannes brahms: A Passionate Friendship: Clara Schumann and Brahms Clara Schumann, Marguerite Alley, Jean Alley, 1956 Letters selected from correspondence of Clara and Robert Schumann and Brahms. |
| robert schumann clara wieck johannes brahms: Clara Schumann Piano Music Clara Schumann, 2013-02-06 Original compilation of the composer's most popular works, including Witches Dance, Op. 5, No. 1; Four Fleeting Pieces, Op. 15; Three Preludes and Fugues, Op. 16; and Three Romances, Op. 21; more. |
| robert schumann clara wieck johannes brahms: Schumann's Virtuosity Alexander Stefaniak, 2016-09-19 “A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse. |
| robert schumann clara wieck johannes brahms: Trio Boman Desai, 2015-06-29 The trio comprises three musical geniuses: Robert and Clara Schumann and Johannes Brahms. Clara married Robert, with whom she fell in love when she was just sixteen, though it meant challenging the iron will of her father, who wished her to marry an earl or a count, certainly not an impoverished composer. The Schumanns had eight children, and Robert’s greatness as a composer was never in doubt, but he was also mentally ill, attempted suicide, and finally incarcerated himself in an asylum, where he died two and a half years later. Johannes Brahms entered the picture shortly before the incarceration and fell deeply in love with Clara but was just as deeply indebted to Robert for getting his first six opuses published within weeks of their meeting. Clara was forbidden to see Robert in the asylum because the doctors feared she would excite him too much. Brahms became a go-between for the couple, ferrying messages to and fro, but both loved Robert too well to abuse his trust. Brahms learned instead to associate deep love with deep renunciation—and, coupling this love with early experiences of playing dance music for sailors and prostitutes in Hamburg’s dockside bars, he became a victim to the Freudian conundrum: where he loves, he feels no passion, and where he feels passion, he cannot love. Germany grows in the hinterland of the story from four hundred-plus principalities to one nation under Bismarck. The great composers of the century (Mendelssohn, Chopin, Liszt, and Wagner among others) have their entrances and exits, and the ghosts of Bach, Mozart, Beethoven, and Schubert are never distant. Though firmly grounded in fact, the book unfolds like a novel, a narrative of love, insanity, suicide, revolution, politics, war, and of course, music. |
| robert schumann clara wieck johannes brahms: Longing J. D. Landis, 2005-03 Against a backcloth of early 19th century Europe in cultural and political turmoil, this vivid account of the love of the composer Robert Schumann for pianist Clara Wieck unfolds. |
| robert schumann clara wieck johannes brahms: CLARA & JOHANNES Myla Lichtman-Fields, 2021-05-06 CLARA & JOHANNES follows the relationship between composer/musicians Johannes Brahms and Clara Wieck Schumann over a time period of 35 years. The play is based on the letters of Clara and Johannes. |
| robert schumann clara wieck johannes brahms: Theme and Variations Kazuha Nakahara, 2008 |
| robert schumann clara wieck johannes brahms: Johannes Brahms Johannes Brahms, 1997 This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice. `I am aware of my bad habit of writing briefly but obscurely', Brahms once wrote to a friend. He was needlessly hard on himself, for his letters describe many significant events in his life, throw light on his friendships and music, and reveal his wit, idealism, intelligence, generosity, sarcasm, and above all his powerful sense of integrity. The letters in this volume range from 1848 to just before his death. They include all Brahms's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover. The result is a lively biography. The book is generously illustrated, and contains several detailed appendices and an index. |
| robert schumann clara wieck johannes brahms: The Schumanns and Johannes Brahms Eugenie Schumann, 2019-06-23 Eugenie Schumann, youngest daughter of the famed composer Robert Schumann and his wife Clara discusses her memories of her life, and her studies with Johannes Brahms. Drawing upon correspondences between members of the Schumann family, Eugenie relates her memories of childhood and education, and her experiences learning music under the tutorship of Johannes Brahms. The ongoing fame of her mother Clara Schumann meant the family was consistently under the musical spotlight, the public eager for each new performance and composition. Eugenie's recollections of her siblings are poignant: more than once, we hear of the pressure her siblings were under to meet the achievements of their gifted parents. Despite these stresses, Eugenie places emphasis on her mother's caring and compassionate nature ? though the encroaching demands of fame were a fact of the Schumann family life, Clara Schumann is praised for her efforts at keeping the family united. |
| robert schumann clara wieck johannes brahms: The Complete Correspondence of Clara and Robert Schumann Clara Schumann, 1994 |
| robert schumann clara wieck johannes brahms: Robert Schumann John Worthen, 2010 Shattering longstanding myths, this new biography reveals the robust and positive life of one of the nineteenth century's greatest composers This candid, intimate, and compellingly written new biography offers a fresh account of Robert Schumann's life. It confronts the traditional perception of the doom-laden Romantic, forced by depression into a life of helpless, poignant sadness. John Worthen's scrupulous attention to the original sources reveals Schumann to have been an astute, witty, articulate, and immensely determined individual, who--with little support from his family and friends in provincial Saxony--painstakingly taught himself his craft as a musician, overcame problem after problem in his professional life, and married the woman he loved after a tremendous battle with her father. Schumann was neither manic depressive nor schizophrenic, although he struggled with mental illness. He worked prodigiously hard to develop his range of musical styles and to earn his living, only to be struck down, at the age of forty-four, by a vile and incurable disease. Worthen's biography effectively de-mystifies a figure frequently regarded as a Romantic enigma. It frees Schumann from 150 years of mythmaking and unjustified psychological speculation. It reveals him, for the first time, as a brilliant, passionate, resolute musician and a thoroughly creative human being, the composer of arguably the best music of his generation. |
| robert schumann clara wieck johannes brahms: The Norton/Grove Dictionary of Women Composers Julie Anne Sadie, Rhian Samuel, 1994 Throughout history women have been composing music, but their achievements have usually gone unrecognized. |
| robert schumann clara wieck johannes brahms: Robert Schumann John Daverio, 1997-04-10 Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model. Now, in Robert Schumann: Herald of a New Poetic Age, John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves. |
| robert schumann clara wieck johannes brahms: Brahms in the Home and the Concert Hall Katy Hamilton, Natasha Loges, 2014-09-11 This collection explores the boundaries between Brahms' professional identity and his lifelong engagement with private and amateur music-making. |
| robert schumann clara wieck johannes brahms: Letters of Clara Schumann and Johannes Brahms, 1853-1896 Clara Schumann, 1927 |
| robert schumann clara wieck johannes brahms: Her Piano Sang Barbara Allman, 2011-08-01 At the age of nine, Clara Wieck gave her first public performance as a concert pianist. She played beautifully. When the concert was over, she felt as if she were dancing on a cloud. As she grew older, Clara's concerts took her all over Europe. Audiences adored her, and she became friends with other famous musicians—including her father's student, Robert Schumann. Robert and Clara fell in love and eventually married. Robert took some of Clara's melodies and shaped them into compositions, and Clara performed his pieces, introducing them to new audiences. Throughout her life, Clara Schumann's performances set the standard for piano music. The greatest composers of her time—impressed with the power and beauty of her playing—wrote music for her. Clara was a pianist, composer, and mentor, as well as an inspiration to the romantic movement that was her life. She made the piano sing. |
| robert schumann clara wieck johannes brahms: Clara Schumann Nancy Reich, 2013-07-15 This absorbing and award-winning biography tells the story of the tragedies and triumphs of Clara Wieck Schumann (1819–1896), a musician of remarkable achievements. At once artist, composer, editor, teacher, wife, and mother of eight children, she was an important force in the musical world of her time. To show how Schumann surmounted the obstacles facing female artists in the nineteenth century, Nancy B. Reich has drawn on previously unexplored primary sources: unpublished diaries, letters, and family papers, as well as concert programs. Going beyond the familiar legends of the Schumann literature, she applies the tools of musicological scholarship and the insights of psychology to provide a new, full-scale portrait.The book is divided into two parts. In Part One, Reich follows Clara Schumann's life from her early years as a child prodigy through her marriage to Robert Schumann and into the forty years after his death, when she established and maintained an extraordinary European career while supporting and supervising a household and seven children. Part Two covers four major themes in Schumann's life: her relationship with Johannes Brahms and other friends and contemporaries; her creative work; her life on the concert stage; and her success as a teacher.Throughout, excerpts from diaries and letters in Reich's own translations clear up misconceptions about her life and achievements and her partnership with Robert Schumann. Highlighting aspects of Clara Schumann's personality and character that have been neglected by earlier biographers, this candid and eminently readable account adds appreciably to our understanding of a fascinating artist and woman.For this revised edition, Reich has added several photographs and updated the text to include recent discoveries. She has also prepared a Catalogue of Works that includes all of Clara Schumann's known published and unpublished compositions and works she edited, as well as descriptions of the autographs, the first editions, the modern editions, and recent literature on each piece. The Catalogue also notes Schumann's performances of her own music and provides pertinent quotations from letters, diaries, and contemporary reviews. |
| robert schumann clara wieck johannes brahms: Comparison of Schumann's Mondnacht with Brahms's Setting of the Same Poem Danko Drusko, 2011-12 Seminar paper from the year 2011 in the subject Musicology, grade: 1, University of Rochester, Eastman School of Music, language: English, abstract: To precede my comparison of Schumann's Mondnacht and Brahms's setting of the same poem I would like to begin with a brief introduction of the two composers. Their personal histories will be taken into account in order to show if any conclusions can be drawn on how their approaches to the compositions may have been influenced. I will also concentrate particularly on both composers' roles in the context of the Lied of the 19th century. Within this context I will provide a short introduction to the poem Mondnacht and address its various different settings. In this approach will be considered both musical, as well as textual content. By the end of the paper I hope to provide a clearer understanding of how each of them composed their work and illuminate several differences and similarities. In order to not translate each quote taken from German sources and due to my German background I will be using the original quotes. |
| robert schumann clara wieck johannes brahms: Robert Schumann Martin Geck, 2012-11-01 Robert Schumann (1810–56) is one of the most important and representative composers of the Romantic era. Born in Zwickau, Germany, Schumann began piano instruction at age seven and immediately developed a passion for music. When a permanent injury to his hand prevented him from pursuing a career as a touring concert pianist, he turned his energies and talents to composing, writing hundreds of works for piano and voice, as well as four symphonies and an opera. Here acclaimed biographer Martin Geck tells the fascinating story of this multifaceted genius, set in the context of the political and social revolutions of his time. The image of Schumann the man and the artist that emerges in Geck’s book is complex. Geck shows Schumann to be not only a major composer and music critic—he cofounded and wrote articles for the controversial Neue Zeitschrift für Musik—but also a political activist, the father of eight children, and an addict of mind-altering drugs. Through hard work and determination bordering on the obsessive, Schumann was able to control his demons and channel the tensions that seethed within him into music that mixes the popular and esoteric, resulting in compositions that require the creative engagement of reader and listener. The more we know about a composer, the more we hear his personality in his music, even if it is above all on the strength of his work that we love and admire him. Martin Geck’s book on Schumann is not just another rehashing of Schumann’s life and works, but an intelligent, personal interpretation of the composer as a musical, literary, and cultural personality. |
| robert schumann clara wieck johannes brahms: The Story of Classical Music Darren Henley, 2004 This recording introduces classical music to the entire family. It looks at the music through the lives of the great composers and their environment from the churches and cathedrals that produced the familiar sound of Gregorian chant, to Johann Sebastian Bach. |
| robert schumann clara wieck johannes brahms: Brahms in Context Natasha Loges, Katy Hamilton, 2021-08-19 Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths. |
| robert schumann clara wieck johannes brahms: The Letters of Robert Schumann Robert Schumann, 1907 |
| robert schumann clara wieck johannes brahms: The Girlhood of Clara Schumann (Clara Wieck and Her Time) Florence May, 1912 |
| robert schumann clara wieck johannes brahms: 1853-1871 Clara Schumann, 1927 |
| robert schumann clara wieck johannes brahms: Johannes Brahms Jan Swafford, 2012-01-11 An illuminating new biography of one of the most beloved of all composers, published on the hundredth anniversary of his death, brilliantly written by a finalist for the 1996 National Book Critics Circle Award. Johannes Brahms has consistently eluded his biographers. Throughout his life, he attempted to erase traces of himself, wanting his music to be his sole legacy. Now, in this masterful book, Jan Swafford, critically acclaimed as both biographer and composer, takes a fresh look at Brahms, giving us for the first time a fully realized portrait of the man who created the magnificent music. Brahms was a man with many friends and no intimates, who experienced triumphs few artists achieve in their lifetime. Yet he lived with a relentless loneliness and a growing fatalism about the future of music and the world. The Brahms that emerges from these pages is not the bearded eminence of previous biographies but rather a fascinating assemblage of contradictions. Brought up in poverty, he was forced to play the piano in the brothels of Hamburg, where he met with both mental and physical abuse. At the same time, he was the golden boy of his teachers, who found themselves in awe of a stupendous talent: a miraculous young composer and pianist, poised between the emotionalism of the Romantics and the rigors of the composers he worshipped--Bach, Mozart, Beethoven. In 1853, Robert Schumann proclaimed the twenty-year-old Brahms the savior of German music. Brahms spent the rest of his days trying to live up to that prophecy, ever fearful of proving unworthy of his musical inheritance. We find here more of Brahms's words, his daily life and joys and sorrows, than in any other biography. With novelistic grace, Swafford shows us a warm-blooded but guarded genius who hid behind jokes and prickliness, rudeness and intractability with his friends as well as his enemies, but who was also a witty drinking companion and a consummate careerist skillfully courting the powerful. This is a book rich in secondary characters as well, including Robert Schumann, declining into madness as he hailed the advent of a new genius; Clara Schumann, the towering pianist, tormented personality, and great love of Brahms's life; Josef Joachim, the brilliant, self-lacerating violinist; the extraordinary musical amateur Elisabet von Herzogenberg, on whose exacting criticism Brahms relied; Brahms's rival and shadow, the malevolent genius Richard Wagner; and Eduard Hanslick, enemy of Wagner and apostle of Brahms, at once the most powerful and most wrongheaded music critic of his time. Among the characters in the book are two great cities: the stolid North German harbor town of Hamburg where Johannes grew up, which later spurned him; and glittering, fickle, music-mad Vienna, where Brahms the self-proclaimed vagabond finally settled, to find his sweetest triumphs and his most bitter failures. Unique to this book is the way in which musical scholarship and biography are combined: in a style refreshingly free of pretentiousness, Jan Swafford takes us deep into the music--from the grandeur of the First Symphony and the intricacies of the chamber work to the sorrow of the German Requiem--allowing us to hear these familiar works in new and often surprising ways. This is a clear-eyed study of a remarkable man and a vivid portrait of an era in transition. Ultimately, Johannes Brahms is the story of a great, backward-looking artist who inspired musical revolutionaries of the following generations, yet who was no less a prophet of the darkness and violence of our century. A biographical masterpiece at once wholly original and definitive. |
| robert schumann clara wieck johannes brahms: The Book of Lieder Ian Bostridge, Richard Stokes, 2011-03-03 This unique volume contains, in parallel translation, a thousand of the most frequently performed Lieder, both piano-accompanied and orchestral. Composers are arranged alphabetically, with their songs appearing under poet in chronological order of composition - thus allowing the reader to engage in depth with a particular poet and at the same time to follow the composer's development. Richard Stokes, whose work in this field is already widely acclaimed, provides illuminating short essays on each of the fifty composers' approach to Lieder composition, as well as well as notes on all the poets who inspired the songs.The volume is notable for the accuracy and elegance of its translations, and for its fidelity to the German verse: every care has been taken to print the words of the sung text, while adhering to the versification and punctuation of the original poem.Beethoven, Schubert and Schumann, Goethe, Heine and Schiller are among the highlights of a book which illuminates one of the great musical traditions and will be an indispensable handbook for every music lover. |
| robert schumann clara wieck johannes brahms: In the Course of Performance Bruno Nettl, Melinda Russell, 1998-12-15 In the Course of Performance is the first book in decades to illustrate and explain the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. This difficulty may account for the very few attempts scholars have made to provide a general guide to this elusive subject. With contributions by seventeen scholars and improvisers, In the Course of Performance offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined. The most comprehensive guide to the understanding of musical improvisation available, In the Course of Performance will be indispensable to anyone attracted to this fascinating art. Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan. |
| robert schumann clara wieck johannes brahms: I Know Where I'm Going Charlotte Chandler, 2010-03-02 • The private Hepburn in her own words: Katharine Hepburn draws on a series of interviews Chandler conducted with the actress during the 1970s and 1980s. Chandler also interviewed director George Cukor; Hepburn co-stars Cary Grant and James Stewart; and Laurence Olivier, Ginger Rogers, and other screen luminaries. . • A Hollywood icon unveiled: Notoriously guarded, Katharine Hepburn talks candidly with Chandler about her marriage, her long affair with Spencer Tracy, co-stars and movies, and the seminal event in her life—the suicide of her brother, whom she adored, when they were both in their teens. With her unprecedented access to Hepburn, Chandler has written a biography completely different from all others, including Hepburn’s own guarded book about herself. . |
| robert schumann clara wieck johannes brahms: Becoming Clara Schumann Alexander Stefaniak, 2021-11-02 Well before she married Robert Schumann, Clara Schumann was already an internationally renowned pianist, and she concertized extensively for several decades after her husband's death. Despite being tied professionally to Robert, Clara forged her own career and played an important role in forming what we now recognize as the culture of classical music. Becoming Clara Schumann guides readers through her entire career, including performance, composition, edits to her husband's music, and teaching. Alexander Stefaniak brings together the full run of Schumann's concert programs, detailed accounts of her performances and reception, and other previously unexplored primary source material to illuminate how she positioned herself within larger currents in concert life and musical aesthetics. He reveals that she was an accomplished strategist, having played roughly 1,300 concerts across western and central Europe over the course of her six-decade career, and she shaped the canonization of her husband's music. Extraordinary for her time, Schumann earned success and prestige by crafting her own playing style, selecting and composing her own concerts, and acting as her own manager. By highlighting Schumann's navigation of her musical culture's gendered boundaries, Becoming Clara Schumann details how she cultivated her public image in order to win over audiences and embody some of her field's most ambitious aspirations for musical performance. |
| robert schumann clara wieck johannes brahms: Letters of Clara Schumann and Johannes Brahms 1853-1896 Johannes Brahms, 1973 |
| robert schumann clara wieck johannes brahms: Fifty Songs by Robert Schumann Robert Schumann, 2018-06-22 From the introductory. ....In many songs, Schumann uses the piano to provide beautiful and expressive preludes and postludes. In some songs the eloquence of the piano in the postlude is so great as to make this the most important part of the lyric. For an example of this let the reader examine the exquisite instrumental coda to Die alten, bösen Lieder (The Songs of Bitter Sorrow) , p. 131. This is, indeed, the coda of the entire cycle, and it is the most fragrant blossoming of this branch of Schumann's art. But Schumann also knew when to subordinate the piano so much as to make it a mere background. Note the wonderful effect of the soft chords in Ich hab' im 'Traum geweinet (In Dreams my Tears were falling) , p. 125. In short, as Dr.Spitta has admirably said in his fine article in Grove's Dictionary of Music, in Schumann's songs the proper function of the pianoforte is to reveal some deep and secret meaning which it is beyond the power of words, even of sung words, to express. That Schumann found the true mission of the song may readily be learned by an examination of the texts which he chose for setting. He never failed to select words embodying the true lyric spirit, the voicing of nature and love. The field of human emotion and thought as viewed through the eyes of youth was the theatre of his fancy, and he found abundant material for his inspiration in the splendid outpour of lyric poetry from the young romanticists of Germany. EichendorfFs contemplations of nature touched his mind no less than Heine's marvellous analyses of feeling; and when he came to the setting of Chamisso's persuasive verses in the cycle entitled Frauenliebe und Leben, opus 42, he unquestionably opened up a wealth of emotion not altogether disclosed by the poet. When it was necessary to be humorous, Schumann had a fund of humor quite irresistible. Note the genuine humor of Ein Jüngling liebt ein Mädchen (A Youth oft Loves a Maiden) , p. 123, and the bewitching archness of Aufträge, p. 150. Such things are the conceptions of a true master laboring in a most congenial field, and all contentions that Schumann was merely a follower of Schubert must fail in the presence of such convincing demonstrations of power and originality. Schumann was always a romanticist, and he was unceasingly introspective. He looked into his own heart and wrote, and this is the great secret of the universal appeal of his songs.... |
| robert schumann clara wieck johannes brahms: Eight Pieces, Op. 76 Johannes Brahms, 2002-12-13 This publication includes piano works by Johannes Brahms from Opus 76. Titles: * No. 1, Capriccio * No. 2, Capriccio * No. 3, Intermezzo * No. 4, Intermezzo * No. 5, Capriccio * No. 6, Intermezzo * No. 7, Intermezzo * No. 8, Capriccio Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers. |
| robert schumann clara wieck johannes brahms: SERENADE Myla Lichtman-Fields, 2021-04-23 SERENADE chronicles the passing of the torch to the young composer Johannes Brahms, who is mentored by the mentally-deteriorating Robert Schumann and his virtuosa wife Clara Wieck-Schumann. After Robert is institutionalized, Johannes takes on the responsibility of helping to care for the Schumann's seven children, while Clara tours to earn money to support her family. She is forbidden by the doctors from seeing Robert, forcing Johannes to serve as the Schumann's go-between. Johannes composes his Lullaby for the Schumann children. He and Clara find themselves falling in love. After Robert's passing, and Johannes' proposal of marriage, Clara is forced to choose between what is in the best interests of Brahms' career and what she is feeling in her heart. |
| robert schumann clara wieck johannes brahms: Crossing Paths John Daverio, 2002-10-03 Each discussion contributes to a portrait of these three composers as musical storytellers, each in his own way simulating the structure of lived experience in works of art.--BOOK JACKET. |
Robert - Wikipedia
The name Robert is an ancient Germanic given name, from Proto-Germanic *Hrōþi- "fame" and *berhta- "bright" (Hrōþiberhtaz). [1] . Compare Old Dutch Robrecht and Old High German …
Meaning, origin and history of the name Robert
Oct 6, 2024 · From the Germanic name Hrodebert meaning "bright fame", derived from the elements hruod "fame" and beraht "bright". The Normans introduced this name to Britain, …
Robert: Name Meaning, Origin, Popularity - Parents
5 days ago · Robert is an old German name that means “bright fame.” It’s taken from the old German name Hrodebert. The name is made up of two elements: hrod which means "fame" …
Robert Kincaid (58) Great Falls, VA (270)723-7853
Apr 28, 2015 · Robert T Kincaid is 58 years old and was born in March of 1967. Currently Robert lives at the address 1098 Mccue Ct, Great Falls VA 22066. Robert has lived at this Great …
Robert: meaning, origin, and significance explained
Meaning: The name Robert is of English origin and carries the meaning of “Bright Fame.” It is a classic and timeless name that has been popular for centuries. Those named Robert are often …
Robert North in Virginia 11 people found - Whitepages
Find Robert's current address in Virginia, phone number and email. Contact information for people named Robert North found in Great Falls, Abingdon, Arlington and 6 other U.S. cities in VA, …
Robert - Name Meaning and Origin
The name Robert is of Germanic origin and is derived from the elements "hrod," meaning "fame," and "beraht," meaning "bright." It carries the meaning of "bright fame" or "famous one." Robert …
Robert Knieriem - Advisory, Integration Sales Architect - LinkedIn
Over a decade of working in high-performing entrepreneurial, defense and enterprise sales teams. Interested in products that sit at the intersection of technical...
Robert Wilson Mobley, AIA
Welcome to the web site of an architect who loves designing architecture of all types - particularly houses and changes to houses. I hope this site gives you a glimpse of my passion and love for …
Robert Name: Origin, Popularity, Hebrew, Biblical, & Spiritual …
Nov 15, 2023 · Robert offers a compelling combination of historical significance, distinguished origins, and widespread recognition. Its meaning of “bright fame” speaks to the potential for …
Robert - Wikipedia
The name Robert is an ancient Germanic given name, from Proto-Germanic *Hrōþi- "fame" and *berhta- "bright" (Hrōþiberhtaz). [1] . Compare Old Dutch Robrecht and Old High German …
Meaning, origin and history of the name Robert
Oct 6, 2024 · From the Germanic name Hrodebert meaning "bright fame", derived from the elements hruod "fame" and beraht "bright". The Normans introduced this name to Britain, where …
Robert: Name Meaning, Origin, Popularity - Parents
5 days ago · Robert is an old German name that means “bright fame.” It’s taken from the old German name Hrodebert. The name is made up of two elements: hrod which means "fame" and …
Robert Kincaid (58) Great Falls, VA (270)723-7853
Apr 28, 2015 · Robert T Kincaid is 58 years old and was born in March of 1967. Currently Robert lives at the address 1098 Mccue Ct, Great Falls VA 22066. Robert has lived at this Great Falls, VA …
Robert: meaning, origin, and significance explained
Meaning: The name Robert is of English origin and carries the meaning of “Bright Fame.” It is a classic and timeless name that has been popular for centuries. Those named Robert are often …
Robert North in Virginia 11 people found - Whitepages
Find Robert's current address in Virginia, phone number and email. Contact information for people named Robert North found in Great Falls, Abingdon, Arlington and 6 other U.S. cities in VA, and …
Robert - Name Meaning and Origin
The name Robert is of Germanic origin and is derived from the elements "hrod," meaning "fame," and "beraht," meaning "bright." It carries the meaning of "bright fame" or "famous one." Robert is …
Robert Knieriem - Advisory, Integration Sales Architect - LinkedIn
Over a decade of working in high-performing entrepreneurial, defense and enterprise sales teams. Interested in products that sit at the intersection of technical...
Robert Wilson Mobley, AIA
Welcome to the web site of an architect who loves designing architecture of all types - particularly houses and changes to houses. I hope this site gives you a glimpse of my passion and love for …
Robert Name: Origin, Popularity, Hebrew, Biblical, & Spiritual …
Nov 15, 2023 · Robert offers a compelling combination of historical significance, distinguished origins, and widespread recognition. Its meaning of “bright fame” speaks to the potential for …
