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risque limericks: The Limerick. 1700 examples, with notes, variants and index Gershon Legman, 1953 |
risque limericks: As I Walked Out One Evening W. H. Auden, 1995-08-08 W. H. Auden once defined light verse as the kind that is written by poets who are democratically in tune with their audience and whose language is straightforward and close to general speech. Given that definition, the 123 poems in this collection all qualify; they are as accessible as popular songs yet have the wisdom and profundity of the greatest poetry. As I Walked Out One Evening contains some of Auden's most memorable verse: Now Through the Night's Caressing Grip, Lullaby: Lay your Sleeping Head, My Love, Under Which Lyre, and Funeral Blues. Alongside them are less familiar poems, including seventeen that have never before appeared in book form. Here, among toasts, ballads, limericks, and even a foxtrot, are Song: The Chimney Sweepers, a jaunty evocation of love, and the hilarious satire Letter to Lord Byron. By turns lyrical, tender, sardonic, courtly, and risqué, As I Walked Out One Evening is Auden at his most irresistible and affecting. |
risque limericks: Naughty Nonsense, Lascivious Limericks and Much More David Ellis, 2020-11-30 WARNING Be prepared to be amused by the odd ways of the characters here portrayed in the first section of the book devoted to Limericks. Be prepared to feel sympathy for their mishaps and trials. But especially be prepared to be shocked by their goings-on and shenanigans - the forger, the glutton, the cheat, the drunkard, the proud, the greedy, the slothful, the unfaithful, the exhibitionist, the sex-mad, the dominatrix, the cougar, the transsexual, the transvestite, the masochist, the homosexual and many more. However also enjoy the more gentle humour of the later lengthier works set both in the UK and Australia which include homage to the Australian love of sport and the beach as well as a sad childhood tale. |
risque limericks: The Lure of the Limerick William S. Baring-Gould, 1979-12-01 Five hundred American and British limericks are interspersed with anecdotes and historical comment |
risque limericks: Instruments of Empire Mary Talusan, 2021-08-23 At the turn of the twentieth century, the United States extended its empire into the Philippines while subjugating Black Americans in the Jim Crow South. And yet, one of the most popular musical acts was a band of “little brown men,” Filipino musicians led by an African American conductor playing European and American music. The Philippine Constabulary Band and Lt. Walter H. Loving entertained thousands in concert halls and world’s fairs, held a place of honor in William Howard Taft’s presidential parade, and garnered praise by bandmaster John Philip Sousa—all the while facing beliefs and policies that Filipinos and African Americans were “uncivilized.” Author Mary Talusan draws on hundreds of newspaper accounts and exclusive interviews with band members and their descendants to compose the story from the band’s own voices. She sounds out the meanings of Americans’ responses to the band and identifies a desire to mitigate racial and cultural anxieties during an era of overseas expansion and increasing immigration of nonwhites, and the growing “threat” of ragtime with its roots in Black culture. The spectacle of the band, its performance and promotion, emphasized a racial stereotype of Filipinos as “natural musicians” and the beneficiaries of benevolent assimilation and colonial tutelage. Unable to fit Loving’s leadership of the band into this narrative, newspapers dodged and erased his identity as a Black American officer. The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America’s racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines. |
risque limericks: Don't Come the Raw Prawn! John Blackman, 2012-02-15 Brilliant, Arguably the most important work in its field, A literary masterpiece ... just a few of the accolades critics didn't shower on John Blackman's first book, The Aussie Slang Dictionary. Despite this, it became a smash-hit success. Don't Come the Raw Prawn! is the side-splitting, risque sequel of words and phrases so dear to the Australian heart. Blackman, the multimedia personality best known as the voice of 'Hey Hey It's Saturday' (and the brains behind the rascally Dickie Knee) is now more than ever convinced of the world's insatiable desire to learn more about the lingo of the Land Down Under – so ... Stop alecking around and don't be a bunny ... this latest book is a lot more useful than a glass door on a dunny. You'd have to be one sandwich short of a picnic or have death adders in your pocket not to pull out the Oscar and take a geek at a book that's as funny as a hatful. Don't be a grape on the business, or a half-back flanker; when it comes to Aussie phrases, this book's fuller than a seaside dunny on Boxing Day. Starve the lizards, it's London to a brick that you'll be cracking yourself when you find out what getting off at Redfern means. Books like this are as rare as rocking horse poop and it's no good arguing the toss about that. Stone the crows, have a fair suck of the sav! |
risque limericks: The Limerick Bob Turvey, 2024-09-23 For more than 200 years, the limerick has been loved for its mordant wit, breathtaking rhymes, swinging rhythm, groaning puns, and ability to paint outrageous mental pictures. This book analyzes the limerick's origin and evolution as the best-known humorous verse form in the English-speaking world. It also examines previous attempts to capture the history of the limerick, including those that used guesswork, presented flawed conclusions and even contradicted each other. Findings are laid out logically and chronologically, so readers can easily follow the thread of every claim. |
risque limericks: 'You Dirty Old Man!' David Clayton, 2022-08-04 Wilfrid Brambell was one of Britain's most loved and complex character actors. As Albert Ladysmith Steptoe, the unscrupulous rag-and-bone man with questionable habits in Ray Galton and Alan Simpson's long-running Steptoe & Son, he quickly became a household name with co-star Harry H. Corbett. But despite scores of other successes in roles on stage, TV and film, Brambell died a sad and lonely man. Alongside fame and fortune, ' You Dirty Old Man!' reveals how Brambell suffered unbelievable personal heartache, battling an inner turmoil that eventually drove him to drink as his marriage collapsed in the most deceitful circumstances imaginable. His torment led to a secretive life off camera where he did everything possible to stay out of the public eye. Featuring original interviews with film directors Richard Lester, Terence Davies and Tony Palmer, as well as recollections from his own family members, the family of Harry H. Corbett and those who worked alongside him, author David Clayton seeks to re-examine the legacy of a man whose loyal fanbase remains undiminished sixty years on from his heyday. |
risque limericks: Tools for Thought Howard Rheingold, 2000-04-13 In a highly engaging style, Rheingold tells the story of what he calls the patriarchs, pioneers, and infonauts of the computer, focusing in particular on such pioneers as J. C. R. Licklider, Doug Engelbart, Bob Taylor, and Alan Kay. The digital revolution did not begin with the teenage millionaires of Silicon Valley, claims Howard Rheingold, but with such early intellectual giants as Charles Babbage, George Boole, and John von Neumann. In a highly engaging style, Rheingold tells the story of what he calls the patriarchs, pioneers, and infonauts of the computer, focusing in particular on such pioneers as J. C. R. Licklider, Doug Engelbart, Bob Taylor, and Alan Kay. Taking the reader step by step from nineteenth-century mathematics to contemporary computing, he introduces a fascinating collection of eccentrics, mavericks, geniuses, and visionaries. The book was originally published in 1985, and Rheingold's attempt to envision computing in the 1990s turns out to have been remarkably prescient. This edition contains an afterword, in which Rheingold interviews some of the pioneers discussed in the book. As an exercise in what he calls retrospective futurism, Rheingold also looks back at how he looked forward. |
risque limericks: A Book of Nonsense Edward Lear, 1862 A collection of over 100 limericks with the author's original illustrations. |
risque limericks: Hookers & Blow Save Christmas Munty C Pepin, 2020-08-31 Tom Transport is stuck in the snow with a load of presents and Hookers and Blow must rescue him in time for the town Christmas party. |
risque limericks: The Owl and the Pussycat Edward Lear, 2007-09 Edward Lear's beloved poem has charmed readers since it was first published in 1871. 4+ yrs. |
risque limericks: James Joyce and the Burden of Disease Kathleen Ferris, 2021-10-21 James Joyce's near blindness, his peculiar gait, and his death from perforated ulcers are commonplace knowledge to most of his readers. But until now, most Joyce scholars have not recognized that these symptoms point to a diagnosis of syphilis. Kathleen Ferris traces Joyce's medical history as described in his correspondence, in the diaries of his brother Stanislaus, and in the memoirs of his acquaintances, to show that many of his symptoms match those of tabes dorsalis, a form of neurosyphilis which, untreated, eventually leads to paralysis. Combining literary analysis and medical detection, Ferris builds a convincing case that this dread disease is the subject of much of Joyce's autobiographical writing. Many of this characters, most notably Stephen Dedalus and Leopold Bloom, exhibit the same symptoms as their creator: stiffness of gait, digestive problems, hallucinations, and impaired vision. Ferris also demonstrates that the themes of sin, guilt, and retribution so prevalent in Joyce's works are almost certainly a consequence of his having contracted venereal disease as a young man while frequenting the brothels of Dublin and Paris. By tracing the images, puns, and metaphors in Ulysses and Finnegans Wake, and by demonstrating their relationship to Joyce's experiences, Ferris shows the extent to which, for Joyce, art did indeed mirror life. |
risque limericks: Biblical Limericks Donald R. Bensen, 1986 |
risque limericks: Moonbeams and Poetry Jerry Staudenraus, 2017-07-31 This composition scuttles from there to here with unpronounceable spaces in between. I suggest you read it with a sense of youthful whimsy and curiosity, and if these little ditties dont comport with your understanding of the universe, you may do what I sometimes do. When I wonder why, after applying noteworthy effort, some idea just still isnt where I can grasp it, I cant my face toward the night sky and look upward, seeking an audience with the nearest moonbeam, hoping it holds the answer up there, somewhere, waiting. |
risque limericks: Limericks Edward Lear, 2011 Poetry Text |
risque limericks: Music Ho! A Study of Music in Decline Constant Lambert, 2022-08-01 DigiCat Publishing presents to you this special edition of Music Ho! A Study of Music in Decline by Constant Lambert. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
risque limericks: Critical Companion to Kurt Vonnegut Susan Farrell, 2009 Kurt Vonnegut is one of the most popular and admired authors of post-war American literaturefamous both for his playful and deceptively simple style as well as for his scathing critiques of social injustice and war. Criti. |
risque limericks: The Thirst for Annihilation Nick Land, 2002-11-01 An important literary and philosophical figure, Georges Bataille has had a significant influence on other French writers, such as Foucault, Derrida and Baudrillard. The Thirst for Annihilation is the first book in English to respond to Bataille's writings. In no way, though, is Nick Land's book an attempt to appropriate Bataille's writings to a secular intelligibility or to compromise with the aridity of academic discourse - rather, it is written as a communion . Theoretical issues in philosophy, sociology, psychodynamics, politics and poetry are discussed, but only as stepping stones into the deep water of textual sacrifice where words pass over into the broken voice of death. Cultural modernity is diagnosed down to its Kantian bedrock with its transcendental philosophy of the object, but Bataille's writings cut violently across this tightly disciplined reading to reveal the strong underlying currents that bear us towards chaos and dissolution - the violent impulse to escape, the thirst for annihilation. |
risque limericks: Cotton Picking Boy Alvin H. Clement, 2002-03-29 Reader, be forewarned, no happy ending here. Most histories were written from the top, looking down. This is from the bottom up, by teenage boys and their observations on: black and white cotton pickers, “planters versus workers,” con men, hucksters, KKK, preachers, politicians, bootleggers, slavery and slave-hunters during the Great Depression, and rising war clouds—coming Draft. |
risque limericks: Rhyme's Rooms Brad Leithauser, 2022-02-22 From the widely acclaimed poet, novelist, critic, and scholar, a lucid and edifying exploration of the building blocks of poetry and how they've been used over the centuries to assemble the most imperishable poems. “Anyone wanting to learn how to remodel, restore, or build a poem from the foundation up, will find this room-by-room guide on the architecture of poetry a warm companion.” —Tomás Q. Morín, author of Machete We treasure our greatest poetry, Brad Leithauser reminds us in these pages, not for its what but its how. In chapters on everything from iambic pentameter to how stanzas are put together to rhyme and the way we really talk, Leithauser takes a deep dive into that how—the very architecture of poetry. He explains how meter and rhyme work in fruitful opposition (Meter is prospective; rhyme is retrospective); how the weirdnesses of spelling in English are a boon to the poet; why an off rhyme will often succeed where a perfect rhyme would not; why Shakespeare and Frost can sound so similar, despite the centuries separating them. And Leithauser is just as likely to invoke Cole Porter, Stephen Sondheim, or Boz Scaggs as he is Chaucer or Milton, Bishop or Swenson, providing enlightening play-by-plays of their memorable lines. Here is both an indispensable learning tool and a delightful journey into the art of the poem—a chance for new poets and readers of poetry to grasp the fundamentals, and for experienced poets and readers to rediscover excellent works in all their fascinating detail. Portions of this book have appeared in The New Yorker, The New York Times, and The New York Review of Books. |
risque limericks: Games for Naughty People Brian Pellham, 1999-11 Games for Naughty People contains the rules of play for a wild collection of campy and risque games. There are eight categories of naughty games: Gossip, Criminal Activity, Vulgarity, Dirty Talk, Couples Only, Physical Contact, Risque Drinking, and Traditional Drinking. All games are original ideas that can not be found in print elsewhere. Most of the games are suitable for groups of four or more guests (with the exception of the four Couples Only games). |
risque limericks: Reading Poetry Tom Furniss, Michael Bath, 2022-04-06 Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes. |
risque limericks: Mike Royko: The Chicago Tribune Collection 1984-1997 Mike Royko, 2014-11-04 Mike Royko: The Chicago Tribune Collection 1984–1997 is an expansive new volume of the longtime Chicago news legend’s work. Encompassing thousands of his columns, all of which originally appeared in the Chicago Tribune, this is the first collection of Royko work to solely cover his time at the Tribune. Covering politics, culture, sports, and more, Royko brings his trademark sarcasm and cantankerous wit to a complete compendium of his last 14 years as a newspaper man. Organized chronologically, these columns display Royko's talent for crafting fictional conversations that reveal the truth of the small-minded in our society. From cagey political points to hysterical take-downs of meatball sports fans, Royko's writing was beloved and anticipated anxiously by his fans. In plain language, he tells it like it is on subjects relevant to modern society. In addition to his columns, the book features Royko's obituary and articles written about him after his death, telling the tale of his life and success. This ultimate collection is a must-read for Royko fans, longtime Chicago Tribune readers, and Chicagoans who love the city's rich history of dedicated and insightful journalism. |
risque limericks: Offense to Others Joel Feinberg, 1984 The second volume in the series The Moral Limits of the Criminal Law, this book explicates the offense principle, clarifies the concept of the offended mental state, examines pornography and the Constitution, obscenity, and obscene words and social policy. |
risque limericks: Asimov Laughs Again Isaac Asimov, 1993-09-15 Here are more than 700 of Isaac Asimov's favorite jokes, cleverest limericks and funniest stories. |
risque limericks: Grace Is Enough Willie Aames, Maylo Upton, Carolyn Stanford Goss, 2007 Television star Willie Aames and his wife Maylo Upton recount their Hollywood highs and lows and the grace they've found by moving to small-town Kansas. |
risque limericks: Ghost of a Chance Kate Marsh, 2008-02-05 More information to be announced soon on this forthcoming title from Penguin USA |
risque limericks: Poems on the Underground Judith Chernaik, Gerard Benson, Cicely Herbert, 2012-11-01 This wonderful new edition of Poems on the Underground is published to celebrate the 150th anniversary of the Underground in 2013. Here 230 poems old and new, romantic, comic and sublime explore such diverse topics as love, London, exile, families, dreams, war, music and the seasons, and feature poets from Sappho to Carol Ann Duffy and Wendy Cope, including Chaucer and Shakespeare, Milton, Blake and Shelley, Whitman and Dickinson, Yeats and Auden, Seamus Heaney and Derek Walcott and a host of younger poets. It includes a new foreword and over two dozen poems not included in previous anthologies. |
risque limericks: Limericks New & Naughty Al Kracht, 1997 |
risque limericks: The Cunning Linguist Richard Lederer, 2007-04-01 “Noted linguist Lederer (Anguished English) has a naughty side, which . . . makes this collection of wordplays a bawdily noteworthy achievement.” —Publishers Weekly Have some fun with your native tongue! In The Cunning Linguist, renowned language expert Richard Lederer shows us the naughtier side of wordplay, revealing hundreds of hilarious, ingenious, unabashed, and adults-only puns, jokes, limericks, one-liners, and other adventures in sexual humor. This book of “good, clean dirty fun” will delight word hounds, punsters, bachelor-party goers, and anyone who likes a clever grown-up joke. Here’s a taste of The Cunning Linguist: Q: What does a man have in his pants that you can also find on a pool table? A: Pockets. Have you heard about the incompatible couple? He had no income, and she wasn’t pattable. The four stages of a couple’s sex life: Under 35: Tri-weekly 35-45: Try weekly 45-55: Try weakly 55 and over: Try, try, try. For much more, sneak between the covers of this unique and laugh-out-loud book. “Delightfully raunchy.” —Sidney Sheldon, #1 New York Times–bestselling author |
risque limericks: Sex to Sexty. Ediz. inglese, francese e tedesca Dian Hanson, 2008 Daring sexual humor from the irreverent magazine Sex to Sexty Some call it the most vulgar magazine ever made; others see it as the last honest compendium of American sexual humor, starting just as the sexual revolution was expanding minds and stomping taboos, and ending when political correctness made all such humor socially unacceptable. Whatever your stance, the magazine Sex to Sexty was and is an outrageous collection of dirty jokes and cartoons published from 1965 to 1983 by Texas entrepreneur John Newbern, whose life was lifted straight from the pages of his publication. His partner in crime against good taste was hillbilly artist Pierre Davis, who created elaborate oil painted covers for each issue that celebrate every permutation of manly humor. No topic was safe from the lowbrow wit of these two men and the cartoonists they recruited to preserve what they called the ?True Jokelore of America?. Sex to Sexty reproduces all 198 covers of the magazine and many of the original paintings that adorned them. Then, in the first in-depth analysis of American sexual humor, author and editor Dian Hanson categorizes the great themes revealed by the thousands of cartoons and jokes into spreads with titles like ?Stinkfinger, ? ?Incest on the Best, ? ?Cannibal Cuisine, ? and ?I Love Ewe!.? Raw, irreverent, uncensored and all-American, Sex to Sexty spares no gender, sexual preference, ethnic orientation, or hygienic dysfunction in bringing you what the magazine's original publisher called the ?World's Largest Accumulation of He-Man Robust Humor in the World.? Special fold-out dust jacket shows every cover image and unfolds to reveal a poster of a never before seen, unreleased Sex to Sexty coveroriginally deemed ?too tasteless? by the magazine's publisher, but definitely ?suitable for framing in your bar, rumpus room or bathroom?. |
risque limericks: We Gotta Have More Jails Alvin Clement, 2003 BOOK 1. 1984-1987. Observations in Houston on Bar Room Types, Business and Political deals, Illusions, and the Business and Drug Worlds. RECONQUESTA, the ZIMMERMAN TELEGRAM, views of the Louisiana and Texas legal systems, Drug Wars, and Yelps for More Jails, Trauma. BOOK 2. 1927-1933-1934. Near death, Flashback to 1927, first school year, Prohibition, Legal System, incoming Radio, Music, Religious Groups, Hog Killing Day, Trauma. BOOK 3. 1968. Egg Head conference in a New Orleans Bar Room, Fishermen, History of Ten Drugs and Possible Solution to the World’s Problems. BOOK 4. 1969 A.D.—50,000 B.C.—300 B.C. to 1900s. Model and Child, the Key to Solution of the World’s Problems, and Flashback views to 50,000 to 300 B.C, Plus Views of Current Situations. BOOK 5. 1989 A.D. Return to Reality, Houston Night Life, Small to Massive Drug Wars, Poetic Views of Cultural Flaws and Possible Solutions. |
risque limericks: The Great Australian Book of Limericks Jim Haynes, 2010-12-01 A bumper collection of all the very best limericks - the witty and the whimsical, the chaste and the crass, from simple from childhood versions to the very adult ones. |
risque limericks: Fox at the Wood's Edge Gale E. Christianson, 2000-10-01 Presents a biography of the naturalist and writer, describing how his work stems from his loveless childhood with a mentally ill mother and traveling salesman father and his determination to succeed. |
risque limericks: On Sunset Kathryn Harrison, 2019-09-03 Born in Los Angeles at the dawn of the 1960s to parents who quickly departed, Kathryn Harrison was received by her maternal grandparents as a late-life child. Harry Jacobs and Margaret Sassoon, true wandering Jews, had emigrated to L.A. after leading whirlwind lives in Shanghai, London, Alaska, Russia, and beyond. Harrison grew up in their fading Tudor mansion on Sunset Boulevard, a kingdom inhabited by gleaming memories from their extraordinary past. Their photos, letters, and souvenirs sparked endless family stories that spanned cultures, dynasties, and continents—until declining finances forced them to sell the house in 1971, and night fell fast. Vivid and poignant, filled with the wisdom of retrospect and the wonder of childhood, On Sunset seeks to recover a foundational time in her life, affirming the power of storytelling and the endurance of memory. |
risque limericks: J. Frank Dobie Steven L. Davis, 2010-01-01 The first Texas-based writer to gain national attention, J. Frank Dobie proved that authentic writing springs easily from the native soil of Texas and the Southwest. In best-selling books such as Tales of Old-Time Texas, Coronado's Children, and The Longhorns, Dobie captured the Southwest's folk history, which was quickly disappearing as the United States became ever more urbanized and industrial. Renowned as Mr. Texas, Dobie paradoxically has almost disappeared from view—a casualty of changing tastes in literature and shifts in social and political attitudes since the 1960s. In this lively biography, Steven L. Davis takes a fresh look at a J. Frank Dobie whose liberated mind set him on an intellectual journey that culminated in Dobie becoming a political liberal who fought for labor, free speech, and civil rights well before these causes became acceptable to most Anglo Texans. Tracing the full arc of Dobie's life (1888–1964), Davis shows how Dobie's insistence on free-range thinking led him to such radical actions as calling for the complete integration of the University of Texas during the 1940s, as well as taking on governors, senators, and the FBI (which secretly investigated him) as Texas's leading dissenter during the McCarthy era. |
risque limericks: A Subtler Magick S. T. Joshi, 1996-12-01 He was the premier writer of horror fiction in the first half of the 20th Century, perhaps the major American practitioner of the art between the time of Edgar Allan Poe and Stephen King. Born into an upper middle class family in Providence, Rhode Island, Howard Phillips Lovecraft (1890-1937) had a lonely childhood, but read voraciously from his earliest years. He soon became interested in science and astronomy and began penning stories, poetry, and essays in great profusion, publishing them himself when no other market was available. The advent of Weird Tales in 1923 gave him a small outlet for his work, and he attracted a large number of followers, with whom he exchanged literally tens of thousands of letters, many of them quite lengthy. A number of these young correspondents eventually became professional writers and editors themselves. Lovecraft's fame began spreading beyond fandom with the publication of his first significant collection, The Outsider and Others, in 1939, two years after his untimely death. Book jacket. |
risque limericks: Yours, Isaac Asimov Isaac Asimov, 1995 Isaac Asimov was one of the most prolific authors of our time. When he died in 1992 at the age of seventy-two, he had published more than 470 books in nearly every category of fiction and nonfiction. Asimov was a prodigious correspondent as well as a prolific author. During his professional career he received more than one hundred thousand letters, over ninety thousand of which he answered. For Asimov's younger brother, veteran newspaperman Stanley Asimov, the creation of Yours, Isaac Asimov was truly a labor of love. Completed before Stanley's death in August 1995, the book is made up of excerpts from one thousand never-before-published letters, each handpicked by Stanley for inclusion in this volume. Arranged by subject and accompanied by Stanley's short, insightful introductions, here are letters to statesmen and scientists, actors and authors, as well as to children, housewives, aspiring writers, and fans the world over. The letters are warm, engaging, reasoned, and occasionally impassioned. Through them all Isaac Asimov's legendary genius, wit, and charm shine through. And so we have Yours, Isaac Asimov: A Lifetime of Letters, an intimate glimpse into the thoughts, feelings, and opinions of a great writer and thinker of the modern age. As Stanley Asimov advised, Read the letters carefully. One of them may have been written to you. From the Trade Paperback edition. |
risque limericks: When I Grow Up, I Want to Be a Writer Cynthia MacGregor, 2001 A guide to writing for kids, from journalism to fiction writing, and the different career paths writing can take. |
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