Advertisement
| rat fink commercial: Rat Fink Ed Roth, 2003 Born in Los Angeles and raised in the epicentre of the California hot rod explosion, Ed Roth created automotive forms purely from his own imagination. He transformed car design, reinvented American hot rod culture and put Detroit on notice. Each of his creations transcended function and form to turn the American automobile into rolling sculpture. |
| rat fink commercial: Men to Boys Gary S. Cross, 2008 When did maturity become the ultimate taboo? Men have gone from idolizing Cary Grant to aping Hugh Grant, shunning marriage and responsibility well into their twenties and thirties. Gary Cross, renowned cultural historian, identifies the boy-man and his habits, examining the attitudes and practices of three generations to make sense of this gradual but profound shift in American masculinity. Cross matches the rise of the American boy-man to trends in twentieth-century advertising, popular culture, and consumerism, and he locates the roots of our present crisis in the vague call for a new model of leadership that, ultimately, failed to offer a better concept of maturity. |
| rat fink commercial: House Industries: The Process Is the Inspiration House Industries, Andy Cruz, Rich Roat, Ken Barber, 2017-05-30 A standard-bearer of American design since 1993, House Industries answers the burning question, “Where do you find inspiration?” with this illustrative collection of helpful lessons, stories, and case studies that demonstrate how to transform obsessive curiosity into personally satisfying and successful work. Presented in House’s honest, authentic, and often irreverent style, and covering topics ranging from fonts and fashion to ceramics and space technology, this beautifully useful 400–page volume offers a personal perspective on the origin of ideas for creative people in any field. Most important, this book shows that there’s no sense in waiting for inspiration because inspiration is already waiting for you. |
| rat fink commercial: Automobile Magazine , 2006 |
| rat fink commercial: Call Me When You're Dead A. R. Taylor, 2022-09-06 Call Me When You're Dead is a darkly comic novel about payback gone wild, gone sour, maybe even sweet. “If anything bad happens to me, I want you to get him.” That's what Eleanor Birch’s glamorous friend Sasha Cole requests of her during a New York City dinner one hot August night. Something bad does happen, and Eleanor is forced to become another person altogether in the wilds of Manhattan, acting as her own little Pygmalion in the harsh world of advertising and its remorseless denizens. How she triumphs, and how her prey becomes first her ally and then her lover, makes her journey a tragic romp, a hilarious disaster, and even an all-out farce—but one with very serious consequences. |
| rat fink commercial: Hungry Heart Roberta Latow, 1994-03 |
| rat fink commercial: Rebel Visions Patrick Rosenkranz, 2002 A provocative chronicle of the guerilla art movement that changed comics forever, this comprehensive book follows the movements of 50 artists from 1967 to 1972, the heyday of the underground comix movement. With the cooperation of every significant underground cartoonist of the period, including R. Crumb, Gilbert Shelton, Bill Griffith, Art Spiegelman, Jack Jackson, S. Clay Wilson, Robert Williams and many more, the book is illustrated with many neve-before-seen drawings and exclusive photos. |
| rat fink commercial: Confessions of a Rat Fink Ed Roth, Howie Kusten, 1992 The pioneer of the Kustom Kar Kraze of the 1960s and the creator of the Rat Fink character offers an irreverant account of his life and work |
| rat fink commercial: "Greed Is Good" and Other Fables Tony Osborne, 2012-04-13 This book spans three centuries of popular entertainment and everyday culture, showcasing both mainstream and submerged channels and voices to examine how once reviled business values gained supremacy and poisoned the American spirit. The office in popular culture is often depicted as a topsy-turvy parallel universe where psychological disorders are legitimized as managerial styles and comically depraved bosses torment those who do the actual work. During the 1950s, the Beats chose denim and the open road over gray flannel suits and office jobs, but today their grandchildren—Generation Y—aggressively covet desk jobs. Greed Is Good and Other Fables: Office Life in Popular Culture examines how office life is both extolled and lampooned in popular culture. The book tracks how business values ascended to cultural dominance in the United States today, revealing our incessant struggle between financial and spiritual goals in the pursuit of freedom and the fulfillment of the American dream. By drawing upon sources as varied as books, newspapers, magazines, television shows, movies, blogs, message boards, documentaries, public speeches, corporate training films, and employee newsletters, the author provides compelling insights into the range of competing values and ideals interwoven throughout office life. |
| rat fink commercial: Dirty Pictures Brian Doherty, 2022-06-14 Journalist and comic book critic Brian Doherty’s Dirty Pictures is the first complete narrative history of the weird and wonderful world of Underground Comix—”a welcome addition to an under-analyzed legacy of the free-spirited 1960s” (San Francisco Chronicle). In the 1950s, comics meant POW!BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix”—spelled that way to distinguish the work from their dime-store contemporaries—presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, he chronicles the scenes that sprang up around the country in the 1960s and ‘70s, beginning with the artists’ origin stories and following them through success and strife, and concluding with an examination of these creators’ legacies. Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression. |
| rat fink commercial: Secret Mystic Rites Todd Schorr, 1998 Twisted illustrations from Schorr's imagination bring together space allen Shringers, fatal B movie beauties, and well-dressed men from the Lounge Underground. Schorr fills his works with a mixture of the glamorous, humorous, and bizarre. In this first collection of his work, one revels in the extremes he reaches in his search for the hidden strange in the mundane. Served by a tremendous technical ability he depicts with no restraint the wildest visions this side of Robert Williams. |
| rat fink commercial: The Commercial Telegraphers' Journal , 1910 |
| rat fink commercial: Juxtapoz , 2004 |
| rat fink commercial: Night of the Tiki Douglas A. Nason, 2015-02-25 Explores the work of Shag, the hippest neo-tiki artist, Leroy Schmaltz, the granddaddy of 1950s tiki Americana and the authentic Oceanic art that influenced them both. This beautiful coffee table book serves as the catalogue for an exhibition of the same name which seeks to illuminate traditional tiki culture through the display of primitive anthropomorphic carvings and to show, through the work of Shag and Schmaltz, how these artists have taken tiki to new levels. |
| rat fink commercial: Lowriders in Chicano Culture Charles M. Tatum, 2011-07-22 This informed and accessible book captures the art, energy, passion, and pageantry of over 60 years of lowrider culture—an absolutely iconic Chicano and American phenomenon. Much like rap music and ethnic foods, Chicano lowrider culture has become sufficiently widespread in recent decades to almost be considered mainstream. However, those outside of lowriding may not realize that this cultural phenomenon is not the result of a recent fad—it originated in the pre–World War II era, and has continued to grow and evolve since then. Lowriders in Chicano Culture: From Low to Slow to Show allows readers to see how this expressive culture fits within the broader context of Chicano culture and understand how lowriding reflects the social, artistic, and political dimensions of America's fastest-growing ethnic group. It includes chapters that explain the culture of pachucas/os and cholas/os; the unique aesthetics of lowrider vehicles; lowrider music, shows, and clubs; the mechanics of building a lowrider vehicle; and lowrider culture in the media including film, newspapers, and television. The book also traces how lowrider culture has recently expanded beyond the urban streets and into the massive exhibit halls of lowrider shows, exposing lowrider culture to even more enthusiasts. |
| rat fink commercial: Exposure Michael Woodford, 2012-11-27 “It was no comfort to know that I was making history, for the forced removal of a company president is almost unheard of in Japan. I rose quietly, left the room, and holding my head high, walked back to my office. My main goal was to escape as quickly as possible. The board had seemed scared—why else would they have acted the way they did. But just what were they scared of?” When Michael Woodford was made president of Olympus—the company to which he had dedicated thirty years of his career—he became the first Westerner ever to climb the ranks of one of Japan’s corporate giants. Some wondered at the appointment—how could a gaijin who didn’t even speak Japanese understand how to run a Japanese company? But within months Woodford had gained the confidence of most of his colleagues and shareholders. Unfortunately, soon after, his dream job turned into a nightmare. The trouble began when Woodford learned about a series of bizarre mergers and aquisitions deals totaling $1.7 billion—a scandal that threatened to bring down the entire company if exposed. He turned to his fellow executives— including the chairman who had promoted him Tsuyoshi Kikukawa—for answers. But instead of being heralded as a hero for trying to save the company, Woodford was met with vague responses and hostility—a clear sign of a cover up. Undeterred, he demanded to be made CEO so he could have more leverage with his board and continue to search for the truth. Then, just weeks after being granted the top title, he was fired in a boardroom coup that shocked Japan and the business world at large. Worried his former bosses might try to silence him, Woodford immediately fled the country in fear of his life and went straight to the press—making him the first CEO of a global multinational to blow the whistle on his own company. Following his dismissal, Woodford faced months of agonizing pressure that at times threatened his health and his family life. But instead of succumbing he persisted, and eventually the men who had ousted him were held to account. Now, Woodford recounts his almost unbelievable true story—from the e-mail that first alerted him to the scandal, to the terrifying rumors of involvement with the Japanese mafia, to the stream of fruitless denials that continued to emanate from Olympus in an effort to cover up the scandal. He also paints a devastating portrait of corporate Japan—an insular, hierarchy-driven culture that prefers maintaining the status quo to exposing ugly truths. The result is a deeply personal memoir that reads like a thriller narrative. As Woodford puts it, “I thought I was going to run a health-care and consumer electronics company, but found I had walked into a John Grisham novel.” |
| rat fink commercial: Voice Lessons Rob Paulsen, 2019-10-08 Rob Paulsen is one of Hollywood’s busiest, most talented, and most passionate performers. If you don’t know him by name, you will know him by the many characters he has brought to life: Pinky from Pinky and the Brain, Yakko from Animaniacs, the tough but loveable Raphael from the original animated Teenage Mutant Ninja Turtles, and many more. So you can imagine how terrifying it must have been when Rob was diagnosed with throat cancer, putting his entire livelihood in jeopardy and threatening to rob the world of all his loveable characters that filled our youths and adulthoods with humor and delight. Voice Lessons tells the heartwarming and life-affirming story of Rob’s experience with an aggressive cancer treatment and recovery regimen, which luckily led to a full recovery. Rob quickly returned to doing what he loves most, but with a much deeper appreciation of what he came so close to losing. His new lease on life inspired him to rededicate himself to his fans, particularly the new friends he made along the way: hundreds of sick children and their families. Rob said it best himself: “I can not only continue to make a living, but make a difference, and I can’t wait to use that on the biggest scale that I can.” |
| rat fink commercial: The Graphic Art of the Underground Ian Lowey, Suzy Prince, 2014-09-25 The Graphic Art of the Underground: A Countercultural History takes the reader on a dazzling journey through the visual art and design of alternative and youth cultures from the 1950s to the present day. Ian Lowey and Suzy Prince ’s compelling account draws upon the work of an array of artistic figures – many of whose lives have proved as colourful as their work– such as Ed ‘Big Daddy’ Roth, Kenny ‘Von Dutch’ Howard, Robert Williams, Robert Crumb, Martin Sharp, Jamie Reid, Linder Sterling, Gee Vaucher, Winston Smith, Barney Bubbles, Mark Ryden, Shag, Camille Rose Garcia, Marion Peck and Pete Fowler among numerous others. |
| rat fink commercial: The King of Novelty Jon Goodman, 2000-08-10 The King of Novelty is Jon Goodmans revisionist epic for posterity of his father, legendary novelty record producer and music sampling pioneer Dickie Goodman, a man contending with internal conflict and familial obligations while entertaining the world; foreword by Dr. Demento, and epigraph from Weird Al Yankovic. Chuck Miller, Goldmine. Visit The Official Dickie Goodman Web Site: www.dickiegoodman.com/ At www.dickiegoodman.com you can also get signed by his original record label to publish your own music or almost any other type of audio recording as well as music video all over the world! Special Bulletin: Pick your favorite online music download store and do a search under the Artist category for Dickie Goodman; he is there on all of them; here is one popular site listed: www.itunes.com/dickiegoodman Its a great way to get any one of your favorite Dickie Goodman recordings, or all of them! Plus Ringtones and an App! Amazon.com is a great place to get all the digital release albums on CD with the CD on demand feature! You can email the Dickie Goodman fan club at: dickiegoodman@comcast.net NOW! Larson Lane Entertainment has announced the option for movie rights to The King of Novelty Dickie Goodman! THE GUINNESS BOOK OF WORLD RECORDS certified Dickie Goodman for the most charted novelty/comedy records! (17) And they used this book in their research! Varese Sarabande released a CD dedicated to Dickie Goodman. And it has liner notes by Jon Goodman! The title is 25 All Time Novelty Hits and you can get it in stores or go right to the Varese Sarabande web site. For the fist time ever, a Dickie Goodman record is on a GRAMMY winning CD! RHINOs, BRAIN IN A BOX-The Science Fiction Collection was nominated for a GRAMMY at the 44th annual GRAMMY Awards; and it won. This fabulous CD box set contains Dickie Goodmans original hit record from 1956, THE FLYING SAUCER (parts 1 and 2).The reasons for this achievement being so significant cannot be emphasized enough... in 1956 there was no NARAS, hence no GRAMMY for Dickie Goodman. Nearly twenty years later (1975) when Dickie Goodmans MR. JAWS went gold, there was no qualifying category, hence once again no GRAMMY for Dickie Goodman. Yet now, decades later, this international icon of American creativity took a ride on a RHINOs back and for the first time ever got his foot in the back door of the prestigious GRAMMY Awards. The folks at NARAS have also awarded Dickie Goodman with a posthumous GRAMMY Award certification! Profound, is the only word to describe THE KING OF NOVELTY, because the manuscript is symbolic of the life it represents. Not just a biography, but a metaphor. The King of Novelty is about a famous record producer whose esoteric comedy created more than a genre; Dickie Goodman created an entire subculture. Dickie Goodman, THE KING OF NOVELTY, invented the break-in record; a comedy recording that used samples of previously published hit songs to satirize and make parody of current events. In other words Dickie Goodman began what is now known as mixing and sampling by summarizing an era in two hysterical minutes. Today, sampling is the music industrys largest source of reinvention, and Dickie Goodmans novelty/comedy records started it all. THE KING OF NOVELTY describes the impact these eclectic records had on shaping American pop culture. Dickie Goodman is listed by Billboard as the #1 novelty/comedy recording artist of all time. Over four decades he sold millions of copies of a multitude of charted hits worldwide. To this day Dickie Goodman sells over 100,000 tracks a year in the US alone! THE KING OF NOVELTY is the biography of Dickie Goodman. |
| rat fink commercial: Daily Commercial Letter , 1880 |
| rat fink commercial: Official Gazette of the United States Patent and Trademark Office , 2001 |
| rat fink commercial: American Countercultures: An Encyclopedia of Nonconformists, Alternative Lifestyles, and Radical Ideas in U.S. History Gina Misiroglu, 2015-03-26 Counterculture, while commonly used to describe youth-oriented movements during the 1960s, refers to any attempt to challenge or change conventional values and practices or the dominant lifestyles of the day. This fascinating three-volume set explores these movements in America from colonial times to the present in colorful detail. American Countercultures is the first reference work to examine the impact of countercultural movements on American social history. It highlights the writings, recordings, and visual works produced by these movements to educate, inspire, and incite action in all eras of the nation's history. A-Z entries provide a wealth of information on personalities, places, events, concepts, beliefs, groups, and practices. The set includes numerous illustrations, a topic finder, primary source documents, a bibliography and a filmography, and an index. |
| rat fink commercial: The Kingdom and the Power Gay Talese, 2013-08-14 “Beautifully documented . . . no less than a landmark in the field of writing and journalism.”—The Nation “Fascinating . . . Seldom has anyone been so successful in making a newspaper come alive as a human institution.”—The New York Times In this century and the last, most of history's important news stories have been broken to a waiting nation by The New York Times. In The Kingdom and the Power, former Times correspondent and bestselling author Gay Talese lays bare the secret internal intrigues at the daily, revealing the stories behind the personalities, rivalries, and scopes at the most influential paper in the world. In gripping detail, Talese examines the private and public lives of the famed Ochs family, along with their direct descendants, the Sulzbergers, and their hobnobbing with presidents, kings, ambassadors, and cabinet members; the vicious struggles for power and control at the paper; and the amazing story of how a bankrupt newspaper turned itself around and grew to Olympian heights. Regarded as a classic piece of journalism, The Kingdom and the Power is as gripping as a work of fiction and as relevant as today's headlines. Praise for The Kingdom and the Power “I know of no book about a great institution which is so detailed, so intensely personalized, or so dramatized as this volume about The New York Times.”—The Christian Science Monitor “A serious and important account of one of the few genuinely powerful institutions in our society.”—The New Leader “A superb study of people and power.”—Women's Wear Daily |
| rat fink commercial: Cue , 1969 |
| rat fink commercial: National Drug Clerk , 1918 |
| rat fink commercial: Billboard , 1964-07-25 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| rat fink commercial: Les Micquets Pierre E. Bocquet, 1990 |
| rat fink commercial: Weekly Commercial News , 1917 |
| rat fink commercial: Interaction Design for Live Performance Jonathan Hook, 2013-04-01 |
| rat fink commercial: Creating the Future Michael Fallon, 2017-05-30 Conceived as a challenge to long–standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970s—after the decline of the Ferus Gallery, the scattering of its stable of artists (Robert Irwin, Ed Kienholz, Ed Moses, Ed Rusha and others), and the economic struggles throughout the decade—and didn't resume until sometime around 1984 when Mark Tansey, Alison Saar, Judy Fiskin, Carrie Mae Weems, David Salle, Manuel Ocampo, among others became stars in an exploding art market. However, this is far from the reality of the L.A. art scene in the 1970s. The passing of those fashionable 1960s–era icons, in fact, allowed the development of a chaotic array of outlandish and independent voices, marginalized communities, and energetic, sometimes bizarre visions that thrived during the stagnant 1970s. Fallon's narrative describes and celebrates, through twelve thematically arranged chapters, the wide range of intriguing artists and the world—not just the objects—they created. He reveals the deeper, more culturally dynamic truth about a significant moment in American art history, presenting an alternative story of stubborn creativity in the face of widespread ignorance and misapprehension among the art cognoscenti, who dismissed the 1970s in Los Angeles as a time of dissipation and decline. Coming into being right before their eyes was an ardent local feminist art movement, which had lasting influence on the direction of art across the nation; an emerging Chicano Art movement, spreading Chicano murals across Los Angeles and to other major cities; a new and more modern vision for the role and look of public art; a slow consolidation of local street sensibilities, car fetishism, gang and punk aesthetics into the earliest version of what would later become the Lowbrow art movement; the subversive co–opting, in full view of Pop Art, of the values, aesthetics, and imagery of Tinseltown by a number of young and innovative local artists who would go on to greater national renown; and a number of independent voices who, lacking the support structures of an art movement or artist cohort, pursued their brilliant artistic visions in near–isolation. Despite the lack of attention, these artists would later reemerge as visionary signposts to many later trends in art. Their work would prove more interesting, more lastingly influential, and vastly more important than ever imagined or expected by those who saw it or even by those who created it in 1970's Los Angeles. Creating the Future is a visionary work that seeks to recapture this important decade and its influence on today's generation of artists. |
| rat fink commercial: Juxtapoz Kevin Thomson, 2009 Written by underground journalist Kevin Thomson, and edited by Robert Williams, this book is full on graphic auto action from cover to cover. It features core respresentatives of the scene originators such as Von Dutch and Ed Roth, together with contemporary maniacs like Coop and Von Franco. JUXTAPOZ CAR CULTURE provides the unique opportunity to fill your imaginary tank and zoom into a segment of the real world populated by those totally devoted to car culture. |
| rat fink commercial: The Directory of U.S. Trademarks , 1993 |
| rat fink commercial: Nuclear Science Abstracts , 1975 |
| rat fink commercial: House Industries House Industries, 2004 CD-ROM contains: five original fonts ... created exclusively for this book plus a few ... sound bites. |
| rat fink commercial: Union Postal Clerk and the Postal Transport Journal , 1964 Includes convention proceedings and officers' reports and also special issues. |
| rat fink commercial: A Hedonist's Guide to Buenos Aires , 2007 Described by Harpers & Queen as a chic insider's guide for sophisticated travellers, these sleek, black city guides are aimed at the more discerning traveller looking to sidestep the usual tourist traps and penetrate the skin of each city.The Hedonist's Guide To series offers a definitive view of the finest restaurants, the most stylish hotels, the chicest bars, the best shopping, the most luxurious spas and the cultural highlights in each city. Individually tried and tested, every bar, restaurant, hotel, cafe and nightclub is accompanied by a photograph. |
| rat fink commercial: Mouse Muse Lorna Owen, 2014-11-18 A beautifully designed introduction to art history by way of artworks that feature the mouse—from the ancient world to drawings by Picasso, Disney, and Art Spiegelman. Across centuries and civilizations, artists have used the mouse—the planet’s most common mammal after us—to illustrate our myths and beliefs. Mice have appeared as Japanese symbols of good luck or medieval emblems of evil, in Arab fables, Russian political satire and Nazi propaganda, as scientific tools and to help us challenge the way we see nature. With more than 80 rarely reproduced works—including paintings by Hieronymus Bosch and Gustav Klimt, a silkscreen by Andy Warhol, a print by Hokusai, a photograph by André Kertész, a sculpture by Claes Oldenburg, a video installation by Bruce Nauman, a performance by Joseph Beuys, and many more—Lorna Owen has created an engaging presentation of an extraordinary range. The pieces, which represent every period of visual art, are accompanied by Owen’s intriguing text about the story behind each work. She has combined her passion for art and her empathy for the unsung archetype of the animal kingdom to explain not only how or why the artist came to use the mouse as a subject, but how the art, in the end, reveals more about us than it could ever reveal about this humble creature. |
| rat fink commercial: Oddball Michigan Jerome Pohlen, 2014-05-01 There’s more to Michigan than beautiful forests, shuttered factories, and miles and miles of stunning shoreline. Armed with this offbeat travel guide, you’ll soon discover the strange underbelly of the Great Lakes State. Michigan has monuments to fluoridation, snurfing, the designer of the Jefferson nickel, and the once-famous Mr. Chicken, as well as festivals honoring tulips, Christmas pickles, and a 38-acre fungus. It’s where you’ll find the World’s Largest Lugnut, the Nun Doll Museum, Joe’s Gizzard City, the Teenie-Weenie Pickle Barrel Cottage, Howdy Doody, and Thomas Edison’s last breath. The state also has its share of weird history—it’s where Harry Houdini perished on Halloween night in 1926, where skater Tanya Harding’s posse whacked Nancy Kerrigan, and where the Kellogg brothers invented popular breakfast cereals and less-popular yogurt enemas. Along with humorous histories and witty observations, Oddball Michigan provides addresses, websites, hours, fees, and driving directions for each of its 450 entries. |
| rat fink commercial: Billboard , 1963-09-28 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| rat fink commercial: Cumulated Index Medicus , 1980 |
实验室用小鼠，「mouse」和「rat」一般情况下有什么区别？ - 知乎
实验室用小鼠，「mouse」和「rat」一般情况下有什么区别？ 肿瘤细胞实验中接触到了小黑鼠 小白鼠和大白鼠，看到英文称呼有rat和mouse。 其中C57BL/6 Balb/c分别是指那种类型的鼠？
实验用的大鼠 (rat)和小鼠 (mouse)有什么区别？ - 知乎
rat: A despicable person, especially a man who has been deceitful or disloyal（虚伪的、不忠诚的） 所以主要区别在于：1.mouse指比较小的鼠，但也不限于鼠科，也指别的科比如田鼠。
电脑更新，出现一个RAV Antivirus软件，可以卸载吗？ - 知乎
This webpage answers questions about the best BT download software and how to improve download speed.
本地Dify为什么无法添加Ollama？ - 知乎
本地Dify添加Ollama的疑难解答与解决方案。
western blot如何确定一抗，二抗？ - 知乎
根据样本种属选择抗体。 MCE 官网在产品页信息 “反应性” 一栏列出了该抗体经实验验证后所适用的种属信息。 如，反应性：Human, Mouse, Rat。 3.1.3 选择抗体宿主物种 一般说来，在使用 …
奶蓟草真的可以护肝吗？ - 知乎
图来自Federico A, Dallio M, Loguercio C. Silymarin/Silybin and Chronic Liver Disease: A Marriage of Many Years. Molecules. 2017. 1.1 保肝作用 主要通过抗脂质过氧化作用清除自由基，提高肝 …
果糖、葡萄糖、蔗糖和淀粉在体内代谢有何不同，为什么果糖相对 …
Dietary regulation of fructose metabolism in the intestine and in the liver of the rat. Duration of the effects of a high fructose diet after the return to the standard diet.
实验室用小鼠，「mouse」和「rat」一般情况下有什么区别？ - 知乎
实验室用小鼠，「mouse」和「rat」一般情况下有什么区别？ 肿瘤细胞实验中接触到了小黑鼠 小白鼠和大白鼠，看到英文称呼有rat和mouse。 其中C57BL/6 Balb/c分别是指那种类型的鼠？
实验用的大鼠 (rat)和小鼠 (mouse)有什么区别？ - 知乎
rat: A despicable person, especially a man who has been deceitful or disloyal（虚伪的、不忠诚的） 所以主要区别在于：1.mouse指比较小的鼠，但也不限于鼠科，也指别的科比如田鼠。
电脑更新，出现一个RAV Antivirus软件，可以卸载吗？ - 知乎
This webpage answers questions about the best BT download software and how to improve download speed.
本地Dify为什么无法添加Ollama？ - 知乎
本地Dify添加Ollama的疑难解答与解决方案。
western blot如何确定一抗，二抗？ - 知乎
根据样本种属选择抗体。 MCE 官网在产品页信息 “反应性” 一栏列出了该抗体经实验验证后所适用的种属信息。 如，反应性：Human, Mouse, Rat。 3.1.3 选择抗体宿主物种 一般说来，在使用 …
奶蓟草真的可以护肝吗？ - 知乎
图来自Federico A, Dallio M, Loguercio C. Silymarin/Silybin and Chronic Liver Disease: A Marriage of Many Years. Molecules. 2017. 1.1 保肝作用 主要通过抗脂质过氧化作用清除自由基，提高肝 …
果糖、葡萄糖、蔗糖和淀粉在体内代谢有何不同，为什么果糖相对 …
Dietary regulation of fructose metabolism in the intestine and in the liver of the rat. Duration of the effects of a high fructose diet after the return to the standard diet.
