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| riot by gwendolyn brooks analysis: Riot Gwendolyn Brooks, 1969 Riot is a poem in three parts, only one part of which has appeared in print before. It arises from the disturbances in Chicago after the assassination of Martin Luther King in 1968 -- Back cover. |
| riot by gwendolyn brooks analysis: Gwendolyn Brooks Harold Bloom, 2009 Provides insight into six of Brooks' most influential works along with a short biography of the poet. |
| riot by gwendolyn brooks analysis: Blacks Gwendolyn Brooks, 1987 Presents a collection of the author's poetry and prose. |
| riot by gwendolyn brooks analysis: Gwendolyn Brooks D.H. Melhem, 2014-07-11 Gwendolyn Brooks is one of the major American poets of this century and the first black woman to win the Pulitzer Prize for poetry (1950). Yet far less critical attention has focused on her work than on that of her peers. In this comprehensive biocritical study, Melhem—herself a poet and critic—traces the development of Brooks's poetry over four decades, from such early works as A Street in Bronzeville, Annie Allen, and The Bean Eaters, to the more recent In the Mecca, Riot, and To Disembark. In addition to analyzing the poetic devices used, Melhem examines the biographical, historical, and literary contexts of Brooks's poetry: her upbringing and education, her political involvement in the struggle for civil rights, her efforts on behalf of young black poets, her role as a teacher, and her influence on black letters. Among the many sources examined are such revealing documents as Brooks's correspondence with her editor of twenty years and with other writers and critics. From Melhem's illuminating study emerges a picture of the poet as prophet. Brooks's work, she shows, is consciously charged with the quest for emancipation and leadership, for black unity and pride. At the same time, Brooks is seen as one of the preeminent American poets of this century, influencing both African American letters and American literature generally. This important book is an indispensable guide to the work of a consummate poet. |
| riot by gwendolyn brooks analysis: A History of the Harlem Renaissance Rachel Farebrother, Miriam Thaggert, 2021-02-04 The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'. |
| riot by gwendolyn brooks analysis: The Book of Light Lucille Clifton, 2013-06-15 Lucille Clifton was born in Depew, New York in 1936, and educated at the State University of New York at Fredonia and at Howard University. Her awards include the Juniper Prize for Poetry, two nominations for the Pulitzer Prize in poetry, an Emmy Award from the American Academy of Television Arts and Sciences, and two fellowships from the National Endowment for the Arts. She has taught at the University of California at Santa Cruz and American University in Washington, D.C. and is Distinguished Professor of Humanities at St. Marys College of Maryland. In the extraordinary work of The Book of Light she [Clifton] flies higher and strikes deeper than ever. Poem after poem exhilarates and inspires awe at the manifestation of such artistic and spiritual power…One of the most authentic and profound living American poets.—Denise Levertov Clifton’s latest collection clearly demonstrates why she was twice nominated for the Pulitzer Prize. These poems contain all the simplicity and grace readers have come to expect from her work.—Publishers Weekly (starred review) Other titles by Lucille Clifton from Consortium: Blessing the Boats: New and Selected Poems 1988-2000 (BOA Editions), 1-880238-88-8 PB • 1-880238-87-X HC Good Woman (BOA Editions), 0-918526-59-0 PB Next (BOA Editions), 0-918526-61-2 PB Quilting (BOA Editions), 0-918526-81-7 PB terrible stories (BOA Editions), 1-880238-37-3 PB • 1-880238-36-5 HC |
| riot by gwendolyn brooks analysis: The Golden Shovel Anthology Terrance Hayes, 2019-06-07 “The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.” —Claudia Rankine in the New York Times The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes. An array of writers—including winners of the Pulitzer Prize, the T. S. Eliot Prize, and the National Book Award, as well as a couple of National Poets Laureate—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Danez Smith, Nikki Giovanni, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, Richard Powers, and Julia Glass are just a few of the contributing poets. This second edition includes Golden Shovel poems by two winners and six runners-up from an international student poetry competition judged by Nora Brooks Blakely, Gwendolyn Brooks’s daughter. The poems by these eight talented high school students add to Ms. Brooks’s legacy and contribute to the depth and breadth of this anthology. |
| riot by gwendolyn brooks analysis: The Contemporary Small Press Georgina Colby, Kaja Marczewska, Leigh Wilson, 2021-01-04 The Contemporary Small Press: Making Publishing Visible addresses the contemporary literary small press in the US and UK from the perspective of a range of disciplines. Covering numerous aspects of small press publishing—poetry and fiction, children’s publishing, the importance of ethical commitments, the relation to the mainstream, the attitudes of those working for presses, the role of the state in supporting presses—scholars from literary criticism, the sociology of literature and publishing studies demonstrate how a variety of approaches and methods are needed to fully understand the contemporary small press and its significance for literary studies and for broader literary culture. |
| riot by gwendolyn brooks analysis: Pipeline Dominique Morisseau, 2019 Nya, an inner-city public high school teacher, is committed to her students but desperate to give her only son Omari opportunities they’ll never have. When a controversial incident at his upstate private school threatens to get him expelled, Nya must confront his rage and her own choices as a parent. But will she be able to reach him before a world beyond her control pulls him away? With profound compassion and lyricism, Pipeline brings an urgent conversation powerfully to the fore. Morisseau pens a deeply moving story of a mother’s fight to give her son a future — without turning her back on the community that made him who he is. |
| riot by gwendolyn brooks analysis: American and British Poetry Harriet Semmes Alexander, 1984 |
| riot by gwendolyn brooks analysis: Family Pictures Gwendolyn Brooks, 1987 |
| riot by gwendolyn brooks analysis: On Gwendolyn Brooks Stephen Caldwell Wright, 2001 A reassessment of the art and achievements of the first black author to win the Pulitzer Prize |
| riot by gwendolyn brooks analysis: 1919 Eve L. Ewing, 2019-06-11 NPR Best Books of 2019 Chicago Tribune Best Books of 2019 Chicago Review of Books Best Poetry Book of 2019 O Magazine Best Books by Women of Summer 2019 The Millions Must-Read Poetry of June 2019 LitHub Most Anticipated Reads of Summer 2019 The Chicago Race Riot of 1919, the most intense of the riots comprising the nation’s Red Summer, has shaped the last century but is not widely discussed. In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present. |
| riot by gwendolyn brooks analysis: The Bean Eaters; Gwendolyn 1917- Brooks, 2021-09-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| riot by gwendolyn brooks analysis: The Deacons for Defense Lance Hill, 2005-12-15 In 1964 a small group of African American men in Jonesboro, Louisiana, defied the nonviolence policy of the mainstream civil rights movement and formed an armed self-defense organization--the Deacons for Defense and Justice--to protect movement workers from vigilante and police violence. With their largest and most famous chapter at the center of a bloody campaign in the Ku Klux Klan stronghold of Bogalusa, Louisiana, the Deacons became a popular symbol of the growing frustration with Martin Luther King Jr.'s nonviolent strategy and a rallying point for a militant working-class movement in the South. Lance Hill offers the first detailed history of the Deacons for Defense and Justice, who grew to several hundred members and twenty-one chapters in the Deep South and led some of the most successful local campaigns in the civil rights movement. In his analysis of this important yet long-overlooked organization, Hill challenges what he calls the myth of nonviolence--the idea that a united civil rights movement achieved its goals through nonviolent direct action led by middle-class and religious leaders. In contrast, Hill constructs a compelling historical narrative of a working-class armed self-defense movement that defied the entrenched nonviolent leadership and played a crucial role in compelling the federal government to neutralize the Klan and uphold civil rights and liberties. |
| riot by gwendolyn brooks analysis: Annotations John Keene, 1995-10-17 Genius—brilliant, polished and of considerable depth. —Ishmael Reed An experimental first novel of poem-like compression, Annotations has a great deal to say about growing up Black in St. Louis. Reminiscent of Jean Toomer’s Cane, the book is in part a meditation on African-American autobiography. Keene explores questions of identity from many angles—from race to social class to sexuality (gay and straight). Employing all manner of textual play and rhythmic and rhetorical maneuvers, he (re)creates his life story as a jazz fugue-in-words. |
| riot by gwendolyn brooks analysis: Perfect Black Crystal Wilkinson, 2021-08-03 2022 NAACP Image Award Winner Crystal Wilkinson combines a deep love for her rural roots with a passion for language and storytelling in this compelling collection of poetry and prose about girlhood, racism, and political awakening, imbued with vivid imagery of growing up in Southern Appalachia. In Perfect Black, the acclaimed writer muses on such topics as motherhood, the politics of her Black body, lost fathers, mental illness, sexual abuse, and religion. It is a captivating conversation about life, love, loss, and pain, interwoven with striking illustrations by her long-time partner, Ronald W. Davis. |
| riot by gwendolyn brooks analysis: Start a Riot! Casarae Lavada Abdul-Ghani, 2022-07-27 While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary exposés that a riot’s disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education—tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest. |
| riot by gwendolyn brooks analysis: Robert Hayden Laurence Goldstein, Robert Chrisman, 2013-10-16 Vital perspectives from leading critics and scholars on one of the most distinguished African American poets of the twentieth century |
| riot by gwendolyn brooks analysis: They Can't Kill Us Until They Kill Us Hanif Abdurraqib, 2017-11-14 * 2018 12 best books to give this holiday season —TODAY (Elizabeth Acevedo) * A Best Book of 2017 —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times. |
| riot by gwendolyn brooks analysis: Primer for Blacks Gwendolyn Brooks, 1991 |
| riot by gwendolyn brooks analysis: The Other Blacklist Mary Washington, 2014-04-22 Revealing the formative influence of 1950s leftist radicalism on African American literature and culture. |
| riot by gwendolyn brooks analysis: Deep Locational Criticism Jason Finch, 2016-03-18 A lively series of spatial turns in literary studies since the 1990s give rise to this engaged and practical book, devoted to the question of how to teach and study the relationship between all sorts of literature and all sorts of location. Among the many concrete examples explored are texts created between the early seventeenth and the early twenty-first centuries, in genres ranging from stage drama and lyric poetry to television, by way of several studies of fiction definable in a broad way as realist. Writers and thinkers discussed include Michel de Certeau, Edward Casey, Gwendolyn Brooks, Christina Rossetti, Dickens, J. Hillis Miller, Lynne Reid Banks, Heidegger, Shakespeare, Thomas Middleton, Thomas Dekker, Stephen C. Levinson, Bernard Malamud, E.M. Forster, Thomas Burke and Samuel Beckett. The book is underpinned by the philosophical topology of Jeff Malpas, who insists that human life is necessarily and primarily located. It is aimed at students and teachers of literary place at all university levels. |
| riot by gwendolyn brooks analysis: The Tradition Jericho Brown, 2019-06-18 WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award 100 Notable Books of the Year, The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes.—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction. |
| riot by gwendolyn brooks analysis: Living for Change Grace Lee Boggs, 2016-08-03 No one can tell in advance what form a movement will take. Grace Lee Boggs’s fascinating autobiography traces the story of a woman who transcended class and racial boundaries to pursue her passionate belief in a better society. Now with a new foreword by Robin D. G. Kelley, Living for Change is a sweeping account of a legendary human rights activist whose network included Malcolm X and C. L. R. James. From the end of the 1930s, through the Cold War, the Civil Rights era, and the rise of the Black Panthers to later efforts to rebuild crumbling urban communities, Living for Change is an exhilarating look at a remarkable woman who dedicated her life to social justice. |
| riot by gwendolyn brooks analysis: Dark Testament: and Other Poems Pauli Murray, 2018-09-04 With the cadences of Martin Luther King Jr. and the lyricism of Langston Hughes, the great civil rights activist Pauli Murray’s sole book of poems finally returns to print. There has been explosive interest in the life of Pauli Murray, as reflected in a recent profile in The New Yorker, the publication of a definitive biography, and a new Yale University college in her name. Murray has been suddenly cited by leading historians as a woman who contributed far more to the civil rights movement than anyone knew, being arrested in 1940—fifteen years before Rosa Parks—for refusing to give up her seat on a Virginia bus. Celebrated by twenty-first-century readers as a civil rights activist on the level of King, Parks, and John Lewis, she is also being rediscovered as a gifted writer of memoir, sermons, and poems. Originally published in 1970 and long unavailable, Dark Testament and Other Poems attests to her fierce lyrical powers. At turns song, prayer, and lamentation, Murray’s poems speak to the brutal history of slavery and Jim Crow and the dream of racial justice and equality. |
| riot by gwendolyn brooks analysis: The Hip Hop Movement Reiland Rabaka, 2013-04-04 Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement critically explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. |
| riot by gwendolyn brooks analysis: Winnie Gwendolyn Brooks, 1991 A group of poems dedicated to Winnie Mandela, the wife of Nelson Mandela who was the first indigenous leader to hold the office of President of the Republic of South Africa. |
| riot by gwendolyn brooks analysis: The Negro in Chicago Chicago Commission on Race Relations, 1922 |
| riot by gwendolyn brooks analysis: Selected Poems Gwendolyn Brooks, 2006-07-03 The classic volume by the distinguished modern poet, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters, showcases an esteemed artist's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world. |
| riot by gwendolyn brooks analysis: Literature and the English Civil War Thomas Healy, Jonathan Sawday, 1990-05-25 This book charts the relationship between literary texts and their historical context from 1640-1660. Essays in the volume focus on issues of ideology and genre; the politics of the masque; lyric and devotional poetry; women's writings; attitudes towards Ireland; colonialism; madness and division; and individual writers such as Hobbes, Marvell and Milton. |
| riot by gwendolyn brooks analysis: Report from Part Two Gwendolyn Brooks, D. H. Melhem, 1996 Report From Part Two is the second installment in the autobiography of Gwendolyn Brooks. In it, Brooks shares with her extended literary family her own family's gifts of words and wisdom. Report From Part Two, much like its companion volume Report From Part One, provides insightful, frank, and honest commentary on life, poetics and politics. In Report From Part Two, Brooks offers thoughts on the making of poetry and thoughts on contemporary poets and writers. This work includes the Jefferson Lecture, and her National Book Award Lifetime Achievement Award acceptance speech. Copyright © Libri GmbH. All rights reserved. |
| riot by gwendolyn brooks analysis: A Life Distilled Maria Mootry, Gary Smith, 1989 These 18 critical essays place Brooks' work in a personal as well as social and cultural context and reflect in a chronological manner an appreciation of the entire range of Brooks' poetic vision. Beginning with a general assessment the essays analyze her poetry, her novel Maud Martha, and the unpublished Songs After Sunset. ISBN 0-252-01367-0 : $27.50. |
| riot by gwendolyn brooks analysis: World War I Poetry Edith Wharton, Wilfred Owen, Rupert Brooke, Siegfried Sassoon, 2017-09-21 The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph. |
| riot by gwendolyn brooks analysis: Maud Martha Gwendolyn Brooks, 1953 The life of a young black woman growing up in Chicago is a constant effort to find status in an unsympathetic environment. |
| riot by gwendolyn brooks analysis: A Street in Bronzeville Gwendolyn Brooks, 1975 |
| riot by gwendolyn brooks analysis: Naming the Unnameable Michelle Bonzcek Evory, 2018-03-05 Naming the Unnameable: An Approach to Poetry for the New Generation assembles a wide range of poetry from contemporary poets, along with history, advice, and guidance on the craft of poetry. Informed by a consideration to the psychology of invention, Michelle Bonczek Evory¿s writing philosophy emphasizes both spontaneity and discipline, teaching students how to capture the chaos in our memories, imagination, and bodies with language, and discovering ways to mold them into their own cosmos, sculpt them like clay on a page. Exercises aim to make writing a form of play in its early stages that gives way to more enriching insights through revision, embracing the writing of poetry as both a love of language and a tool that enables us to explore ourselves and understand the world. Naming the Unnameable promotes an understanding of poetry as a living art and provides ways for students to involve themselves in the growing contemporary poetry community that thrives in America today. |
| riot by gwendolyn brooks analysis: The Essential Gwendolyn Brooks Gwendolyn Brooks, 2005-11-17 Presents more than eighty poems spanning the career of twentieth-century African-American poet Gwendolyn Brooks, which explore life on Chicago's south side. |
| riot by gwendolyn brooks analysis: semiautomatic Evie Shockley, 2017-10-03 Winner of Hurston/Wright Foundation's Legacy Award for Poetry, given by the Zora Neale Hurston/Richard Wright Foundation, 2018 Art can't shield our bodies or stabilize the earth's climate, but Evie Shockley's semiautomatic insists that it can feed the spirit and reawaken the imagination. The volume responds primarily to the twenty-first century's inescapable evidence of the terms of black life—not so much new as newly visible. The poems trace a whole web of connections between the kinds of violence that affect people across the racial, ethnic, gender, class, sexual, national, and linguistic boundaries that do and do not divide us. How do we protect our humanity, our ability to feel deeply and think freely, in the face of a seemingly endless onslaught of physical, social, and environmental abuses? Where do we find language to describe, process, and check the attacks and injuries we see and suffer? What actions can break us out of the soul-numbing cycle of emotions, moving through outrage, mourning, and despair, again and again? In poems that span fragment to narrative and quiz to constraint, from procedure to prose and sequence to song, semiautomatic culls past and present for guides to a hoped-for future. |
| riot by gwendolyn brooks analysis: The Train NYC, 1984 Brian Young, 2016 Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of '70s and early '80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The crack epidemic was on the front pages and on the streets. Abandoned shells of burnt-out cars littered the roads and muggings were simply a fact of daily life. Young found his camera increasingly drawn to the subway system--one of the great social levelers of life in New York City and, increasingly, the canvas for an explosive profusion of graffiti. Brian Young: The Train NYC 1984 collects the photographer's quiet, black-and-white shots of the subway from 1984, bringing a vanished New York evocatively back to life. |
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