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| redondillas sor juana english: The Answer / La Respuesta (Expanded Edition) Sor Juana Inés de la Cruz, 2009-06-01 Defiant writing by the first feminist of the Americas—the Mexican nun Sor Juana Inés de la Cruz—in response to the church officials that tried to silence her. Known as the first feminist of the Americas, the Mexican nun Sor Juana Inés de la Cruz enjoyed an international reputation as one of the great lyric poets and dramatists of her time. The Answer/La Respuesta (1691) is is Sor Juana's impassioned response to years of attempts by church officials to silence her. While earlier translators have ignored Sor Juana's keen awareness of gender, this volume brings out her own emphasis and diction, and reveals the remarkable scholarship, subversiveness, and even humor she drew on in defense of her cause. This expanded, bilingual edition combines new research and perspectives on an inspired writer and thinker. It includes the fully annotated primary text responding to the church officials; the letter that ultimately provoked the writing of The Answer; an expanded selection of poems; an updated bibliography; and a new preface. |
| redondillas sor juana english: Early Modern Women's Writing and Sor Juana Inés de la Cruz Stephanie Merrim, 1999 This book maps the field of seventeenth-century women's writing in Spanish, English, and French and situates the work of Sor Juana more clearly within that field. It holds up the multi-layered, proto-feminist writings of Sor Juana as a meaningful lens through which to focus the literary production of her female contemporaries. Merrim's book advances the integration of Hispanic women authors and women's issues into the panorama of early modern women's writing and opens up unexplored commonalities between Sor Juana and her sister writers. Early modern women writers whose works are explored include Marie de Gournay, Margaret Fell Fox, Catalina de Erauso, Maria de Zayas, Ana Caro, Mme de Lafayette, Anne Bradstreet, St. Teresa, and Margaret Lucas Cavendish. Merrim's study provides a full-bodied picture of the resources that the cultural and historical climates of the seventeenth century placed at the disposal of women writers, the manners in which women writers instrumentalized them, the building blocks and concerns of early modern women's writing, and the continuities between early modern and modern women's writing. Written in an engaging, clear manner, this innovative study will be of interest not only to Hispanists but also to scholars in early modern studies, women's studies, history, and comparative literature. |
| redondillas sor juana english: Women Writing Women Teresa Cajiao Salas, Margarita Vargas, 1997-01-01 Translations of eight plays by acclaimed women playwrights: Isidora Aguirre (Chile), Sabina Berman (Mexico), Myrna Casas (Puerto Rico), Teresa Marichal (Puerto Rico), Diana Raznovich (Argentina), Mariela Romero (Venezuela), Beatriz Seibel (Argentina), and Maruxa Vilalta (Mexico). Introductory essay and bio-bibliographical notes on each author offer ample contextualization supplemented by a useful bibliography of primary and secondary sources. Lively translations by editors and Kirsten Nigro produce stageworthy scripts. Outstanding collection highly recommended for classroom and dramatic use--Handbook of Latin American Studies, v. 58. |
| redondillas sor juana english: Poems, Protest, and a Dream Sister Juana Ines de la Cruz, 2004-05 |
| redondillas sor juana english: Sor Juana Inés de la Cruz Juana Ines de la Cruz, 2015-12-01 Latin America's great poet rendered into English by the world's most celebrated translator of Spanish-language literature. Sor Juana (1651–1695) was a fiery feminist and a woman ahead of her time. Like Simone de Beauvoir, she was very much a public intellectual. Her contemporaries called her the Tenth Muse and the Phoenix of Mexico, names that continue to resonate. An illegitimate child, self-taught intellectual, and court favorite, she rose to the height of fame as a writer in Mexico City during the Spanish Golden Age. This volume includes Sor Juana's best-known works: First Dream, her longest poem and the one that showcases her prodigious intellect and range, and Response of the Poet to the Very Eminent Sor Filotea de la Cruz, her epistolary feminist defense—evocative of Mary Wollstonecraft and Emily Dickinson—of a woman's right to study and to write. Thirty other works—playful ballads, extraordinary sonnets, intimate poems of love, and a selection from an allegorical play with a distinctive New World flavor—are also included. |
| redondillas sor juana english: A Spanish Anthology Jeremiah Denis Matthias Ford, 1901 |
| redondillas sor juana english: Sor Juana Inés de la Cruz (CWS) Juana Inés de la Cruz (sor), 2005 The interest in Mexican Hieronimite nun, Sor Juana Ines de la Cruz (1648-1695) is reaching extraordinary new levels. She has been the subject of plays, a feature film, scholarly conferences, books and articles. Nobel Laureate, poet Octavio Paz, has called her one of the great poets of the Spanish language and considers her Response to Sor Philotea de la Cruz to be the first intellectual autobiography in the Hispanic world. At her death in 1695, Sor Juana was an internationally-known poet, dramatist and religious writer. Today, she is still considered an exceptional lyric poet and one of the great writers of Spain's siglo de oro, its Golden Age of drama. Included here are: religious songs and devotional poetry; Sor Juana's sacramental drama and preface play, Divine Narcissus; two devotional works (first English translation), Devotional Exercises for the Feast of the Incarnation and Offerings for the Sorrows of Our Lady; a theological disputation, Critique of a Sermon/Athenagoric Letter and her autobiographical Response to Sor Philotea de la Cruz. Sor Juana Ines de la Cruz: Selected Religious Works in the Classics of Western Spirituality Series is essential reading for those interested in great literary figures, religious studies and women's history. |
| redondillas sor juana english: A Sor Juana Anthology Sister Juana Inés de la Cruz, 1988 Juana Inés de la Cruz was acclaimed in her time as the Phoenix of Mexico, America's tenth muse; a generation later she was forgotten. Rediscovered 300 years later, her works were reissued and she is now considered one of the finest Hispanic poets of the seventeenth century. Her works speak directly to our concern for the freedom of women to realize themselves artistically and intellectually. This anthology contains a selection of her poems. |
| redondillas sor juana english: The Routledge Research Companion to the Works of Sor Juana Inés de la Cruz Emilie L. Bergmann, Stacey Schlau, 2017-04-28 Called by her contemporaries the Tenth Muse, Sor Juana Inés de la Cruz (1648–1695) has continued to stir both popular and scholarly imaginations. While generations of Mexican schoolchildren have memorized her satirical verses, only since the 1970s has her writing received consistent scholarly attention., focused on complexities of female authorship in the political, religious, and intellectual context of colonial New Spain. This volume examines those areas of scholarship that illuminate her work, including her status as an iconic figure in Latin American and Baroque letters, popular culture in Mexico and the United States, and feminism. By addressing the multiple frameworks through which to read her work, this research guide serves as a useful resource for scholars and students of the Baroque in Europe and Latin America, colonial Novohispanic religious institutions, and women’s and gender studies. The chapters are distributed across four sections that deal broadly with different aspects of Sor Juana's life and work: institutional contexts (political, economic, religious, intellectual, and legal); reception history; literary genres; and directions for future research. Each section is designed to provide the reader with a clear understanding of the current state of the research on those topics and the academic debates within each field. |
| redondillas sor juana english: Divination on stage Folke Gernert, 2021-02-08 Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille. |
| redondillas sor juana english: Philomel Cottage Agatha Christie, 2023-08-20 Alix falls in love with a perfect stranger: Gerald Martin; and despite the opposition of her friend Dick Windyford, she marries him. The couple decides to buy and live at Philomel Cottage; a nice cabin lost in the country. Suddenly, Alix begins to think that her husband is a murderer who wants to keep her money and desperately must find the way to escape without arousing his suspicions. Will she make it? |
| redondillas sor juana english: Approaches to Teaching the Works of Sor Juana Inés de la Cruz Emilie L. Bergmann, Stacey Schlau, 2007 This volume addresses the religious, sociocultural, and political context of colonial society. Sor Juana lived in a convent, a community of women whose lives were strictly regulated by the rules of their order (in her case, the Hieronymites). She was subject to the authority of the bishop and other clerics. She lived in the capital of an enormously wealthy colonized region whose vast territory and many inaccessible rural areas created governance nightmares. She participated in a highly stratified colonial society in which class, race, religion, and gender determined performative behaviors to a great extent. She was subject to a power struggle between the secular and religious arms of government, as well as internecine church conflicts. Her ability to throw off some of the weight of restrictions and limitations on a woman of her temperament, vocation, and family background remains truly remarkable--Emilie L. Bergmann and Stacey Schlau, Preface, p. xii. |
| redondillas sor juana english: Sor Juana Inés de la Cruz: Selected Works Juana Inés de la Cruz, 2014-09-29 Latin America's great poet rendered into English by the world's most celebrated translator of Spanish-language literature. Sor Juana (1651–1695) was a fiery feminist and a woman ahead of her time. Like Simone de Beauvoir, she was very much a public intellectual. Her contemporaries called her the Tenth Muse and the Phoenix of Mexico, names that continue to resonate. An illegitimate child, self-taught intellectual, and court favorite, she rose to the height of fame as a writer in Mexico City during the Spanish Golden Age. This volume includes Sor Juana's best-known works: First Dream, her longest poem and the one that showcases her prodigious intellect and range, and Response of the Poet to the Very Eminent Sor Filotea de la Cruz, her epistolary feminist defense—evocative of Mary Wollstonecraft and Emily Dickinson—of a woman's right to study and to write. Thirty other works—playful ballads, extraordinary sonnets, intimate poems of love, and a selection from an allegorical play with a distinctive New World flavor—are also included. |
| redondillas sor juana english: The Divine Narcissus Sister Juana Inés de la Cruz, 1998 The first complete English translation of this Mexican Baroque (late 17th-century) work, this book consists of a loa (short introductory play) and an auto sacramental (religious drama), with English and Spanish on facing pages. The loa has appeared previously in English translations by Willis K. Jones and Margaret Sayers Peden. Sections of the auto appear in English translation by Alan S. Trueblood in his Sor Juana Anthology (1988). In the loa, Spanish characters introduce their Christian religion to Aztec representatives. The auto serves as further explanation, with classical and biblical references. Peters (College of St. Benedict) and Domeier (Sisters of St. Benedict) provide a solid translation, with interesting nuances--and inevitable differences of opinion about some of the variations from the original. This text complements Pamela Kirk's recent study of Sor Juana Ines de la Cruz: Religion, Art, and Feminism (CH, Jun'98), adding to the growing body of scholarship on this major author. The introduction, short bibliography, notes, and appendix of biblical references are all very helpful. There are a few printing errors. Recommended to libraries wishing to increase holdings on Latin American women for advanced students, faculty, and scholars. M. V. Ekstrom St. John Fisher College.--Publisher's description. |
| redondillas sor juana english: Latin American Writers Carlos A. Solé, Maria Isabel Abreu, 1989 Discusses writers of the New World and provides a critial analyses of today's outstanding writers. |
| redondillas sor juana english: Sanctified Subversives Horacio Sierra, 2016-09-23 As chaste women devoted to God, nuns are viewed as the purest of the pure. Yet, as females who reject courtship, sex, marriage, child bearing, and materialism, they have been the anathema of how society has proscribed, expected, and regulated women: sex object, wife, mother, and capitalist consumer. They are perceived as otherworldly beings, yet revered for their salt-of-the-earth demeanor. This book illustrates how both English and Spanish Renaissance-era authors latched onto the figure of the nun as a way to evaluate the social construction of womanhood. This analysis of the nun’s role in the popular imagination via literature explores how writers on both sides of the Catholic-Protestant divide employed the role of the nun to showcase the powerful potential these women possessed in acting out as sanctified subversives. The texts under consideration include William Shakespeare’s Measure for Measure, Margaret Cavendish’s The Convent of Pleasure, María de Zayas’s The Disenchantments of Love, Aphra Behn’s The History of the Nun, Catalina de Erauso’s The Lieutenant Nun, and Sor Juana Inés de la Cruz’s autobiographical and literary works. No other book addresses these issues through a concentrated study of these authors and their literary works, much less by offering an in-depth discussion of the literature and culture of seventeenth-century England, Spain, and Mexico. |
| redondillas sor juana english: Staging the Spanish Golden Age Kathleen Jeffs, 2018-04-13 In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama. Building on the RSC season, the volume offers methodologies for translation and communication that can feed the creative processes of actors and directors, while maintaining an ethos of fidelity with regards to the original texts. It argues that collaboration between academics and theatre practitioners was instrumental in the success of the season and that the work carried out has repercussions for critical debate of Comedia. The volume posits a model for future productions of the Comedia in English, one that recognizes the need for the languages of the scholar and the theatre artist to be made mutually intelligible by the use of collaborative strategies, mediated by a consultant or dramaturg proficient in both tongues. This model applies more generally to theatrical collaborations involving a translator, writer and director, and will be useful for translation and performance processes in any language. |
| redondillas sor juana english: A history of Spanish literature James Fitzmaurice-Kelly, 1898 |
| redondillas sor juana english: ...y no se lo trago la tierra / ...And the Earth Did Not Devour Him Tomàs Rivera, 2015-09-30 ñI tell you, God could care less about the poor. Tell me, why must we live here like this? What have we done to deserve this? YouÍre so good and yet you suffer so much,î a young boy tells his mother in Tomàs RiveraÍs classic novel about the migrant worker experience. Outside the chicken coop that is their home, his father wails in pain from the unbearable cramps brought on by sunstroke after working in the hot fields. The young boy canÍt understand his parentsÍ faith in a god that would impose such horrible suffering, poverty and injustice on innocent people. Adapted into the award-winning film and the earth did not swallow him and recipient of the first award for Chicano literature, the Premio Quinto Sol, in 1970, RiveraÍs masterpiece recounts the experiences of a Mexican-American community through the eyes of a young boy. Forced to leave their home in search of work, the migrants are exploited by farmers, shopkeepers, even other Mexican Americans, and the boy must forge his identity in the face of exploitation, death and disease, constant moving and conflicts with school officials. In this new edition of a powerful novel comprised of short vignettes, Rivera writes hauntingly about alienation, love and betrayal, man and nature, death and resurrection and the search for community. |
| redondillas sor juana english: Con Safos , 1971 |
| redondillas sor juana english: Dictionary of Quotations (Spanish) Thomas Benfield Harbottle, Martin Andrew Sharp Hume, 1907 |
| redondillas sor juana english: The Chronicles of Panchita Villa and Other Guerrilleras Tey Diana Rebolledo, 2005 Although there have been substantial contributions to Chicana literature and criticism over the past few decades, Chicanas are still underrepresented and underappreciated in the mainstream literary world and virtually nonexistent in the canon. Writers like Sandra Cisneros, Ana Castillo, and Gloria Anzaldúa have managed to find larger audiences and critical respect, but there are legions of Chicana writers and artists who have been marginalized and ignored despite their talent. Even in Chicano anthologies, the focus has tended to be more on male writers. Chicanas have often found themselves without a real home in the academic world. Tey Diana Rebolledo has been writing about Chicana/Latina identity, literature, discrimination, and feminism for more than two decades. In this collection of essays, she brings together both old and new works to give a state-of-the-moment look at the still largely unanswered questions raised by vigilant women of color throughout the last half of the twentieth century. An intimate introductory essay about Rebolledo's personal experiences as the daughter of a Mexican mother and a Peruvian father serves to lay the groundwork for the rest of the volume. The essays delve into the historical development of Chicana writing and its early narratives, the representation of Chicanas as seen on book covers, Chicana feminism, being a Chicana critic in the academy, Chicana art history, and Chicana creativity. Rebolledo encourages guerrillera warfare against academia in order to open up the literary canon to Chicana/Latina writers who deserve validation. |
| redondillas sor juana english: Sor Juana, Or, The Traps of Faith Octavio Paz, 1988 A life of the seventeenth-century poet, intellectual, and feminist who became a nun and eventually gave up secular learning, places her in her times and in Spanish intellectual tradition, and examines the contradictions in her personality. |
| redondillas sor juana english: Antiheroes Ilan Stavans, 1997 Presentation of the author's psychoanalytic beliefs and experiences inchild psychoanalytic therapy. |
| redondillas sor juana english: Sor Juana Ines de la Cruz Theresa A. Yugar, 2014-10-22 In Sor Juana Ines de la Cruz: Feminist Reconstruction of Biography and Text, Yugar invites you to accompany Sor Juana Ines de la Cruz, a seventeenth-century protofeminist and ecofeminist, on her lifelong journey within three communities of women in the Americas. Sor Juana's goal was to reconcile inequalities between men and women in central Mexico and between the Spaniards and the indigenous Nahua population of New Spain. Yugar reconstructs a her-story narrative through analysis of two primary texts Sor Juana wrote en sus propias palabras (in her own words), El Sueno (The Dream) and La Respuesta (The Answer). Yugar creates a historically-based narrative in which Sor Juana's sueno of a more just world becomes a living nightmare haunted by misogyny in the form of the church, the Spanish Tribunal, Jesuits, and more--all seeking her destruction. In the process, Sor Juana hoists [them] with their own petard. In seventeenth-century colonial Mexico, just as her Latina sisters in the Americas are doing today, Sor Juana used her pluma (pen) to create counternarratives in which the wisdom of women and the Nahua inform her sueno of a more just world for all. |
| redondillas sor juana english: Sor Juana's Second Dream Alicia Gaspar de Alba, 1999 This historically accurate and beautifully written novel explores the secret inclinations, subjective desires, and political struggles of the 17th-century Mexican nun and poet. |
| redondillas sor juana english: Aproximaciones Al Estudio de la Literatura Hispanica Carmelo Virgillo, Edward Friedman, Teresa Valdivieso, 2016-09 |
| redondillas sor juana english: Women Who Changed the World Candice Goucher, 2022-01-24 This indispensable reference work provides readers with the tools to reimagine world history through the lens of women's lived experiences. Learning how women changed the world will change the ways the world looks at the past. Women Who Changed the World: Their Lives, Challenges, and Accomplishments through History features 200 biographies of notable women and offers readers an opportunity to explore the global past from a gendered perspective. The women featured in this four-volume set cover the full sweep of history, from our ancestral forbearer Lucy to today's tennis phenoms Venus and Serena Williams. Every walk of life is represented in these pages, from powerful monarchs and politicians to talented artists and writers, from inquisitive scientists to outspoken activists. Each biography follows a standardized format, recounting the woman's life and accomplishments, discussing the challenges she faced within her particular time and place in history, and exploring the lasting legacy she left. A chronological listing of biographies makes it easy for readers to zero in on particular time periods, while a further reading list at the end of each essay serves as a gateway to further exploration and study. High-interest sidebars accompany many of the biographies, offering more nuanced glimpses into the lives of these fascinating women. |
| redondillas sor juana english: Equal Rights , 1925 |
| redondillas sor juana english: Standards for Foreign Language Learning in the 21st Century National Standards in Foreign Language Education Project (U.S.), 2006 This volume incorporates the national standards for the following languages: Arabic, Chinese, Classical Languages, French, German, Italian, Japanese Portuguese, Russian and Spanish. |
| redondillas sor juana english: Women Writers of Spanish America Diane Marting, 1987-08-04 The countries of Spanish America have a history of women's literature that is full, varied, and, until now, undocumented in English. The largest collection of its kind, this annotated bio-bibliographical guide lists over one thousand authors and their works, with selected introductory annotations for the better known authors. Included are fictional works dealing primarily with women, women's literature, feminism, and the condition of women, with a separate index of anthologies. |
| redondillas sor juana english: Latin American Poetry in English Translation , 1965 |
| redondillas sor juana english: The Bible of Bibles; Or, Twenty-Seven "Divine" Revelations Kersey Graves, Lydia M. Graves, 2022-07-20 The Bible of Bibles is a scholarly religious work written by Kersey Graves. It analyzes the many different books and writings of different religions, with a critical view to any errors or inconsistencies noted. |
| redondillas sor juana english: The House of Trials Sister Juana Inés de la Cruz, 1997 In addition to the award-winning translation, the book contains essays discussing Sor Juana's life, the original production of the play, the unique use of asides, and various feminist interpretations of The House of Trials. |
| redondillas sor juana english: The Life of Guzman D'Alfarache: Or, The Spanish Rogue Mateo Alemán, 1707 |
| redondillas sor juana english: No Man is an Island John Donne, 1970 |
| redondillas sor juana english: Sor Juana's Love Poems Sister Juana Inés de la Cruz, 1997 Presents the love poems of the 17th century Mexican nun and author, in the orginal Spanish and in English translation. |
| redondillas sor juana english: Electra Benito Pérez Galdós, 1911 |
| redondillas sor juana english: In the Shadow of the Angel Kathryn Blair, 2011-05-24 |
| redondillas sor juana english: Teaching Gloria E. Anzaldúa Margaret Cantú-Sánchez, Candace de León-Zepeda, Norma Elia Cantú, 2020-09-29 Gloria Evangelina Anzaldúa—theorist, Chicana, feminist—famously called on scholars to do work that matters. This pronouncement was a rallying call, inspiring scholars across disciplines to become scholar-activists and to channel their intellectual energy and labor toward the betterment of society. Scholars and activists alike have encountered and expanded on these pathbreaking theories and concepts first introduced by Anzaldúa in Borderlands/La frontera and other texts. Teaching Gloria E. Anzaldúa is a pragmatic and inspiring offering of how to apply Anzaldúa’s ideas to the classroom and in the community rather than simply discussing them as theory. The book gathers nineteen essays by scholars, activists, teachers, and professors who share how their first-hand use of Anzaldúa’s theories in their classrooms and community environments. The collection is divided into three main parts, according to the ways the text has been used: “Curriculum Design,” “Pedagogy and Praxis,” and “Decolonizing Pedagogies.” As a pedagogical text, Teaching Gloria E. Anzaldúa also offers practical advice in the form of lesson plans, activities, and other suggested resources for the classroom. This volume offers practical and inspiring ways to deploy Anzaldúa’s transformative theories with real and meaningful action. Contributors Carolina E. Alonso Cordelia Barrera Christina Bleyer Altheria Caldera Norma E. Cantú Margaret Cantú-Sánchez Freyca Calderon-Berumen Stephanie Cariaga Dylan Marie Colvin Candace de León-Zepeda Miryam Espinosa-Dulanto Alma Itzé Flores Christine Garcia Patricia M. García Patricia Pedroza González María del Socorro Gutiérrez-Magallanes Leandra H. Hernández Nina Hoechtl Rían Lozano Socorro Morales Anthony Nuño Karla O’Donald Christina Puntasecca Dagoberto Eli Ramirez José L. Saldívar Tanya J. Gaxiola Serrano Verónica Solís Alexander V. Stehn Carlos A. Tarin Sarah De Los Santos Upton Carla Wilson Kelli Zaytoun |
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